Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Pro Pacem / For Peace
'Pro Pacem' consists of 23 pieces from the Alia Vox catalogue with repertoire from 5 centuries of music; of Gilles Binchois (XVth Century) to Arvo Pärt (new recording). The cover art was designed by Catalan painter Antoni Tapiès shortly before his death in February. The 1000-page book features texts by renowned writers, like the French scholar Edgar Morin. This is an essential contribution by Jordi Savall about the world as it is and as it should be, thanks to the power of music. “The period instrument specialists from Savall's Hespèrion XXI and voices from La Capella Reial de Catalunya lay down beautifully simple settings for guest vocalists from various cultures, notably the gorgeous tones of Montserrat Figueras.” The Independent, 29th December 2012 ***** “An ambitious programme flows, from cantorial invocations and Gregorian chant, to motets by Binchois, Josquin, Guerrero and Pärt, stretching across 19 centuries of conflict. The common cause is peace, as expressed in song, painting and essay.” The Independent on Sunday, 16th December 2012 ***** | 
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| |  | Jeanne d'Arc: Batailles & Prisons
Disc One 1. Ballade de la Pucelle 2. Aprez que j'ay - L'appel (Le départ) - Les voix 3. Naissance de Jeanne à Domrémy - Ce jour de l'an (Rondeau) 4. Le Traité de Troyes - Ce jour le doibt 5. Dit le Burguygnon 6. Mort de Charles VI. - Cloches et Adoramus te 7. Fortune, par ta cruaulté 8. Les voix: Veni Sancte spiritus 9. Quand j'eus l'âge d'environ treize ans, j'eus une voix de 10. Domrémy est pillé par les troupes des Bourguignons - Dit le Bourguignon 11. Le voyage à Vaucouleurs - Saltarello 12. Le départ pour Chinon - Le départ 13. Ma mie, que faite-vous ici? 14. Le départ 15. La pucelle 16. Les voix 17. Rencontre avec le roi à la Cour de Chinon - La pucelle - Marche pour l'onction 18. Vive le Roy 19. Jeanne est soumise par ordre du Conseil royal 20. La trémouille (Rondeau) 21. Tambour - Jeanne est à Blois où l'armée 22. Veni creator spiritus 23. La lettre aux Anglais dictée à Poitiers le 22 mars - Tambours 24. La délivrance d'Orléans - Bataille d'Orléans 25. Le roi rencontre la Pucelle à Loches - La Pucelle 26. L'homme armé 27. Bataille de Patay et victoire - Fanfare du sacre 28. Départ de Gien pour débuter la marche à Reims - D'Orléans à Reims 29. 16 juillet 1429. Reddition de Reims. Le roi entre dans Reims. 30. 17 juillet. La route du sacre - Ce jour de l'an (Rondeau) 31. Charles VII est couronné à la cathédrale de Reims - Prière III (Fantaisie) 32. Marche royale pour le sacre 33. Te Deum 34. Marche royale pour l'onction 35. Les voix 36. Sanctus 37. Osanna 1 38. Osanna 2 39. Marche royale pour l'onction 40. Sonnerie Royale pour la fin du sacre Disc Two: 1. Fanfares et tambours - L'armée a pris un itinéraire à l'ouest vers Paris 2. Bataille entre Français et Anglais 3. Après quelques opérations militaires Jeanne 4. Fortuna desperata 5. Le duc de Bourgogne met le siège devant Compiègne 6. Chiave, ciave 7. Le lendemain, au cours d'une sortie offensive 8. Dit le Bourguignon 9. Ballade de la Pucelle (Improvisation) - Il a plu à la céleste providence 10. Fortune par ta cruauté 11. Jeanne est vendue aux Anglais par Jean de Luxembourg 12. Les Solitudes Prières II (Adoramus Te) 13. Tambours - Ouverture du Procès en condamnatin de Jeanne 14. Le départ 15. Première séance du procès dans la prison 16. Planctus Jehanne 17. Cloches (Inquisition) - La pucelle - Début du procès ordinaire 18. Fortune par ta cruauté 19. Abjuration de Jeanne 20. Cloches (Inquisition) - Adoramus te - Pierre Cauchon: Cependant, après avoir 21. Les voix 22. Dans la prison. Procès de reiapse - Tambours 23. Prière Adoramus te Domine 24. Fanfare de l'Inquisition - Dernier jour de ce procès 25. Tambours - Quand la Pucelle fut arse - Adoramus te 26. Planctus Jehannse 27. Bataille de Castillon - Sonnerie royale pour la fin de la Guerre 28. Rejois toy terre de France - Vivat Rex in eternam 29. Le départ - Procès de révision de la cndamnation 30. Patres nostri peccaverunt 31. 7 juillet 1456. Sentence de réhabilitation - Miserere nostri 32. Les voix: Veni Sancte Spiritus 33. Ballade de la Pucelle 34. Plus que la sainte, l'ispirée, je crois que Jeanne 35. Le déport
