Nina Stemme

Soprano

Nina Stemme

Swedish soprano Nina Stemme (born May 11 1963) is an opera singer renowned for her stentorian, solid dramatic soprano voice.

In 2006, Nina Stemme made her highly successful role debut in the title role of Aida in a new production at Zürich Opera and recorded her first album as an exclusive artist for EMI Classics of Strauss's Four Last Songs and final scenes.

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Puccini: Turandot

Puccini: Turandot


Nina Stemme (Turandot), Aleksandrs Antonenko (Calaf), Maria Agresta (Liù), Alexander Tsymbaluk (Timur), Angelo Veccia (Ping), Roberto Covatta (Pang), Blagoj Nacoski (Pong), Carlo Bosi (Altoum), Gianluca Breda (Mandarino), Azer Rza-Zada (Principe di Persia)

Coro di voci bianche dell’Accademia Teatro alla Scala, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly, Riccardo Chailly, Nikolaus Lehnhoff (dir.)

TURANDOT, the first BD/DVD of a cycle of the complete Puccini operas in partnership with La Scala and conducted by Chailly. Quality casts and sumptuous productions guarantee a new benchmark for these classic operas. Nina Stemme assumes the title role with Maria Agresta as Liu with Aleksandrs Antonenko as the heroic Calaf.

“The set and costumes (Raimund Bauer and Andrea Schmidt-Futterer) are a feast for the eye...[Stemme] delivers ‘In questa reggia’ with burnished tone, culminating in a gleaming top C...Tsymbalyuk is touching in Timur’s lament for Liù, and the masks are well characterised...A firm recommendation for this eminently watchable offering from the theatre of the opera’s premiere.” Gramophone Magazine, April 2017

“it is a measure of Lehnhoff's authority that you never question his choices...Chailly digs deep into Puccini's score...And the La Scala orchestra plays as if their life depended on it...Stemme is in the great tradition of Birgit Nilsson's Turandot, though there is a touching uncertainty around her Princess too...Agresta's Liù is one of the most appealing on record.” BBC Music Magazine, June 2017 *****

GGramophone Magazine

DVD/Blu-ray of the Month - April 2017

BBC Music Magazine

Opera Choice - June 2017

Released or re-released in last 6 months

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Puccini: La fanciulla del West

Puccini: La fanciulla del West


A celebrated new production of Puccini’s La fanciulla del West from the Vienna State opera featuring Jonas Kaufmann and Nina Stemme. Staged by Marco Arturo Marelli, who sets it in a modern-day mining village, with the feel of a gritty modern drama, during the American gold rush of 1849. An unlikely setting for an Italian opera, but one that has a happy ending. It tells the tale of Minnie, the bartender in the saloon whom all the local men adore, and Dick Johnson alias Ramerrez, a notorious bandit. Dick and Minnie fall in love on first meeting, so much so that he vows to change his life as a bandit, sung by two contemporary great singers: Nina Stemme and Jonas Kaufmann. A new production from Marco Arturo Marelli brought one of Puccini’s rarely performed works to the Vienna State Opera stage in September 2013. Jonas Kaufmann in his role debut as the wanted and notorious bandit Ramerrez proves ideally cast, full of power, with his breathtakingly beautiful baritone timbre. "Nina Stemme and Jonas Kaufmann are the opera’s must-see couple for a generation… The rich playing of the Vienna orchestra under Franz Welser-Möst shows up the colour and detail of Puccini’s score to spectacular effect” Financial Times.

“The star couple are on top form...In the theatre Stemme sounded one size larger vocally than Kaufmann but the tenor's burnished tone and romantic magnetism come across impressively on disc. Tomasz Konieczny does well not to be upstaged as a searingly forceful Jack Rance...The combined strengths of this performance make Sony's DVD a clear first choice among recent releases.” Gramophone Magazine, January 2016

“Stemme and Jonas Kaufmann succeed in making Johnson and Minnie’s last-chance-love thoroughly believable. Their singing is magnificent: supple, authoritative, sincere and tender, with due attention to the words...Welser-Möst balances narrative urgency and the hallucinatory languor of Minnie and Dick’s love music with playing of outstanding discipline, detail and brilliance from the orchestra.” BBC Music Magazine *****

