Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Meditation: The Beautiful Music of Massenet
| | Des Grieux’s Lodgings (Act 2, Scene 2) Manon — Ballet based on extracts from works by Jules Massenet, arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | Massenet: | Meditation (from Thaïs) Nigel Kennedy (violin) National Philharmonic Orchestra, Richard Bonynge De cet affreux combat…Pleurez, mes yeux ! (from Le Cid) Joan Sutherland London Symphony Orchestra, Richard Bonynge Pourquoi me reveiller (from Werther) Luciano Pavarotti National Philharmonic Orchestra, Oliviero de Fabritiis Il est doux, il est bon (from Hérodiade) Angela Gheorghiu Orchestra del Teatro Regio di Torino, John Mauceri Je suis seul, seul enfin... Ah fuyez douce image (from Manon) Jonas Kaufmann Prague Philharmonic Orchestra, Marco Armiliato Esprits de l'air! Esprits de l'onde! (from Esclarmonde) Joan Sutherland National Philharmonic Orchestra, Richard Bonynge Dance of the Spirits (Esclarmonde) John Alldis Choir & National Philharmonic Orchestra, Richard Bonynge Où suis-je? (Esclarmonde) Giacomo Aragall John Alldis Choir & National Philharmonic Orchestra, Richard Bonynge Ah! je suis seule, seule enfin! (Thaïs) Renée Fleming Orchestre National Bordeaux Aquitaine, Yves Abel Dis-moi que je suis belle (from Thaïs) Renée Fleming Orchestre National Bordeaux Aquitaine, Yves Abel Valse très lente National Philharmonic Orchestra, Richard Bonynge Vive amour qui rêve (from Chérubin) Angela Gheorghiu Orchestra e coro del Teatro Regio di Torino, John Mauceri Instant charmant … En fermant les yeux (from Manon) Joseph Calleja & Tatiana Lisnic Academy of St Martin in the Fields, Carlo Rizzi Ah, que mes soeurs ... Reste au foyer, petit grillon (from Cendrillon) Joan Sutherland L’Orchestre de la Suisse Romande, Richard Bonynge Je ne sais pas si je veille (from Werther) José Carreras Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis Va! Laisse couler mes larmes (from Werther) Marilyn Horne Wiener Opernorchester, Henry Lewis Oh! si les fleurs avaient des yeux Joan Sutherland New Philharmonia Orchestra, Richard Bonynge La Vierge: Le Dernier Sommeil de la vierge (Légende sacrée) |
Jules Massenet, who died 100 years ago in 1912, was a French composer best known for his operas, and was widely considered in his day to be one of the greatest melodists of his time, alongside Puccini. The Best of Massenet includes his most popular music, performed by a starry cast of artists, including Luciano Pavarotti, Joan Sutherland, Jonas Kaufmann, Renée Fleming, Joseph Calleja, Angela Gheorghiu and Marilyn Horne. Soon after his death, Massenet's style went out of fashion, and today he is best known for the popular violin showpiece Méditation from his opera Thaïs (performed here by Nigel Kennedy), and is unfairly regarded by many as something of a one-hit wonder. Opera and ballet aficionados have known otherwise for some time and that he is in truth one of classical music’s best-kept secrets. 2012, the centenary year of his death, is the perfect opportunity time to introduce a wider audience to the exquisite charms and beauty of his music. | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Beethoven: Symphony No. 9
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| |  | The Metropolitan Opera Centennial Gala
Beethoven: | Leonore Overture No. 3, Op. 72b | Debussy: | L'annee en vain...Cependent les soirs (from L'enfant Prodigue) Ileana Cotrubas | Donizetti: | Chi mi frena in tal momento? (from Lucia di Lammermoor) Una furtiva lagrima (from L'elisir d'amore) Nicolai Gedda | Giordano, U: | Vicino a te (from Andrea Chénier) Jose Carreras, Montserrat Caballé | Gounod: | Va! je t'ai pardonné (from Roméo et Juliette) Catherine Malfitano, Alfredo Kraus Alerte, alerte! (from Faust) Katia Ricciarelli, William Lewis, Nicolai Ghiaurov | Mascagni: | Son io! Son io la Vita! (from Iris) | Mozart: | E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) Kiri Te Kanawa | Puccini: | In questa reggia (from Turandot) Eva Marton Viene la sera (from Madama Butterfly) Giuliano Ciannella, Leona Mitchell | Rossini: | La calunnia è un venticello (from Il barbiere di Siviglia) Ruggero Raimondi Bel raggio lusinghier (from Semiramide) Joan Sutherland Pria di dividerci da voi, signore (from L'italiana in Algeri) | Saint-Saëns: | Bacchanale from Samson et Dalila Linda Gelinas, Ricardo