Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Felicity Lott sings Mozart
Mozart: | Exsultate, jubilate, K165 Voi avete un cor fedele, K217 Vado, ma dove? oh Dei!, K583 Chi sà, chi sà qual sia, K582 Nehmt meinen Dank, ihr holden Gönner!, concert aria K383 Bella mia fiamma, addio... Resta, oh cara, K528 Ruhe sanft, mein holdes Leben (from Zaïde) Lungi da te, mio bene (from Mitridate, Rè di Ponto, KV87) |
One of the most peerless Mozartians of our time, Felicity Lott has been one of the foremost sopranos to essay the composer’s major roles in the opera house. Complementing these is her magnificent disc of concert arias as well as Mozart’s beloved motet Exsultate, jubilate, and arias from two of the composer’s lesser-known operas. The recording was made in 1989 shortly after her mesmerizing performance of some of this material at the London ‘Proms’. Jane Glover and the London Mozart Players provide stylish and sympathetic support. A multi-award winning album, it is now available readily on Eloquence. “Lott is bright and lyrical (Exsultate), and tender ('Lungi da te'). She can be a bit colourless, but Glover's orchestra gives brilliantly nuanced support.” BBC Music Magazine, December 2012 **** “Exsultate, jubilate, fine as recorded sound, crisp in the playing, deliciously clear and clean in the singing, sets off with all the promise of a bright spring morning. The middle movement, "Tu virginum corona", is exceptionally beautiful in adding to its accustomed serenity a more rarely heard sense of compassion, bringing out the references to the grief that calls for consolation. Then with the "Allelujah" the sun is out again, the rhythms dance, the voice shines and rejoices in those difficult semiquavers and the final high C. … A lovely performance of "Ruhe sanft" … the marvellous Mitridate [is] crowned by a quiet high D almost as miraculous as the greater wonder of its composition by the 13-year-old boy.” Gramophone Magazine | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Poulenc: La Voix Humaine & La Dame de Monte Carlo
Two dramas for solo woman. A young woman talks over the phone to her lover, whom we never hear; tomorrow he is going to marry someone else… Several times the conversation is interrupted as the line is cut, each time with dramatic effect; and behind this everyday banality, we realise that we are witnessing a veritable descent to the depths with this abandoned woman. Three years after La Voix humaine (his "sad and lovely child", as he used to refer to it with Denise Duval, its first performer), Poulenc was to conclude his collaboration with Cocteau by writing the short monologue that completes this CD: he musical style has not changed, but this time, the depths are those of the Mediterranean, in which the old lady of Monte-Carlo, "a dead woman among the dead" has decided to plunge for the last time… This title was released for the first time in 2001. “The outstanding English lyric soprano of her generation performs Poulenc's tragic monodrama, plus its concert-hall successor. Excellent orchestral playing.” BBC Music Magazine, November 2012 **** | | | In stock - usually despatched within 1 working day. |
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Produced by EMI Classics in partnership with the prestigious National Gallery in London, The National Gallery Collection is a budget-price catalogue series bringing together the very best in fine art and classical music. The collection features a selection of classical masterworks in celebrated recordings from the EMI Classics catalogue, brought together with great artworks from The National Gallery’s permanent collection. | | | In stock - usually despatched within 1 working day. |
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| |  | Marc Minkowski conducts OffenbachLive Recordings from The Opéra National de Lyon & Théâtre Musical de Paris - Châtelet