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Wagner: Siegfried

Wagner: Siegfried

Live recording from the Teatro alla Scala, Milan, 2012


Lance Ryan (Siegfried), Peter Bronder (Mime), Terje Stensvold (Der Wanderer), Johannes Martin Kränzle (Alberich), Anna Larsson (Erda) & Nina Stemme (Brünnhilde)

Teatro alla Scala, Daniel Barenboim (conductor) & Guy Cassiers (stage director)

In Siegfried, the “Second Day” or third evening of the Ring Cycle, we meet the pivotal hero of the epic tale. The energetic drive from Die Walküre is pursued here while Siegfried finally recaptures the mighty ring from Fafner the Dragon and awakens Brünnhilde from her penal sleep on the great rock.

Lance Ryan, having interpreted this role on the greatest stages of the world including the Bayreuth Festival, portrays the naïve hero. His antagonists are Peter Bronder, great and agile as Mime, Terje Stensvold, an experienced Wanderer and Johannes Martin Kränzle, who continues his mean and deceitful depiction of Alberich. The leading ladies are Nina Stemme, once again unrivalled as Brünnhilde and Anna Larsson, moving as the God-mother Erda.

Sound Formats: PCM Stereo, dts-HD Master Audio 5.1

Picture Format: 16:9

Resolution: 1080i High Definition

Subtitle Languages: DE (Original Language), GB, FR, ES, IT, Korean

Running Time: 253 mins

Blu-ray Disc: 50 GB (Dual Layer)

FSK: 0

Region Code: worldwide

Worldwide available excluding Japan

“Stensvold (Wanderer) sings with perfectly centred tone, terrific staying power and command of broad legato phrases...Surprisingly, though, it's Alberich here who possesses the more beautiful voice: baritone Johannes Martin Kranzle, combining effortless vocalism with chilling intensity of utterance - and he's also a born actor...The video direction adopts a wonderfully cinematic approach.” International Record Review, March 2014

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Arthaus Musik Barenboim La Scala Milan Ring Cycle - 108092

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Wagner: Siegfried

Wagner: Siegfried

Live recording from the Teatro alla Scala, Milan, 2012


Lance Ryan (Siegfried), Peter Bronder (Mime), Terje Stensvold (Der Wanderer), Johannes Martin Kränzle (Alberich), Anna Larsson (Erda) & Nina Stemme (Brünnhilde)

Teatro alla Scala, Daniel Barenboim (conductor) & Guy Cassiers (stage director)

In Siegfried, the “Second Day” or third evening of the Ring Cycle, we meet the pivotal hero of the epic tale. The energetic drive from Die Walküre is pursued here while Siegfried finally recaptures the mighty ring from Fafner the Dragon and awakens Brünnhilde from her penal sleep on the great rock.

Lance Ryan, having interpreted this role on the greatest stages of the world including the Bayreuth Festival, portrays the naïve hero. His antagonists are Peter Bronder, great and agile as Mime, Terje Stensvold, an experienced Wanderer and Johannes Martin Kränzle, who continues his mean and deceitful depiction of Alberich. The leading ladies are Nina Stemme, once again unrivalled as Brünnhilde and Anna Larsson, moving as the God-mother Erda.

Sound Formats: PCM Stereo, DD 5.1

Picture Format: 16:9

DVD Format: 2 x DVD 9 / NTSC

Subtitle Languages: DE (Original Language), GB, FR, ES, IT, Korean

Running Time: 253 mins

“Not only does Barenboim have complete control of the shape of Wagner's enormous acts, but there are enormous numbers of details, often witty and pertinent, and immense climaxes...[Stensvold] almost steals the show with his lofty grandeur barely concealing anxiety and exhaustion...Stemme is superb, flawless.” BBC Music Magazine, May 2014 ****

“Stensvold (Wanderer) sings with perfectly centred tone, terrific staying power and command of broad legato phrases...Surprisingly, though, it's Alberich here who possesses the more beautiful voice: baritone Johannes Martin Kranzle, combining effortless vocalism with chilling intensity of utterance - and he's also a born actor...The video direction adopts a wonderfully cinematic approach.” International Record Review, March 2014

DVD Video

Region: 0

Format: NTSC

Summer Opera Sale

Arthaus Musik Barenboim La Scala Milan Ring Cycle - 101695

(DVD Video - 2 discs)

Normally: $33.50

Special: $26.80

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Salzburg Festival 2012

Salzburg Festival 2012


Brahms:

Symphony No. 1 in C minor, Op. 68

Strauss, R:

Don Juan, Op. 20

Wagner:

Wesendonck-Lieder (5)

Nina Stemme (soprano)


This concert programme dedicated to the second half of the 19th Century was one of the highlights of the 2012 Salzburg Festival.

