Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Falla: El sombrero de tres picos
An anthology of Manuel de Falla's masterpieces, in which he invented modern Spanish music and revived songs, rhythms and dances out of an Andalusia both legendary yet still alive. A tribute to some legendary performers, approaching their centenaries, such as Clara Haskil, Igor Markevitch and Ernest Ansermet, who made these pieces immortal or taught their intricacies to artists such as Teresa Berganza… Incunabula ! Recorded 1960-1961 | | | In stock - usually despatched within 1 working day. |
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| |  | Royal Opera House, London, 21 May 1960
Carlo Maria Giulini (1914–2005) was without question, along with fellow Italians Arturo Toscanini, Victor de Sabata and Guido Cantelli, one of the greatest conductors of his generation. His opera performances at Covent Garden were landmarks for the Company, notably Verdi's Don Carlos, Falstaff, Il trovatore and La Traviata. This 1960 performance of Rossini's sparkling Il barbiere di Siviglia features a stellar cast consisting of a youthful Teresa Berganza as Rosina and Luigi Alva as The Count, who had been asked by Giulini immediately after his 1955 debut at La Scala, Milan, to sing the Count in a legendary La Scala production headed by Maria Callas and Tito Gobbi. This was his Covent Garden debut. The baritone Rolando Panerai as Figaro had been a stalwart of La Scala since 1951, while Fernando Corena as Dr Bartolo was making his Covent Garden debut but was already a major international figure. He had sung regularly at the Metropolitan Opera since 1954. The critic of The Times said of Berganza’s Rosina, ‘She is young, vivacious and Spanish. What more can anyone ask of Rosina?’ Equally excellent was his report on Alva’s Count, which he described as being ‘acted with gusto and resource and without a rough note in his voice’. The result was once again brilliant: ‘…this too was an ideal characterisation in music’. Panerai’s Figaro was notable for ‘a fine voice of ample power and easy delivery, versatile in inflection and infectious in comedy’. Corena was also felt to be in ‘commanding voice’, and Vinco’s singing was ‘sardonic enough for anything’. This is a very rare recording which has never appeared commercially before. | | | (also available to download from $21.00) | In stock - usually despatched within 1 working day. |
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| |  | Vivaldi: Gloria & Magnificat
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| |  | The Opera Album 2011
Bizet: | Votre toast je peux vous le rendre 'Toreador Song' (from Carmen) Bryn Terfel (bass-baritone) L'amour est un oiseau rebelle 'Habanera' (from Carmen) Tatiana Troyanos (mezzo) Au fond du temple saint (from Les Pêcheurs de Perles) Luciano Pavarotti (tenor), Nicolai Ghiaurov (bass) La fleur que tu m'avais jetée (from Carmen) Plácido Domingo (tenor) Les tringles des sistres tintaient (from Carmen) Magdalena Kozená (mezzo) | Delibes: | Lakmé: Dôme épais (Flower Duet) Joan Sutherland (soprano), Jane Berbié (mezzo) | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) Juan Diego Flórez (tenor) | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) Pilar Lorengar (soprano) | Gluck: | Che faro' senza Euridice? (from Orfeo ed Euridice) Andreas Scholl (countertenor) | Gounod: | Ah! Je veux vivre dans ce rêve (from Roméo et Juliette) Renée Fleming (soprano) Gloire immortelle de nos aïeux (from Faust) Richard Bonynge | Handel: | Lascia ch'io pianga (from Rinaldo) Cecilia Bartoli (mezzo) Ombra mai fu (from Serse) Andreas Scholl (countertenor) | Leoncavallo: | Vesti la giubba (from I Pagliacci) Jonas Kaufmann (tenor) | Mozart: | Der Vogelfänger bin ich, ja (from Die Zauberflöte) Hermann Prey (baritone) La ci darem la mano (from Don Giovanni) Ingvar Wixell (baritone), Mirella Freni (soprano) Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Patricia Petibon (soprano) | Offenbach: | Barcarolle (from Les Contes d'Hoffmann ) Joan Sutherland (soprano), Huguette Tourangeau (mezzo) Le jugement de Pâris - Au Mont Ida (from La Belle Hélène) Joseph Calleja (tenor) | Puccini: | Quando me'n vo (from La Bohème) Anna Netrebko (soprano) E lucevan le stelle (from Tosca) Andrea Bocelli (tenor) Humming Chorus (from Madama Butterfly) Giuseppe Sinopoli Nessun dorma (from Turandot) Luciano Pavarotti (tenor) Vissi d'arte (from Tosca) Kiri Te Kanawa (soprano) Si, mi chiamano Mimi (from La Bohème) Angela Gheorghiu (soprano) Signore, ascolta! (from Turandot) Montserrat Caballé (soprano) Chi il bel sogno di Doretta (from La Rondine) Renata Tebaldi (soprano) | Rossini: | Una voce poco fa (from Il barbiere di Siviglia) Teresa Berganza (mezzo) Largo al factotum (from Il barbiere di Siviglia) Leo Nucci (baritone) | Saint-Saëns: | Mon cœur s'ouvre à ta voix (from Samson et Dalila) Marilyn Horne (mezzo) | Verdi: | Anvil Chorus (from Il Trovatore) Sir Georg Solti La donna è mobile (from Rigoletto) Roberto Alagna (tenor) Libiamo, ne' lieti calici (from La Traviata) Plácido Domingo (tenor), Ileana Cotrubas (soprano) Di quella pira (from Il trovatore) José Carreras (tenor) Sempre libera (from La Traviata) Kiri Te Kanawa (soprano) Questa o quella (from Rigoletto) Rolando Villazón (tenor) Va, pensiero (from Nabucco) Silvio Varviso Celeste Aida (from Aida) Luciano Pavarotti (tenor) | Wagner: | Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Birgit Nilsson (soprano) |
This magnificent collection features the some of the greatest opera stars of all time: Cecilia Bartoli, Anna Netrebko, Bryn Terfel, Renée Fleming, Andrea Bocelli Luciano Pavarotti, Dame Joan Sutherland, Plácido Domingo, Dame Kiri Te Kanawa and José Carreras. With a carefully chosen selection of perennially popular arias, duets and choruses, this enchanting collection creates the perfect introduction to opera. With 40 tracks and over 2½ hours of music this collection is outstanding value for money. Includes Pavarotti’s classic recording of the most popular opera aria of all, Puccini’s ‘Nessun dorma’. | | | In stock - usually despatched within 1 working day. |
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| |  | OPERA 2011
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| |  | Una voce poco fa: A Portrait of Teresa Berganza
and traditional Spanish folksongs
“A truly memorable Teresa Berganza compliation. Naturally, there is a good sprinkling of her classic early operatic recordings of Rossini and Mozart, which sparkle as brightly as ever...All the other items on the first disc, from the Gluck and Handel items to the Bizet, also show her on top form, a real star mezzo of character and style...this is one of the most enterprising collections in Decca's 'Portrait' series.” Penguin Guide, 2011 edition | | | In stock - usually despatched within 1 working day. |
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| |  | Teresa Berganza - An Evening of Song, 1985
Teresa Berganza is undoubtedly one of the greatest Spanish singers of the 20th century. She enchanted audiences in opera houses around the world. Throughout her career, she would give recitals of songs, especially the songs of her homeland. This recital includes songs by Haydn, Fauré, Respighi, Braga and Rossini. | | | In stock - usually despatched within 1 working day. |
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| |  | Opera 2010
Bellini: | Casta Diva (from Norma) Maria Callas (soprano) Coro e Orchestra del Teatro alla Scala, Milano Care compagne, et voi, teneri amici ... Come per me sereno (from La Sonnambula) Evelino Pidò | Cilea: | Ecco: respiro appena. Io son l'umile ancella (from Adriana Lecouvreur) Myung-Whun Chung | Donizetti: | Il segreto per esser felici (from Lucrezia Borgia) Vivica Genaux (mezzo) | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) Münchner Rundfunkorchester | Gershwin: | Bess, you is my woman now (from Porgy and Bess) | Giordano, U: | La mamma morta (from Andrea Chénier) Maria Callas (soprano) | Gluck: | Che faro' senza Euridice? (from Orfeo ed Euridice) David Daniels (countertenor) Harry Bicket | Gounod: | Ah! Je veux vivre dans ce rêve (from Roméo et Juliette) Diana Damrau (soprano) L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) Rolando Villazón (tenor) Orchestre Philharmonique de Radio France | Handel: | Rival ti sono (from Faramondo) Caro amico amplesso! (from Poro) Precipitoso nel mar che freme (from Aci, Galatea e Polifemo) Laurent Naouri (baritone) Crude furie degli orridi abissi (from Serse) Ove son...Qui ti sfido (from Arianna) Philippe Jaroussky (countertenor) Frondi tenere e belle ... Ombra mai fù (from Serse) David Daniels (countertenor) | Mascagni: | Attesa (from the Intermezzo from Cavalleria Rusticana) Sarah Brightman (soprano) Ed anchè Beppe amò (from L'amico Fritz) Gianandrea Gavazzeni Suzel, buon di 'Cherry Duet' (from L'amico Fritz) Gianandrea Gavazzeni Mamma, quel vino (from Cavalleria Rusticana) | Massenet: | Instant charmant … En fermant les yeux (from Manon) | Mozart: | Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Natalie Dessay (soprano) Louis Langree Và pure ad altri in braccio (from La finta giardiniera) Elina Garanca (mezzo) Camerata Salzburg, Louis Langree In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) Véronique Gens (soprano) Non