Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Opera 2012
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| |  | David Daniels & Craig Ogden: A Quiet ThingSongs for Voice and Guitar
One of David Daniels’ great passions is to explore repertoire not necessarily associated with the countertenor voice. He also really likes to sing with guitar. The result is a delightful program of songs that David performs regularly in recital, ranging from gems by Dowland and Purcell to American classics like Beautiful Dreamer and the title song, John Kander’s A Quiet Thing. Leading Australian guitarist Craig Ogden has made the arrangements and accompanies David in a collection designed to be ‘very intimate, and full of beautiful words and melodies’. | | | In stock - usually despatched within 1 working day. |
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| |  | OPERA 2011
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| |  | The World of Castrati: The Voices of Angels
Bach, J C: | Ebben si vada...lo ti lascio: Ebben si vada Adriano in Siria: Cara, la dolce fiamma | Broschi, R: | Qual guerriero in campo armato (from Idaspe) | Caldara: | Giacché mi tremi in seno (from La Passione di Gesù Cristo Signor Nostro) | Gluck: | Se mai senti spirarti sul volto (from La clemenza di Tito) | Handel: | Crude furie degli orridi abissi (from Serse) Scherza, infida (from Ariodante) Frondi tenere e belle ... Ombra mai fù (from Serse) Mi lusinga il dolce affetto (from Alcina) Dall'ondoso periglio (from Giulio Cesare) Dolci chiodi, amate spine (from La Resurrezione) Ho un non so che nel cor (from La resurrezione) Se l'arco avessi (from Admeto) Quivi, tra questi soltari orr In mille dolci modi (from Sosarme) Ritorna pur, ritorna...Voglio che sia l'indegno (from Faramondo) Lunga serie d'alti eroi (from Parnasso in festa) | Hasse, J A: | Spesso tra vaghe rose (from Il Siroe Re di Persia) | Monteverdi: | Hor mentre i canti alterno (from L'Orfeo) | Mozart: | Deh, per questo istante solo (from La Clemenza di Tito) Venga pur, minacci e frema (from Mitridate, rè di Ponto) | Rossini: | Dolci silvestri... Perché mai le luci apprimo Arsace (from Aureliano in Palmira) | Vivaldi: | Sposa son disprezzata (from Bajazet) Il Bajazet (Il Tamerlano) : Anch'il mar par che sommerga Destin nemico...Destin avaro (from La fida ninfa) |
Natalie Dessay, Véronique Gens, Kate Royal, Patrizia Ciofi (sopranos), Vivica Genaux, Elina Garanca, Joyce DiDonato, Della Jones, Anne Sofie von Otter (mezzos), Sonia Prina, Stephanie Blythe (contraltos), Philippe Jaroussky, James Bowman, René Jacobs, Max Emanuel Cencic, Gérard Lesne, David Daniels (countertenors) In this double album, the greatest vocal artists of the present day offer their own vision of the singing of their legendary predecessors. The extraordinary adulation accorded to castrati during the seventeenth and eighteenth centuries is still today one of the most fascinating phenomena in the history of music. During this golden age of the castrato, these male singers endowed with high voices that combined incredible refinement, amazing power and superhuman virtuosity took the musical world by storm. The whole of Europe was overcome by infatuation for these vocal prodigies. In the absence of the castrati themselves, the singers of today face the formidable challenge of reviving their repertoire. Both male and female singers now undertake the task of bringing back to life the wondrous voices of their androgynous forebears, in music that is by turns unsettling, deeply moving and of a dizzying virtuosity. A 2CD-Compilation for the Price of 1 + 1 Bonus DVD - Digipack Format | | | In stock - usually despatched within 1 working day. |
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The mid-price collection presents some of the most important and admired recordings of the EMI Classics and Virgin Classics catalogue which make EMI 'The Home of Opera'. This performance of Bajazet was recorded in 2004 at the Musica Numeris, Brussels. | | | In stock - usually despatched within 1 working day. |
