Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Recorded in March 2012 at the Opéra National de Paris, Opéra Bastille
Robert Wilson [director, lighting, design] Giuseppe Frigeni [co-director] Frida Parmeggiani [costumes] Heinrich Brunke [lighting] Naïve present Debussy's fascinating opera in the legendary staging by Robert Wilson. Eternity, minimalism, enigma, all those elements ideally connect to the unique atmosphere in Debussy's music. Stéphane Degout and Elena Tsallagova lead an outstanding cast including Anne Sofie von Otter, Vincent Le Texier, Franz Joseph Selig… | 
| | Naive - DR2159 (DVD Video) Normally: $29.50 Special: $26.25 |
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| |  | Gluck: Iphigénie en Aulide & Iphigénie en TaurideRecorded live at De Nederlandse Opera, September 2011
Two late and baleful tragedies by Euripides focus on the ill-starred daughter of the Greek King, Agamemnon. Will he sacrifice Iphigenia in order to secure fair winds for his voyage to Troy? In Aulis, the drama rages until she is spared. Having escaped to Tauris, Iphigenia finds herself compelled to kill her own brother before, once more, the fickle gods intervene. Gluck's operatic settings are very rarely staged together, but Pierre Audi's production makes a darkly compelling case for their dramatic unity. All the lead performers here are experienced exponents of Gluck, and together they present a powerfully idiomatic experience. First ever release together on DVD/Blu-ray. Iphigénie en Aulide has never been issued before on DVD/Blu-ray. Top international cast includes Véronique Gens as Iphigénie and Anne Sofie von Otter as Clytemnestre. Marc Minkowski & Les Musiciens du Louvre Grenoble have been widely acclaimed for their Gluck performances. Running time: 267 minutes Subtitles: EN/FR/DE/DU/KO Sound format: 2.0LPCM + 5.1(5.0) DTS “in this performance every cross-hatched, baleful figure is crisp and clear...Veronique Gens's submissive, poised Iphigénie [en Aulide] becomes Mireille Delunsch's red-eyed, hysterical Iphigénie en Tauride...Both sopranos sing magnificently despite Audi's over-stylised movement direction.” BBC Music Magazine, May 2013 ***** “[von Otter] presents a deeply sympathetic character...[Gens's] Iphigenia is equally touching and just as beautifully sung...one or two [production] oddities are far outweighed by the intensity that Pierre Audi secures from his team. Minkowski conducts superbly.” Gramophone Magazine, May 2013 | 
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| |  | Gluck: Iphigénie en Aulide & Iphigénie en TaurideRecorded live at De Nederlandse Opera, September 2011
Two late and baleful tragedies by Euripides focus on the ill-starred daughter of the Greek King, Agamemnon. Will he sacrifice Iphigenia in order to secure fair winds for his voyage to Troy? In Aulis, the drama rages until she is spared. Having escaped to Tauris, Iphigenia finds herself compelled to kill her own brother before, once more, the fickle gods intervene. Gluck's operatic settings are very rarely staged together, but Pierre Audi's production makes a darkly compelling case for their dramatic unity. All the lead performers here are experienced exponents of Gluck, and together they present a powerfully idiomatic experience. First ever release together on DVD/Blu-ray. Iphigénie en Aulide has never been issued before on DVD/Blu-ray. Top international cast includes Véronique Gens as Iphigénie and Anne Sofie von Otter as Clytemnestre. Marc Minkowski & Les Musiciens du Louvre Grenoble have been widely acclaimed for their Gluck performances. Running time: 267 minutes Subtitles: EN/FR/DE/DU/KO Sound format: 2.0LPCM + 5.1(5.0) DTS “in this performance every cross-hatched, baleful figure is crisp and clear...Veronique Gens's submissive, poised Iphigénie [en Aulide] becomes Mireille Delunsch's red-eyed, hysterical Iphigénie en Tauride...Both sopranos sing magnificently despite Audi's over-stylised movement direction” BBC Music Magazine, May 2013 ***** “[von Otter] presents a deeply sympathetic character...[Gens's] Iphigenia is equally touching and just as beautifully sung...one or two [production] oddities are far outweighed by the intensity that Pierre Audi secures from his team. Minkowski conducts superbly.” Gramophone Magazine, May 2013 | 
