Barry Tuckwell - CD

Late in the 1840s, Schumann entered a chamber music phase. It was, it is said, motivated partly by financial reasons – creating a body of chamber works that could be played by talented amateurs in their own homes. Many of the works on this disc date from 1849. Significantly, for collectors, one of these – the Andante and Variations – receives its first release on CD and marks Vladimir Ashkenazy’s first recording of chamber music for Decca. The same sessions also included duo piano recordings with Malcolm Frager, from which the Study in Canon Form emanates. Other notable duo collaborations on this disc include Rostropovich and Britten (Fünf Stücke im Volkston), Holliger and Brendel (Drei Romanzen, Abendlied) and Ashkenazy with Tuckwell in the 1974 (Adagio and Allegro) and with Franklin Cohen in 1990 (Fantasiestücke).

No composer wrote better for wind instruments than Wolfgang Amadeus Mozart, and it is our good fortune that most of his output in this sphere has survived to delight us. Many of these recordings feature legendary soloists and conductors with the London Symphony Orchestra. The Belgian player Henri Helaerts (1907–2001) was principal of the Orchestre de la Suisse Romande for almost half a century (1929–77) and made many recordings, usually with Ernest Ansermet conducting. On this occasion he was imported to London for sessions on 9–10 August 1954. Anthony Collins conducted. A month earlier, on 13–14 July, conductor and orchestra collaborated with the young British virtuoso Gervase de Peyer (b.1926) in the Clarinet Concerto. The performance of the Flute Concerto comes from a famous LP on which the American flautist Claude Monteux (b.1920) collaborated with his father, the French violist and conductor Pierre Monteux (1875–1964). The sessions, produced by that distinguished Mozartian Christopher Raeburn and engineered by the legendary Kenneth Wilkinson, took place in Decca’s West Hampstead Studios in November 1963. Our brief horn recording was part of an LP of all the Mozart Horn Concertos, made by the famous Australian-born LSO principal Barry Tuckwell (b.1931). The sessions were held at Kingsway Hall in November 1959 and April 1961 – the E major Fragment came from the latter set – and the stereo tapes were engineered by Kenneth Wilkinson.

The recordings of both the Bassoon and Clarinet Concertos make their first appearance on CD and the fascinating documentation for the CD is provided by Tully Potter.

Johann Michael Haydn, brother of Joseph, was a highly proficient composer in his own right who earned the respect and affection of his contemporaries. A Gramophone reviewer described him thus: ‘He is a man whose character, it seems to me, always comes clearly through his music: he was cheerful, easygoing, unambitious (also, said the Mozarts, inclined to the bottle)’. In recent decades, his music has begun to be more widely appreciated, due largely to the efforts of the American musicologist Charles Sherman, whose discoveries include this Horn Concerto in D major. This collection, originally issued on Decca’s ‘Serenata’ series in 1993, has long been out of circulation, and offers music of incredible charm and warmth. Hidden, as it were, from history, it is now exhumed on Eloquence for enjoyment.

A generous collection of Haydn Concertos, Overtures and Dances, this 2CD set offers the Philips recordings of the Cello Concertos and the Argo recordings of the remaining works. Although issued in various reissues, the Marriner/Argo Haydn Concertos have never before been offered collectively, and this collection offers a great opportunity to explore these recordings from 1966–69. Familiar works such as the E flat major Trumpet Concerto and the two Cello Concertos appear together with the little-known Organ Concerto. Also on offer are two sets of German Dances/Allemandes (both making their first appearance on CD) and a pair of Overtures, of which that for Acide e Galatea is a first-on-CD release.

The partnership of Neville Marriner and the Academy of St. Martin in the Fields is possibly the most recorded of all partnerships in recorded classical music. This collection brings together three of their very first recordings: A RECITAL, A SECOND RECITAL and ITALIAN CONCERTOS, the three LPs receiving their first complete release on CD. The first two were called ‘Recitals’ in the manner of concert programs, mixing concerti grossi with solo concertos, with the Academy’s principals as soloists. Crispness of ensemble, stylish delivery, flexible and febrile performances, and rich-toned recordings were their hallmarks. This pioneering 2CD set is issued in celebration of the Academy’s 50th anniversary this year and these recordings form part of a series of Marriner reissues on Eloquence.

Three of Marriner’s earliest recordings with the Academy of St. Martin in the Fields, including his very first, reissued on CD for the first time.

Forms part of a series of recordings with Marriner and the Academy.

Lux Aeterna put Ligeti on the map for the wider public when Stanley Kubrick appropriated it for its unearthly effect in his film 2001, A Space Odyssey. But his music began firmly in his Hungarian roots, and bears a debt to Bartók and Kodály. Both sides of this modern master are heard here.

The Hungarian composer György Ligeti (1923-2006) was born in Romania of Hungarian Jewish parents. As a Jew living in mid-20th-century central-Europe, Ligeti's early musical training was interrupted by World War II. He was detained in a Nazi labour camp while other members of his family were sent to Auschwitz: only he and his mother survived the War. At the cessation of hostilities Ligeti continued his studies in Budapest until 1956, when the Soviets repressed the Hungarian revolution. He fled to Vienna and, some years later, became an Austrian citizen. Now in the West, Ligeti was free to develop and meet the leading composers in European avant-garde music of the time. Figures like Karlheinz Stockhausen, Gottfried Koenig and Herbert Eimert encouraged him to join them at the electronic music studio of Westdeutscher Rundfunk in Cologne. It was the première of his Apparitions in 1960 that launched his international career. The first disc in this set comprises the two string quartets from 1953/54 and 1968 respectively; Ramifications from 1968/69 and the Six Bagatelles from 1953 (these last two recordings are new to CD). The second disc contains a selection of Ligeti's vocal works. Ligeti died in June of 2006 in Vienna and was buried there. He is, perhaps, best known for the various pieces of his music that Stanley Kubrick used in several of his films, notably 2001: A Space Odyssey, The Shining, and Eyes Wide Shut

The Horn Trio by Don Banks was composed in 1962 for the three musicians playing on this recording. The style is a mixture of lyrical meditation and vitality, characteristic of Bank’s music.