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The brand new series celebrates EMI - The Home of Opera with Haïm's recording of Dido and Aeneas with Susan Graham and Ian Bostridge. Includes complete libretto and synopsis on a bonus CD ROM. “Haïm's continuo group plays a vital role in the vibrancy of the performance: six of em...constantly changing colour in an organic tapestry that's continually evolving, improvised in response to the singers or at least that's how it feels...The casting shows similar imagination. [Graham's is] a bigger voice than you might expect, but so intelligently used that the emotional range increases without our tragic heroine threatening to burst out of her corsets.” Andrew McGregor, bbc.co.uk, 27th January 2004 “It might be an exaggeration to say that this new Dido has one foot in England and the other in France, but it is not far from the truth. The conductor and the instrumentalists establish a French style in the overture. Extremes of tempo, exaggerated dotted rhythms, the instrumental timbres, and an abundance of rolled chords and embellishments evoke spectacles staged at Versailles” Classical Net, 2004 | | | In stock - usually despatched within 1 working day. |
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| |  | David Daniels - Serenade
also includes: Selve amiche, ombrose piante O del mio dolce ardor Intorno all'idol mio Pur dicesti, o bocca bella L'absent Où voulez-vous aller? Absence Sérénade Orpheus with his lute (first setting) Linden Lea - A Dorset song Hands, Eyes and Heart C'est ansi que tu es Priez pour paix La belle jeunesse Sweeter than roses I'll sail upon the Dog Star An Evening Hymn
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| |  | Handel - Un'opera immaginaria
Operas & Oratorios by courtesy of Georg Frideric Handel: Arminio, Teseo, Il Trionfo del Tempo e del Disinganno, Fernando, Amadigi, Alcina, La Resurrezione, Serse, Ariodante, Orlando, Giulio Cesare & Deidamia PART I 1 I Overture 2 II Arioso: Dolce riposo 3-4 III Recitativo e Aria: Della vita mortale… Un pensiero nemico di pace 5-6 IV Recitativo e Aria: A deluder le frodi io mi preparo… Sincero affetto 7 V Aria: Destero dall’empia dite PART II 8 VI Sarabande 9 VII Aria: Cosi la tortorella 10-11 VIII Recitativo e Aria: Aspide sono…Di tacere 12 IX Aria: Scherza infida 13 X Scena: Ah! Stigie larve! 14-15 XI Recitativo & Duetto: Madre! Mia Vita… Son nata a lagrimar PART III 16-17 XII Recitativo e Scena: Ah! Ruggiero crudel…Ombre pallide 18-19 XIII Recitativo e Duettino: Ti stringo, o illustre acciaro… Quando più minaccia il cielo 20-21 XIV Recitativo e Aria: Verso il gran fine… Come all’urto aggressor 22 XV Aria: Venti, turbine 23 XVI Tamburino e coro: Doppo tante amare pene
Joyce DiDonato, Natalie Dessay, Max Emanuel Cencic, Ian Bostridge, Anne Sofie von Otter, Philippe Jaroussky, Vivica Genaux, Stephanie Blythe, David Daniels, Arleen Augér, Geraldine McGreevy, Manuela Custer & Anna Bonitatibus Il Complesso Barocco, Les Talens Lyriques, Le Concert d'Astrée, City of London Baroque Sinfonia, Orchestra of the Age of Enlightenment, Les Arts Florissants, Les Violons du Roy & Ensemble Orchestral de Paris, Alan Curtis, Christophe Rousset, Emmanuelle Haïm, Richard Hickox, William Christie, Bernard Labadie, John Nelson, Harry Bicket & Sir Roger Norrington “It seems that, in the years around 1720, when people went to the opera to hear a castrato idol or an adored soprano, they would play cards, pay court to their neighbours and savour sorbets during the recitatives – even during the so-called arias of action, which they enjoyed less than the ornamented reprises of the showpiece arias. With this intractable and hedonistic audience in mind (so different from people like us, of course), thirteen star singers came together to concoct this festive piece, constructed and presented in three acts like a true dramma per musica, but with no explicit story and no concrete characters: in other words, an imaginary opera formed of passion and music.” Ivan A. Alexandre This album marks the 250th anniversary of Handel’s death with creativity, erudition and maybe a touch of audacity. Far more than a compilation album, it selects individual numbers from 11 operas and two oratorios by Handel and reassembles them in a sequence that respects the potent formula elaborated in the composer’s 38 works for the operatic stage. While there is no specific narrative, the listener will be drawn in by the dramatic logic of a balanced succession of numbers, including some ‘greatest hits. | | | In stock - usually despatched within 1 working day. |