20 years after having worked on the soundtrack of Jacques Rivette’s movie “Jeanne la Pucelle”, Jordi Savall has decided to dedicate this new album to the mother figure of the struggle for French independence. Music fully enables us to rediscover this icon. Works by composers from the time of Joan of Arc (Guillaume Dufay, Josquin Desprez, Johannes Vincenet, Johannes Cornago, etc.) but also compositions and arrangements by Jordi Savall paint the vivid portrait of a troubled time. Texts by Joan of Arc, including the record of her trial, are read in masterly fashion by French actress and director Louise Moaty. This well-documented CD-book demonstrates how a religion prepared to compromise all its principles for political reasons also takes the risk of becoming an icon of fanaticism. “ambitious and sumptuous...this presentation has been fashioned by Savall as a piece of music theatre, and as a vivid attempt to commemmorate Joan's life it is unlikely to be bettered.” BBC Music Magazine, February 2013 **** “The affections of baroque music are likened to the affections of the tango in this skillfully performed programme … charming performances” Classical Music, 1st December 2012 “an exhaustively researched account of the story of Joan of Arc, accompanied by early-music arrangements of period compositions rendered by Hespèrion XXI. Savall strives for imaginative representation: Dufay's "Veni Sancte Spiritus" is sung by two sopranos and a countertenor, representing the voices of Saints Catherine, Margaret and Michael” The Independent, 7th July 2012 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Monteverdi: Arie et Lamenti; Madrigali Guerrieri et Amorosi
This set gathers 2 albums released in 1990 and 1994. Each of them definitely established Montserrat Figueras as one of the best performers of Claudio Monteverdi’s vocal music. At this time, she developed an innovative style of interpretation, characterised by great fidelity to historical sources, combined with an extraordinary creative and expressive power, that has exerted a decisive influence on the whole historical music movement. Vocal music before 1800 required a new technical and stylistic approach capable of restoring to the beauty and emotion of the voice, that most human of all forms of expression, the necessary balance between singing and declamation, with an emphasis on the poetic and spiritual dimension of the text. She is accompanied by Jordi Savall on CD1 and Ton Koopman on CD2. | | | In stock - usually despatched within 1 working day. |
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| |  | Hispania & JapanDialogues
1. Improvisación sobre “O Gloriosa Domina” Ichiro Seki, shakuhachi (japanese long recorder) 2.O Gloriosa Domina (greg.) La Capella Reial,Hespèrion XXI 3. Improvisación sobre “O Gloriosa Domina” Yukio Tanaka, biwa (Japanese lute) & Hiroyuki Koinuma, shinobue (small flute) 4.Quod Eva Tristis II La Capella Reial, Hespèrion XXI 5. Improvisación sobre “O Gloriosa Domina” Yukio Tanaka, biwa 6. Tu Regis Alti Ianua III La Capella Reial de Catalunya 7. Improvisación sobre “O Gloriosa Domina” Ichiro Seki, shakuhachi & Yukio Tanaka, biwa 8. Patri Sit Paraclito IV La Capella Reial 9. DE NARVAEZ O Gloriosa Domina Diferencia II Hespèrion XXI 10.O Gloriosa Domina - Amen La Capella Reial 11. DE HENESTROSA.Himno XX O Gloriosa Domina La Capella Reial 12. Rangyoku Hiroyuki Koinuma, nokan (flute) 13. ANÓNIMO. Villancico: Senhora del Mundo M. Figueras canto y cítara, K. Zuckerman sarod, P. Edouart tablas 14. Anónimo. Alba&Rotundellus Hespèrion XXI, Pierre Hamon, flute, B. Delpierre, chirimia, D. Psonis, percussion 15.Honnôj Yukio Tanaka, chant & biwa 16. O Gloriosa Domina Diferencia I X. Díaz-Latorre, vihuela de mano 17. Shino no netori Hiroyuki Koinuma, shinobue (small flute) 18. ANÓNIMO (China). AveMaría (pentatónica) Montserrat Figueras, La Capella Reial & Hespèrion XXI 19. Reibo Ichiro Seki, shakuhachi
In 2006 Road to the Orient (AVSA9856) was released by Alia Vox. This double album was a musical portrait of Francisco Javier and of his trip from Spain to Japan. On this occasion, Jordi Savall met Japanese musicians who soon became his friends and with whom he performed in many concerts around the world. Consequently, following the catastrophes in Japan, Jordi Savall decided to release this special tribute album in which the most significant pieces of the dialogue between Spain and Japan are gathered. A premiere in the history of CD packaging ! Included in the set : - a card miniature of a Japanese folding screen depicting the arrival of the first Europeans in Japan, card and book are shrink-wrapped together, CD sleeve is glued in the hardcover