Dame Janet Baker

Mezzo-Soprano

Dame Janet Baker

Dame Janet Baker (born August 21, 1933) is an English mezzo-soprano best known as an opera, concert, and lieder singer.

She was particularly closely associated with baroque and early Italian opera and the works of Benjamin Britten. During her career, which spanned the 1950s to the 1980s, she was considered an outstanding singing actress and widely admired for her dramatic intensity, perhaps best represented in her famous portrayal as Dido, the tragic heroine of Berlioz's magnum opus Les Troyens. As a concert performer, Baker was noted for her interpretations of Gustav Mahler and Edward Elgar.

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Tippett: A Child of Our Time

Tippett: A Child of Our Time


Jessye Norman (soprano), Dame Janet Baker (mezzo-soprano), Richard Cassilly (tenor) & John Shirley-Quirk (bass)

BBC Symphony Orchestra, BBC Choral Society & BBC Singers, Sir Colin Davis

“Davis’s reading as a whole packs an enormous dramatic punch, and this is one oratorio that suffers not at all from being brought close to the opera house” Gramophone Magazine

Decca 20C - 4788351

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Elgar: Cello Concerto; Sea Pictures

Elgar: Cello Concerto; Sea Pictures


Elgar:

Cello Concerto in E minor, Op. 85

Jacqueline du Pré (cello)

London Symphony Orchestra

Sea Pictures, Op. 37

Dame Janet Baker (mezzo-soprano)

London Symphony Orchestra

Cockaigne Overture, Op. 40 'In London Town'

Philharmonia Orchestra


At the premiere of Elgar’s Cello Concerto in 1919, John Barbirolli – himself a cellist – was playing in the London Symphony Orchestra. When he recorded the work in 1965 he chose Jacqueline du Pré as soloist and she remains inextricably linked with this elegiac, but passionate work. Barbirolli’s special affection for Elgar’s music is just as evident in the glorious account of Sea Pictures with Janet Baker and the Philharmonia Orchestra.

25% off Original Jackets

Warner Classics Original Jacket Reissues - 2564607600

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Mozart: Requiem & Bruckner: Te Deum

Mozart: Requiem & Bruckner: Te Deum


Bruckner:

Te Deum in C major, WAB 45

Anne Pashley (soprano), Birgit Finnilä (contralto), Robert Tear (tenor) & Don Garrard (bass)

New Philharmonia Orchestra & New Philharmonia Chorus

Mozart:

Requiem in D minor, K626

Sheila Armstrong (soprano), Janet Baker (mezzo-soprano), Nicolai Gedda (tenor) & Dietrich Fischer-Dieskau (baritone)

English Chamber Orchestra & John Alldis Choir


“The “Dies Irae” has what I can only call a fanatical attack and tempo, while ‘Hostias’, taken extremely slowly, is deeply devotional. Barenboim has, of course, a superb quartet of soloists, an absolutely first-rate chorus and an orchestra that knows how to play Mozart with the utmost artistry…You really should not overlook this exciting and most beautiful performance.” Gramophone Magazine

“[Barenboim] has an impeccable view for architecture...The quartet of soloists is superb, as much for their heartfelt identification with the text as for the musical sound they make...The singing of the John Alldis Choir has a commitment and urgency to it throughout...The playing of the ECO is never less than magisterial.” MusicWeb International, 11th June 2013

Warner Classics Masters - 4332932

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Fauré & Duruflé: Requiems

Fauré & Duruflé: Requiems


Duruflé:

Requiem, Op. 9

Janet Baker (mezzo-soprano), Stephen Roberts (baritone), Timothy Hugh (cello) & John Butt (organ)

Choir of King’s College, Cambridge, Sir Philip Ledger

Fauré:

Requiem, Op. 48

Robert Chilcott (treble), John Carol Case (baritone) & John Wells (organ)

Choir of King’s College, Cambridge, Sir David Willcocks

Pavane, Op. 50

Gareth Morris (flute)

New Philharmonia Orchestra, Sir David Willcocks


EMI Masters - 6230822

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Bach: Mass in B minor

Bach: Mass in B minor


Bach, J S:

Mass in B minor, BWV232

Margaret Marshall (soprano I), Janet Baker (soprano II / alto), Robert Tear (tenor) & Samuel Ramey (bass)

Academy & Chorus of St Martin in the Fields

Cantata BWV56 'Ich will den Kreuzstab gerne tragen'

John Shirley-Quirk (baritone)

The St. Anthony Singers & Academy of St. Martin in the Fields


For long out of the catalogue, Marriner’s (Philips) recording of Bach’s B Minor Mass, with an array of splendid soloists, returns to circulation. Its coupling is the first release on CD of this recording of the deeply moving Cantata BWV 56 ‘Ich will den Kreuzstab gerne tragen’. It was one of two (extant) Bach cantatas for bass voice alone (the other being BWV 82 ‘Ich habe genug’: Shirley-Quirk’s recording with Marriner appears on Decca Eloquence 476 2684). The two items were recorded thirteen years apart, the Cantata in April 1964 and the Mass in June-July 1977. The partnership of Neville Marriner and the Academy of St. Martin in the Fields is possibly the most recorded of all partnerships in recorded classical music. This pioneering 2CD set is issued in celebration of the Academy’s 50th anniversary this year and these recordings form part of a series of Marriner reissues on Eloquence.

