Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Erwin Schrott: Arias
On his second release for Sony Classical, Erwin Schrott transfers many of his stage triumphs to an album of arias. For the most part Schrott has devoted this new CD to classics from the French and Italian bass-baritone repertoire, complementing them with compositions by Verdi and Massenet that are not often heard. The singer also gives due place to his love of music by Spanish and Latin American composers: namely the Spanish composer Pablo Sorozabal, and the Brazilian composer Carlos Gomes. “he has a superb voice which he uses intelligently and sensitively...Once you adjust to the pronounced echo, there is plenty of pleasure to be had here - from his singing and adventurous choice of repertoire alike...his dying Don Quichotte is especially fine.” BBC Music Magazine, September 2012 **** “The best of his voice - a dark vocal plushness in his mid-range - emerges in the Toreador Song's verse portion, though beyond that he pushes for low notes that aren't really there...Declamatory passages go well for Schrott, especially when the language is Italian - one reason why some of the early Verdi arias are among the more convincing moments on the disc.” Gramophone Magazine, October 2012 “on disc, his pleasing lyric bass is a good fit for the characters he plays...this is far from the random bran-tub selection one now almost invariably encounters on recorded solo opera programmes of this type...[Don Quichotte's] valedictory music inspires some of Schrott's most sensitive singing...one of the most plausible champions of this repertoire in today's opera firmament.” International Record Review, September 2012 “Schrott finds perhaps his most rewarding role as Mefistofele in Boito's version of the Faust myth, reaching a feverish pitch of disgust as he derides mankind in "Ave Signor" and "Ecco il Mondo".” The Independent, 23rd June 2012 *** “It's a bit of a mixed bag but, unlike some of his previous recordings, the best of it does capture the mixture of raunchiness and dramatic power he can generate in the theatre...[Pluses] include an electrifying Scintille Diamant from Offenbach's Les Contes d'Hoffmann; excerpts from Verdi's I Lombardi and Attila, in which his sense of line is magnificent; Mefistofele's principal monologues, savagely ironic...Flawed but highly recommended.” The Times, 12th July 2012 **** “The wide range and changing tones are distinctive in this selection from Verdi, Boito, Gounod, Massenet, Bizet and beyond. One minute Schrott’s exploring the ocean depths of his register; the next he’s bobbing on the surface, bright as any tenor.” The Times, 22nd June 2012 *** | | | In stock - usually despatched within 1 working day. |
|
|
| |  |
Béatrice Uria-Monzon (Carmen), Roberto Alagna (Don José), Erwin Schrott (Escamillo), Marina Poplavskaya (Micaëla), Eliana Bayón (Frasquita), Itxaro Mentxaka (Mercédès), Marc Canturri (Le Dancaïre), Francisco Vas (Le Remendado), Àlex Sanmartí (Moralès), Josep Ribot (Zuniga) Orquestra Simfònica del Gran Teatre del Liceu & Cor del Gran Teatre del Liceu, Marc Piollet Staged by Calixto Bieito. Fantastic cast with Roberto Alagna, Erwin Schrott, Marina Poplavskaya, Béatrice Uria-Monzon. This prestigious 2011 production from the Gran Teatre del Liceu was staged by the world famous and highly controversial stage director Calixto Bieito, admired for his raw and evocative stagings. Running Time Total: 155 minutes DVD: DTS 5.1, PCM Stereo “If a Barcelona Carmen suggests authentic atmosphere, forget it. It's staged by Calixto Bieito, notorious for shock-effect productions...On home ground, though, he's comparatively restrained, although he does update the opera to the 1970s...Beatrice Uria-Monzon's veteran Carmen is compelling. Roberto Alagna equals his Met video, fluently lyrical while indicating the hair-trigger violence beneath.” BBC Music Magazine, December 2011 ** “Updating rarely makes such a seamless case for itself as in this modern production of Carmen...Alagna has always had a certain Mad Max side to his temperament that, combined with his Italianate lyric tenor, has made him one of the best Don Joses in the business.” Gramophone Magazine, January 2012 “Piollet launches the opera thrillingly; however exhilarating the energy, the playing remains disciplined, with mingled grace and fire. Conductor and orchestra sustain that level throughout, with well-judged rubato and frequently an unerring light touch.” International Record Review, December 2011 | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Live Recording from The Teatro Degli Arcimboldi, Milan, 2003
