Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Essential Falla
“[El amor brujo] enjoys exceptionally vivid sound, yet with plenty of light and shade, and the control of atmosphere in the quieter passages is masterful...de Larrocha's later, digital version of Nights in the Gardens of Spain is unsurpassed among modern recordings” Penguin Guide, 2011 edition | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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"a firebomb of orchestral and human voices" The Times | | | In stock - usually despatched within 1 working day. |
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Gerald Finley (Figaro), Alison Hagley (Susanna), Andreas Schmidt (Count Almaviva), Renée Fleming (Countess Almaviva), Marie-Ange Todorovitch (Cherubino), Manfred Röhrl (Bartolo), Wendy Hillhouse (Marcellina), Robert Tear (Don Basilio), Donald Adams (Antonio), John Graham-Hall (Don Curzio), Susan Gritton (Barbarina) Glyndebourne Festival Opera & London Philharmonic Orchestra,, Bernard Haitink (conductor) & Stephen Medcalf (director) NVC ARTS returned to Glyndebourne in 1994 for the opening of the beautiful, new opera house and a recording of an opera closely associated with Glyndebourne; Mozart's The Marriage of Figaro. Stephen Medcalf's production is complemented by John Gunter's sparsely furnished sets, offset by the rich greens, reds and blues in the scenery and costumes. A perfect Glyndebourne cast includes Gerald Finley and Alison Hagley who give touching performances of Figaro and Susanna. Andreas Schmidt is a strong and handsome Count Almaviva, Renée Fleming is a ravishing Countess and Marie-Ange Todorovitch is an irresistably love-sick Cherubino. Bernard Haitink draws polished playing from the London Philharmonic. Sub Titles: English, French, German, Dolby Digital 2.0, Dolby Digital 5.1 Surround “I've fallen in love with new Glyndebourne's new Susanna and Figaro, Alison Hagley and Gerald Finley” The Observer “Pure magic ... Bernard Haitink conducted the LPO in an eloquent performance, beautifully played, and beautifully audible in the excellent new house” Opera “Gerald Finley and Alison Hagley are well-matched as the servant couple and Renee Fleming's creamy Countess is a joy.” Gramophone Magazine, Awards Issue 2011 | | | In stock - usually despatched within 1 working day. |
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| | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Frank Martin - Symphonies
“The Symphony is a haunting and at times quite magical piece...Sensitive playing from the LPO under Matthias Bamert and exemplary Chandos recording.” Penguin Guide, 2011 edition | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | British Music Collection - Gustav Holst
Janet Baker (mezzo-soprano), Robert Tear (tenor), Thomas Hemsley (baritone), Osian Ellis (harp) Purcell Singers, English Chamber Orchestra, St Paul Chamber Orchestra, London Philharmonic Orchestra, BBC Symphony Orchestra, Grimethorpe Colliery Band, Imogen Holst, Christopher Hogwood, Adrian Boult, Elgar Howarth | | | In stock - usually despatched within 1 working day. |
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“Solti seems freed from emotional inhibitions, with every climax superbly thrust home and the hushed intensity of the glorious slow movement captured magnificently on CD” Penguin Guide, 2011 edition | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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