Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | My Lady RichMusic inspired and written for Lady Penelope Rich. Works by Byrd, Coprario and Dowland
anon.: | How should I your true love know Hampton Court Masque Emily Van Evera (recorder), Susanne Heinrich (viola da gamba), Lynda Sayce (bass lute), Jacob Heringman (cittern) Vuestros ojos Susanna Pell (viol) Corranto Lady Riche Lucy Carolan (virginal) My little sweet darling A la volta Mistress Lettice Rich Sweet stay awhile Susanna Pell (viol) A toye He is dead and gone, lady | Bartlet: | Surcharged with discontent The thrush did pipe full clear The Hesperus on high | Byrd: | Weeping full sore Caroline Trevor (contralto), Daniel Norman, John Potter (tenors), Michael Dore (bass) In fields abroad Richard Campbell, Susanna Pell, Reiko Ichise (viols) | Coprario: | Funeral Tears Caroline Trevor (contralto), Daniel Norman (tenor), Susanna Pell (viol) | Dowland: | Mr Dowland's Midnight Lady Rich, her Galliard Come when I call Caroline Trevor (contralto), Daniel Norman, John Potter (tenors), Michael Dore (bass), Susanna Pell, Reiko Ichise, Asako Morikawa (viols) | Incerto: | The Funerals (Pavan) Richard Campbell, Susanna Pell, Reiko Ichise, Asako Morikawa, Susanne Heinrich (viols) | Jones, Robert: | O he is gone And is it night? Susanna Pell (viol) | Tessier: | Casche toy, celeste soleil Au joly bois Susanna Pell (viol) Reveillez vous, belle Cattin Caroline Trevor (contralto), Daniel Norman, John Potter (tenors), Michael Dore (bass), Christopher Morrongiello (lute), Susanna Pell, Reiko Ichise, Asako Morikawa (viols) |
Soprano Emily Van Evera is an uncommonly versatile singer. Her luminous voice blends sense with sensuousness, and can sound at once tender and thrillingly beautiful. Fittingly, Van Evera’s inspiration for this recording is Lady Penelope Rich, a “heart-stealing goddess” who was sister to the Earl of Essex, muse to poets and musicians and the devoted mistress to Lord Mountjoy. She also inspired some of the finest music by composers of Elizabethan England. The music on My Lady Rich ranges from the Shakespearean (How should I your true love know – from Hamlet, a mad song of Ophelia’s, the tragic character to whom Lady Rich’s predicament has been likened), to the Spanish Vuestros ojos (Lady Rich was famously fluent in Spanish), from the spirited (Hampton Court Masque in which Lady Rich took part in 1604) to the sorrowful (And is it night, a nocturnal yearning for a lost lover). Emily Van Evera has won international acclaim for her numerous ground-breaking and award-winning recordings, particularly of earlier repertoire. Her chart-topping CD of the music of Hildegard von Bingen was singled out by The Gramophone for her characteristic expressivity: “the sheer power of the words comes across nowhere else as strongly as in Van Evera’s performance.” | | | Usually despatched in 4 - 5 working days. |
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"Carolan…consistently brings out the infinite expressive subtleties of the music" (five star rating) - Nicholas Anderson, BBC Music Magazine | | | Usually despatched in 3 - 4 working days. |
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| |  | JS Bach: Italian Concerto and French Overture
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| |  | La Paix du Parnasse
Though much of Couperin’s harpsichord music was written for a solo instrument, he composed a small number of pieces for two harpsichords, somewhat in the manner of a trio sonata. Lucy Carolan and John Kitchen pair their considerable talents on two of the world’s most exquisite original French instruments, the 1769 Pascal Taskin and the 1764/83 Goermans/Taskin double-manual instruments in the Russell Collection of Early Keyboards. This unique and unforgettable recital is a must-have for enthusiasts and serious Baroque connoisseurs alike. “The lively mind evidenced in Lucy Carolan’s excellent booklet note is mirrored in these performances, which abound in vigour.” Gramophone Magazine “Carolan’s booklet notes, informal yet informative, bring delight and add to the
attractions of a winning release.” International Record Review “A fabulous collection, a riot of colour and texture” The Herald (Glasgow) | | | Usually despatched in 3 - 4 working days. |
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| |  | Flute Collection
Stephen Preston has recorded all the major (and much minor) flute repertoire over the years and is a world authority on the flute. Here he chooses music written for the Baroque, Classical and Romantic period flutes to show their beauty of tone and dexterity. He is joined by Lucy Carolan on harpsichord, spinet & fortepiano. “Engaging and decidedly off the beaten track” Gramophone Magazine “Explores each instrument with love ... it does so admirably as one has come to expect from this label” Hi-Fi News | | | Usually despatched in 4 - 5 working days. |
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