Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Pro Pacem / For Peace
'Pro Pacem' consists of 23 pieces from the Alia Vox catalogue with repertoire from 5 centuries of music; of Gilles Binchois (XVth Century) to Arvo Pärt (new recording). The cover art was designed by Catalan painter Antoni Tapiès shortly before his death in February. The 1000-page book features texts by renowned writers, like the French scholar Edgar Morin. This is an essential contribution by Jordi Savall about the world as it is and as it should be, thanks to the power of music. “The period instrument specialists from Savall's Hespèrion XXI and voices from La Capella Reial de Catalunya lay down beautifully simple settings for guest vocalists from various cultures, notably the gorgeous tones of Montserrat Figueras.” The Independent, 29th December 2012 ***** “An ambitious programme flows, from cantorial invocations and Gregorian chant, to motets by Binchois, Josquin, Guerrero and Pärt, stretching across 19 centuries of conflict. The common cause is peace, as expressed in song, painting and essay.” The Independent on Sunday, 16th December 2012 ***** | 
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | Armenian Spirit
1 Menk kadj tohmi (duduk, vielle t., kamantcha, vielle b..) 2 Akna krunk (2 duduk) 3 Kani vur djan im(rebec, duduk, vielle & percussion) 4 Chant et Danse (2 duduk& percussion) 5 O’h intsh anush (vielle t., duduk, vielle b.& perc.) 6 Matshkal (2 duduk) 7 Dun en glkhen (kamantcha) 8 Garun a (vielle t., duduk, vielle b.& perc.) 9 Chants demariage (2 duduk, kamantcha & perc.) 10 Al aylukhs (duduk, kamantcha, vielle t., vielle b.& perc.) 11 Plainte : en sarer (2 duduk) 12 Azat astvatsn & Ter kedzo (vielle & percussion) 13 Sirt imsasani (2 duduk) 14 Hayastan yerkir (viola, duduk & orgue) 15 Hey djan (2 duduk) 16 Hov arek (duduk, vielle t., vielle b., perc.) 17 Lamento : sevmut amper (2 duduk) 18 Alagyeaz & Khnki tsar (vielle, duduk, orgue & perc.)
This album is a tribute to Armenia and to the Armenian musicians who played alongside Jordi Savall and his wife Montserrat Figueras over the years. The repertoire consists alternately of very lively pieces and more contemplative ones, all of them beautifully played on traditional instruments, including the ‘duduk’, a flute with a deeply moving sound originating from a time before times. Jordi Savall unveils this music with his faultless musical flair and an endless curiosity, as testified in the lavishly documented and illustrated booklet. “This is a beguiling, mesmeric sequence of instrumental music from Armenia, in which Hesperion XXI are joined by a group of that country’s finest musicians...[The duduk's] beautiful, musky sound seductively reflects the predominantly nostalgic, lamenting, soulful mood of the pieces heard here.” Sunday Times, 2nd September 2012 “Haunting and tragic, this CD is a double-lament — for Jordi Savall’s late wife, the singer Montserrat Figueras, who loved Armenian music, and for Armenia, with its long history of foreign subjugation and massacre...It is hypnotic and exquisitely melancholic.” The Times, 25th August 2012 **** | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Jeanne d'Arc: Batailles & Prisons