Arthaus presents an impressive staging of one of Rossini’s opera masterpieces. This production, staged by La Scala Milan is conducted by Riccardo Muti. Moïse et Pharaon - Rossini’s re-adaptation of the story of Moses in Egypt - emphasizes the dramatic moments of the biblical account beautifully and also demonstrates the composer‘s mastery of the French tradition: solos and choral work are superb compositions, the duets are expressive and touching. Including an extensive ballet scene at the beginning of Act III and featuring a preeminent international cast of singer-actors – Erwin Schrott, Barbara Frittoli, Sonia Ganassi - this recording brings a Rossini experience of the highest rank onto the screen. Sound Format: PCM Stereo, DD 5.1, DTS 5.1 Picture Format: 16:9 DVD Format: 2 x DVD 9, NTSC Subtitle Languages: FR, DE, GB, ES, IT Running Time: 181 mins FSK: 0 “Muti leads his forces with conviction in this 2003 La Scala production that has enough of the requisite grandeur and a cast that manages the score’s difficulties well enough to show the work’s strength and validity...The costumes mix periods, but the whole production still gives a welcome sense of the grand style.” Ballet Review, December 2010 | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Recorded at the Haus für Mozart during the 2008 Salzburg Festival
Claus Guth - staging Wild animals live in the woods. Robbers hide there. Mystery is at home there. And, when the woods are on the stage of Salzburg’s Haus für Mozart, a notorious ladies’ man and his unsavoury accomplice can also find shelter there. For here, in the dense forest planted by director Claus Guth, is the home of the rugged macho Don Giovanni, who, assisted by Leporello, lures the ladies with the heady scent of danger. In Guth’s almost cinematic Salzburg Festival production, every character in Mozart’s most realistic opera seems to carry a back-story of thwarted love and frustration. Everyone appears to be seeking either salvation or damnation in the woods – a compelling concept that removes the opera from its traditional pseudo-Seville squares and palaces. And when Don Giovanni is played by Christopher Maltman, it’s no wonder that Donna Anna (Annette Dasch), Donna Elvira (Dorothea Röschmann) and even Zerlina (Ekaterina Siurina) are ready to throw themselves at his feet. With a physique as striking as his full-bodied baritone voice, Maltman embodies Don Giovanni as an almost reluctant seducer, a man fated to bring misery to women and, ultimately, to himself. Next to Maltman, it is Uruguayan bass-baritone Erwin Schrott who rivets the audience in this production: Schrott’s Leporello is an event in his own right, the event of the Salzburg Don Giovanni (Die Welt). Under Bertrand de Billy, the Wiener Philharmoniker play with refreshing verve and spirit. Picture format BD: 1080i Full HD - 16:9 Sounds formats BD: PCM 2.0, PCM 5.1 Region code: 0 Booklet notes: English, German, French Subtitles: Italiano, English, Deutsch, Français, Español, 日本語 Running time: 177 mins Audience: all “Christian Schmidt designs a crepuscular forest for Claus Guth's dark contemporary take on the opera...It's very much the women who have got a grip here. The rhythmic rigour of Dorothea Roschmann's Elvira splendidly embodies her fortitude...Giovanni and Leporello (superbly sung by Christopher Maltman and Erwin Schrott) are, by contrast, wrecks of men” BBC Music Magazine, December 2010 ***** “Giovanni's story...becomes a tale of fighting against imminent death, and Christopher Maltman plays it with convincing desperation. The singing is uniformly excellent, the acting of a high calibre, and Bertand de Billy's fast tempi keep the action taut...a fresh take on a great work.” Classic FM Magazine, December 2010 **** “[Guth's] shabbily sombre, drug-fuelled, blood-bespattered take on Mozart's dramma giocoso (rarely indeed has the opera seemed less jocose) exerts a perverse fascination, not least for the interplay between the charismatic pairing of Maltman and Schrott...all the singers throw themselves wholeheartedly into Guth's Konzept.” Gramophone Magazine, January 2011 “The cast is top-drawer, with strong voices. There should be law against performing Mozart without Dorothea Röschmann, who here sings the crazed Elvira with real bite and zeal...Christopher Maltman and Erwin Schrott are two of the finest actors I've ever seen on an opera stage...They never break character and have clearly bought into Guth's interpretation hook, line and sinker” International Record Review, November 2010 | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Divos and Divas
