Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | An Evening With The Royal Opera
Bringing together a collection of arias and choruses from some of the world’s favourite operas, this disc showcases the outstanding artists and productions from the stage of the Royal Opera House. The perfect gift for anyone who loves opera. A unique collection from one of the world’s finest opera houses, showcasing the international opera stars and famous Royal Opera House productions. The comprehensive packaging will include a synopsis of each opera, suggestions for further exploration of the catalogue and full subtitles. International stars featured in the collection include: Jonas Kaufmann, Renee Fleming, Simon Keenlyside, Gerald Finley and Miah Persson. Running time: 80 minutes Subtitles: EN/FR/DE/JP/ES Sound format: 2.0LPCM + 5.1(5.0) DTS “all musically exceptional” BBC Music Magazine, May 2013 **** | | | In stock - usually despatched within 1 working day. |
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Production by Bartlett Sher; recorded in 2011 In spring 2011, the first-ever performances at New York's Metropolitan Opera of Rossini's Le Comte Ory brought standing ovations and critical-acclaim. The spectacular trio of Juan Diego Florez, Diana Damrau and Joyce DiDonato ignited vocal and theatrical fireworks. Le Comte Ory tells the story of a libidinous and cunning nobleman who disguises himself first as a hermit and then as a nun ("Sister Colette") in order to gain access to the virtuous Countess Adele, whose brother is away at the Crusades. The 2011 Met production was directed by the Tony Award-winning Broadway director Bartlett Sher, who in recent years has also staged Il barbiere di Siviglia and Les Contes d'Hoffman for the Met. Sher presented the action as an opera within an opera, updated the action by a few centuries and giving the costume designer, Catherine Zuber, the opportunity to create some particularly extravagant headgear. Juan Diego Florez starred as the title role while Diana Damrau plays his love interest, Countess Adele, and Joyce DiDonato was in breeches as his pageboy Isolier. The trio had appeared in Sher's production of Rossini's Il barbiere di Siviglia. The New York Times praised "the terrific cast", citing Damrau's "lustrous, agile coloratura soprano voice, and charisma galore" and describing how DiDonato, "who sang with plush sound and impeccable passagework, sent top notes soaring and conveyed all the swagger of a smitten page." The Financial Times named Florez, "a bel-canto paragon virtually without peer. He attacks and/or floats top tones with laughing ease, phrases with slender grace and exudes charm even when impersonating a singing nun". The Wall Street Journal said: "It was a treat to hear Mr. Florez navigate the vocal extremes of the role, popping out high C's while adopting a rascally but winning demeanor." Conducted with verve and finesse by Rossini specialist Maurizio Benini, the production also features the stylish French baritone Stephane Degout as Ory's bibulous conspirator Raimbaud (quite a change from his previous Met role - Debussy's gentle Pelleas), charismatic Italian bass Michele Pertusi as the Count's long-suffering Tutor, and, formidable as Adele's housekeeper Ragonde, the Swedish dramatic mezzo Susanne Resmark. “Sher's production is wise, witty and completely faithful to the spirit of the piece...Damrau is peerless, giving a bravura comic performance made from winks and nudges, heavy theatrical sighing and a heaving bosom. Rossini's music might have been written for her diamond-bright coloratura and gravity-defying top notes. Joyce DiDonato is equally fine...And who could ask for a more winning Ory than Juan Diego Florez?...Delicious.” BBC Music Magazine, June 2012 “Not since Juan Oncina at Glyndebourne in the 1950s has there been a singer better able to cope with the phallocentric Count's stratospheric billings and cooings than Juan Diego Florez. Diana Damrau, a coloratura possessed of breeding as well as presence, makes a superb Countess Adele, and the irrepressible Joyce DiDonato gives a properly testosterone-fuelled performance...Benini directs the Met's Rolls Royce pit band with brisk efficiency.” Gramophone Magazine, July 2012 “What a cast the Met has put together!...