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| |  | Sogno Barocco (Baroque Dream)
Following the best-seller 'Love Songs' with Brad Mehldau and a new recording of Berlioz’s 'Les Nuits d’été' with Marc Minkowski, 'Sogno Barocco' is the third project from eclectic Swedish mezzo-soprano Anne Sofie von Otter on naïve, which she toured 2010-11. Dedicated to early Italian opera protagonists such as Poppea, Penelope, Diana and Helena, this clever programme gathers baroque hit duets such as “Si Dolce è’l tormento” or “Pur ti miro” and the previously unreleased Provenzale cantata or Rossi’s Lamento of the Swedish Queen . . . This delicate and subtle series of baroque jewels is performed with an amazing cast, starring French soprano Sandrine Piau, in 3 breathtaking duets, and baroque rising-star conductor Leonardo García Alarcón, one of the current darlings of Italian baroque. This new release is offered with a 76-page booklet including complete sung texts and essays by Von Otter, Alarcón and musicologist Vincent Borel. It also includes 3 instrumental pieces by Cavalli in world premiere recordings. “Sogno Barocco is themed around female heroines of early Italian opera,
particularly those afflicted with what Francesco Cavalli, in "Vivo per Te",
calls "my resplendent pain".” The Independent, 15th September 2012 **** “Her voice shows little sign of wear and tear...Her still plush mezzo entwines ravishingly with Sandrine Piau’s brighter soprano, but the most remarkable parts of her “baroque dream” are Rossi’s Lament of the Swedish Queen and Provenzale’s astonishing parody of it.” Sunday Times, 21st October 2012 “von Otter’s ability to reinvent herself with the passing years is something to marvel at … compelling singing and playing...in the past she has had a reputation for coolness, but there is fire in her delivery of these passionate soliloquies...She is capable of earthiness, too, in the wheedling, street-singer timbre she summons up for Provenzale's 'Squarciato appena havea'” International Record Review, December 2012 “the mood of this CD is pleasingly melancholy, with von Otter’s many years of experience feeding into profound readings of some lovely music” Early Music Review, December 2012 “Every rhetorical device is skilfully exploited, every phrase glows...For many listeners, however, Von Otter's duets with Sandrine Piau will be the highlight. Stylistically, temperamentally and in terms of timbre, the two voices are a sensational match. Rarely have 'Pur ti miro' or 'Dolcissimi baci' sounded so erotic.” BBC Music Magazine, January 2013 ***** “Von Otter has a whale of a time [in Squarciato appena] and the instrumentalists join in with a chorus at the end. The exuberance is reminiscent of Christina Pluhar's L'arpeggiata. The excerpts from L'incoronazione di Poppea appear out of sequence. Particularly ravishing is 'Pur ti miro', von Otter's rich but not heavy tone erotically entwined with the equally passionate soprano of Sandrine Piau...A strange disc, oddly memorable.” Gramophone Magazine, February 2013 BBC Music Magazine
Opera Choice - January 2013 |
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| |  | A Summer’s Day: Swedish Romantic Songs
Anne Sofie von Otter, accompanied by Bengt Forsberg and joined by baritone Fredrik Zetterström for two duets, performs works by four Swedish composers whose works were all composed within a century of each other. These works provide a broad image of the early development of a Swedish Lied tradition and paved the way for the great generation of Swedish song composers, including Stenhammar, Peterson-Berger and Rangström. The simple grace and tunefulness of Adolf Fredrik Lindblad and Erik Gustaf Geijer’s works are coupled with the works of Franz Berwald that are more intent on breaking new ground with his relatively complex songs. August Söderman, finally, searches for new forms of musical expression in his songs, with the aim to create a broader narrative with a greater dramatic force. | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Une Fête BaroqueConcert d’Astrée 10th Anniversary concert