Offenbach: | Orphée aux Enfers Recorded live at the Opéra National de Lyon, 1997 Natalie Dessay (Euridice), Yann Beuron (Orphée), Jean-Paul Fouchecourt (Pluton-Aristée), Laurent Naouri (Jupiter), Martine Olmeda (L'Opinion Publique), Virginie Pochon (Diane), Cassandre Berthon (Cupidon), Lydie Pruvot (Junon), Marylyne Fallot (Vénus), Aketa Cela (Minerve), Steven Cole (John Styx), Etienne Lescroart (Mercure) Opéra National de Lyon La Belle Helène Recorded live at the Théâtre Musical de Paris – Châtelet, 2000 Felicity Lott (Hélène), Michel Sénéchal (Ménélas), Yann Beuron (Pâris), Laurent Naouri (Agamemnon), François Le Roux (Calchas), Eric Huchet (Achille), Marie-Ange Todorovitch (Oreste) Les Musiciens du Louvre |
Arthaus presents an Offenbach Box Set (Orphée aux Enfers & La belle Hélène) featuring Marc Minkowski – the preeminent Offenbach conductor of our day but also a team of wonderful singer-actors (Natalie Dessay & Felicity Lott). Sound Format: PCM Stereo, DD 5.1, DTS 5.1 Picture Format: 16:9 DVD Format: 2 x DVD 9 / NTSC Subtitle Languages: GB, DE, FR, ES, IT Running Time: 250 mins + 26 mins (bonus) FSK: 0 | | | In stock - usually despatched within 1 working day. |
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| |  | The Complete Songs of Francis Poulenc Volume 2
Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalisation, Poulenc set music to a wide range of different French poetry – both ancient and modern - and from the serious to the surreal. This is the second release in the series of the complete songs of Francis Poulenc, performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau. Praise for the first disc was extensive. “These singers have come up with some of the most absorbing recorded experiences of a composer who, for all his unmistakable voice, had an extraordinarily broad range of expression and poetic choices...Jonathan Lemalu has two cameos, embodying solemnity and wry fun...Martineau is the binding presence as he responds to both songs and singers with a transparent understanding of character.” BBC Music Magazine, September 2011 **** “[Lott's] artistry and feeling for the French language remain as impressive as ever...Best of all perhaps are the two miniature cycles: first Tel jour, telle nuit, nine songs to words by Paul Eluard, beautifully sung by Felicity Lott. The other cycle, Le travail du peintre, fascinatingly gives us Poulenc's reaction to seven painters...Signum again provides excellent notes by Roger Nicholls and full texts and translations.” Gramophone Magazine, October 2011 “[Toreador] is finely sung here by Christopher Maltman and Martineau captures the colours and mischief of the piano part very nicely...[Deux Poèmes de Guillaume Apollinaire] are taken by Robert Murray and the rapid-fire setting of the first song reveals a singer who is able to get around this tricky piece very efficiently...The recordings all have a fine natural balance between voice and piano” International Record Review, September 2011 | | | In stock - usually despatched within 1 working day. |
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| |  | Felicity Lott sings Mozart Arias
Mozart: | Exsultate, jubilate, K165 Voi avete un cor fedele, K217 Vado, ma dove? oh Dei!, K583 Chi sà, chi sà qual sia, K582 Nehmt meinen Dank, ihr holden Gönner!, concert aria K383 Bella mia fiamma, addio... Resta, oh cara, K528 Ruhe sanft, mein holdes Leben (from Zaïde) Lungi da te, mio bene (from Mitridate, Rè di Ponto, KV87) |
The multi award winning Mozart album recorded for ASV, unavailable for several years with accompaniment from the London Mozart Players, directed by Jane Glover. | | | In stock - usually despatched within 1 working day. |
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| |  | Amor: Opera scenes & lieder
Strauss, says Natalie Dessay, is the key to her career, and this recital of Lieder, arias and scenes features two contrasting characters central to her stage repertoire: the innocent young Sophie from Der Rosenkavalier and the coquettish Zerbinetta, a role Natalie has made her own in Paris and at the Met, and whose dizzyingly stratospheric set piece opens this programme. Available for the first time in jewel case format. | | | In stock - usually despatched within 1 working day. |