so più cosa son, cosa faccio (from Le nozze di Figaro) Teresa Berganza (mezzo) E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) Jeffrey Tate O zittre nicht (from Die Zauberflöte) Le Cercle De L'Harmonie | Offenbach: | Barcarolle (from Les Contes d'Hoffmann ) Jessye Norman (soprano) | Puccini: | Vissi d'arte (from Tosca) Angela Gheorghiu (soprano) Vogliatemi bene, un bene piccolini (from Madama Butterfly) Angela Gheorghiu (soprano), Jonas Kaufmann (tenor) O mio babbino caro (from Gianni Schicchi) E lucevan le stelle (from Tosca) James Levine Nessun dorma (from Turandot) Orchestre Philharmonique de Strasbourg | Rameau: | Triste séjour – Argie Les Talens Lyriques | Rossini: | La donna del lago: Fra il padre, e fra l'amante Joyce DiDonato (mezzo) Edoardo Muller | Verdi: | Celeste Aida (from Aida) Plácido Domingo (tenor) La donna è mobile (from Rigoletto) Münchner Rundfunkorchester Libiamo, ne' lieti calici (from La Traviata) Terry Edwards | Vivaldi: | Griselda: Agitata da due venti Vivica Genaux (mezzo) Se in ogni guardo from Orlando finto pazzo Philippe Jaroussky (countertenor) Jean-Christophe Spinosi |
Following the enormous success of the album OPERA 2009, EMI Classics is releasing OPERA 2010. Great voices of today and legendary singers of the past, from the EMI and Virgin Classics catalogue: the home of opera. With 40 tracks, and over 2½ hours of operatic arias and duets, this double album features the best and most popular names in opera from the catalogues of both Virgin Classics and EMI Classics, ranging from the newest arrivals on the operatic scene, as well as many present day superstars, to iconic legends. This is an unmissable collection of the best in opera that will have a wide appeal. Present day superstars include Angela Gheorghiu, Natalie Dessay, Sarah Brightman, Barbara Hendricks, Dame Kiri Te Kanawa, Jessye Norman, Placido Domingo, José Carreras, Rolando Villazón, Roberto Alagna and Bryn Terfel. Rising new artists are strongly represented by Joyce DiDonato, Diana Damrau, Elina Garanca, Vivica Genaux, Véronique Gens, Patrizia Ciofi, Philippe Jaroussky, Jonas Kaufmann, David Daniels, Max Emanuel Cencic and Laurent Naouri. The programme also contains tracks by some of the world’s greatest singers of the past such as Victoria de los Angeles, Teresa Berganza, Mirella Freni, Lucia Popp and Franco Corelli as well as the legendary Luciano Pavarotti and the unique Maria Callas. All the most popular operatic composers are represented, from Baroque masters like Vivaldi, Rameau and Handel, through Gluck and Mozart to Bellini, Donizetti, Verdi, Puccini, Mascagni, Cilea and Gershwin, as well as French favourites Gounod, Massenet and Offenbach. | | | In stock - usually despatched within 1 working day. |
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"Massenet's Don Quichotte marks the ripe maturity of his art…Van Dam has sung beautifully throughout…Berganza as Dulcinée has the appropriate maturity of tone…while chorus and orchestra both do good work under an able conductor." Gramophone Three new releases in the new mid-price opera packaging. Verdi's Attila with Riccardo Muti and 2 Massenet operas, Werther and Don Quichotte with idiomatic cast and orchestras under the direction of Michel Plasson. Each opera appears in a multipack with separate booklet of 16 pages. New introduction in English, French, German, Spanish and Italian. Original booklet material with extensive notes and complete libretto with translations is on a separate bonus disc (CDROM). “Van Dam, Berganza and Fondary sing beautifully.” BBC Music Magazine, May 2010 **** | | | In stock - usually despatched within 1 working day. |
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“There have been many fine recordings of this score...but Berganza's Decca version from the 1960s is still very recommendable...The fine cast...under Varviso offers Rossinian sparkle in abundance and the music blossoms readily. Teresa Berganza makes an enchanting Italian Girl, and the three principal men are all characterful. The recording is vintage Decca.” Penguin Guide, 2011 edition “This recording of L'italiana in Algeri was made in the Teatro de la Pergola, Florence in the summer of 1963...Rolando Panerai is his usual incomparably humorous self. The recording is typical of the period, splendidly engineered on the large scale with a good deal of stereo production, characters perambulating fairly freely around one's room. Decca have reproduced it for CD with plenty of immediacy and brightness” Gramophone Magazine | | | In stock - usually despatched within 1 working day. |
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