Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  |
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| |  | Bel CantoFamous Opera Arias
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Inga Nielsen (Leonore), Gosta Winbergh (Florestan), Kurt Moll (Rocco), Alan Titus (Pizarro), Herwig Pecoraro (Jaquino), Edith Lienbacher (Marzelline), Wolfgang Glashof (Fernando), Péter Pálinkás (First Prisoner), Józef Moldvay (Second Prisoner) Nicolaus Esterhazy Sinfonia, Hungarian Radio Chorus, Michael Halasz “Naxos has an uncanny knack for choosing the right artists for its operatic ventures. On this occasion, four of the singers are among the better known in the field, each judiciously cast. Halász projects every facet of the score, inspiring his forces to live every moment of the plot in words and music. This isn't an interpretation in the romantic, quasi-philosophical mode of Furwängler or Klemperer, rather one that alerts the mind and ear to the human agony of it all. Nielsen's Leonore is no projection of subservient femininity but a tormented wife seeking to save her husband, her plight expressed in every key phrase. She doesn't provide the heroic sounds of a Nilsson (Maazel) or all the warmth of Rysanek (Fricsay), but her slimmer, more compact tone exactly fits this performance. Winberg is a Florestan equal to his Leonore in vocal and interpretative assets. Not even Heppner (Davis) or Seiffert (Harnoncourt), among modern interpreters, sings the role better. His voice poised between the lyrical and the heroic, his tone warm, his technique firm, Florestan's scene can seldom have been so satisfyingly sung and enacted. As Marzelline, Edith Lienbacher is something of a discovery, catching the eagerness, also the sense of nerves a-jangle predicated by the part. The dialogue, rather drastically foreshortened, is well spoken by all and intelligently directed. The orchestral and choral singing need fear no comparisons, and the recording has plenty of presence, no tricks. This is a performance that fulfils almost all the demands made on its principals and at the price should be eagerly sought after: its most notable predecessors are matched, if not surpassed.” Gramophone Classical Music Guide, 2010 “a first-rate modern cast incisively directed by Michael Halasz, and very well recorded. Inga Nielsen is an outstanding Leonore, with every note sharply focused...Few singers on disc in recent years begin to rival her account of Abscheulicher...this version is among the very finest to have arrived in recent years” Penguin Guide, 2010 edition *** | | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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Maria Ewing, Sergei Larin, Aage Haugland, Philip Langridge, Heinz Zednik, Kristine Ciesinski, Ilya Levinsky, Romuald Tesarowicz, Anatoly Kocherga, Eléna Zaremba, Kurt Moll, Grigory Gritziuk, Carlos Alvarez, Guillaume Petitot, Jean-Pierre Mazaloubaud, Alan Woodrow, Jean-Claude Costa, Jean Savignol, José Ochagavia, Philippe Duminy, Mario Agnetti, Johann Tilli & Margaret Jane Wray Paris Opéra-Bastille Chorus & Paris Opéra-Bastille Orchestra, Myung-Whun Chung | | (Sorry, download not available in your country) | |
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| |  | Missa Cellensis
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Ruggero Raimondi, Eduardo Villa, Bodo Brinkmann, Francisco Araiza, Friedrich Lenz, Jan-Hendrik Rootering, Cornelia Wuhlkopf, Carol Vaness, Doris Soffel, Kurt Moll Bayerisches Staatsorchester, Chor der Bayerischen Staatsoper, Wolfgang Sawallisch | | | Usually despatched in 3 - 4 working days. |
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| | | (Sorry, download not available in your country) | Usually despatched in 8 - 10 working days. |
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