Yuja Wang

Piano

Yuja Wang

Born in Beijing in 1987, Yuja Wang began studying piano at age six, with her earliest public performances taking place in China, Australia and Germany, and went on to study at the Central Conservatory of Music in Beijing under Ling Yuan and Zhou Guangren. Following three years, from 1999 to 2001, at the Morningside Music summer program at Calgary’s Mount Royal College, an artistic and cultural exchange program between Canada and China, Yuja moved to Canada and began studying with Hung Kuan Chen and Tema Blackstone at the Mount Royal College Conservatory. In 2002, when Yuja was 15, she won Aspen Music Festival’s concerto competition and moved to the U.S. to study with Gary Graffman at The Curtis Institute of Music in Philadelphia, where she graduated in 2008. In 2006 Yuja received the Gilmore Young Artist Award.

Yuja is widely recognized for playing that combines the spontaneity and fearless imagination of youth with the discipline and precision of a mature artist. Regularly lauded for her controlled, prodigious technique, her command of the piano has been described as "astounding" and "superhuman" and she has been praised for her authority over the most complex technical demands of the repertoire, the depth of her musical insight, as well as her fresh interpretations and graceful, charismatic stage presence. Following her San Francisco recital debut The San Francisco Chronicle wrote "The arrival of Chinese-born pianist Yuja Wang on the musical scene is an exhilarating and unnerving development. To listen to her in action is to re-examine whatever assumptions you may have had about how well the piano can actually be played" and The Washington Post called Yuja’s Kennedy Center recital debut "jaw-dropping".

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Yuja Wang: Fantasia

Yuja Wang: Fantasia


Albéniz:

Triana (from Iberia, book 2)

Chopin:

Waltz No. 7 in C sharp minor, Op. 64 No. 2

Dukas:

The Sorcerer's Apprentice

arranged by Victor Staub

Gluck:

Orfeo ed Euridice: Mélodie

arranged by Sgambati

Horovitz:

Variations On A Theme From Bizet's Carmen

Rachmaninov:

Étude-Tableau, Op. 39 No. 6 in A minor

Étude-Tableau, Op. 39 No. 4 in B minor

Elegie, Op. 3 No. 1

Étude-Tableau, Op. 39 No. 5 in E flat minor

Saint-Saëns:

Danse macabre, Op. 40

arranged by Franz Liszt & Vladimir Horowitz

Scarlatti, D:

Keyboard Sonata K455 in G major

Schubert:

Gretchen am Spinnrade, D118

arranged by Franz Liszt

Scriabin:

Prelude, Op. 11 No. 11 in B major

Prelude, Op. 13 No. 6 in B minor

Prelude, Op. 11 No. 12 in G sharp minor

Étude Op. 8 No. 9 in G sharp minor

Poème in F sharp major, Op. 32 No. 1

Strauss, J, II:

Tritsch-Tratsch Polka, Op. 214

arranged by György Cziffra


Yuja Wang (piano)

The Yuja Wang album that everyone has been waiting for wows with musical miniatures that are short, sweet, and huge in impact. These encore pieces by Scriabin, Gluck, Rachmaninov, Chopin and others will enthrall Yuja Wang’s fans with challenging technical demands and the bravura precision of her execution. The variety of styles – which includes neo-Classical, Impressionist, Romantic, jazz - in addition to the quality of the arrangements of pieces that are adaptations, provides a welcome and yet unique listening experience.

“Time and again Wang shows us why she’s become the world’s darling, whether shading dynamics poetically in a morsel of Gluck’s Orfeo ed Euridice, clarifying the multiple layers in Albéniz’s Triana, or romping with the preposterous glitter of Horowitz’s Carmen Variations.” The Times, 23rd March 2012 ****

“A disc of encores needs a compelling executant to justify itself, but this young pianist’s technique is quietly transcendent, her musicianship zestful and profound. The sequence itself is satisfying.” Sunday Times, 1st April 2012

