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See Terms & Conditions for p&p rates. | |  | Great Operatic Arias 9 - Andrew ShoreSung in English
Donizetti: | Udite, udite, o rustici (from L'elisir d'amore) Sung in English as 'Attention! Attention! You country folk!’ Voglio dire, lo stupendo (from L'Elisir d'amore) Sung in English as ‘Good doctor...It was Tristan who employed it’ Barry Banks (Nemorino) Quanto amore (from L'elisir d'amore) Sung in English as 'How he loved me!' Mary Plazas (Adina) Ei corregge ogni difetto (from L'elisir d'amore) Sung in English as 'It will give you cheeks like peaches' Mary Plazas (Adina), Barry Banks (Nemorino), Ashley Holland (Belcore) Un foco insolito, mi sento addosso (from Don Pasquale) Sung in English as 'Quite unexpectedly passions inflame me’ Jason Howard (Malatesta) Signorina, in tanta fretta (from Don Pasquale) Sung in English as 'Well good evening! You’re in a hurry’ Lynne Dawson (Norina) Cognato, in me vedete un morto che cammina (from Don Pasquale) Sung in English as 'Ah brother… a living corpse is standing here before you’ Jason Howard (Malatesta) | Mozart: | Madamina, il catalogo è questo (from Don Giovanni) Sung in English as 'Pretty lady, I have something to show you’ | Rossini: | A un dottor della mia sorte (from Il barbiere di Siviglia) Sung in English as 'Dare you offer such excuses?’ Ai capricci della sorte (from L'Italiana in Algeri) Sung in English as 'All the changes in my fortune' Della Jones (Isabella) | Verdi: | Ehi! Paggio! ... L'onore! Ladri! (from Falstaff) Sung in English as 'Hey, Page boy!...Your honour? Vermin!’ |
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| |  | Mozart: Flute Concertos & Sonatas
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| |  | Opera in Two Acts, after the play by August Strindberg
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| |  | Berg, Janacek & Hartmann: Violin Concertos
“[Zehetmair's recording] is a more intimate reading than many, a feeling matched by Holliger's chamber-like treatment of his orchestral forces. Zehetmair does not overdo the angst, and finds the nobility in the melodic phrases.” The Telegraph, 31st May 2008 “A recording that not only stands out from the pack by virtue of its subtle attention to to detail but never ceases to be true to the authentically conflicted spirit of the music...a fresh and specially persuasive engagement with [the] composition” Gramophone Magazine, May 2010 | | | In stock - usually despatched within 1 working day. |
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Following many requests for a reissue of Ashkenazy's Philharmonia recording of Tchaikovsky's programmatic Manfred Symphony, many listeners will be delighted to have his searing portrayal available again. It is coupled with the little-known Elegie which was incorporated into Tchaikovsky's incidental music for Hamlet. “The recording is among the finest of Decca's last analogue period, the fullness and sense of presence match or even outshine those on many a modern recording ... Colourful, dramatic performances, warmly sympathetic yet never self-indulgent ... The alertness of the Philharmonia's playing consistently conveys the feeling of live communication ... an outstanding choice” Gramophone Magazine | | | In stock - usually despatched within 1 working day. |
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