Disc One 1. Ballade de la Pucelle 2. Aprez que j'ay - L'appel (Le départ) - Les voix 3. Naissance de Jeanne à Domrémy - Ce jour de l'an (Rondeau) 4. Le Traité de Troyes - Ce jour le doibt 5. Dit le Burguygnon 6. Mort de Charles VI. - Cloches et Adoramus te 7. Fortune, par ta cruaulté 8. Les voix: Veni Sancte spiritus 9. Quand j'eus l'âge d'environ treize ans, j'eus une voix de 10. Domrémy est pillé par les troupes des Bourguignons - Dit le Bourguignon 11. Le voyage à Vaucouleurs - Saltarello 12. Le départ pour Chinon - Le départ 13. Ma mie, que faite-vous ici? 14. Le départ 15. La pucelle 16. Les voix 17. Rencontre avec le roi à la Cour de Chinon - La pucelle - Marche pour l'onction 18. Vive le Roy 19. Jeanne est soumise par ordre du Conseil royal 20. La trémouille (Rondeau) 21. Tambour - Jeanne est à Blois où l'armée 22. Veni creator spiritus 23. La lettre aux Anglais dictée à Poitiers le 22 mars - Tambours 24. La délivrance d'Orléans - Bataille d'Orléans 25. Le roi rencontre la Pucelle à Loches - La Pucelle 26. L'homme armé 27. Bataille de Patay et victoire - Fanfare du sacre 28. Départ de Gien pour débuter la marche à Reims - D'Orléans à Reims 29. 16 juillet 1429. Reddition de Reims. Le roi entre dans Reims. 30. 17 juillet. La route du sacre - Ce jour de l'an (Rondeau) 31. Charles VII est couronné à la cathédrale de Reims - Prière III (Fantaisie) 32. Marche royale pour le sacre 33. Te Deum 34. Marche royale pour l'onction 35. Les voix 36. Sanctus 37. Osanna 1 38. Osanna 2 39. Marche royale pour l'onction 40. Sonnerie Royale pour la fin du sacre Disc Two: 1. Fanfares et tambours - L'armée a pris un itinéraire à l'ouest vers Paris 2. Bataille entre Français et Anglais 3. Après quelques opérations militaires Jeanne 4. Fortuna desperata 5. Le duc de Bourgogne met le siège devant Compiègne 6. Chiave, ciave 7. Le lendemain, au cours d'une sortie offensive 8. Dit le Bourguignon 9. Ballade de la Pucelle (Improvisation) - Il a plu à la céleste providence 10. Fortune par ta cruauté 11. Jeanne est vendue aux Anglais par Jean de Luxembourg 12. Les Solitudes Prières II (Adoramus Te) 13. Tambours - Ouverture du Procès en condamnatin de Jeanne 14. Le départ 15. Première séance du procès dans la prison 16. Planctus Jehanne 17. Cloches (Inquisition) - La pucelle - Début du procès ordinaire 18. Fortune par ta cruauté 19. Abjuration de Jeanne 20. Cloches (Inquisition) - Adoramus te - Pierre Cauchon: Cependant, après avoir 21. Les voix 22. Dans la prison. Procès de reiapse - Tambours 23. Prière Adoramus te Domine 24. Fanfare de l'Inquisition - Dernier jour de ce procès 25. Tambours - Quand la Pucelle fut arse - Adoramus te 26. Planctus Jehannse 27. Bataille de Castillon - Sonnerie royale pour la fin de la Guerre 28. Rejois toy terre de France - Vivat Rex in eternam 29. Le départ - Procès de révision de la cndamnation 30. Patres nostri peccaverunt 31. 7 juillet 1456. Sentence de réhabilitation - Miserere nostri 32. Les voix: Veni Sancte Spiritus 33. Ballade de la Pucelle 34. Plus que la sainte, l'ispirée, je crois que Jeanne 35. Le déport
20 years after having worked on the soundtrack of Jacques Rivette’s movie “Jeanne la Pucelle”, Jordi Savall has decided to dedicate this new album to the mother figure of the struggle for French independence. Music fully enables us to rediscover this icon. Works by composers from the time of Joan of Arc (Guillaume Dufay, Josquin Desprez, Johannes Vincenet, Johannes Cornago, etc.) but also compositions and arrangements by Jordi Savall paint the vivid portrait of a troubled time. Texts by Joan of Arc, including the record of her trial, are read in masterly fashion by French actress and director Louise Moaty. This well-documented CD-book demonstrates how a religion prepared to compromise all its principles for political reasons also takes the risk of becoming an icon of fanaticism. “ambitious and sumptuous...this presentation has been fashioned by Savall as a piece of music theatre, and as a vivid attempt to commemmorate Joan's life it is unlikely to be bettered.” BBC Music Magazine, February 2013 **** “The affections of baroque music are