“In the Saint-Saens-Horowitz Danse macabre Wang storms the heights and her playing is of an unquenchable virtuosity. She herself declares all these pieces to be among her most cherished encores, and she has been superbly recorded in them.” Gramophone Magazine, June 2012

“No point trying to fault anything: the lightness and flexibility of her touch takes the breath away, and her sound is at every moment transparently controlled, each piece displaying insight and affection...Given that these bonnes bouches were never designed to be consumed in bulk, this young virtuoso has pulled off a remarkable feat.” BBC Music Magazine, June 2012 *****

GGramophone Magazine

Editor's Choice - June 2012

BBC Music Magazine

Instrumental Choice - June 2012

DG - 4790052

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Rachmaninov: Piano Concerto No. 2 & Rhapsody on a Theme of Paganini

Rachmaninov: Piano Concerto No. 2 & Rhapsody on a Theme of Paganini


Rachmaninov:

Rhapsody on a Theme of Paganini, Op. 43

Piano Concerto No. 2 in C minor, Op. 18


Wang, Gramophone’s “Young Artist of the Year” in 2009 joins the legendary maestro, Claudio Abbado on her first orchestral album and the Mahler Chamber Orchestra.

To the challenging Rachmaninov Piano Concerto no. 2, she adds the daunting Rhapsody on a Theme of Paganini.

“Whereas many pianists try to dominate this set of variations, she worked with it. This approach simply gave more punch to the places in which the piano should jump out of the texture” (Pittsburgh Post-Gazette).

“She tackles the popular "Concerto for Piano and Orchestra No 2" with an ease that betrays her deep familiarity with the material; but it's the confident way she deals with the challenging "Rhapsody on a Theme of Paganini"...that most impresses here...It's all hand-led with industrious grace by Wang.” The Independent, 11th March 2011

“lots of filigree play and brilliantly clear articulation” The Times, 2nd April 2011 ***

“The partnership of Yuja Wang and Claudio Abbado produces thoughtful and often imaginative Rachmaninov on this new disc. These performances may be as flamboyant or as theatrical as some, but there are impressive moments, and there's a fluency and lack of the mannerism inthe playing that is certainly attractive.” International Record Review, April 2011

“She makes us hear this hoariest of Romantic war-horses afresh, as if with cleaned ears: the work emerges as almost classical, Mozartian even, in its poise and architecture. There isn't an iota of indulgence of gratuitious emotion, yet neither is there any lack of force or genuine passion wherever required.” BBC Music Magazine, May 2011 *****

“This petite 24-year-old turns out to be a powerhouse! Undaunted by the challenges of this repertoire, her articulate and precise style brings a freshness and wit to these pieces without compromising the emotional breadth of Rachmaninov's music. Her intelligent crafting of the variations turns the Rhapsody into a bonus concerto, but it's her superb skill and artistry which shines through.” Classic FM Magazine, June 2011 ****

GGramophone Awards 2011

Shortlisted - Concerto

DG - 4779308

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Yuja Wang - Transformation

Yuja Wang - Transformation


Brahms:

Variations on a theme by Paganini in A minor, Op. 35

Ravel:

La Valse

Transcribed for piano solo by the composer

Scarlatti, D:

Keyboard Sonata K380 in E major

Keyboard Sonata K466 in F minor

Stravinsky:

Three Movements from Petrushka

Transcribed for piano solo by the composer


Yuja Wang (piano)

On the heels of her impressive Deutsche Grammophon debut recital album, pianist Yuja Wang’s return recording for the label – Transformation – categorically demonstrates that she is a young master of the Steinway.

Her new album excites with a demanding recital that includes some of the most electrifying pieces of piano literature – Stravinsky’s Pétrouchka, Brahms’s Variations on a Theme by Paganini, Scarlatti’s Sonatas in E and B minor, and Ravel’s La Valse.

Yuja Wang’s ability to take her music by storm is tempered by a sophisticated musicality that never distorts the line.

Transformation highlights Yuja Wang’s penchant for piecing together high concept programs the public adores. As The New York Times observes, “She seems to have everything: speed, flexibility, pianistic thunder, and interpretive nuance.”