Bellini: | Casta Diva (from Norma) Cecilia Bartoli (mezzo) Orchestra La Scintilla, Adam Fischer | Bizet: | La fleur que tu m'avais jetée (from Carmen) Plácido Domingo (tenor) London Philharmonic Orchestra, Georg Solti | Capua: | O sole mio José Carreras (tenor) English Chamber Orchestra, Edoardo Muller | Catalani: | Ebben? Ne andrò lontana (from La Wally) Angela Gheorghiu (soprano) Orchestra del Teatro Regio di Torino, John Mauceri | Charpentier, G: | Depuis le jour (from Louise) Nicole Cabell (soprano) London Philharmonic Orchestra, Andrew Davis | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) Juan Diego Flórez (tenor) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza Quanto è bella, quanto è cara! (from L'Elisir d'amore) Roberto Alagna (tenor) Orchestre de l'Opera National de Lyon, Evelino Pidò | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) Renée Fleming (soprano) London Symphony Orchestra, Georg Solti | Glinka: | Vdali ot milogo (from Ruslan and Lyudmila) Anna Netrebko (soprano) Kirov Orchestra & Chorus, Valery Gergiev | Handel: | Lascia la spina (from Il Trionfo del Tempo e del Disinganno) Cecilia Bartoli (mezzo) Les Musiciens du Louvre, Marc Minkowski Semele: Endless Pleasure Danielle de Niese (soprano) Les Arts Florissants, William Christie | Lara, Augustin: | Granada Juan Diego Flórez (tenor) Fort Worth Symphony Orchestra, Miguel Harth-Bedoya | Lehár: | Dein ist mein ganzes Herz (from Das Land des Lächelns) Plácido Domingo (tenor) Orchestra del Teatro dell'Opera di Roma & Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Mozart: | Deh! vieni alla finestra (from Don Giovanni) Bryn Terfel (bass-baritone) London Philharmonic Orchestra, Georg Solti Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) Erwin Schrott (bass-baritone) Orquestra de la Comunitat Valencian, Riccardo Frizza Porgi amor (from Le nozze di Figaro) Kiri Te Kanawa (soprano) London Philharmonic Orchestra, Georg Solti | Puccini: | Che gelida manina (from La Bohème) Jonas Kaufmann (tenor) Prague Philharmonic Orchestra, Marco Armiliato Firenze è come un albero fiorito (from Gianni Schicchi) Roberto Alagna (tenor) Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti Addio, fiorito asil (from Madama Butterfly) Joseph Calleja (tenor) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly O mio babbino caro (from Gianni Schicchi) Renée Fleming (soprano) London Philharmonic Orchestra, Charles Mackerras Vissi d'arte (from Tosca) Montserrat Caballé (soprano) Orchestra of the Royal Opera House, Covent Garden, Colin Davis Signore, ascolta! (from Turandot) Montserrat Caballé (soprano) London Philharmonic Orchestra, Zubin Mehta Quando me'n vo (from La Bohème) Nicole Cabell (soprano) London Philharmonic Orchestra, Andrew Davis E lucevan le stelle (from Tosca) José Carreras (tenor) Orchestra of the Royal Opera House, Covent Garden, Colin Davis | Saint-Saëns: | Mon cœur s'ouvre à ta voix (from Samson et Dalila) Olga Borodina (mezzo) Orchestra of the Welsh National Opera, Carlo Rizzi | Schönberg, C-M: | Stars (from Les Misérables) Bryn Terfel (bass-baritone) Orchestra of the Welsh National Opera, Paul Gemignani | Strauss, J, II: | Nun's Chorus from Casanova Kiri Te Kanawa (soprano) The Mormon Tabernacle Choir, Utah Symphony, Julius Rudel | Verdi: | La donna è mobile (from Rigoletto) Joseph Calleja (tenor) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly Pace, pace mio Dio! (from La forza del destino) Angela Gheorghiu (soprano) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | Wagner: | Morgenlich leuchtend im rosigen Schein 'Prize Song' (from Die Meistersinger von Nürnberg) Jonas Kaufmann (tenor) Prague Philharmonic Orchestra, Marco Armiliato |
The greatest opera stars in the world - together in one 2-CD set. A unique collection of all the great genuine opera stars appearing on the world's stages today. A galaxy of great names performing opera's best-loved arias and classic melodies. CD 1 ("The Divos") features celebrated performances from Roberto Alagna, Juan Diego Flórez, Jonas Kaufmann, Plácido Domingo, Bryn Terfel, José Carreras, Josef Calleja and Erwin Schrott CD 2 ("The Divas") features outstanding recordings by Cecilia Bartoli, Renée Fleming, Anna Netrebko, Angela Gheorghiu, Montserrat Caballé, Nicole Cabell, Olga Borodina, and Kiri te Kanawa A fabulous showcase of today's top vocal talent 2 CDs for the price of one | | | In stock - usually despatched within 1 working day. |
|
|
| |  |