likened to the affections of the tango in this skillfully performed programme … charming performances” Classical Music, 1st December 2012 “an exhaustively researched account of the story of Joan of Arc, accompanied by early-music arrangements of period compositions rendered by Hespèrion XXI. Savall strives for imaginative representation: Dufay's "Veni Sancte Spiritus" is sung by two sopranos and a countertenor, representing the voices of Saints Catherine, Margaret and Michael” The Independent, 7th July 2012 **** | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Mare Nostrum
Unamatica de ruda MAROCCO, Saltarello (Cantigas de Santa Maria) SPAIN, Chant de minuit HEBREW, Gagauski (Kaval, Morisca & perc.) TURKEY, Berceuse Amazig MAROCCO, A la una yo naci (instr.) SEPHARAD, Uskudar TURKEY, La Armada Turca SEPHARAD, Lamoledet LEBANON, Las Estrellas de los cielos SEPHARAD, Angeli. Kurdi Pesrev GREECE, Adonenu Elohenu SEPHARAD, SelimIII. 1800. Pesendide "Saz Semarsi" ISRAEL, Jewish Lullaby:Noumi noumi JERUSALEM SACD2: Kanun Impro. (Hakan) TURKEY, Shaar petach ISRAEL, En la Santa Helena (instr.) SEPHARAD, Nana andaluza ANDALUS, El Rey que tantomadruga (instr.) SEPHARAD, Shadi al alhan MAROCCO, Estampita ITALY, Lullaby:GREECE, El cant dels Aucells (instr.) CATALOGNE, Invocatio ISRAEL, Taksim & Makam "RastMurass'a" TURKEY, Alef, memshin Sepharade, Intro & dansa Bulgara Bulgarie, Mireu el nostremar improv Mare Nostrum
Mare Nostrum' (Latin for “Our Sea”) was a Roman name for the Mediterranean Sea, an area that may be regarded as the greatest place of exchange and dialogue in the history of human kind. Of course, music is no exception. In this new lavishly illustrated CD book, Jordi Savall invites us to explore the myth of the Mediterranean Sea as mother of people and cultures, from Morocco to Israel, from Spain to Lebanon. The antique Greek illustration on the front cover underlines how far-reaching - in space and time - this project is. “Like Hesperion's previous CDs, this one is a lovely tissue of local musics...The soloists are remarkable: Gursoy Dincer brings a gentle Turkish lilt, Lior Elmaleh an answering sound from Jerusalem, and Montserrat Figueras accompanies herself on a variety of instruments in songs from all over...her passing represents a loss to the musical world.” BBC Music Magazine, March 2012 ***** “Savall's collaboration with non-Western musicians receives here perhaps its fullest expression. The quality of the performances is gentle and serious. Even the livelier instrumental numbers are imbued with a sense of innate poise...[Figueras's] voice, delicate yet warm, and wonderfully evocative, is heard to most moving effect.” Gramophone Magazine, April 2012  BBC Music Magazine
Choral & Song Choice - March 2012 |
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | La Sublime Porte: Voices of IstanbulSublime Gate
Segâh Kâr Kâr-i Sesâvâz (XVIIIe.) Taksim & Makam “Uzzäl usules” Dervis Mehmed Por alli pasó un cavallero Anonymous Sépharad (Smirna, XVIe.) Plainte (duo Duduk - flûtes arméniennes) Anonymous Armenia El Rey que tantomadruga Anonymous Sepharad (Smirna, XVIe.) Hisar Agir Semai Buhuri Zade Mustafa Itri (ca. 1640-1712) Taksim & Makam “Bûselik usûles” Dimitrie Cantemir (1673-1723) Chant Spirituel Jewish traditional Makam “Rehavi Çember” Tanburi Angeli (1690) Gazal Improvisation (traditional Turkey) Taksim & Makam "Hicâz usûles" Anonymous (manuscript D. Cantemir) Romance Sefarade - Istanbul (M. Figueras) Hisar Buselik Sarki Tanburi Mustafa Cavus (1700-1770) Taksim & Danse (Kemancha & perc.) Anonymous - Traditional Armenia Rast Nakie "Amed ne si" Hace Abdulkadir Meragi (1350-1435)