Mariss Jansons, chief conductor of the Concertgebouw Orchestra and winner of the Cannes Classical Award, and soprano Nina Stemme offer a “superlative concert experience” (Kurier).

Swedish soprano Nina Stemme is outstanding in her performance of Wagner’s Wesendonck-Lieder. Brilliant readings of Richard Strauss’ tone poem Don Juan and Johannes Brahms symphony No. 1 complete this extraordinary concert performance.

Picture format Blu-ray Disc: 1080i Full HD - 16:9

Sound format Blu-ray Disc: PCM Stereo, DTS-HD Master Audio 5.0

Region code: All (worldwide)

Booklet notes: English, German, French

Running time: 95 mins

“Gorgeous sounds also emerge during Wagner's Wesendonck Lieder, though they're mostly confined to the orchestra; their silky diminuendos are wonderful. Nina Stemme also shines when the dynamics are scaled back...As usual, the Blu-ray edition offers much greater visual sparkle.” BBC Music Magazine, November 2013 ***

Blu-ray Disc

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EuroArts - 2072624

(Blu-ray)

$33.50

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Wagner: Tristan und Isolde

Wagner: Tristan und Isolde

Recorded live at Glyndebourne, Lewes, Sussex on 1st August and 6th August 2007.


Robert Gambill (Tristan), Nina Stemme (Isolde), Katarina Karnéus (Brangäne), Bo Skovhus (Kurwenal), René Pape (König Marke), Stephen Gadd (Melot), Timothy Robinson (Hirt/Junger Seemann), Richard Mosley-Evans (Steuermann)

The Glyndebourne Chorus & London Philharmonic Orchestra, Jiří Bělohlávek (conductor) & Nikolaus Lehnhoff (stage director)

Note: This Blu-ray Disc (BD) is not compatible with standard DVD players

Glyndebourne’s celebrated production of Nikolaus Lehnhoff’s Tristan und Isolde is a supremely intelligent achievement; gravely beautiful, haunting and meditative, it is deeply reflective rather than visceral, fortified by Roland Aeschlimann's stunningly effective set, a womb-like space through which the protagonists move like gods. Conductor Jirí Belohlávek mirrors Lehnhoff's approach in his sophisticated plumbing of the score's depths, with every shift in texture carefully laid bare by an inspired London Philharmonic Orchestra. Nina Stemme's Isolde and Robert Gambill's Tristan, both gloriously lyrical, are matched by superb performances from René Pape as the betrayed and vulnerable King Marke and Bo Skovhus as Kurwenal, deeply touching in his helpless devotion to Tristan. This High Definition recording of a production of uncommon intimacy reveals the opera's music and drama in a new light.

Picture: 1080i High Definition / 16:9

Sound: 2.0 & 5.0 Dolby TrueHD

Video codec: AVC/MPEG-4

Disc size: 2 x BD50

Subtitles: EN/FR/DE/ES/IT Menu language: EN

Region code: All regions

Running time: Approx 358 mins

Bonus material:

Illustrated synopsis & cast gallery

Do I hear the light? - a film by Reiner E. Moritz

Artist biographies.

‘On the set’ - a slide show of the set being built.