Erwin Schrott (Figaro), Martina Janková (Susanna), Michael Volle (Count), Malin Hartelius (Countess), Judith Schmid (Cherubino), Irène Friedli (Marcellina), Carlos Chausson (Bartolo), Martin Zysset (Basilio), Andreas Winkler (Curzio), Giuseppe Scorsin (Antonio), Eva Liebau (Barbarina) Chor und Orchester der Oper Zürich & Chor des Opernhauses Zürich, Franz Welser-Möst Stage Director - Sven-Eric Bechtolf Stage Design - Rolf Glittenberg Costume Design - Marianne Glittenberg Lighting - Jürgen Hoffmann The Zurich Opera House has recorded more productions for DVD than any other opera house in the world. During the last twelve years, conductor Franz Welser-Möst has conducted more than fifty premieres with the Zurich Opera. They perform regularly together in London, Paris, Tokyo and other major international cities. Welser-Möst has enjoyed a long and very fruitful relationship with the Zurich Opera. From 1995 - 2002, he was Chief Conductor of the House, was Principal Conductor from 2002 - 2005 and was then appointed General Musikdirektor. In June 2007, Welser-Möst was appointed General Musikdirektor designate of the Staatsoper, Vienna, a position he will assume in the 2010/11 season. Prior to that, he undertakes a new production of “The Ring” in Vienna, which started in the 2007/8 season. He is also Music Director of the Cleveland Orchestra. Welser-Möst has assembled over the years a close-knit ensemble which is frequently praised for both its vocal and acting abilities. Please see below for press quotes on this production. Subtitles: English, German, French, Spanish, Italian | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Erwin Schrott
Uruguayan bass-baritone, Erwin Schrott, joins Decca with a deliciously charismatic, seductive and witty debut album. This album showcases his portrayals of some of opera's most famous roles, and which have wowed both audiences and critics across the world's greatest opera houses. Erwin Schrott has astonished audiences and critics across Europe, the US and south America with his sensuous, dark bass-baritone and onstage magnetism. This album shows off Erwin at his best, singing the wide range of roles that have made him famous. His charismatic portrayals have won him global acclaim, and for the Mozart roles in particular he is now first choice at the world's greatest opera houses, including the Met, La Scala, the Royal Opera House and Vienna's Staatsoper. Schrott's debut disc is the perfect disc to showcase his distinctive, chocolatey voice and his wonderful talents for characterisation. Amongst the arias are his favourite Mozart roles as well as repertoire from the great 19th-century opera composers such as Verdi, Meyerbeer, Berlioz, and Gounod. “Schrott knows how to change his voice’s colour, phrase by phrase, sometimes word by word, especially if the word is “Susanna”. As Figaro in the Mozart selections he’s attractively light and dancing; he can also drip with honey (Voici des roses from La Damnation de Faust) and scowl himself black (Meyerbeer’s Bertram, bound for Hell). Intimacy comes as easily, too, as the loud address: Philip’s monologue from Don Carlos (sung in French) conveys with unusual penetration the sense of someone thinking out loud, quiet and fearful.” The Times, 25th July 2008 **** “Schrott is suave and honeyed in the serenades from Don Giovanni and Gounod’s Faust” Sunday Times, 27th July 2008 *** “ Half the disc is devoted to Mozart and the three Da Ponte roles that made Schrott's name...But he often fares better in the quieter, more beguiling moments than in full flow - not usually the case on stage...three arias from Berlioz, Gounod and Meyerbeer bring out the dynamic devil in him.” The Observer, 3rd August 2008 “…has an exceptionally beautiful voice, which he uses to fine effect in some of these arias. Philippe's great aria from Don Carlos is impressive, so is Procida's from Les vêpres siciliennes, and his Berlioz, Gounod and Meyerbeer are striking too.” BBC Music Magazine, August 2008 **** “Here, in all probability, is the basso cantante par excellence missing since the heyday of Samuel Ramey. The fine, resonant voice, wide in range, firm and even in delivery, is at home in a variety of styles.” Gramophone Magazine, Awards Issue 2008 | | | In stock - usually despatched within 1 working day. |
|
|
| |  | An Evening With The Royal Opera