The Sublime Porte was the name of the open court of the sultan, led by the Grand Vizier. It got its name from the gate to the headquarters of the Grand Vizier in the Topkapi Palace, Istanbul, where the sultan held greeting ceremonies for foreign ambassadors. It was an ancient Ottoman practice to make the gates of cities and kings' palaces places of assembly. Later the name came to refer to the Empire's position as gateway between Europe and Asia. Following the success of the album 'Istanbul', Jordi Savall crosses new boundaries between Orient and Occident: this time, the vocal traditions of the Ottoman Empire, Armenia and the Jewish Diaspora are masterly resuscitated. Instrumental interludes enable us to enjoy this journey through time and space. In addition to Hespèrion XXI, this album features the elite of Turkish traditional musicians under the inspired direction of Jordi Savall. “This is a typical Alia Vox Hesperion release: sumptuously packaged, richly illustrated, and supported by edifying scholarly notes about the music and its historical context. It's recorded in clear yet atmospheric sound...In addition to the late Montserrat Figueras, there is wonderful singing by the Israeli Lior Elmaleh ad the Turk Gursoy Dincer.” BBC Music Magazine, June 2012 ***** “This superbly researched and recreated ear-opening anthology, crafted with such presence and authority, finds Jordi Savall immersed in the cultural melting-pot of Istanbul...The spectrum of instrumental colour and the three contrasted voices with their glissades of vocal ornamentation are captured in a wonderfully hybrid SACD recording.” Classical Music, 25th February 2012 ***** “The ensemble offers authentic recreations of Turkish, Greek, Armenian and Sephardic pieces, told in textures and timbres of oud, duduk, ney and Savall's own rebab. This is music of great subtlety, technical accomplishment and powerful emotional impact.” The Independent, 18th November 2011 **** “Gursoy Dincer and Lior Elmaleh mix eloquent Israeli and Turkish chanting traditions, while some tracks become a memorial to Savall's wife, the great early-music singer Montserrat Figueras, who died just last month.” The Observer, 4th December 2011 “The death last month of the Catalan soprano Montserrat Figueras adds poignancy to the latest scrupulously researched and beautifully played release from Hespèrion XXI, the early-music group fronted for decades by her and her husband Jordi Savall...Artfully mixing Turkish, Armenian and Jewish songs, and dances, the disc is haunting and educational, with a 250-page booklet (!) of fascinating historical essays included.” The Times, 10th December 2011 | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Hispania & JapanDialogues
1. Improvisación sobre “O Gloriosa Domina” Ichiro Seki, shakuhachi (japanese long recorder) 2.O Gloriosa Domina (greg.) La Capella Reial,Hespèrion XXI 3. Improvisación sobre “O Gloriosa Domina” Yukio Tanaka, biwa (Japanese lute) & Hiroyuki Koinuma, shinobue (small flute) 4.Quod Eva Tristis II La Capella Reial, Hespèrion XXI 5. Improvisación sobre “O Gloriosa Domina” Yukio Tanaka, biwa 6. Tu Regis Alti Ianua III La Capella Reial de Catalunya 7. Improvisación sobre “O Gloriosa Domina” Ichiro Seki, shakuhachi & Yukio Tanaka, biwa 8. Patri Sit Paraclito IV La Capella Reial 9. DE NARVAEZ O Gloriosa Domina Diferencia II Hespèrion XXI 10.O Gloriosa Domina - Amen La Capella Reial 11. DE HENESTROSA.Himno XX O Gloriosa Domina La Capella Reial 12. Rangyoku Hiroyuki Koinuma, nokan (flute) 13. ANÓNIMO. Villancico: Senhora del Mundo M. Figueras canto y cítara, K. Zuckerman sarod, P. Edouart tablas 14. Anónimo. Alba&Rotundellus Hespèrion XXI, Pierre Hamon, flute, B. Delpierre, chirimia, D. Psonis, percussion 15.Honnôj Yukio Tanaka, chant & biwa 16. O Gloriosa Domina Diferencia I X. Díaz-Latorre, vihuela de mano 17. Shino no netori Hiroyuki Koinuma, shinobue (small flute) 18. ANÓNIMO (China). AveMaría (pentatónica) Montserrat Figueras, La Capella Reial & Hespèrion XXI 19. Reibo Ichiro Seki, shakuhachi