Natalie Dessay, Sandrine Piau, Sonya Yoncheva, Jaël Azzaretti, Laura Claycomb, Aurélia Legay, Magali Léger, Françoise Masset, Patricia Petibon (sopranos), Anne Sofie Von Otter, Ann Hallenberg, Renata Pokupić, Karine Deshayes, Delphine Haidan (mezzos), Marijana Mijanović, Sara Mingardo (contraltos), Pascal Bertin, Philippe Jaroussky (countertenors), Rolando Villazón, Topi Lehtipuu (tenors), Stéphane Degout, Christopher Purves (baritones), Lorenzo Regazzo (bass) Concert d’Astrée, Emmanuelle Haïm Le Concert d’Astrée, under its founder and conductor Emmanuelle Haïm, celebrates its 10th anniversary in style with a charity concert in Paris featuring 23 of the world’s most distinguished singers of baroque repertoire. To celebrate its 10th anniversary, Le Concert d’Astrée, under its founder and conductor Emmanuelle Haïm, will give a concert entitled ‘Fête Baroque’ at Paris’s Théâtre des Champs-Elysées on 19th December 2011. Joining Haïm and the orchestra are no less than 23 of the world’s most distinguished singers of baroque repertoire. Among the sources of the evening’s arias and ensembles are Giulio Cesare, Alcina, Rinaldo, Tamerlano, Come Ye Sons of Art, Thésée, Dardanus, Hippolyte et Aricie, and Les Indes galantes. The recording of this spectacular concert will join 15 discs that Haïm and Le Concert d’Astrée already have in the Virgin Classics catalogue. The concert also benefits a good cause as will this CD. Under the patronage of Madame Simone Veil, the former President of the European Parliament, the proceeds of the concert will go to the Révolution Cancer 2010-2013 programme of the Institut Gustave Roussy in Villejuif, south of Paris. The institute, with a staff of 2,600, is the leading oncology centre in Europe. “Galas are usually more fun to attend than to listen to after the event, but this celebration of the 10th anniversary of Emmanuelle Haïm's lively French ensemble is a baroque blast...all very stylish fun.” The Observer, 22nd April 2012 “All through the concert, the orchestra has produced good work and some plangent or jubilant sounds as the music requires...Commendations too for the conductor Emmanuelle Haim, who brings much to the pleasure of listening. The planning has resulted in a programme of diversity, of several moods and tempos.” International Record Review, May 2012 “The music is well chosen, all of the highest quality appeal, and splendidly sung by these charismatic artists.” Gramophone Magazine, June 2012 “While some will struggle to swallow some of Emmanuel Haïm's more extravagant mannerisms...it's hard not to be swept along by the sheer élan of this live recording...The most interesting singing, for my money, comes from the lively lyric soprano Jaël Azzaretti and Patricia Petibon in La Folie's boisterous aria from Platée. Above all, Haïm and her feisty team summon up the spirit of baroque spectacle for thier celebratory feast.” Classical Music | | | In stock - usually despatched within 1 working day. |
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| |  | Children First
Antonio Banderas, Anne Sofie von Otter, Barbara Hendricks, Rebecca Caine, Bo Skovhus, Camilla Nylund, Song Zuying, Inger Dam-Jensen, Gisela Stille, Johnny van Hal, Anton Saris, Jamie Bryce & Sylvia Young Theater School Children’s Choir PART OF THE PROCEEDS FROM THE SALE OF CHILDREN FIRST WILL BE USED TO SUPPORT THE WORK OF UNICEF TO IMPROVE CHILDREN’S LIVES Featuring artists such as Antonio Banderas, Anne Sofie von Otter, Rebecca Caine, Barbara Hendricks, and the Sylvia Young Theater School Children’s Choir, UNICEF’s Children First is a recording for, about, and in the benefit of children around the world. The recording will be released on January 11, 2011, one year after the anniversary of the earthquake in Haiti and proceeds from its sale will support the activities of UNICEF around the world. Founded in 1946 in the aftermath of WWII, UNICEF continues to provide services in disaster ravaged countries like Haiti and petitions for children’s right in 190 countries around the world. Children First, whose goal is to be an integrated sequence of songs that describes the human life cycle in music and text, includes an official song of UNICEF sung by Antonio