Bringing together a collection of arias and choruses from some of the world’s favourite operas, this disc showcases the outstanding artists and productions from the stage of the Royal Opera House. The perfect gift for anyone who loves opera. A unique collection from one of the world’s finest opera houses, showcasing the international opera stars and famous Royal Opera House productions. The comprehensive packaging will include a synopsis of each opera, suggestions for further exploration of the catalogue and full subtitles. International stars featured in the collection include: Jonas Kaufmann, Renee Fleming, Simon Keenlyside, Gerald Finley and Miah Persson. Running time: 80 minutes Subtitles: EN/FR/DE/JP/ES Sound format: 2.0LPCM + 5.1(5.0) DTS “all musically exceptional” BBC Music Magazine, May 2013 **** | | | Usually despatched in 2 - 3 working days. |
|
|
| |  |
Béatrice Uria-Monzon (Carmen), Roberto Alagna (Don José), Erwin Schrott (Escamillo), Marina Poplavskaya (Micaëla), Eliana Bayón (Frasquita), Itxaro Mentxaka (Mercédès), Marc Canturri (Le Dancaïre), Francisco Vas (Le Remendado), Àlex Sanmartí (Moralès), Josep Ribot (Zuniga) Orquestra Simfònica del Gran Teatre del Liceu & Cor del Gran Teatre del Liceu, Marc Piollet Staged by Calixto Bieito. Fantastic cast with Roberto Alagna, Erwin Schrott, Marina Poplavskaya, Béatrice Uria-Monzon. This prestigious 2011 production from the Gran Teatre del Liceu was staged by the world famous and highly controversial stage director Calixto Bieito, admired for his raw and evocative stagings. Running Time Total: 155 minutes BD: DTS-HD MA 5.1, PCM Stereo “If a Barcelona Carmen suggests authentic atmosphere, forget it. It's staged by Calixto Bieito, notorious for shock-effect productions...On home ground, though, he's comparatively restrained, although he does update the opera to the 1970s...Beatrice Uria-Monzon's veteran Carmen is compelling. Roberto Alagna equals his Met video, fluently lyrical while indicating the hair-trigger violence beneath.” BBC Music Magazine, December 2011 ** “Updating rarely makes such a seamless case for itself as in this modern production of Carmen...Alagna has always had a certain Mad Max side to his temperament that, combined with his Italianate lyric tenor, has made him one of the best Don Joses in the business.” Gramophone Magazine, January 2012 “Piollet launches the opera thrillingly; however exhilarating the energy, the playing remains disciplined, with mingled grace and fire. Conductor and orchestra sustain that level throughout, with well-judged rubato and frequently an unerring light touch.” International Record Review, December 2011 | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Live Recording from The Arena Sferisterio Macerata 2002
Valeria Esposito (Adina), Aquiles Machado (Nemorino), Enrico Marrucci (Belcore), Erwin Schrott (Dulcamara) & Roberta Canzian (Giannetta) Orchestra Filarmonica Marchigiana & Coro Lirico Marchigiano “V. Bellini”, Niels Muus (conductor) & Saverio Marconi (director) Set Design by ANTONIO MASTROMATTEI Costumes by SILVIA AYMONINO Slowly the camera roams through the narrow streets of Macerata, past the cathedral, the monuments, the library and the university, until it reaches the Arena Sferisterio. In the 1820s this was a competition venue for a handball game popular at that time. At the beginning of the twentieth century the ‘neo-classical monster’, as the stadium is disrespectfully called in the vernacular, was also discovered as an opera venue and a dazzling backdrop for the ‘Macerata Opera Festival’. The stage, which is 14.5 meters deep and 40 meters wide, is sufficiently large for all kinds of events and spectacles to be staged. At the end of July 2002 the time had come again. An audience of 5000 had gathered to listen to the new production of Gaetano Donizetti’s L’elisir d’amore under the direction Saverio Marconi, conducted by Niels Muus. Using a trick the director succeeded in preserving the open-air atmosphere while at the same time eliminating the annoying echo of the voices and instruments. The orchestra was seated in an enormous box that was put on the stage, while the singers, in traditional costumes by Silvia Aymonino, performed on stage in front of it, among them the young Valeria Esposito as Adina, Aquiles Machado in the role of Nemorino, Enrico Marrucci as Belcore and the very young Erwin Schrott as Dulcamara. The premiere of Donizetti’s L’elisir d’amore in the Teatro della Canobbiana in Milan on 12 May 1832, was an unqualifi ed success; it resulted in a series of 32 sold-out houses for the composer and even inspired Richard Wagner in 1840 to produce a piano score of the work. Sound Format: PCM Stereo, DD5.1, DTS 5.1 Picture Format: 16:9 DVD Format: DVD 9, NTSC Menu Languages: GB Subtitle Languages: GB, F, D, SP, IT, Chinese Running Time: 136 min FSK: 0 | | | Usually despatched in 2 - 3 working days. |
|
|
| |
|