“Wang makes light of even the fiercest complexity...she has a dazzling way of lightening even the heaviest textures so that her entire performance gleams with an astonishing brilliance and verve....you will find her as musically beguiling as she is breathtakingly fleet.” Gramophone Magazine, July 2010

“The brilliant Chinese pianist dazzles with more than technical panache. She understands what she plays; she’s sensitive and has poise. She’s also a clever programme builder, successfully mixing shape-shifting works by Stravinsky, Brahms and Ravel with two Scarlatti sonatas.” The Times, 29th May 2010 ****

“The Petrushka movements...have a unique fizz and excitement and quite the most orchestral range of colour I've heard...Her poise in the two Scarlatti sonatas is admirable, the textures beautifully transparent, the interplay of voices superbly balanced...Altogether one of the most stimulating recitals I've heard this year.” BBC Music Magazine, July 2010 *****

“[Wang] approaches repertory staples with original, illuminating ideas. Her sharp articulation and the deftness with which she moves between thunder and sparkle yield vivid performances of Stravinsky and Ravel, a searching account of Brahms’s Variations on a Theme of Paganini and uncommonly graceful readings of two Scarlatti sonatas.” New York Times, 26th November 2010

GGramophone Magazine

Disc of the Month - July 2010

DG - 4778795

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Mahler: Symphony No. 1

Mahler: Symphony No. 1

Recorded live at the Concert Hall of the Culture and Convention Centre Lucerne, 12 August 2009


Mahler:

Symphony No. 1 in D major 'Titan'

Prokofiev:

Piano Concerto No. 3 in C major, Op. 26

Yuja Wang (piano)


“Like a cry of Nature”: thus the expression mark that opens Gustav Mahler’s First Symphony – and the programme of the Festival 2009 which takes up Nature as its guiding theme. Mahler, in the First Symphony, shaped the “cry of nature” into a musical vision of an entire human life in four stages – from a spring-like upsurge of feelings through desire and suffering, to the end of earthly existence and the entrance into Paradise.

The opening treats listeners to a spectacular début as the twenty-two-year-old Chinese pianist Yuja Wang plays Sergei Prokofiev's Third Piano Concerto. In her Lucerne appearances she displays the full range of her artistry as Prokofiev’s Third Piano Concerto demands not only lyricism and intimacy but brilliance and virtuosity.

Claudio Abbado has realised a dream with the Lucerne Festival Orchestra. The orchestra consists of an exclusive ensemble of handpicked musicians like Kolja Blacher and Sebastian Breuninger, Natalia Gutman, Clemens Hagen and Jens Peter Maintz.

Claudio Abbado is undeniably a supreme Mahler conductor and his best selling recordings with the Lucerne Festival Orchestra – symphonies No. 2, 3, 5, 6, and 7 (on Blu-ray No. 1, 2, 3 and 6) have already been released on EuroArts – have set new standards in interpretation of works by Gustav Mahler.

Picture format BD: 1080i Full HD - 16:9

Sounds formats BD: PCM 2.0, DTS HD Master Audio

Region code: All

Booklet notes: English, German, French

Running time: 79 mins

FSK: 0

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EuroArts Claudio Abbado Mahler Symphonies - 2057964

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Mendelssohn in Verbier

Mendelssohn in Verbier

Recorded at Verbier Festival, July 2009


Mendelssohn:

Piano Sextet Op. 110

Yuja Wang (piano), Kirill Troussov (violin), David Aaron Carpenter (viola), Maxim Rysanov (viola), Sol Gabetta (cello) & Leigh Mesh (double bass)

Piano Concerto No. 1 in G minor, Op. 25

Yuja Wang (piano)

Verbier Festival Orchestra, Kurt Masur

Symphony No. 3 in A minor, Op. 56 'Scottish'

Verbier Festival Orchestra, Kurt Masur

Stravinsky:

Three Movements from Petrushka

bonus

Yuja Wang (piano)


This series of TV programmes presents the very best of the 16th Verbier Festival with worldwide renowned artists such as Susan Graham, Martha Argerich, Yuri Temirkanov and Philippe Jaroussky. Furthermore, very gifted artists like Yuja Wang encounter renowned conductors like Kurt Masur to feature Mendelssohn's Third Symphony.