[Florez is] handsome, sly and tonally easy...[Damrau] acts with just the right oxymoronic ladylike lust...there seems to be nothing [DiDonato's] voice cannot do and she moves as if she owns the stage...Benini managed to keep the many disparate parts together and leads with great consideration for the singers.” International Record Review, June 2012 “The purity and lightness of Flórez’s voice is astounding...If we ever hear another Ory as good as this then I’ll be very surprised... the sheer security of [DiDonato's] tone is a marvel to behold...Damrau has less form in the bel canto repertoire, but she takes to the virtuoso role of the Countess like a duck to water.” MusicWeb International, July 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | Live Recording from The Teatro Alla Scala, 2006
Set Design by EZIO FRIGERIO Giorgio Strehler was one of Europe’s most celebrated theatre directors. In his Piccolo Teatro in Milan he created outstanding interpretations of Bertolt Brecht and William Shakespeare. As an opera director he worked at all the major international opera houses, most notably the Teatro alla Scala, Milan, where he was responsible for productions of Verdi’s Simon Boccanegra (1971), Macbeth (1975) and in 1980 for Wolfgang Amadeus Mozart’s Le Nozze di Figaro. This legendary production of Mozart’s masterpiece is now available as a 2006 recording, featuring the wonderful Diana Damrau as Susanna and Ildebrando D’Arcangelo as Figaro. Sound Format: PCM Stereo, DD 5.1 Picture Format: 16:9 DVD Format: 2 x DVD 9, NTSC Subtitle Languages: IT (Original Language), GB, DE, FR, ES, Korean, JP Running Time: 187 mins FSK: 0 | | | In stock - usually despatched within 1 working day. |
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| |  | Ioan Holender Farewell ConcertGala from Vienna State Opera
Bellini: | Ah, non credea mirarti (from La Sonnambula) Diana Damrau (soprano) | Donizetti: | Ah! tardai troppo...O luce di quest'anima (from Linda di Chamounix) Stefania Bonfadelli (soprano) Pour ce contrat fatal...Salut à la France (from La fille du régiment) Natalie Dessay (soprano) | Giordano, U: | Amor ti vieta (from Fedora) Ramon Vargas (tenor) | Gounod: | L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) Ramon Vargas (tenor) Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) Piotr Beczala (tenor) | Hiller, W: | Holenderchen! Ich war dein Traumfresserchen (from Das Traumfresserchen) Herwig Pecoraro (tenor) | Korngold: | Glück, das mir verbleib 'Marietta's Lied' (from Die Tote Stadt) Angela Denoke (soprano), Stephen Gould (tenor) | Lehár: | So kommen Sie! ? Ich bin eine anstnd'ge Frau (from Die lustige Witwe) Angelika Kirchschlager (mezzo), Michael Schade (tenor) | Massenet: | Vision fugitive (from Hérodiade) Boaz Daniel (baritone) Werther! Werther!…Je vous écris de ma petite chambre (from Werther) Roxana Constantinescu (mezzo) Toute mon âme - Pourquoi me réveiller (from Werther) Piotr Beczala (tenor) Suis-je gentille ainsi? ... Je marche sur tous les chemins ... Obéissons quand leur voix appelle (from Manon) Anna Netrebko (soprano) | Mozart: | Un'aura amorosa del nostro tesoro (from Così fan tutte) Michael Schade (tenor) Prenderò quel brunettino (from Così fan tutte) Barbara Frittoli (soprano), Angelika Kirchschlager (mezzo) E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) Barbara Frittoli (soprano) | Offenbach: | Hélas! mon cœur s'égare encore! (from Les Contes d'Hoffmann) | Puccini: | Firenze è come un albero fiorito (from Gianni Schicchi) Saimir Pirgu (tenor) Se come voi piccina io fossi (from Le Villi) Krassimira Stoyanova (soprano) | Strauss, R: | Wie schön ist doch die Musik (from Die schweigsame Frau) Thomas Quasthoff (bass-baritone) Nun will ich jubeln wie keiner gejubelt (from Die Frau ohne Schatten) Adrianne Pieczonka, Deborah Polaski (sopranos), Johan Botha (tenor), Falk Struckmann (baritone) Er ist der Richtige nicht für mich … Aber der Richtige, wenn's einen gibt für mich (from Arabella) Adrianne Pieczonka, Genia Khmeier (sopranos) | Verdi: | Stride la vampa (from Il Trovatore) Nadia Krasteva (mezzo) In braccio alle dovizie (from I Vespri Siciliani) Leo Nucci (baritone) Va, pensiero (from Nabucco) Elle ne m'aime pas! (from Don Carlos) Ferruccio Furlanetto (bass) Pace, pace mio Dio! (from La forza del destino) Violeta Urmana (soprano) Perfidi!