Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Lieder zur Weihnacht
Peter Schreier and Hansjorg Albrecht perform Songs for Christmas on this timely release from Berlin Classics. | 
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Peter Schreier (Tamino), Gunther Lieb (Papageno), Helen Donath (Pamina), Sylvia Geszty (Königin der Nacht), Theo Adam (Sarastro), Harald Neukirch (Monostatos), Siegfried Vogel (Sprecher), Renate Hoff (Papagena), Hanne-Lore Kuhse (Erste Dame), Gisela Schröter (Zweite Dame), Annelies Burmeister (Dritte Dame) Staatskapelle Dresden, Rundfunkchor Leipzig, Otmar Suitner | | | In stock - usually despatched within 1 working day. |
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| |  | Schubert: Schwanengesang
The eighteen songs included in this recording of Schwanengesang all belong to the last three years of Schubert’s life. The earliest of them, Am Fenster, was written in March 1826, while the last, Die Taubenpost, was finished only a few weeks before his death on 19 November 1828. Fourteen of them, seven by Ludwig Rellstab, six by Heinrich Heine and one by the Vienna government official and journalist J.G. Seidl, were published by Tobias Haslinger in May 1829 under the umbrella title Schwanengesang (‘Swan Song’) and are often performed as a complete cycle. Of these, Am Fenster, Der Wanderer an den Mond (both Seidl) and Herbst (Rellstab), were not included in the original publication of Schwanengesang. Auf dem Strom, with obbligato horn, dates from the previous year, 1827, but was first performed on 26 March 1828, marking the first anniversary of Beethoven’s death. The horn plays a significant melodic role in the setting, opening the piece, providing interludes between the verses, and duetting with the solo tenor voice. It was recorded in 1991 by Peter Schreier and András Schiff, with Radovan Vlatković, at the Decca Winterreise sessions, but owing to the playing time of the CD, Auf dem Strom did not appear. This is the recording’s first release. “One of the greats. The most of all Schreier's Schwanengesang recordings, and with a previously unpublished performance of 'Auf der Strom' as a bonus.” BBC Music Magazine, March 2013 ***** “This is a wonderful disc by any standard. Indeed, the partnership of Schreier and Schiff [is] a masterstroke of Decca … [Schreier’s] performances of the Heine settings … have become so anguished as to expose every nerve end in their depiction of lost love, and Schiff's realization of the piano's role seconds the singer's probings perfectly. […] This is really a 'must' for any Lieder collection.” Gramophone Magazine, February 2013 “One of the most compelling recordings ever of Schwanengesang … The recording is vividly real.” Penguin Guide *** | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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Robert Hale (Wotan), Hanna Schwarz (Fricka), Franz-Josef Kapellmann (Alberich), Peter Schreier (Mime), Nancy Gustafson (Freia), Kim Begley (Loge), Thomas Sunnegardh (Froh), Eike Wilm Schulte (Donner), Elena Zaremba (Erda), Jan-Hendrik Rootering (Fasolt), Walter Fink (Fafner), Gabriele Fontana (Woglinde), Ildiko Komlósy (Wellgunde), Margaretha Hintermeier (Flosshilde) The Cleveland Orchestra, Christoph von Dohnanyi | | | In stock - usually despatched within 1 working day. |
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Anneliese Rothenberger (Pamina), Edda Moser (Königin der Nacht), Peter Schreier (Tamino), Walter Berry (Papageno), Kurt Moll (Sarastro), Theo Adam (Sprecher), Willi Brokmeier (Monostatos), Olivera Miljakovic (Papagena), Leonore Kirschstein, Ilse Gramatzki, Brigitte Fassbaender (Drei Damen), Walter Gampert, Peter Hinterreiter, Andreas Stein (Drei Knaben), Wilfried Badorek, Günter Wewel (Zwei Priesten/Zwei Geharnischten) Chor & Orchester der Bayerischen Staatsoper, Wolfgang Sawallisch From fairy tale to great opera: with Die Zauberflöte Mozart made the step from simple Singspiel to a full-blown German opera, thus laying the foundations for an independent opera culture in the German language. The 1973 Electrola recording combines a truly legendary vocal ensemble, featuring first and foremost Edda Moser, whom many people still regard as the best Queen of the Night of all time, Walter Berry as a Papageno oozing Viennese charm, and Anneliese Rothenberger as an enchantingly touching Pamina. | | | In stock - usually despatched within 1 working day. |
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“A likeable performance including a spurious duet for Paragon and Tamino. Apart from that, the cast is excellent and Sawallisch's a sprightly conductor.” BBC Music Magazine, November 2007 **** | | | In stock - usually despatched within 1 working day. |
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