Marriner’s glorious recording of Bach’s Mass in B minor returns to the catalogue – at budget price for the first time.

The Cantata BWV 56 receives its first release on CD.

Forms part of a series of recordings with Marriner and the Academy.

“I found the solo singing rewarding and in particular Dame Janet Baker’s account of the Agnus Dei very moving … the sound is rich with plenty of bloom ... Cum Sancto Spiritu is a real choral tour de force” Gramophone Magazine (Mass)

“This disc is, I would say, the one to have; and, more than any of his previous recordings, it makes apparent beyond doubt John Shirley-Quirk’s high standing as an artist” Gramophone Magazine (Cantata)

Australian Eloquence - ELQ4802338

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$11.75

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Holst: Savitri, 7 Part-Songs & Choral Hymns from the Rig Veda

Holst: Savitri, 7 Part-Songs & Choral Hymns from the Rig Veda


Holst:

Choral Hymns from the Rig Veda, Op. 26: 3rd Group, H99

Osian Ellis (harp)

Savitri

Janet Baker (Sāvitri), Robert Tear (Satyavān), Thomas Helmsley (Death)

English Chamber Orchestra

Seven Part-songs, H162

English Chamber Orchestra

The Evening-watch, H159


The Purcell Singers, Imogen Holst

An inspired arrangement between Decca and Imogen Holst, led to a series of pioneering recordings of her father Gustav Holst’s music, which appeared on Argo and are now comprehensively released on CD as part of the Eloquence series. This collection highlights Holst’s fascination with mysticism and the Orient, with the inclusion of the Rig-Veda Hymns and the chamber opera Savitri, boasting a trio of luminaries – Janet Baker, Robert Tear and Thomas Helmsley – who, with Imogen Holst, give us a heart-rending performance of this episode from the Mahabharata, which tells how Savitri, the wife of a young woodcutter, wins back her husband, for whom Death has come, by the strength of her love and devotion The Seven Part-Songs, set to poems by Holst’s friend Robert Bridges are subtle and gracious, as befits their verses. Imogen Holst’s notes for the LPs – ‘acutely perceptive, objective and candid’ noted Gramophone’s reviewer Lionel Salter – are here reprinted as are the full texts.

Recording producer: David Harvey

Recording engineer: Kenneth Wilkinson

Recording location: Kingsway Hall, London, UK, October-November 1965

“this classic performance will be difficult to better’ … ‘Janet Baker gives a radiant and most moving interpretation of the title role” Gramophone Magazine (Savitri)

“The ladies of the Purcell Singers give atmospheric performances, with great purity of intonation and wonderfully clear words … the engineering of the whole disc is impeccable” Gramophone Magazine (Rig Veda Hymns)

“Unreservedly recommended” Gramophone Magazine

GGramophone Magazine

Re-issue of the Month - July 2011

Australian Eloquence - ELQ4802329

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French Songs

French Songs


Chausson:

Chanson perpétuelle, Op. 37

Delage:

Quatre Poèmes hindous

Ravel:

Trois poemes de Stephane Mallarmé

Trois chansons madécasses


An intriguing, evocative and exotic recital in which Janet Baker joined The Melos Ensemble for a journey through some of the twentieth century's most alluring French compositions for voice and chamber ensemble.

"A most beautiful recital... in (Chausson's Chanson perpetuelle) Baker expands and exultingly finds herself most at home. It's a strong, highly effective performance and marks a measure of the extraordinary way in which she has mastered the always rather special art of singing in French... The contributions by members of the Melos Ensemble - the Hurwitz Quartet, the flutes of Richard Adeney and William Bennett, Gervase de Peyer and Stephen Trier playing clarinet, Lamar Crowson (piano) and, very important, the harp playing of Osian Ellis - are of superlative quality." Gramophone.

“A classic disc if ever there was one. This beautiful recital was made in 1966 and sounds as fresh today as the day it was made...This may be placed among Janet Baker's most outstanding recordings.” Penguin Guide, 2011 edition

Australian Eloquence - ELQ4803670

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Bach, J S: Christmas Oratorio, BWV248

Bach, J S: Christmas Oratorio, BWV248


Johann Sebastian Bach performed his Christmas Oratorio during the festive season 1734/5 in Leipzig. It does not conform to the usual meaning of the word Oratorio in that it is not a single self-contained work but is split into six sections or cantatas for six different services between Christmas Day and Epiphany, indeed the soloists and instrumentalists employed are varied thus enforcing the view that Bach did not expect all six to be performed in one evening concert. There is the usual blend of choruses and chorales for the choir with arias and recitatives for the soloists with the Tenor also allocated the role of Evangelist.