…Pietà, rispetto, amore (from Macbeth) Simon Keenlyside (baritone) Tutto nel mondo è burla (from Falstaff) Elisabeth Kulman, Krassimira Stoyanova, Ileana Tonca (sopranos), Nadia Krasteva (mezzo), Gergely Nmeti, Herwig Pecoraro, Michael Roider (tenors), Leo Nucci, Alfred Ramek, Boaz Daniel (baritones) | Wagner: | Rienzi Overture Winterstürme wichen dem Wonnemond (from Die Walküre) Placido Domingo (tenor) Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Waltraud Meier (soprano) O sink hernieder, Nacht der Liebe (from Tristan und Isolde) Maria Schnitzer (soprano), Peter Seiffert (tenor) In fernem Land (from Lohengrin) Johan Botha (tenor) Über Stock und Stein (from Das Rheingold) Elisabeth Kulman (soprano), Gergely Nmeti, Adrian Erd (tenors), Boaz Daniel (baritone) | Weber: | Und ob die Wolke sie verhülle (from Der Freischütz) Soile Isokoski (soprano) |
A star-studded benefit concert to celebrate Ioan Holender’s farewell after 19 years as the director of one of the world’s leading and most famous opera houses. The highly acclaimed cast was headed by brilliant singers such as Diana Damrau, Natalie Dessay, Angelika Kirchschlager, Waltraud Meier, Anna Netrebko, Pjotr Beczala, Plácido Domingo, Thomas Hampson, Leo Nucci, Thomas Quasthoff, Ramon Vargas and many others. No fewer than twelve conductors including Marco Armiliato, Bertrand de Billy, Fabio Luisi, Zubin Mehta, Antonio Pappano and Franz Welser-Möst led the way through a program lasting over four hours at the fully-packed Wiener Staastoper. Subtitles: English, German, French, Spanish, Chinese | | | In stock - usually despatched within 1 working day. |
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| |  | Live from Dresden Opera
Željko Lučić (Rigoletto), Diana Damrau (Gilda), Juan Diego Florez (Il Duca di Mantova), Georg Zeppenfeld (Sparafucile), Christa Mayer (Maddalena), Angela Liebold (Giovanna), Markus Marquardt (Monterone), Matthias Henneberg (Marullo), Oliver Ringelhahn (Borsa), Markus Butter (Conte di Ceprano), Kyung-Hae Kang (Contessa di Ceprano) Sachsische Staatskapelle Dresden, Fabio Luisi In June 2008, Giuseppe Verdi temporarily replaced Richard Strauss as the presiding genius at Dresden’s Semperoper as baritone Željko Lucic, soprano Diana Damrau and tenor Juan Diego Flórez came together for a new production of Rigoletto, directed by Nikolaus Lehnhoff and conducted by Fabio Luisi, chief conductor of the Semperoper, Dresden, General Music Director-elect of the Zurich Opera, and Principal Guest Conductor of the Metropolitan Opera. “Lehnhoff's production of Rigoletto is a ferocious, if uneven affair, that awkwardly positions the opera between religious drama and psychopathology...vocally [Damrau and Lucic have] rarely been bettered, while Flórez, cast against his squeaky-clean image, is insidiously sensual as the Duke. There's powerhouse conducting from Fabio Luisi, too.” The Guardian, 9th December 2010 **** “Flórez uses his lighter-than-usual tenor to sing the role with high-wattage brilliance...the outstanding vocal performance comes from Diana Damrau as Gilda. More than Flórez, she sounds fully inside the role, shaping "Caro nome" with a control of tone-colour and phrasing that makes entirely her own...Zeljka Lucic brings dignity to the role of Rigoletto with his warm expansive singing.” Gramophone Magazine, January 2010 “Musically, the show is spectacular...Juan Diego Flórez is wonderfully sure of himself in every way...[Damrau] is no soubrette; the voice has body and power, her breath control is superb, and there is never a worry about the proper landing of a high note...[Lucic is] a superb Verdi baritone...understanding the composer's long lines and dramatic instincts” International Record Review, December 2010 “The singers are a distinguished bunch, with Željko Lučić the most sympathetic and pathetic Rigoletto I have seen or heard...[Damrau] sings gorgeously, and her acting is first-rate. Juan Diego Flórez makes a convincing Duke...His narrow-bore voice turns out to be ideal for conveying the predatory hedonism of the character. In the Sparafucile of Georg Zeppenfeld we encounter a star in the making” BBC Music Magazine *** | | | In stock - usually despatched within 1 working day. |