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| |  | Schumann Favourite Songs
“full unblemished tone, faultless legato...thoughtful phrasing - many pleasures to offer” Gramophone Magazine “Felicity Lott is a connoisseur's artist, far greater than many more illustrious and publicised rivals...here with great poise and completely unaffected artistry...treasurable” Penguin Guide | | | In stock - usually despatched within 1 working day. |
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| |  | Felicity Lott sings Schubert Favourites
Schubert: | Die Forelle, D550 An Sylvia, D891 Heidenröslein, D257 Du bist die Ruh D776 (Rückert) Der Musensohn, D764 (Goethe) An die Musik D547 Auf dem Wasser zu singen, D774 Sei mir gegrüsst! D741 (Rückert) Litanei auf das Fest Allerseelen, D343 Die junge Nonne, D828 Ave Maria, D839 Im Frühling, D882 Gretchen am Spinnrade, D118 Nacht und Träume, D827 Ganymed, D544 (Goethe) Nur wer die Sehnsucht kennt, D877/4 Schlachtgesang D443 (Klopstock) Der Hirt auf dem Felsen, D965 (Von Chezy / Muller) with Michael Collins (clarinet) & Ian Brown (piano) |
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| |  | Summertime
Arne: | Where the Bee Sucks | Barber, S: | Sure on this shining night, Op. 13 No. 3 The Monk and His Cat (No. 8 from Hermit Songs) | Berlioz: | L'Île inconnue (from Les Nuits d'été) Villanelle (from Les nuits d'été, Op. 7) | Bernstein: | My House (from Peter Pan) | Brahms: | Meine Liebe ist grün, Op. 63 No. 5 | Bridge: | Go Not, Happy Day | Delius: | To Daffodils | Elgar: | The Shepherd's Song | Fauré: | Clair de Lune, Op. 46 No. 2 Soir Op. 83 No. 2 Notre amour Op. 23 No. 2 | Fraser-Simson: | Vespers | Gershwin: | Summertime (from Porgy and Bess) | Head, M: | The Little Road to Bethlehem | Ireland: | The Trellis | Lehmann: | Ah, moon of my delight | Porter, C: | The Tale of the Oyster | Quilter: | Now sleeps the crimson petal, Op. 3 No. 2 (Tennyson) Who is Sylvia Love's Philosophy, Op. 3 No. 1 (Shelley) | Rutter: | The Lord bless you and keep you | Schubert: | Auf dem Wasser zu singen, D774 | Schumann: | Der Nussbaum, Op. 25 No. 3 | trad.: | The Lark in the Clear Air | Vaughan Williams: | Orpheus With His Lute | Warlock: | Sleep | Wood, Haydn: | A brown bird singing |
Dame Felicity Lott, revered British soprano, says of this CD: “ Summertime also has many of my favourite songs in English, French and German. We made the CD at a friend`s house, and the sessions were so relaxed, with no London traffic to cause endless retakes! It`s a real mix of beautiful songs of all kinds, on a summer theme. I chose songs I loved, from Gershwin to Christopher Robin…. Three centuries of song are represented here, and, as BBC Music Magazine's Hilary Finch put it “such is the skill of Johnson's programming that the entire recital seems to be a single, sustained exhalation of rapture and reflection” She went on to say: The upper reaches of Lott's still gleaming soprano inhabit Barber's 'Shining Night' and Fauré's Clair de lune'. And her robust English version of Schubert's 'Who is Sylvia?' finds an irresistible companion in Arne's 'Where the Bee Sucks', with its veritable midsummer night's dream of an accompaniment from Johnson. The artists' palpable sense of joy and well-being gathers momentum as they visit Berlioz's 'L'île inconnue' and as they sing on the water with Schubert. . . . And Lott and Johnson know well that the only way to face sentiment is to acknowledge its own integrity, as they do when they listen to Haydn Wood's 'Little Brown Bird' and eavesdrop with Fraser-Simson on Christopher Robin saying his prayers. This CD features songs from a great variety of composers - Gershwin, Barber, Cole Porter, Bernstein, Brahms, Schubert, Arne, Schumann, Berlioz, and many more. A full 29 tracks of summer-themed songs! | | | In stock - usually despatched within 1 working day. |
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