Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Viva La Zarzuela!
| | | (also available to download from $10.50) | Usually despatched in 3 - 4 working days. (Available now to download.) |
|
|
| |  |
ADD | | | Usually despatched in 8 - 10 working days. |
|
|
| |  |
Recorded New York, 1976 | | | Usually despatched in 2 - 3 working days. |
|
|
| |  |
| | | Usually despatched in 2 - 3 working days. |
|
|
| |  |
| | | Usually despatched in 2 - 3 working days. |
|
|
| |  |
Recorded live in New York in 1970 | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Placido Grandisimo
and zarzuela excerpts: Marian Beigbeder & Manuel Alejandro: Cancion para una reina Marian Beigbeder & Manuel Alejandro: El grito d’America (Plácido Domingo) Marian Beigbeder & Manuel Alejandro - El grito d’America Manuel Penella: El gato montes Pablo Sorozábal - La Tabernera Del Puerto: ¡No puede ser!
An evening of opera, zarzuela, and a wealth of other musical treats from the great Spanish tenor Plácido Domingo - joined by a host of special guests. Filmed in Seville before an excited audience, this concert brings together selections from great composers like Bizet, Puccini, and Gershwin; romantic zarzuelas like El Gato Montes and La Taberana del Puerta; classics of Spanish guitar like ‘Asturias’; and Latin pop hits like ‘El Grito de America.’ Joining Plácido for this musically varied event are the sultry American singer Julia Migenes - with whom the tenor appeared in the critically acclaimed film version of Carmen - as well as soprano Guadalupe Sanchez and the dazzling guitarist Ernesto Bitetti. Plácido performs big arias, charming operetta numbers, and duets; he encores with Manuel Alejandro’s ‘El Grito de America,’ a contemporary work for ensemble and voices. A fascinating and satisfying concert from one of the great vocal artists of the age. | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Cavalleria Rusticana & I Pagliacci
Embedded Japanese subtitles remain on screen throughout, with additional options to view subtitles in English, French, German, Italian, and Spanish. 158 minutes, Color, mono, All regions. Recorded in 1976 | | | Usually despatched in 4 - 5 working days. |
|
|
| |  | Cavalleria Rusticana and I Pagliacci
Recorded live in San Francisco in 1976 | | | Usually despatched in 2 - 3 working days. |
|
|
| |  |
“Riccardo Muti's 1974 studio recording on EMI, with Caballé, Cossotto and Domingo, has been one of the steady recommendations for this work on CD. This live account from 1979 in many, but not all ways, surpasses the studio performance. In the first place, Muti's reading has matured to the extent of being less wilful – for instance, his tempo for the closing scene's 'O terra addio' is the better for being more orthodox – and even more persuasive in terms of fulfilling Verdi's exacting demands on all concerned. Seldom can the full panoply and subtlety of the composer's scoring, especially the wonderful wind writing, have been so clearly expounded. The chorus is also commendable in every respect. Domingo, fine enough on EMI, here gives possibly his most responsive and exciting Radames on disc and that's saying something. In tremendous voice, he produces magic towards the end of 'Celeste Aida' with the triple pianissimo Verdi asks for but seldom gets, and throughout he make every effort to fulfil Verdi's demand for dolce and pp effects. It hardly needs saying that he was at the time at the peak of his amazing powers. Tomowa-Sintow provides most of the heft combined with sensibility that the title part calls for. Although she can't manage Caballé's many exquisite moments when she floats her tone on high, she has the firmer, stronger voice to ride the orchestra at climactic moments. You don't quite feel the strong identification with the part that Fassbaender undoubtedly gives to her first Amneris. Fassbaender is very much her idiosyncratic, wholly compelling self, rising to heights of music-drama in Amneris's great Act 4 scene, the repeated 'io stessa… lo getta' rending the heart. This is an interpretation to savour. The recording, although the voices are sometimes a little distanced, catches the high excitement of a first night in the opera house. Applause is never intrusive, scenery change only once so. This is as gripping an account of the piece of any on disc.” Gramophone Classical Music Guide, 2010 | | | Usually despatched in 3 - 4 working days. |
|
|
| |
|