Grumiaux Trio

“These performances are polished, yet the many solo contributions from each of the players emerge with a strong personality. The Beaux Arts cellist brings lovely phrasing and a true simplicity of line, so right for Schubert-–-memorably in the lovely slow movement melody of the Trio No 2 in E flat. In addition to the great piano trios (B flat, D898 and E flat, D929) the set includes the extremely personable, very early Sonata in B flat, D28, where the lyrical line already has the unmistakable character of its young composer.
Also included is the Notturno, D897, a raptly emotive short piece played here with a remarkable depth of feeling that recalls the gentle intensity of the glorious slow movement of the String Quintet. The recording is naturally balanced, although a little dry in the treble. Of the two rarer string trios, also early works, the four-movement Trio, D581, is totally infectious, with that quality of innocence that makes Schubert's music stand apart. Such persuasive advocacy and vivid recording can't fail to give the listener great pleasure.” Gramophone Classical Music Guide, 2010

“Of the six works Mozart wrote for string quintet, that in B flat major, K174, is an early composition, written at the age of 17. It's a well-made, enjoyable work, but not a great deal more than that. The C minor work, K406, is an arrangement by Mozart of his Serenade for six wind instruments, K398. It's difficult not to feel that the original is more effective, since the music seems to sit a little uncomfortably on string instruments. But the remaining four works, written in the last four years of Mozart's life, are a different matter. The last string quintets from Mozart's pen were extraordinary works, and the addition of the second viola seems to have pulled him to still greater heights. It has been suggested that Mozart wrote K515 and K516 to show King Friedrich Wilhelm II of Prussia that he was a better composer of string quintets than Boccherini, whom the King had retained as chamber music composer to his court. There was no response, so he offered these two quintets for sale with the K406 arrangement to make up the usual set of three. K593 and K614 were written in the last year of his life. Refinement is perhaps the word that first comes to mind in discussing these performances, which are affectionate yet controlled by a cool, intelligent sensitivity. The recordings have been well transferred, and Grumiaux's tone, in particular, is a delight to the ear.” Gramophone Classical Music Guide, 2010

“Beautifully played, the remastering of these fine analogue recordings is outstandingly natural - a tribute to the Philips engineers” Penguin Guide, 2011 edition