These magnificent interpretations of three Mendelssohn works – two orchestral and one chamber – are given by the phenomenally talented young Chinese pianist Yuja Wang and other young performers. Praised in BBC Music Magazine for her ‘keen intelligence’ and ‘staggering technique’, Yuja Wang has also been described by the San Francisco Chronicle as ‘the sort of musician whose combination of talents appears in the world only rarely’. The Verbier Festival Orchestra consists of musicians hand-picked from every part of the world. Here they are directed by the doyen of German Mendelssohn conductors, Kurt Masur.

BONUS: Stravinsky: Three Movements from Petrushka performed by Yuja Wang, piano

Picture format DVD: NTSC 16:9

Sounds formats DVD: PCM Stereo, DD 5.1, DTS 5.1

Region code: 0

Booklet notes: English, German, French

Running time: 89 mins (Concert) + 15 mins (Bonus: Concert Yuja Wang / Stravinsky)

FSK: 0

“The mixture here of seriousness, high spirits and virtuosity suits Mendelssohn well...Wang excels with her fingerwork, light pedaling and discreetly intelligent touches of rubato...No praise is too high for her bonus performance of the Three Movements from Petrushka...In the Scottish Symphony Kurt Masur exerts an easy, grandfatherly authority over his young orchestra” BBC Music Magazine, January 2011 *****

DVD Video

Region: 0

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Ideale Audience International Live at Verbier Festival - 3079248

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The Art of Chopin

The Art of Chopin

Recorded at the Warsaw Philharmonic, 2009


A film by Gérald Caillat with Garrick Ohlsson, Bella Davidovich, Evgeny Kissin, Piotr Anderszewski, Yuja Wang

Chopin:

Piano Concerto No. 1 in E minor, Op. 11

bonus

Garrick Ohlsson (piano)

Warsaw Philharmonic, Antoni Wit

Piano Concerto No. 2 in F minor, Op. 21

bonus

Garrick Ohlsson (piano)

Warsaw Philharmonic, Antoni Wit


This documentary pays tribute to Chopin’s art to his highly original writing and show how much of a contribution it made to 20th century music and modern-day piano music.

To this end we are combining two approaches: a narrative approach with a biographical account, which focuses on the composer’s most creative periods. And an analytical approach with first-hand accounts by some of the greatest performers of his works. Among them: Garrick Ohlsson, Bella Davidovich, Evgeny Kissin, Piotr Anderszewski and Yuja Wang.

The first approach captures Chopin’s genius in his time by evoking his life, his work, his existential concerns and his musical influences.

The second approach, which forms the mainstay of this documentary, conveys the passion artists have for performing Chopin and their understanding of his music today, which appears to be so easy and is yet so difficult to play.

Filmed archives of prestigious pianists, some of whom are no longer with us, complete this portrait of Chopin’s art.

Bonus: full concert programme including both Chopin Concertos with Garrick Ohlsson and the Warsaw Philharmonic under the baton of Antoni Wit.

Picture format DVD: NTSC 16:9

Sounds formats DVD Documentary: PCM Stereo

Sounds formats DVD Concert: PCM Stereo, DD 5.1, DTS 5.1

Region code: 0

Original Language: English

Subtitle Languages: English, Français, Deutsch, Polski, Japanese

Booklet notes: English, German, French

Running time: DVD 1: 53 min (documentary, DVD2: 82 min (performance)

FSK: 0

“A perceptive look at Chopin, 'anchored' by Garrick Ohlsson but including footage of the young Krystian Zimmerman and an old Arthur Rubinstein.” BBC Music Magazine, November 2010 *****

“the first disc is a valuable reminder of Chopin's character and uniqueness; worth it alone for the clips of several extraordinary performances.” Gramophone Magazine, November 2010

DVD Video

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Ideale Audience International - 3078948