Costa Mon cœur s'ouvre à ta voix (from Samson et Dalila) Marilyn Horne | Smetana: | The Bartered Bride Overture | Strauss, R: | Mir ist die Ehre widerfahren (from Der Rosenkavalier) Marie Theres'! ... Hab mir's gelobt (from Der Rosenkavalier) | trad.: | Fjorton år tror jag visst att jag var Birgit Nilsson | Verdi: | Dio, mi potevi scagliar tutti i mali (from Otello) James McCracken Surta è la notte...Ernani! Ernani, involami (from Ernani) Anna Tomowa-Sintow Giá nella notte densa (from Otello) Plácido Domingo, Mirella Freni Donna chi sei? (from Nabucco) Renato Bruson, Grace Bumbry Teco io sto (from Un ballo in maschera) Luciano Pavarotti, Leontyne Price | Wagner: | Wie lachend sie mir Lieder singen (from Tristan und Isolde) Birgit Nilsson |
Here are the greatest moments from the “ultimate in galas” (Opera), a “roof-rattling vocal display and the kind of cheering and free-flowing, heartfelt emotion on both sides of the footlights that opera evinces more than any other art form” - New York Times The gala celebration immediately catches the attention with spectacular performances by stars such as Dame Joan Sutherland, Anna Tomowa-Sintow, Mirella Freni, Marilyn Horne, Birgit Nilsson, Luciano Pavarotti, José Carreras, Plácido Domingo, Nicolai Gedda, Alfredo Kraus and many others “The world's most famous opera singers [in] a dazzling sequence of performances” - New York Times “It's always a privilege to sing at the Met, but this is something very special. I don't think there's ever been anything this grand in the history of opera” - Luciano Pavarotti This product features an awesome roster of international star conducters: from James Levine, Leonard Bernstein and Thomas Fulton to Jeffrey Tate, Richard Bonynge 2 DVDs LIVE from the Met from October 22, 1983 | | | In stock - usually despatched within 1 working day. |
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Rolando Panerai (Falstaff), Alan Titus (Ford), Frank Lopardo (Fenton), Marilyn Horne (Mistress Quickly), Sharon Sweet (Alice Ford), Julie Kaufmann (Nannetta), Susan Quittmeyer (Meg Page), Ulrich Reß (Bardolfo), Francesco Ellero d'Artegna (Pistola), Piero De Palma (Dr. Cajus) Symphonieorchester Und Chor Des Bayerischen Rundfunks, Sir Colin Davis Falstaff is Verdi’s last opera and the culmination of a lifetime of operatic achievement; it was his third Shakespeare opera and a project he kept shrouded in great mystery until the work was almost finished. Despite being written when the composer was in his late 70s it is a work of kaleidoscopic variety that sparkles with its rapidity of utterance and lightness of touch and displays a mastery of ensemble writing. Recorded in 1991 | | | In stock - usually despatched within 1 working day. |
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“a milestone in the history of operatic production in this city” was the judgement of the New York Herald Tribune. Production & Set Designer: Franco Zeffirelli Lighting Designer: Gil Wechsler Stage Director: Paul Mills Choreographer: William Burdick Musical Preparation: John Keenan, Craig Rutenberg, Jane Klaviter, Franz Vote Assistant Stage Director: Sharon Thomas Prompter: Jane Klaviter Produced at the Metropolitan Opera House, October 1992 “A traditional but glamorous staging by Franco Zeffirelli, with a virtually all-star cast and a highly skilled conductor, represents the Met near its best.” BBC Music Magazine, Christmas 2009 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Marilyn Horne - A Profile
Directed by Nigel Wattis English commentary with French and German subtitles Marilyn Horne is acclaimed as the finest mezzo soprano of the twentieth century, with a voice known for its brilliant sound and its extraordinary range. Her career has spanned everything from Grand Opera to light entertainment and pirate recordings of pop singles. She started singing in public when she was just three years old and for over thirty years she has been at the top of her profession. Home’s greatest contribution to music has been in developing and popularising the mezzo soprano repertoire of composers such as Rossini and she was the first non-Italian ever to win the coveted Rossini Medal, honouring her as the greatest singer in the world. This programme looks back over Marilyn Horne’s long and remarkable career, celebrating her formidable achievements and giving