This recording, featuring the choir of King’s College, Cambridge, together with soloists closely associated with the works of the composer and of international renown, took place in July and December 1976 in King’s College Chapel with the Academy of St. Martin in the Fields under the direction of the Sir Philip Ledger, the then College musical director

“Recorded in the mid-1970s at King's College Cambridge, this is definitely a 'vintage' Christmas Oratorio. Soloists Elly Ameling, Janet Baker, Robert Tear and Dietrich Fischer-Dieskau are on top form, and Philip Ledger's reading of the work brings out its majestic gravitas.” David Smith, Presto Classical

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Warner Classics Gemini - 2176252

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The Essential Vaughan Williams

The Essential Vaughan Williams


Vaughan Williams:

The Lark Ascending

Hugh Bean (violin)

New Philharmonia Orchestra, Sir Adrian Boult

Linden Lea

words by William Barnes)

Dame Janet Baker (mezzo-soprano) & Gerald Moore (piano)

Fantasia on Greensleeves

Sinfonia of London, Sir John Barbirolli

Silent Noon

Ian Bostridge (tenor) & Julius Drake (piano)

English Folk Song Suite

(orch. Gordon Jacob)

London Symphony Orchestra, Sir Adrian Boult

The Vagabond (from Songs of Travel)

Anthony Rolfe Johnson (tenor) & David Willison (piano)

Serenade to Music

(original version with 16 soloists)

Norma Burrowes, Sheila Armstrong, Susan Longfield, Marie Hayward (soprano), Alfreda Hodgson, Gloria Jennings, Shirley Minty, Meriel Dickinson (contralto), Ian Partridge, Bernard Dickerson, Wynford Evans, Kenneth Bowen (tenor), Richard Angas, John Carol Case, John Noble & Christopher Keyte (bass)

London Philharmonic Orchestra, Sir Adrian Boult

Prelude on 'Rhosymedre'

Academy of St Martin-in-the-Fields, Sir Neville Marriner

Fantasia on a Theme by Thomas Tallis

Sinfonia of London, Sir John Barbirolli

The Wasps Overture

London Philharmonic Orchestra, Sir Adrian Boult

Loch Lomond

Ian Partridge (tenor)

London Madrigal Singers, Christopher Bishop

Ca' the Yowes

Ian Partridge (tenor)

London Madrigal Singers, Christopher Bishop

Five Variants of ‘Dives and Lazarus'

Jacques Orchestra, Sir David Willcocks

O Taste and See

James Lancelot (organ) & Ivan Sharpe (treble)

Winchester Cathedral Choir, Martin Neary

Bushes and Briars

Baccholian Singers of London

Wassail Song

Baccholian Singers of London

For all the saints (Sine nomine)

John Scott Whiteley (organ)

York Minster Choir, Philip Moore

The truth sent from above

Choir of King's College, Cambridge, David Willcocks

Little town of Bethlehem (Forest Green)

The Lamb

Ian Partridge (tenor) & Janet Craxton (oboe)

Scherzo from Symphony No. 7 'Sinfonia antartica'

London Philharmonic Orchestra, Sir Adrian Boult

Orpheus With His Lute

(first setting)

David Daniels (countertenor) & Martin Katz (piano)

Mass in G minor – Kyrie

John Eaton (treble), Nigel Perrin (alto), Robin Doveton (tenor) & David van Asch (bass)

Choir of King’s College, Cambridge, Sir David Willcocks

The blessed Son of God

Bach Choir, Sir David Willcocks

Come down, O Love divine (Down Ampney)

(trans. R. F. Littledale – v.4 arr. Williamson)

Thomas Williamson (organ)

The Old Hundredth Psalm Tune 'All people that on earth do dwell'

(William Kethe – Louis Bourgeois arr. RVW; version for brass ensemble and organ by Roy Douglas)

Benjamin Bayl (organ)

Choir of King’s College, Cambridge, Stephen Cleobury


EMI - 2079922

(CD - 2 discs)

$14.50

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Beethoven: Mass in C & Missa Solemnis

Beethoven: Mass in C & Missa Solemnis


Beethoven:

Mass in C major, Op. 86

Elly Ameling (soprano), Janet Baker (mezzo), Theo Altmeyer (tenor), Marius Rintzler (bass)

New Philharmonia Chorus, New Philharmonia Orchestra

Missa Solemnis in D major, Op. 123

Heather Harper (soprano), Janet Baker (mezzo), Robert Tear (tenor), Hans Sotin (bass)

New Philharmonia Chorus, London Philharmonic Orchestra


“Carlo Maria Giulini draws an almost spiritual glow from the London Philharmonic in a luminous performance of the Missa Solemnis. The Et incarnatus est section is heart-stoppingly spine-tingling, with some melting contributions from the soloists (not least Janet Baker), and there's some full-bodied singing from the chorus, both here and in the accompanying Mass in C (also conducted by Giulini, but with the New Philharmonia Orchestra).” James Longstaffe, Presto Classical

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Building a Library

First Choice - December 2012

Warner Classics Gemini - 5176642

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