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Renée Fleming performs in a wonderful version of Der Rosenkavalier with an all star cast. Sophie Koch, Diana Damrau, Franz Hawlata, Jonas Kaufmann perform in this Decca release with the Munchner Philharmoniker and Christian Thielemann conducting. For this filming, Baden-Baden Festival Opera is re-staging the celebrated Herbert Wernicke production, already seen in Salzburg (1995) and Paris (1998) – a stylish pastiche of vast mirrors, Viennese Baroque decorations, Hollywood-esque staircases and early 20th century evening wear. “[Fleming] speaks volumes with those expressive eyes and floats the trio's opening phrase to perfection...Sophie Koch produces rich, impassioned sounds and makes a convincing boy...Kaufmann [is] handsome and oddly impressive as the Italian tenor” BBC Music Magazine, August 2010 ** “...we have Christian Thielemann's immaculately bittersweet conducting and Renée Fleming's Marschallin, sung and acted with superb conviction...Watch out, meanwhile, for Jonas Kaufmann's brief, but sensational appearance as the Italian Tenor.” The Guardian, 11th December 2009 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Stage Director: David McVicar
Will Hartmann (Tamino), Dorothea Röschmann (Pamina), Diana Damrau (Königin der Nacht), Franz-Josef Selig (Sarastro), Simon Keenlyside (Papageno), Ailish Tynan (Papagena), Adrian Thompson (Monostatos), Thomas Allen (Sprecher), Gillian Webster, Christine Rice, Yvonne Howard (Drei Damen), Alan Oke, Graeme Broadbent (Zwei Geharnischten), Matthew Beale, Richard Van Allan (Zwei Preisten), Zico Shaker, Tom Chapman, John Holland-Avery (Drei Knaben) The Royal Opera Chorus & The Orchestra of the Royal Opera House, Sir Colin Davis This Blu-ray Disc (BD) is not compatible with standard DVD players.
PICTURE FORMAT: 1080i
LENGTH: 182 Mins
SOUND: 2.0 & 5.1 PCM AUDIO
SUBTITLES: EN/FR/DE/ES
“‘Diana Damrau’s supremely sung Queen of the Night oozes class, while Simon Keenlyside’s profoundly human, touchingly sympathetic view of Papageno deserves an Olivier Award.” Classic FM Magazine | | | In stock - usually despatched within 1 working day. |
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Specials: •Illustrated synopsis of the opera. •BBC feature looks behind the scenes at this production. •Conductor Sir Colin Davis talks about Die Zauberflöte. •24 page illustrated booklet in English, French and German. PICTURE FORMAT: 16:9 LENGTH: 185 MINS SOUND: DOLBY SURROUND / DOLBY STEREO SUBTITLES: EN/FR/ES/ [DE - Extras only] | | | In stock - usually despatched within 1 working day. |
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The sought-after lyric tenor Piotr Beczala, is the womanizing Duke in this new production of Verdi’s Rigoletto from the Metropolitan Opera. Željko Luèiæ sings the title role and Diana Damrau sings Rigoletto’s daughter Gilda. This DVD and Blu-ray release appears in the Verdi year 2013, as music lovers around the world celebrate the bicentenary of the birth of Italy’s beloved composer. Director Michael Mayer has placed his new production of Verdi’s towering tragedy in Las Vegas in 1960 – an ideal setting for this eternal conflict of depravity and innocence. | 
| | DG - 0734935 (DVD Video - 2 discs) Normally: $26.50 Special: $20.75 |
| | Scheduled for release on 27 May 2013. Order it now and we will deliver it as soon as it is available. |
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The sought-after lyric tenor Piotr Beczala, is the womanizing Duke in this new production of Verdi’s Rigoletto from the Metropolitan Opera. Željko Luèiæ sings the title role and Diana Damrau sings Rigoletto’s daughter Gilda. This DVD and Blu-ray release appears in the Verdi year 2013, as music lovers around the world celebrate the bicentenary of the birth of Italy’s beloved composer. Director Michael Mayer has placed his new production of Verdi’s towering tragedy in Las Vegas in 1960 – an ideal setting for this eternal conflict of depravity and innocence. | 
| | | DG - 0735013 (Blu-ray) Normally: $28.00 Special: $23.52 |
| | Scheduled for release on 27 May 2013. Order it now and we will deliver it as soon as it is available. |
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