Banderas and Anne Sofie von Otter. That song, “Children First”, and other tracks such as “All of These Things You Are to Me” and “Heaven’s Lullaby” have lyrics written by American lyricists Amy Powers, Lisa Freeman and Richard Rudolph and music by Danish composer Carsten Mørch. UNICEF is on the ground in over 150 countries and territories to help children survive and thrive, from early childhood through adolescence. The world’s largest provider of vaccines for developing countries, UNICEF supports child health and nutrition, good water and sanitation, quality basic education for all boys and girls, and the protection of children from violence, exploitation, and AIDS. UNICEF is funded entirely by the voluntary contributions of individuals, businesses, foundations and governments. | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Daniel Hope: The Romantic ViolinistA Celebration of Joseph Joachim
Brahms: | Sonatensatz (Scherzo from the F.A.E. sonata), WoO 2 with Sebastian Knauer (piano) Hungarian Dance No. 1 in G minor arranged for violin and strings by Marc-Olivier Dupin Royal Stockholm Philharmonic Orchestra, Sakari Oramo Hungarian Dance No. 5 arranged for violin and strings by Marc-Olivier Dupin Royal Stockholm Philharmonic Orchestra, Sakari Oramo Geistliches Wiegenlied, Op. 91 No. 2 Anne Sofie von Otter (mezzo-soprano)) & Bengt Forsberg (piano) | Bruch: | Violin Concerto No. 1 in G minor, Op. 26 Royal Stockholm Philharmonic Orchestra, Sakari Oramo | Dvorak: | Humoresque in G flat major, Op. 101 No. 7 arranged for violin and orchestra by Franz Waxman Royal Stockholm Philharmonic Orchestra, Sakari Oramo | Joachim: | Romanze, Op. 2, No. 1 for violin and piano with Sebastian Knauer (piano) Notturno for Violin and Orchestra, Op. 12 Royal Stockholm Philharmonic Orchestra, Sakari Oramo | Schubert: | Auf dem Wasser zu singen, D774 with Sebastian Knauer (piano) | Schumann, Clara: | Romances (3), Op. 22: No. 1 - Andante Molto with Sebastian Knauer (piano) |
Friends with Mendelssohn, the Schumanns, Brahms, Dvorák, Liszt, Bruch, and others, Joachim was a revered violinist, conductor, and composer of the Romantic Era. The central piece is Bruch’s Violin Concerto, its violin part completely reworked, at Bruch’s request, by Joachim into the form we know today. Daniel Hope plays the concerto with the Royal Stockholm Philharmonic Orchestra under Sakari Oramo. “Big-hearted Daniel Hope, backed by the Royal Stockholm Philharmonic under Sakari Oramo, seems equally at home in the wide open spaces of Bruch's violin concerto (which the master totally revised and improved) or the warm intimacy of Joachim's own delightful Romanze” The Observer, 13th March 2011 **** The Telegraph, 18th March 2011 “Hope’s way with the Bruch: Violin Concerto No 1 is lively, burning with gypsy passion. Temperatures calm down for Joachim’s own Romanze and his equally endearing Notturno.” The Times, 26th March 2011 **** “The major offering here is Bruch's evergreen First Violin Concerto, which Daniel Hope plays with cliche-free, heartfelt intensity. He radiates espressivo allure in Joachim's own Romanza and Notturno...The Joachim connection is fascinating, and Hope plays each piece as a music gem in its own right” Classic FM Magazine, May 2011 **** “The Bruch is finely and vividly recorded. In Oramo's hands the orchestration acquires a rich glow, with solo lines brought out most expressively. Hope brings to his interpretation glorious, full tone brilliance (in the finale) and expansive phrasing...The pieces with piano are all beautifully played” Gramophone Magazine, May 2011 “[The Bruch] receives a warmly committed account from the soloist and the hugely responsive Royal Stockholm Philharmonic under Sakari Oramo. As in his recording of the Mendelssohn, Hope never takes this over-familiar score for granted and has imaginative things to say at every juncture.” BBC Music Magazine, May 2011 **** “This performance [of the Bruch] overflows with incident and rich musical detailing...[Oramo], as a fiddler himself, knows this piece inside out...The finale dazzles, rounding out a captivating and insightful reading” International Record Review, May 2011 | | | In stock - usually despatched within 1 working day. |