an insight into her unique talent. Specially-shot performance items, together with archive footage and recordings, demonstrate her magnificent vocal ability and at the heart of the profile is an interview in which the engaging and dynamic singer talks about her life and her music. The film visits Marilyn Horne’s home town of Bradford, Pennsylvania, and travels with her to Long Beach, California, where her family moved when she was eleven years old. Here she talks about her early days: singing in church choirs, making recordings for television sitcoms with the Robert Wagner Chorale, cutting pirate pop records and acting as voice double for Dorothy Dandridge in Otto Preminger’s film Carmen Jones. A clip from the movie displays Marilyn Horne’s astonishing powers of imitation. She touches on the rich musical life that existed in California at that time and on her association with Stravinsky. The composer dedicated his last work to Horne and encouraged her to go to Europe to further her career as an opera singer. It was her work with Dame Joan Sutherland in the bel canto operas of composers such as Rossini, Donizetti and Bellini, that first brought Marilyn Horne major stardom in the mid-1960s. Dame Joan is one of the contributors to the programme and talks about the chemistry that made their performances together so special. Other contributors include her former husband and good friend, the conductor Henry Lewis, fellow American singer Samuel Ramey and her biographer Jane Scovell. Highlights of the programme include coverage of Horne’s final appearance in a Rossini opera -Isabella in L’Italiana in Algeri recorded at the Royal Opera House Covent Garden in 1993 -and of the gala recital at Carnegie Hall in January 1994, which marked her sixtieth birthday and the launch of the Marilyn Horne Foundation, set up to revive the art of the vocal recital in America. Her passion for this cause is matched by her commitment to training young singers and she is seen giving a masterclass during the Cardiff Singer of the World competition. An archive clip recalls one of Horne’s finest moments, when, as President Clinton’s favourite classical singer, she sang at his inauguration in Washington in 1993, a performance watched by hundreds of millions of television viewers. Another side of Horne’s vivacious personality emerges in a clip from the Carol Burnett Show, in which she features in a song and dance routine. “Horne comes across as a genuinely nice person, progressing from childhood duetting with her sister, through recording cover versions of pop songs, to opera and the partnership with Sutherland - generously illustrated with music and interviews.” BBC Music Magazine, April 2009 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Staged and Directed by Jean-Pierre Ponnelle
From the Metropolitan Opera in January 1986 “…the staging is, for the most part, imaginative and stylish, even at times rather beautiful. …Marilyn Horne's… glowing enjoyment is a great life-enhancer throughout, and her voice, if a little less full-bodied than of old on top, is still rich, flexible and utterly individual. Levine conducts with good-humoured firmness, and the orchestra play as though Rossini is their number-one composer.” Gramophone Magazine, July 2007 “Sparkily conducted by James Levine, Ponnelle's 1986 Met production goes for broad comedy rather than subtlety, but Marilyn Horne knows exactly how to sing Isabella, and receives strong buffo support from Paolo Montarsolo.” BBC Music Magazine, May 2007 **** “Horne is the great star focus...She is predictably brilliant in the coloratura passages, with her commanding presence not getting in the way of a sense of fun...The production by Jean-Pierre Ponnelle is brightly attractive, and the direction is at the service of the performance. Levine conducts with characteristic energy.” Penguin Guide, 2011 edition | | | In stock - usually despatched within 1 working day. |
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‘…an opportunity to be with Brahms for nearly an hour in which the thoughtful, questioning mood is unbroken and its musical expression unblemished.’ Gramophone | | | In stock - usually despatched within 1 working day. |
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| |  | Verdi: Requiemand Quattro Pezzi Sacri
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