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Mahler: Symphony No. 1

Mahler: Symphony No. 1

Recorded live at the Concert Hall of the Culture and Convention Centre Lucerne, 12 August 2009


Mahler:

Symphony No. 1 in D major 'Titan'

Prokofiev:

Piano Concerto No. 3 in C major, Op. 26

Yuja Wang (piano)


“Like a cry of Nature”: thus the expression mark that opens Gustav Mahler’s First Symphony – and the programme of the Festival 2009 which takes up Nature as its guiding theme. Mahler, in the First Symphony, shaped the “cry of nature” into a musical vision of an entire human life in four stages – from a spring-like upsurge of feelings through desire and suffering, to the end of earthly existence and the entrance into Paradise.

The opening treats listeners to a spectacular début as the twenty-two-year-old Chinese pianist Yuja Wang plays Sergei Prokofiev's Third Piano Concerto. In her Lucerne appearances she displays the full range of her artistry as Prokofiev’s Third Piano Concerto demands not only lyricism and intimacy but brilliance and virtuosity.

Claudio Abbado has realised a dream with the Lucerne Festival Orchestra. The orchestra consists of an exclusive ensemble of handpicked musicians like Kolja Blacher and Sebastian Breuninger, Natalia Gutman, Clemens Hagen and Jens Peter Maintz.

Claudio Abbado is undeniably a supreme Mahler conductor and his best selling recordings with the Lucerne Festival Orchestra – symphonies No. 2, 3, 5, 6, 7 and 9 have already been released on EuroArts – have set new standards in interpretation of works by Gustav Mahler.

Picture format DVD: NTSC 16:9

Sounds formats DVD: PCM Stereo, DD 5.1, DTS 5.1

Region code: 0

Booklet notes: English, German, French

Running time: 79 mins

FSK: 0

“...if the composer had died after writing this, you'd imagine - from Claudio Abbado's performance with his good-looking once-a-year superband, at least - that his mission on earth was already perfected...Abbado's rubato reaps wonders in the songs and country dances, but it's in the finale that he dares most. No wonder the audience goes wild.” BBC Music Magazine, September 2010 *****

“Every visual detail caught by the eye becomes woven into the aural tapestry of Mahler’s First Symphony. The tension is high from the beginning as spring rustles into life. Abbado carefully paces each surge in energy, each mood transformation. Every climax rings out with exultation” The Times, 2nd July 2010 ****

DVD Video

Region: 0

Format: NTSC

EuroArts Claudio Abbado Mahler Symphonies - 2057968

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Verbier Festival - Highlights 2008

Verbier Festival - Highlights 2008


Beethoven:

Violin Sonata No. 9 in A major, Op. 47 ‘Kreutzer' - Finale

Ilya Gringolts & Aleksandar Madzar

Symphony No. 6 in F major, Op. 68 ‘Pastoral' - Allegro ma non troppo

UBS Verbier Festival Orchestra, Manfred Honeck

Brahms:

Piano Quartet No. 3 in C minor, Op. 60 (Andante)

Menahem Pressler, Salvatore Accardo & Gautier Capuçon

Bruch:

Kol Nidrei, Op. 47

Mischa Maisky

UBS Verbier Festival CO

Dohnányi:

Sextet in C major Op. 37 for piano, violin, viola, cello, clarinet & horn: Finale

Nicholas Angelich & Julian Rachlin

Prokofiev:

Ten Pieces from Romeo and Juliet, Op. 75 - excerpts

Montagues and Capulets, Romeo and Juliet before parting

Nikolai Lugansky

Ravel:

La Valse

Yuja Wang

Rimsky Korsakov:

Flight of the Bumble Bee

arrranged Cziffra

Yuja Wang

Schubert:

String Quartet No. 14 in D minor, D810 'Death and the Maiden'

2nd movement

Ebène Quartet

Shostakovich:

Piano Quintet in G minor, Op. 57

Martha Argerich, Joshua Bell,Yuri Bashmet & Mischa Maisky


NTSC · 16:9, PCM stereo

Region code: 0, FSK: all audiences

Booklet notes: English

Running time: 100 mins

For the 15th Verbier Festival, which took place from July to August 2008, Medici Arts filmed the majority of the concerts in the Salle Medran (2000 seats) and the Verbier Church (500 seats). Some of the best performers in the world of classical music came together including Martha Argerich, Nikolai Lugansky and rising star Yuja Wang in this 'best of' the 2008 festival.