‘Trimborn on Tristan’ – a talk by Richard Trimborn

‘I don’t think that I have ever witnessed a more perfect realisation of a Wagner opera than this superb Tristan und Isolde. …[Jirí Belohlávek] is scrupulous with the score, and takes his time over it: the pauses and silences are immense and there is no factitious attempt to whip up excitement by speeding. …a great and unforgettable occasion’ The Daily Telegraph

“A performance realised to Glyndebourne's highest standards - the chorus and stage brass are Bayreuth-level, the casting immaculate (they can all really sing these parts) and Belohlávek's conducting balanced with a Goodall-like attention to the filigree detail of Wagner's new-wave scoring” Gramophone Magazine, August 2008

“Stemme's fiery Irish princess is even finer than on the Domingo CD… Gambill's burly Tristan projects a darker, more resigned intensity… Pape's black-voiced Marke rightly dominates the stage… Karneus is a passionate, lusciously sung Brangäne. Lehnhoff's Glyndebourne production doesn't outclass Daniel Barenboim's magnificent video... But those looking for a Tristan with warmth and immediacy will find it certainly shares Barenboim's benchmark recommendation.” BBC Music Magazine, March 2008 *****

“I don’t think that I have ever witnessed a more perfect realisation of a Wagner opera than this superb Tristan und Isolde. …[Jirí Belohlávek] is scrupulous with the score, and takes his time over it: the pauses and silences are immense and there is no factitious attempt to whip up excitement by speeding. …a great and unforgettable occasion” The Telegraph

“a performance realised to Glyndebourne's highest standards – the chorus and stage brass are Bayreuthlevel, the casting immaculate (they can all really sing these parts), and Belohlávek's conducting balanced with a Goodall-like attention to the filigree detail of Wagner's new-wave scoring. Old-style analyses of the music used to talk about the 'glance' motif. Lehnhoff's staging deploys a series of heartbreaking glances: Stemme's Isolde when Karnéus's Brangäne tells her she's taken the love draught, Stemme again when Tristan arrives in Act 2, Pape's Marke as he sees the lovers together and, at BrokebackMountain-level, Skovhus's Kurwenal as he cradles Gambill's Tristan then breaks away, half in fear of his lord's death, half in fear of his feelings for him. In fact, has a Tristan ever been so deeply loved by his lady and squire as here, or felt so wretched at betraying his king? And is Skovhus actually the greatest Kurwenal yet recorded? Roland Aeschlimann provides a geometrically attractive whorl of a standing set, concentric wooden circles telescoping towards a constantly varied horizon: a ship, a spaceship, everywhere, nowhere – perfect. The lighting (Robin Carter and Aeschlimann) has a genuine physical presence and seems to reinvent the colour blue. At the point of Isolde's almost belated arrival in Act 3, a surreal, Ingmar Bergman-like atmosphere permeates events: she arrives from behind on high as a figure of death and wraps him in a black cloak, while Skovhus's poignant Kurwenal gets a non-realistic, Brechtian centre-stage for his fights and death” Gramophone Classical Music Guide, 2010

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Opus Arte Glyndebourne - OABD7039D

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Strauss, R: Vier letzte Lieder, etc.

Strauss, R:

Vier letzte Lieder

Capriccio: Intermezzo (Moonlight Music)

Morgen mittag um elf! (from Capriccio)

Ah! Du wolltest mich nicht deinen Mund küssen lassen (from Salome)

Gerhard Siegel (Herod)


Speaking of Nina’s interpretation of the Four Last Songs, Pappano enthuses: “I trust the warmth of Nina's voice. There are a lot of lighter voices that have recorded the piece but you have to remember that Kirsten Flagstad sang the premiere and it's that kind of ample voice with warmth and body - Nina's voice - that I think is too rarely heard in this repertoire.”

“Pappano and his orchestra (what solo playing!), while never hurrying, keep the forward pace of an attentive Lied accompanist - emotional points are made without milking, matching the cool beauty of the soloist's timbre. Stemme has vocal height and weight in equal measure and (again) really uses her text.” Gramophone Magazine, June 2007

“…Antonio Pappano never gets to record more than bleeding chunks of the Strauss operas… Yet nothing illustrates better his genius for going straight to the theatrical heart of the matter than the opening blaze of this Salome finale. It's both beautifully textured and keenly energised, and his sense of the drama seems to have rubbed off on Nina Stemme's Salome, poised between anger and nostalgia, and Gerhard Siegel's anxious Herod.” BBC Music Magazine, May 2007 *****