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| |  | Handel: Arias & Duets (The Anniversary Edition 1759-2009)
Handel: | Frondi tenere e belle ... Ombra mai fù (from Serse) David Daniels (countertenor) Orchestra of the Age Enlightenment, Roger Norrington Dove sei, amato bene? (from Rodelinda) David Daniels (countertenor) Orchestra of the Age of Enlightenment, Roger Norrington Pompe vane di morte! (from Rodelinda) David Daniels (countertenor) Orchestra of the Age of Enlightenment, Roger Norrington Armida abbandonata: Ma che parlo, che dico Véronique Gens (soprano) Les Basses Réunies Armida abbandonata: In tanti affanni miei Véronique Gens (soprano) Les Basses Réunies Scherzano sul tuo volto (from Rinaldo) Patrizia Ciofi (soprano) & Joyce DiDonato (mezzo-soprano) Il Complesso Barocco, Alan Curtis E vivo ancore?...Scherza, infida (from Ariodante) Philippe Jaroussky (countertenor) Le Concert d'Astrée, Emmanuelle Haïm Fra l’ombre e gl’orrori (from Aci, Galatea e Polifemo) Laurent Naouri baritone (Polifemo), Sandrine Piau soprano (Aci) & Sara Mingardo alto (Galatea) Le Concert d’Astrée, Emmanuelle Haïm Duetto: Sorge il di Aci/Galatea from Aci, Galatea e Polifemo Laurent Naouri baritone (Polifemo), Sandrine Piau soprano (Aci) & Sara Mingardo alto (Galatea) Le Concert d’Astrée, Emmanuelle Haïm Amor, qual nuova fiamma mi risvegli nel core (from Admeto) René Jacobs alto (Admeto) & Rachel Yakar soprano (Antigona) Il Complesso Barocco, Alan Curtis La tigre arde di sdegno (from Admeto) René Jacobs alto (Admeto) & Rachel Yakar soprano (Antigona) Il Complesso Barocco, Alan Curtis Per me si strugge (from Admeto) René Jacobs alto (Admeto) & Rachel Yakar soprano (Antigona) Il Complesso Barocco, Alan Curtis E per monti, e per piani, et per selve Antigona (from Admeto, re di Tessaglia) René Jacobs alto (Admeto) & Rachel Yakar soprano (Antigona) Il Complesso Barocco, Alan Curtis Hercules: Where shall I fly? Stephanie Blythe (contralto) Ensemble Orchestral de Paris, John Nelson Splenda l’alba in oriente, cantata, HWV 166 Gérard Lesne (alto) Il Seminario Musicale As steals the morn (from L'Allegro, il Penseroso, ed il Moderato) Ian Bostridge (tenor) & Lynne Dawson (soprano) Bach Choir & Ensemble Orchestral de Paris, John Nelson Un pensiero nemico di pace (from Il Trionfo del Tempo e del Disinganno) Natalie Dessay (soprano) Le Concert d'Astrée, Emmanuelle Haïm Fatto scorta al sentier della Gloria (from Arminio) Vivica Genaux mezzo-soprano (Arminio) & Riccardo Ristori bass (Segeste) Il Complesso Barocco, Alan Curtis Fiaccherò quel fiero orgoglio (from Arminio) Vivica Genaux mezzo-soprano (Arminio) & Riccardo Ristori bass (Segeste) Il Complesso Barocco, Alan Curtis Verdi prati (from Alcina) Della Jones mezzo-soprano (Ruggiero) & Arleen Auger soprano (Alcina) City of London Baroque Sinfonia, Richard Hickox Ombre pallide (from Alcina) Della Jones mezzo-soprano (Ruggiero) & Arleen Auger soprano (Alcina) City of London Baroque Sinfonia, Richard Hickox Duetto: Prendi l’alma e prendi il core Rodrigo/Esilena from Rodrigo Gloria Banditelli mezzo-soprano (Rodrigo) & Sandrine Piau soprano (Esilena) Il Complesso Barocco, Alan Curtis Nasconde l’usignol (from Deidamia) Suzie LeBlanc (soprano) & Derek Lee Ragin (countertenor) Teatro Lirico, Stephen Stubbs Nel riposo e nel contento (from Deidamia) Suzie LeBlanc (soprano) & Derek Lee Ragin (countertenor) Teatro Lirico, Stephen Stubbs Della guerra la caccia ha sembianza (from Deidamia) Simone Kermes soprano (Deidamia), Antonio Abete baritone (Licomede) & Anna Bonitatibus mezzo-soprano (Ulisse) Il Complesso Barocco, Alan Curtis Tanti strali al sen mi scocchi, HWV 197 Suzie LeBlanc (soprano) & Derek Lee Ragin (countertenor) Teatro Lirico, Stephen Stubbs Se'il mio duol (Rodelinda) Sophie Daneman (soprano) The Raglan Baroque Players, Nicholas Kraemer Caro autor di mia doglia, arcadian duet HWV 182a Patricia Petibon (soprano) & Paul Agnew (tenor) Le Concert d’Astrée, Emmanuelle Haïm Cara speme (from Giulio Cesare) David Daniels (countertenor) Orchestra of the Age Enlightenment, Roger Norrington Va tacito e nascosto (from Giulio Cesare) David Daniels (countertenor) Orchestra of the Age Enlightenment, Roger Norrington |
