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| | | Usually despatched in 8 - 10 working days. |
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| |  | FAMOUS OPERETTA MELODIES
Eberhard Buchner (tenor), Karl Friedrich Holzke (tenor), Martin Ritzmann (tenor), Hannerose Katterfeld (mezzo-soprano), Elka Mitzewa (soprano), Peter Schreier (tenor), Sylvia Geszty (soprano), Siegfried Vogel (bass), Ingeborg Wenglor (soprano), Friederike Apelt (mezzo-soprano), Roswitha Trexler (soprano), Wolfgang Hellmich (baritone), Werner Enders (tenor), Ruth Schob-Lipka (soprano), Hermann Christian Polster (bass), Jutta Vulpius (soprano), Gudrun Fischer (mezzo-soprano), Elisabeth Ebert (soprano), Reiner Suss (bass), Harald Neukirch (tenor), Rosemarie Ronsch (soprano) Bamberg Symphony Orchestra, Dresden State Opera Chorus, Dresden Philharmonic Orchestra, Leipzig Radio Chorus, Leipzig Radio Symphony Orchestra, Manfred Honeck, Heinz Rogner, Gunther Herbig, Robert Hanell | |
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| |  | Bach - Famous Cantatas
| | | Usually despatched in 2 - 3 working days. |
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| |  | Mozart: Bastien und Bastienne
| | | Usually despatched in 4 - 5 working days. |
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| |  | CLASSIC MASTERWORKS - Franz Schubert
Jeno Jando (piano), Peter Schreier (tenor), Konrad Ragossnig (guitar), Karoly Botvay (cello), Evelyn Dubourg (piano), Helmut Deutsch (piano), Josef Protschka (tenor), Peter Rosel (piano), Gerhard Meyer (horn), Wolfgang Stahl (horn), Dieter Fokel (horn), Mitsuko Shirai (soprano), Hartmut Holl (piano) Budapest Strings, Leipzig Radio Chorus, male section, Colorado Quartet, Vienna Academy, Hugo Distler Choir, Berlin Radio Chorus, Berlin Radio Symphony Orchestra, RIAS Chamber Chorus, Budapest Philharmonic Orchestra, Bela Banfalvi, Jorg-Peter Weigle, Martin Haselbock, Dietrich Knothe, Marcus Creed, Janos Kovacs | |
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| |  | CLASSICS IN SPRING
Walter Olbertz (piano), Gunther Leib (bass), Peter Schreier (tenor), Sylvia Geszty (soprano), Renate Schorler (piano), Norman Shetler (piano), Karl Suske (violin), Dieter Zechlin (piano), Siegfried Lorenz (baritone), Elisabeth Ebert (soprano), Eugene D'Angelo (violin) Bamberg Symphony Orchestra, Leipzig Gewandhaus Orchestra, Dresden Philharmonic Orchestra, Dresden Staatskapelle, Dresden Kreuzchor, Berlin Symphony Orchestra, Orchestra Camerata di Roma, Manfred Honeck, Franz Konwitschny, Heinz Rogner, Carl von Garaguly, Otmar Suitner, Rudolf Mauersberger, Gunther Herbig, Jose Ferrari | |
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| |  | CHRISTMAS CONCERT OF CLASSICAL MUSIC
Hans Otto (organ), Ernst-Ludwig Hammer (viola da gamba), Christoph Spranger (boy soprano), Michael Jackel (boy soprano), Peter Schreier (tenor), Burkhard Glaetzner (oboe), Theo Adam (bass), Dietrich W. Prost (organ) Dresden Philharmonic Orchestra, Dresden Kreuzchor, Leipzig Thomaner Choir, Ludwig Guttler Brass Ensemble, New Bach Collegium Musicum Leipzig, Virtuosi Saxoniae, Martin Flamig, Ludwig Guttler | |
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| |  | Highlights from Der Bettelstudent and Im weissen Rossl
Peter Schreier (tenor), Siegfried Vogel (bass), Ingeborg Wenglor (soprano), Elisabeth Ebert (soprano), Friederike Apelt (alto), Roswitha Trexler (soprano), Karl Friedrich Holzke (tenor), Wolfgang Hellmich (baritone), Heinz Ziegenbein (tenor), Hans Kramer (bass), Kurt Equiluz (tenor), Hilde Brauner (soprano), Friedl Loor (alto), Karl Terkal (tenor) Leipzig Radio Chorus, Leipzig Radio Symphony Orchestra, Vienna Volksoper Orchestra, Vienna Volksoper Chorus, Gunther Herbig, Josef Leo Gruber | |
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| | | Usually despatched in 2 - 3 working days. |
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| |  | Wolf, H: Mörike-Lieder: excerpts
“Peter Schreier's ever-supple tenor, honed by keen-eyed intelligence and a verbal palate sharp enough to taste and try every last word, makes him a Wolf interpreter of the highest order. In this meticulously shaped programme of 22 of Wolf's eager settings of Mörike, one wonder appears after another. Schreier and his ever- sentient pianist, Karl Engel, move from a gentle awakening of love, which grows in intensity towards the innermost core of songs of doubt and fear, and on through a gallery of wonderfully dry, wry tableaux to the final farewell and the kicking of the critic downstairs. The first song here, ImFrühling, epitomises the equilibrium, security and entirety of performances which have grown from long-pondered consideration.
The long, drowsy vowels, and Schreier's sensitivity to the high-register placing of crucial words of longing all fuse into the slow-walking movement of cloud, wing, river, breeze, as language becomes expanded and enriched by tone. Schreier's remarkable steadiness of line in Verborgenheit reveals the song's secrets only reluctantly: the fierce intensity of sudden illumination is all the more searing.
Grotesquerie and poignancy coexist in Bei einerTrauung, and we feel every catch of the voice as Schreier turns weird and whimsical tale-teller in Storchenbotschaft.” Gramophone Classical Music Guide, 2010 | | | Usually despatched in 3 - 4 working days. |
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