“To borrow a phrase from Richard Osborne, mighty tents are already pitched on these fields – for the Four Last Songs Schwarzkopf/Szell, Della Casa/Böhm, Norman/Masur; for the Salome finale Krauss/Cebotari, Welitsch/ Reiner and so on. But the conductor who has already got onto record a newly thoughtthrough Bohème, a Tosca that can hold its own with de Sabata's, and a modern Tristan with Domingo need fear no competition. All the hounds of hell are let loose by the ROH's percussion section to launch a wild, but always intricately shaped and detailed, account of young Princess Salome's sickly Liebestod.
Being already a searching, grown-up Isolde, Stemme, like her 1950s forerunners, now really manages to be a teenage Isolde too, by turns sweet, spooky and growing up.
The discs's running order is cunning and effective, and both conductor and soprano are in command of the switch to Madeleine's musicor- words dilemma. In Capriccio's Moonlight Interlude, as in the Songs, Pappano achieves richness without overweighting; his rubato lingers rather than indulges (like… but let's not compare). Stemme is a more torn and dramatic Countess than, say, Janowitz, Schwarzkopf or Della Casa; this performance harks back to Clemens Krauss and Viorica Ursuleac, emotion shaping the (fine) text, rather than vice-versa.
As if to create a valedictory survey of Strauss, the soprano voice and the orchestra, the start of 'Frühling' aptly seconds the Countess's mood.
Michael Tanner's note for the new remastering of Flagstad's creator's performance (see above) remarks how tempi in this work have got slower over the past 50 years. Pappano and his orchestra (what solo playing!), while never hurrying, keep the forward pace of an attentive Lied accompanist – emotional points are made without milking, matching the cool beauty of the soloist's timbre. Stemme has vocal height and weight in equal measure and (again) really uses her text. Finally, the record is produced and engineered with sensitivity to the layout of Strauss's instrumental and vocal textures.”
Gramophone Classical Music Guide, 2010

Presto Disc of the Week

19th March 2007

GGramophone Awards 2007

Finalist - Recital

GGramophone Magazine

Editor's Choice - June 2007

Warner Classics - 3787972

(CD)

$12.75

(also available to download from $10.00)

In stock - usually despatched within 1 working day.

Gok's Divas

Gok's Divas


Bellini:

Casta Diva (from Norma)

Maria Callas

Bernstein:

Tonight (from West Side Story)

Bizet:

L'amour est un oiseau rebelle 'Habanera' (from Carmen)

Victoria de los Angeles

Catalani:

Ebben? Ne andrò lontana (from La Wally)

Delibes:

Sous le dôme épais (from Lakmé)

Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Eva Urbanova

Gershwin:

Summertime (from Porgy and Bess)

Giordano, U:

La mamma morta (from Andrea Chénier)

Maria Callas

Gluck:

Che faro' senza Euridice? (from Orfeo ed Euridice)

Kathleen Ferrier

Handel:

Lascia ch'io pianga (from Rinaldo)

Frondi tenere e belle ... Ombra mai fù (from Serse)

Joyce DiDonato

Mozart:

Voi che sapete (from Le nozze di Figaro)

Non so più cosa son, cosa faccio (from Le nozze di Figaro)

Elisabeth Schwarzkopf

Soave sia il vento (from Così fan tutte)

Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte)

Offenbach:

Barcarolle (from Les Contes d'Hoffmann )

Les oiseaux dans la charmille (from Les Contes d'Hoffmann)

Natalie Dessay

Puccini:

O mio babbino caro (from Gianni Schicchi)

Montserrat Caballe

Vissi d'arte (from Tosca)

Maria Callas

O soave fanciulla (from La Bohème)

Ailyn Perez

Chi il bel sogno di Doretta (from La Rondine)

Un bel di vedremo (from Madama Butterfly)

Kiri Te Kanawa

Purcell:

When I am laid in earth (from Dido and Aeneas)

Rossini:

Una voce poco fa (from Il barbiere di Siviglia)

Maria Callas

Saint-Saëns:

Mon cœur s'ouvre à ta voix (from Samson et Dalila)

Schönberg, C-M:

I Dreamed a Dream (from Les Misérables)

Katherine Jenkins

Verdi:

Follie! Follie! Delirio vano è questo…Sempre libera (from La traviata)

Natalie Dessay

Libiamo, ne' lieti calici (from La Traviata)

Natasha Marsh

Ah, fors'è lui che l'anima (from La Traviata)

Maria Callas

Wagner:

Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde)

Nina Stemme


Fashion expert, award-winning TV presenter, author and all round national treasure Gok Wan made his mark by giving women the confidence to appreciate their bodies and brings out the inner-diva in everyone. Gok has a passion for opera – the music, the drama, the costumes, the spectacle – and above all: The Diva! From La Bohème to Les Miserables – share in Gok’s passion with his personal selection of the world’s most beautiful arias, sung by opera’s greatest divas!