In 2006 Road to the Orient (AVSA9856) was released by Alia Vox. This double album was a musical portrait of Francisco Javier and of his trip from Spain to Japan. On this occasion, Jordi Savall met Japanese musicians who soon became his friends and with whom he performed in many concerts around the world. Consequently, following the catastrophes in Japan, Jordi Savall decided to release this special tribute album in which the most significant pieces of the dialogue between Spain and Japan are gathered. A premiere in the history of CD packaging ! Included in the set : - a card miniature of a Japanese folding screen depicting the arrival of the first Europeans in Japan, card and book are shrink-wrapped together, CD sleeve is glued in the hardcover of the booklet. Format of the set : 145 x 190 x 5mm Format of the miniature folding screen (unfolded) : 435 x 190mm All profits will be donated to the Japanese Red Cross. A sticker will indicate the purpose of this release to consumers, which will also feature a picture of the unfolded screen. “the mixture of western monophony and polyphony with some profoundly beautiful improvisations on them by Japanese musicians is illuminating and unexpectedly rewarding...the real connection throughout is the extraordinary beauty and mutual understanding on the part of the musicians, from both East and West, in this sumptuous, beautifully recorded disc.” Gramophone Magazine, November 2011 | | | In stock - usually despatched within 1 working day. |
|
|
| |  | El Nuevo MundoFolias Criollas
Cachua a duo y a Cuatro (Código “Trujillo del Perú”) Cumbes – El Cielito Lindo (TradicionalHuasteca) Gallarda Napolitana (con canto - Anónimo) Guabina (Tradicional de Colombia); Trompicávalas (Juan Hidalgo) Balajú Jarocho (Anónimo) Seguidillas En Eco: De Tu Vista Celoso (Anónimo) Jácaras - El Pajarillo (Gaspar Sanz) Guineo a 5: Eso Rigor e Repente (Gaspar Fernandes) Fandango – El Fandanguito (Anónimo Jarocho) Canarios (Anónimo) La Iguana (Anónimo tradicional Jarocho) Cachua. Denos lecensa (Código “Trujillo del Perú”) Folías Criollas (Improvisación - Anónimo del Perú) Jota –Maria Chuchena (Anónimo Jarocho) Xicochi Conetinle – Xochipitzahuatl (Anónimo) Zarambeques (Tradicional Jarocho) Niña como en tusmudanzas (José Marín) Los Chiles Verdes (Tradicional jarocho)
Booklet : French, Spanish, English, German, Italian, Catalan When the baroque extravagance crosses oceans... After meeting the musical traditions of the New World, the European Baroque repertoire enriched itself with new colours and rhythms, which make it irresistible. Jordi Savall invites us to an unprecedented instrumental and vocal journey from Spain to Peru to Mexico, playing for the first time with virtuoso Mexican musicians… Get ready ! “the performances have a dash and abandon that are genuinely convincing...The sense of occasion and spontaneity of a live recording is conveyed without artifice.” Gramophone Magazine, Awards Issue 2010 “Is this early, folk or world music? All three...An exuberant and spontaneous creative energy is sustained throughout, while the presentation is lavish and scholarly.” Sunday Times, 23rd May 2010 **** “The line between early and world music is blurred, the roots of Latin American jazz exposed...the diversity of instrumentation and voices (from Montserrat Figueras and Furio Zanasi to Leopoldo Novoa) lends depth and colour and the rhythms are infectious.” The Independent on Sunday, 20th June 2010 “Here are foot-tapping thrills, secular in spirit even when sacred, strummed by jolly strings, peppered with ethnic percussion, or streaked with the brightly burnished soprano of Montserrat Figueras. Lush documentation as usual with AliaVox, but the best prize of all is the music and musicians’ warmth and humanity.” The Times, 22nd May 2010 **** | | | In stock - usually despatched within 1 working day. |