DVD Video

Region: 0

Format: NTSC

Medici Arts - 3078178

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$30.00

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Yuja Wang - Sonatas & Etudes

Yuja Wang - Sonatas & Etudes


Chopin:

Piano Sonata No. 2 in B flat minor, Op. 35 'Marche funèbre'

Ligeti:

Étude No. 4 'Fanfares'

Étude No. 10 'Der Zauberlehrling'

Liszt:

Piano Sonata in B minor, S178

Scriabin:

Piano Sonata No. 2 in G sharp minor, Op. 19 'Sonata Fantasy'


Yuja Wang (piano)

Gifted Chinese pianist Yuja Wang debuts on DG’s roster with an album featuring compositions by Chopin, Ligeti, Liszt, and Scriabin. Yuja Wang chooses pieces that, in her judgment, are refreshingly atypical of the customary musical perspectives of these composers. Exceptional artistry, technical perfection, and a rare ability to evoke an uncommonly vivid palette of rich colors from the instrument characterize Yuja Wang’s pianism

After blazing through Ravel’s Concerto for Left Hand, the Miami Herald wrote, “The evening’s spotlight belonged to Yuja Wang . . . [who] showed remarkable fire and iron-fingered power."

“The opening movement of Chopin’s Second Sonata certainly identifies qualities of youthful impetuosity, power and dexterity.” The Telegraph, 25th June 2009 ***

“The Scriabin (sonata no 2) flows nicely; in the Liszt B minor sonata she’s no empty virtuoso. A talent worth watching.” The Times, 23rd May 2009 ****

“…Yuja Wang… has all the equipment to be one of the most exciting pianists of her generation. As well as a stunning technique she has a fabulous range of sonority and colour… the two Ligeti Etudes, especially 'Fanfares', suit her dazzling fingerwork perfectly. Pianistically, parts of her Liszt Sonata are extraordinary, with blistering octaves, razor-sharp articulation and a wonderful tonal richness.” BBC Music Magazine, July 2009 ****

“…22-year-old Yuja Wang is a wondrously gifted pianist whose debut album… suggests a combination of blazing technique and a rare instinct for poetry. In Scriabin's Second Sonata she is beautifully sensitive to the moods, whether tranquil and starlit or tempestuous, reflecting the composer's love of the Baltic Sea. She is fiery but never reckless in Chopin's Second Sonata... As a crowning touch her Ligeti Etudes are both musicianly and dazzlingly incisive. In the words of the publicist, "a star is born".” Gramophone Magazine, August 2009

“Curtis-trained under Gary Graffman, Wang tells us in an accompanying DVD of her special love for music of drama and turbulence and how ever since first hearing Pollini's recording of the Chopin Etudes she dreamt of recording for DG.
In Scriabin's Second Sonata she is beautifully sensitive to the moods, whether tranquil and starlit or tempestuous, reflecting the composer's love of the Baltic Sea. She is fiery but never reckless in Chopin's Second Sonata, off like the proverbial greyhound at the first doppio movimento, and offers a dramatic bass emphasis at the climax of the heaven-storming development.
Her finale is truly sotto voce yet with the widest variety of touch and expression, and for the most part her playing, while sharply individual, is free from all distorting idiosyncrasy or mannerism.
You wont hear anything on the scale of Richter or Gilels in the Liszt Sonata but on the other hand Wang is young, wonderfully talented and trained, superbly recorded and, if this disc is anything to go by, with the world at her feet. As a crowning touch her Ligeti Etudes are both musicianly and dazzlingly incisive. In the words of the publicist, 'a star is born'.”
Gramophone Classical Music Guide, 2010

GGramophone Magazine

Editor's Choice - August 2009

DG - 4778140

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