of the booklet. Format of the set : 145 x 190 x 5mm Format of the miniature folding screen (unfolded) : 435 x 190mm All profits will be donated to the Japanese Red Cross. A sticker will indicate the purpose of this release to consumers, which will also feature a picture of the unfolded screen. “the mixture of western monophony and polyphony with some profoundly beautiful improvisations on them by Japanese musicians is illuminating and unexpectedly rewarding...the real connection throughout is the extraordinary beauty and mutual understanding on the part of the musicians, from both East and West, in this sumptuous, beautifully recorded disc.” Gramophone Magazine, November 2011 | | | In stock - usually despatched within 1 working day. |
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| |  | Mozart: Requiem & Funeral Masonic March
Jordi Savall’s recordings of Mozart are few and this album reminds us of what we are missing. Recorded in 1991, it bears the signature of Jordi Savall’s talent as a conductor: breadth, clarity, beauty of singing. Mentioned on Building a Library as one for reissue - please! | | | In stock - usually despatched within 1 working day. |
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| |  | El Cant De La Sibilla (The Song Of The Sibyl)
Thanks to this historic recording, one of Astrée’s biggest successes, Montserrat Figueras established her reputation as the high priestess of this repertoire. A must-have for any lover of ancient music… | | | In stock - usually despatched within 1 working day. |
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| |  | El Nuevo MundoFolias Criollas
Cachua a duo y a Cuatro (Código “Trujillo del Perú”) Cumbes – El Cielito Lindo (TradicionalHuasteca) Gallarda Napolitana (con canto - Anónimo) Guabina (Tradicional de Colombia); Trompicávalas (Juan Hidalgo) Balajú Jarocho (Anónimo) Seguidillas En Eco: De Tu Vista Celoso (Anónimo) Jácaras - El Pajarillo (Gaspar Sanz) Guineo a 5: Eso Rigor e Repente (Gaspar Fernandes) Fandango – El Fandanguito (Anónimo Jarocho) Canarios (Anónimo) La Iguana (Anónimo tradicional Jarocho) Cachua. Denos lecensa (Código “Trujillo del Perú”) Folías Criollas (Improvisación - Anónimo del Perú) Jota –Maria Chuchena (Anónimo Jarocho) Xicochi Conetinle – Xochipitzahuatl (Anónimo) Zarambeques (Tradicional Jarocho) Niña como en tusmudanzas (José Marín) Los Chiles Verdes (Tradicional jarocho)
Booklet : French, Spanish, English, German, Italian, Catalan When the baroque extravagance crosses oceans... After meeting the musical traditions of the New World, the European Baroque repertoire enriched itself with new colours and rhythms, which make it irresistible. Jordi Savall invites us to an unprecedented instrumental and vocal journey from Spain to Peru to Mexico, playing for the first time with virtuoso Mexican musicians… Get ready ! “the performances have a dash and abandon that are genuinely convincing...The sense of occasion and spontaneity of a live recording is conveyed without artifice.” Gramophone Magazine, Awards Issue 2010 “Is this early, folk or world music? All three...An exuberant and spontaneous creative energy is sustained throughout, while the presentation is lavish and scholarly.” Sunday Times, 23rd May 2010 **** “The line between early and world music is blurred, the roots of Latin American jazz exposed...the diversity of instrumentation and voices (from Montserrat Figueras and Furio Zanasi to Leopoldo Novoa) lends depth and colour and the rhythms are infectious.” The Independent on Sunday, 20th June 2010 “Here are foot-tapping thrills, secular in spirit even when sacred, strummed by jolly strings, peppered with ethnic percussion, or streaked with the brightly burnished soprano of Montserrat Figueras. Lush documentation as usual with AliaVox, but the best prize of all is the music and musicians’ warmth and humanity.” The Times, 22nd May 2010 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Musica Notturna - Invocation À La NuitIn Praise of Night
Track listing includes excerpts from the following albums: Du Temps et de l'Instant Morales Officium Defunctorum Villancicos y danzas criollas Lux Feminae Don Quijote Bella Terra Ninna Nanna Les Voix Humaines Holborne Charpentier from Versailles Tous les Matins du Monde The Fairy Queen Marin Marais - Alcione Handel Water Music Mozart Trauermusik Haydn Seven last Words Beethoven 'Eroica' + an excerpt from the forthcoming double album: Jerusalem