|
|
| |  | IstanbulDimitrie Cantemir: "The Book of Science of Music" and the Sephardic and Armenian Traditions
Hybrid SACD deluxe digibook Booklet : English, Spanish, French,Turkish,Armenian, German, Italian & Catalan Following the huge success of Orient-Occident and Jerusalem.... prepare yourself to cross borders! This new release is mainly based on 'The Book of Science of Music', published in 1710 by the Moldavian prince Dimitrie Cantemir, after many years spent in Istanbul. This unique manuscript enables us to discover the jewels of the Turkish traditional music. Jordi Savall already included some of its pieces in his album Orient Occident (AVSA9848), but he decided to explore it further in order to reveal the magic of the incredible city of Istanbul. This city portrait wouldn't have been complete without the fascinating Armenian and Sephardic repertoire that was also familiar in Istanbul during this time. Once again, Jordi Savall reminds us about a Golden Age of cultural dialogue, brought back to life by Hesperion XXI and outstanding Turkish and Armenian guests musicians. A Jordi Savall experience that goes beyond music… “…Savall… has… put together a brilliant showcase of both Cantemir's music and the musics he chronicled… for me… the high points of this CD lie… in the solo improvisations on te oud, lira, and kanun zither, and above all in the pieces involving the Armenian duduk, which has an ability to transport the listener to ethereal realms.” BBC Music Magazine, March 2010 **** “The result is a very polished, sophisticated sound world largely lacking the exuberance that one might expect, at least on occasion, from such repertories, but that in itself is a cue to the listener...that our expectations of non-Western musics are easily confounded.” Gramophone Magazine, July 2010 “This vivid exploration of 17th-century Sephardic and Armenian musical traditions, fruits of the late Ottoman empire melting pot, will refresh jaded Christmas ears. It's prime Jordi Savall territory.” The Observer, 20th December 2009 | | | In stock - usually despatched within 1 working day. |
|
|
| |  | La Barcha d'Amore1563-1685
La Barcha d'Amore is an eclectic, contrasting selection of some of the most beautiful vocal and instrumental music inspired by mythology and 17th-century European love poetry. Music of time and memory, performed by Montserrat Figueras and Jordi Savall, together with Ton Koopman, Hopkinson Smith,Andrew Lawrence-King and other members of the ensemble Hespèrion XX (which in 2001 became Hespèrion XXI) and the orchestra Le Concert Des Nations, have selected recordings that they made from 1976 to 1996 for the labels Emi Electrola, Dhm,Astrée and Auvidis, and from 1998 to 2008 for Aliavox. This anthology, contains vocal pieces directly related to the theme of love, such as the innovative Airs for the recitar cantando of Giulio Caccini's Le Nuove Musiche, the evocative tonos humanos by Spanish Baroque composers Sebastián Durón, Juan del Vado and Juan Hidalgo, Monteverdi's sublime Lamento della Ninfa, the mysterious folia Yo soy la locura by Henri du Bailly, not forgetting the touching