This ravishing selection of arias and duets is drawn from some of Handel’s finest vocal works, among them the operas Xerxes (source of the famous ‘Largo’), Ariodante, with its gripping ‘Scherza, infida’, and, perhaps his most popular works for the stage, Giulio Cesare and Alcina. The generously-filled discs (two CDs for the price of one) also include the complete cantata Splenda l’alba in oriente and excerpts the dramatic cantata Armida abbandonata, the English ode L’Allegro, il Penseroso ed il Moderato, and the exquisite Neapolitan serenata Aci, Galatea e Polifemo. An international cast of outstanding Handelians includes Philippe Jaroussky, Natalie Dessay, David Daniels, Véronique Gens, Ian Bostridge, Joyce DiDonato, Stephanie Blythe, Janet Baker, Vivica Genaux, Gérard Lesne, James Bowman.. | | | In stock - usually despatched within 1 working day. |
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| |  | Bach - Sacred Arias & Cantatas
from Mass in B minor, BWV 232 [1] Qui sedes [2] Agnus Dei from Johannes-Passion, BWV 245 [3] Von den Stricken [4] Es ist Vollbracht from Matthaus-Passion, BWV 244 [5-6] Du lieber Heiland du… Buss’ und Reu’ [7] Erbarme dich [8-9] Erbarm’es Gott!... Können Tränen from Cantata „Ich habe genug“, BWV 82a [10] Ich habe Genug [11] Schlummert ein, ihr matten Augen from Cantata „Vergnügte Ruh, beliebte Seelenlust“, BWV 170 [12] Vergnügte Ruh, beliebte Seelenlust from Cantata „Was mir behagt, ist nur die muntre Jagd!“, BWV 208 [13] Schafe können sicher weiden
It has been a several years since David Daniels’ last recital for Virgin Classics – in 2004 the renowned countertenor explored Berlioz’ Les Nuits d’Eté - and his most recent recital of Baroque works, the critically acclaimed Oratorio Arias by Handel, dates back to 2002. For this new release, Daniels returns to sacred works of the Baroque era with this programme of sacred arias and cantatas by Bach. He lends his beautiful countertenor voice and immense musicianship to this programme of famous cantatas, namely “Ich habe genug”, and arias from Bach’s Mass in B minor and the Saint Matthew’s and Saint John’s Passions. The programme was recorded in London in September 2007. Accompanying David Daniels, Harry Bicket conducts The English Concert, considered to be one of the finest chamber orchestras for interpretations of Baroque and Classical music. Harry Bicket, the ensemble’s new musical director, is renowned worldwide for his performances of Baroque opera with many of the leading singers of the age, and forthcoming TEC seasons will include exciting collaborations with Sara Mingardo, Jonathan Lemalu, David Daniels, Anna-Caterina Antonacci, Mark Padmore and others. “Countertenor David Daniels is the most electrifying singer of the present day, with a voice of matchless beauty at the service of the finest musical sensibility.” BBC Music Magazine “What other voice could glide so prayerfully, so cleanly, in the Agnus Dei from the B Minor Mass? As for the lengthy sleep aria from Ich habe genug (a cantata usually assigned to the bass voice), Daniels is the lullaby king, soft and gracious to a nicety.
Heavenly stuff, in its way, especially considered moment by moment. The trouble lies more in the singing’s cumulative effect, and the dawning of the CD’s biggest vice: lack of variety. Though Bach can be a majestic musical dramatist, the gear-changes in Daniels’s pick of arias from the Mass, the two Passions and three cantatas are relatively small – subtle gradations of faith, hope and charity. What’s more, there are no chorales or choruses, Bach’s music of the people, to offer a different vocal perspective.
Beautiful musicianship is displayed throughout. But the end product remains frustrating: a Bach CD that feels overly lofty and precious, drained of too much blood.” The Times, 22nd August 2008 *** “Countertenor David Daniels is a highly sensitive exponent - his voice pliant, ethereal, androgynous; responsive to the subtlest nuances of text and phrase, if occasionally over-indulgent in his use of vibrato for expressive effect.” BBC Music Magazine, September 2008 **** “David Daniels is the ultimate in theatrical immediacy and a soaring, visceral and open-throated emotionalism.” Gramophone Magazine, November 2008 | | | In stock - usually despatched within 1 working day. |
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