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| |  | The World of Castrati: The Voices of Angels
Bach, J C: | Ebben si vada...lo ti lascio: Ebben si vada Adriano in Siria: Cara, la dolce fiamma | Broschi, R: | Qual guerriero in campo armato (from Idaspe) | Caldara: | Giacché mi tremi in seno (from La Passione di Gesù Cristo Signor Nostro) | Gluck: | Se mai senti spirarti sul volto (from La clemenza di Tito) | Handel: | Crude furie degli orridi abissi (from Serse) Scherza, infida (from Ariodante) Frondi tenere e belle ... Ombra mai fù (from Serse) Mi lusinga il dolce affetto (from Alcina) Dall'ondoso periglio (from Giulio Cesare) Dolci chiodi, amate spine (from La Resurrezione) Ho un non so che nel cor (from La resurrezione) Se l'arco avessi (from Admeto) Quivi, tra questi soltari orr In mille dolci modi (from Sosarme) Ritorna pur, ritorna...Voglio che sia l'indegno (from Faramondo) Lunga serie d'alti eroi (from Parnasso in festa) | Hasse, J A: | Spesso tra vaghe rose (from Il Siroe Re di Persia) | Monteverdi: | Hor mentre i canti alterno (from L'Orfeo) | Mozart: | Deh, per questo istante solo (from La Clemenza di Tito) Venga pur, minacci e frema (from Mitridate, rè di Ponto) | Rossini: | Dolci silvestri... Perché mai le luci apprimo Arsace (from Aureliano in Palmira) | Vivaldi: | Sposa son disprezzata (from Bajazet) Il Bajazet (Il Tamerlano) : Anch'il mar par che sommerga Destin nemico...Destin avaro (from La fida ninfa) |
Natalie Dessay, Véronique Gens, Kate Royal, Patrizia Ciofi (sopranos), Vivica Genaux, Elina Garanca, Joyce DiDonato, Della Jones, Anne Sofie von Otter (mezzos), Sonia Prina, Stephanie Blythe (contraltos), Philippe Jaroussky, James Bowman, René Jacobs, Max Emanuel Cencic, Gérard Lesne, David Daniels (countertenors) In this double album, the greatest vocal artists of the present day offer their own vision of the singing of their legendary predecessors. The extraordinary adulation accorded to castrati during the seventeenth and eighteenth centuries is still today one of the most fascinating phenomena in the history of music. During this golden age of the castrato, these male singers endowed with high voices that combined incredible refinement, amazing power and superhuman virtuosity took the musical world by storm. The whole of Europe was overcome by infatuation for these vocal prodigies. In the absence of the castrati themselves, the singers of today face the formidable challenge of reviving their repertoire. Both male and female singers now undertake the task of bringing back to life the wondrous voices of their androgynous forebears, in music that is by turns unsettling, deeply moving and of a dizzying virtuosity. A 2CD-Compilation for the Price of 1 + 1 Bonus DVD - Digipack Format | | | In stock - usually despatched within 1 working day. |
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| |  | Metropolitan Opera Gala 199125th Anniversary at Lincoln Center
Mirella Freni, Plácido Domingo, Luciano Pavarotti, Cheryl Studer, Anne Sofie von Otter, Barbara Daniels, Justiano Díaz, Leo Nucci, Hermann Prey, June Anderson, Kathleen Battle, Ferruccio Furlanetto, Nicolai Ghiaurov, Thomas Hampson, Uwe Heilmann, Barbara Kilduff, Aprile Millo, Sherrill Milnes, Paul Plishka, Samuel Ramey, Birgitta Svendén & Frederica von Stade The Metropolitan Opera Orchestra, Chorus and Ballet, James Levine The Metropolitan Opera celebrates 25 years at Lincoln Center. The cast-list for the evening reads like a Who's Who of 20th-century opera. Thrill to “hours and hours of glorious opera...A triumphant celebration of virtuosity (Toronto Globe and Mail) as New York’s legendary opera company celebrates its first quarter century at Lincoln Center with “one of the most exquisitely refined and extravagant assemblages of vocal artistry the Met stage has yet hosted” (New York Times). “Not just another night at the opera” (Los Angeles Times), this extraordinary gala features complete acts from three favorite works, starring dozens of the world’s greatest singers, all conducted by Met music director James Levine. | | | In stock - usually despatched within 1 working day. |
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