Elizabethan lullaby and the tender melody Une jeune fillette, both by anonymous authors, but equally remarkable for their great beauty and depth of emotion. The various instrumental pieces, with such evocative titles as the Gaillarde "La Barcha del mio Amore" by Giacomo de Gorzanis, Samuel Scheidt's Pavane and his "Courant dolorosa", the Elizabethan "Desperada" and the highly popular improvisation piece, "Greensleeves", as well as the great Jean-Baptiste Lully's Rondeau from Le Mariage forcé and the Chaconne from L'Amour Médecin, provide the necessary complement to the vocal pieces, resulting in a great variety of sources and contrasting characters. The Barcha d'Amore is the personal testimony of Jordi Savall's unwavering and rigorous commitment to the performance of music from the Middle Ages to the age of Classicism using 'historically informed' instruments and performance techniques, which emerged in the 1970s.Those years marked the beginning of a great revival in the performance of pre-Romantic music, a continuing revival which offers the possibility of retrieving an important cultural legacy. “…there's a surprising homogeneity of sound and style throughout - testament to Figueras and Savall's innate musicality, artistic vision and spiritual harmony in a lifetime of collaboration and discovery.” BBC Music Magazine, September 2009 **** | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Ministriles Reales - Royal MinstrelsInstrumental music of the Golden Age - Renaissance & Baroque 1450-1690
Part 1: Villancicos y Danzas de Altas y Baixas 1450-1530 Part 2: Fantasías, Diferencias y Batallas 1530-1690 anon.: | La Spagna Dit le Bourguygnon Collinetto In Exitu Israel Chiave, chiave Buenas nuevas de alegría, villancico Si de vos mi bien El cervel mi fa Propinán de Melyor Fantaisia Estas noches a tan largas Un niño nos es nacido Diferencias sobre las vacas Buelbe tus claros ojos | Arauxo: | Batalla de Morales | Badajoz: | O desdichado de mi | Belmonte: | Glosa sobre 'Nunca fue pena mayor' | Cabanilles: | Batalla imperial | Cabezón, A: | Tiento III Diferencias sobre el canto de 'La Dama le demanda' Himno XVI | Cabezón, H: | Susane un jur | Cornago: | Basse danse 'Mappa mundi' | Despres: | Vive le roy La Spagna a 5 | Encina: | Quedate, Carillo Mortal tristura me dieron | Enrique: | Pues con sombra de tristura, villancico | Ghizeghem: | De tous biens plaine | Guerrero: | Glosas sobre Hermosa Catalina | Guerrero, P: | La Moresca | Heredia: | Ensalada Tiento de Batalla | Janequin: | Pavana 'La Battaglia' | Lasso: | Jam lucis orto sidere Omnes de Saba Alme Deus, qui cuncta tenes | Mena: | A sombra de mis cabellos | Milán: | Pavana & Galliarda Fantasia VIII | Ortiz, D: | Passamezzo moderno III Romanesca VII | Ponce, J: | Ave color vini clari | Ramos de Pareja: | Mundus et Musica, canon perpetuum | Torre, F: | Danza alta | Triana: | Quien vos dio tal señorío? | Urrede: | Muy triste será mi vida | Verardi: | Historia Baetica: Viva el gran Re Don Fernando | Xerés: | No tenga nadie sperança, villancico |
This beautiful set gathers for the first time Spanish and French instrumental dances from the XVIth and XVIIth Centuries scattered as 'interludes' in many Astrée and Alia Vox existing releases. It is a definitive overview of this repertoire and enables us to realise just how beautiful and irresistible this music can be. Given electric performances and virile repertoire, the Royal Minstrels offer uplifting experiences. Deluxe packaging and beautiful artwork as you would expect from Alia Vox… Booklet: English, Spanish, French, German, Italian, Catalan | | | In stock - usually despatched within 1 working day. |
|
|
| |
|