Released or re-released in last 6 months

Warner Classics - 9029585192

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Puccini: Turandot

Puccini: Turandot


Nina Stemme (Turandot), Aleksandrs Antonenko (Calaf), Maria Agresta (Liù), Alexander Tsymbaluk (Timur), Angelo Veccia (Ping), Roberto Covatta (Pang), Blagoj Nacoski (Pong), Carlo Bosi (Altoum), Gianluca Breda (Mandarino), Azer Rza-Zada (Principe di Persia)

Coro di voci bianche dell’Accademia Teatro alla Scala, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly, Nikolaus Lehnhoff (dir.)

TURANDOT, the first BD/DVD of a cycle of the complete Puccini operas in partnership with La Scala and conducted by Chailly. Quality casts and sumptuous productions guarantee a new benchmark for these classic operas. Nina Stemme assumes the title role with Maria Agresta as Liu with Aleksandrs Antonenko as the heroic Calaf.

“The set and costumes (Raimund Bauer and Andrea Schmidt-Futterer) are a feast for the eye...[Stemme] delivers ‘In questa reggia’ with burnished tone, culminating in a gleaming top C...Tsymbalyuk is touching in Timur’s lament for Liù, and the masks are well characterised...A firm recommendation for this eminently watchable offering from the theatre of the opera’s premiere.” Gramophone Magazine, April 2017

“it is a measure of Lehnhoff's authority that you never question his choices...Chailly digs deep into Puccini's score...And the La Scala orchestra plays as if their life depended on it...Stemme is in the great tradition of Birgit Nilsson's Turandot, though there is a touching uncertainty around her Princess too...Agresta's Liù is one of the most appealing on record.” BBC Music Magazine, June 2017 *****

GGramophone Magazine

DVD of the Month - April 2017

BBC Music Magazine

Opera Choice - June 2017

Released or re-released in last 6 months

DVD Video

Region: 0

Format: NTSC

Summer Opera Sale

Decca - 0743937

(DVD Video)

Normally: $17.25

Special: $13.80

Usually despatched in 2 - 3 working days.

Puccini: La fanciulla del West

Puccini: La fanciulla del West


A celebrated new production of Puccini’s La fanciulla del West from the Vienna State opera featuring Jonas Kaufmann and Nina Stemme. Staged by Marco Arturo Marelli, who sets it in a modern-day mining village, with the feel of a gritty modern drama, during the American gold rush of 1849. An unlikely setting for an Italian opera, but one that has a happy ending. It tells the tale of Minnie, the bartender in the saloon whom all the local men adore, and Dick Johnson alias Ramerrez, a notorious bandit. Dick and Minnie fall in love on first meeting, so much so that he vows to change his life as a bandit, sung by two contemporary great singers: Nina Stemme and Jonas Kaufmann. A new production from Marco Arturo Marelli brought one of Puccini’s rarely performed works to the Vienna State Opera stage in September 2013. Jonas Kaufmann in his role debut as the wanted and notorious bandit Ramerrez proves ideally cast, full of power, with his breathtakingly beautiful baritone timbre. "Nina Stemme and Jonas Kaufmann are the opera’s must-see couple for a generation… The rich playing of the Vienna orchestra under Franz Welser-Möst shows up the colour and detail of Puccini’s score to spectacular effect” Financial Times.

“The star couple are on top form...In the theatre Stemme sounded one size larger vocally than Kaufmann but the tenor's burnished tone and romantic magnetism come across impressively on disc. Tomasz Konieczny does well not to be upstaged as a searingly forceful Jack Rance...The combined strengths of this performance make Sony's DVD a clear first choice among recent releases.” Gramophone Magazine, January 2016

Presto Discs of 2015

Finalist

Building a Library

Also Recommended - December 2016

BBC Music Magazine

Opera Choice - March 2016

DVD Video

Region: 0

Format: NTSC

Sony - 88875064069

(DVD Video)

$13.00

Usually despatched in 3 - 4 working days.

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