Did you know that most Alia Vox albums were recorded between 1 and 4 am? Not only because of tight recording schedules, but also because the night creates an very special quality of silence... This double album is the best possible tribute to Alia Vox' short but intense history. Not just an 'anniversary CD': it is a fascinating musical journey, based not only on existing material, but also on unreleased recordings (Charpentier - CD2 track 5) and on future albums (CD2 track 1 was recorded for the upcoming project Jerusalem). Recordings from the Astrée catalogue are also included in this definitive overview of a major component of Jordi Savall's creative process: the night. “As we expect of this team, Musica Notturna is sumptuously packaged, diligently researched and superlatively-well performed.” BBC Music Magazine, February 2009 **** “Jordi Savall's discs can always be relied on to widen listeners' musical horizons in the most enjoyable way possible” The Telegraph | | | In stock - usually despatched within 1 working day. |
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| |  | Francis Xavier - The Route of the Orient
| | Toccata & Rotundellus Paduana del Rey (mss. Venezia) Villancico: Dios te salve, Cruz preciosa Pavana 'La Bataglia' Villancico: Adoramus te Señor Saltarello (mss. Venezia) Raga sobre O Gloriosa Domina (tablas & sarod) Shino no netori, Shinobue Oratio Christianorum Ocultorum Reibo (shakuhashi) Ave Maria (campana, biwa & shakuhashi) O Gloriosa Domina Diferencia I (vihuela) Dios te salve, Cruz (instr) Rangyoku, Nokan Ave Maria pentatonica (China) | Encina: | Villancico: Pués que tu, Reyna del Cielo | Escobar: | Villancico: Virgen Bendita | Gregorian Chant: | O Gloriosa Domina | Isaac: | O Welt, Ich muss dich lassen Benedictus (a 3) | Lloyd, John: | Puzzle-canon I Puzzle-canon II | Morales, C: | Sanctus Officium Defunctorum: Regem cui Officium Defunctorum; Nocturno "Ne Recorderis" | Narvaez: | O Gloriosa Domina | Ponce, J: | Villancico: Francia, cuenta tu ganancia | Sermisy: | Benedic Anima mea | Venegas de Henestrosa: | O Gloriosa Domina |
Following the success of Christopher Columbus, this beautiful CD-book, in the same format as Don Quijote, with more than 300-pages including translations in Japanese and Chinese, enables us to discover hidden treasures from Asia through the life of Francis Xavier, a Spanish pioneering Roman Catholic Christian missionary who co-founded the 'Society of Jesus', the Jesuit Order. “Highlights here include performances by El Maloumi (oud), Zuckermand (sarod) and Seki (shakuhachi), while the singing of Yokio Tanaka (accompanying himself on biwa), though not an easy taste to acquire, undoubtedly displays great skills. Savall's regular colleagues - Hespèrion, La Capella Reial and the divine Figueras - are as superb on this recording as ever.” BBC Music Magazine, February 2008 ***** “This interesting package traces Francis Xavier's life, from his birth in Navarre to his death off the coast of China. The music is beautifully performed and recorded. The first track, marking Xavier's birth, is an 'alba' played on the shawm. Vocal and instrumental pieces follow...” Gramophone Magazine, Janurary 2008 | | | In stock - usually despatched within 1 working day. |
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| |  | Ludi MusiciThe Spirit of Dance 1450 - 1650
| | From Orient Afghanistan : Laïla Djân, Berbère :Amazigh Lullaby, Turquie : Makam 'Uzäl Sakil "Turna" & Rhodes : La guirnalda de rosas (Sefardi) From Italy Ballo: Collinetto (Napoli), Strambotto: Correno multi cani, Base dance: La Spagna (Anonyme) & Alle Stamenge (Canto Carnascialesco) From England Gallyard (Anonyme), Lullaby: My little sweet darling (Anon.) & Dance (Anonyme) From France Tourdion : Quand je bois du vin (Anon.), Bourrée d'avignognez (Anonyme), La Folia:Yo Soy la Locura (Du Bailly) & Les Nimphes de la Grenouillere (Anon.) From Germany Pavan V LUDI MUSICI (S. Scheidt) & Galliard Battaglia (S. Scheidt) From Spain Villancico :Yo me soy la morenica, Canarios : No piense Menguilla, Romanesca: Recercada 7 (D.Ortiz) & Baile:Niña como en tus mudanças From The New World Folias Criollas (Peru), Mestizo e Indio:Tleycantimo (Oaxaca) & Guaracha:Ay que me abraso (Mexico) |
“Life-affirming music, exuberant yet elegant, given spirited, technically-brilliant, richly-textured realisations: five stars it is.” BBC Music Magazine, February 2008 ***** | | | In stock - usually despatched within 1 working day. |
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