Philippe Jaroussky

Counter-Tenor

Philippe Jaroussky

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Contre-ténors

Contre-ténors


includes

Dowland:

Can she excuse my wrongs? (First Booke of Songes, 1597)

Gluck:

Che faro' senza Euridice? (from Orfeo ed Euridice)

Handel:

Va tacito e nascosto (from Giulio Cesare)

Purcell:

O solitude, my sweetest choice, Z406


The 1994 film 'Farinelli' catapulted the countertenor voice into the limelight. Nearly 20 years later, one thing is clear: countertenors are sought after by opera houses, record companies and agents more than ever. The English singer James Bowman was one of the pioneers of the countertenor repertoire: his ability to create a luscious sound with a fluid legato is ably demonstrated in his legendary recording of the aria from Gluck’s Orfeo ed Euridice, “Che faro senza Euridice”, and in “Va tacito e nascosto” from Handel’s Giulio Cesare.

In the French countertenor firmament Dominique Visse stands out for his musicianship. His voice takes on a biting, slightly stinging quality in the aria from Vivaldi’s 'Montezuma'. Gérard Lesne founded Il Seminario Musicale in 1985.

Today Lesne’s expanded musical horizons include both jazz and pop recordings. The American Derek Lee Ragin, took off with his recording of the 'Farinelli' soundtrack. The film’s director, Gérard Corbiau, had the bold idea of mixing Ragin’s countertenor voice with that of soprano Ewa Mallas-Godlewska, thereby creating the unique timbre of a castrato.

Andreas Scholl's excerpts from two Bach cantatas showcase his fascinating timbre as well as his sense of rhetoric and phrasing.

A brilliant new generation of counter-tenors continues to carry the torch. Foremost among them is Philippe Jaroussky; his instantly recognisable voice is of an audacious purity. Iestyn Davies, born in 1979, is a great admirer of James Bowman.

His voice combines expressive flexibility and technical agility, and these qualities stand out in his recording of an aria from Vivaldi’s 'Griselda'. The rising Korean star David DQ Lee displays robust vocal foundations and masterful breathing technique.

If further proof of the countertenors’ achievements were needed, it can be found in the fact that major opera houses now slate works with entirely male casts, bringing together up to nine countertenors! What was once just a fashion has become the cutting edge.

Released or re-released in last 6 months

Naive - V5328

(CD)

$11.50

In stock - usually despatched within 1 working day.

Mission

Mission

Please note - This is an LP vinyl record - NOT a CD!


Steffani:

Schiere invitte, non tardate (from Alarico il Baltha)

Ogni core può sperar (from Servio Tullio)

Ove son? Chi m'aita? In mezzo all'ombre...Dal mio petto (from Niobe)

Più non v'ascondo (from Tassilone)

Amami, e vederai (from Niobe)

T'abbraccio, mia Diva...Ti stringo, mio Nume (from Niobe)

Philippe Jaroussky (countertenor)

Mie fide schiere, all'armi!...Suoni, tuoni, il suolo scuota (from I trionfi del fato)

Sposa, mancar mi sento...Deh non far colle tue lagrime (from Tassilone)

Non prendo consiglio (from La superbia d'Alessandro)

Si, si, riposa, o caro...Palpitanti sfere belle (from Alarico il Baltha)

Notte amica al cieco Dio (from La libertà contenta)

Combatton quest'alma (from I trionfi del fato)

Philippe Jaroussky (countertenor)

A facile vittoria (from Tassilone)

Tra le guerre e le vittorie (from La superbia d'Alessandro)

Foschi crepuscoli (from La libertà contenta)

Dell'alma stanca a raddolcir le tempre...Sfere amiche, or date al labbro (from Niobe)

La cerasta più terribile (from La lotta d'Hercole con Acheloo)

Serena, o mio bel sole...Mia fiamma/Mio ardore (from Niobe)

Philippe Jaroussky (countertenor)

Dal tuo labbro amor m'invita (from Tassilone)

Deh stancati, o sorte (from La libertà contenta)

Svenati, struggiti, combatti, suda (from La libertà contenta)

Padre, s'è colpa in lui (from Tassilone)

Timori, ruine (from Le rivali concordi)

Morirò fra strazi e scempi (from Henrico Leone)

Non si parli che di fede (from Marco Aurelio)


Autumn 2012 marks the release of Mission, a sensational new album from the world’s best-selling classical artist, Cecilia Bartoli, and a project with international politics, religious conflict, diplomatic secrecy, spying and sensational music at its heart.

The album showcases the music of a little-known Italian composer and will include solo arias of various moods and styles, several duets, solo numbers with chorus - all sung in Italian - and instrumental interludes that create an organic transition from one piece to the next and an arc that reaches from the beginning to the end of the album.

Such was the appeal of the project that longtime Bartoli admirer and global best-selling author Donna Leon decided to write a mystery novel - Jewels of Paradise - to accompany Cecilia’s album, which uses the mystery surrounding the composer’s story as the centre of its plot. Jewels of Paradise will be released simultaneously with Cecilia Bartoli’s album in English (UK and USA), German, French, Dutch, Spanish and Catalan.

Among the distinguished names appearing on Mission is star French counter-tenor Philippe Jaroussky who features in a first-time collaboration with Cecilia on a selection of duets, alongside the Coro della Radiotelevisione Svizzera, the period orchestra I Barocchisti from Lugano, Switzerland, and conductor Diego Fasolis.

A cinematographic vision of the album directed by Olivier Simonnet and filmed in the historic Galerie des Glaces (Hall of Mirrors) and in the gardens of the Chateau de Versailles will be available on DVD later in the year.

“Bartoli's plummy mezzo soars, smoulders and seduces, milking the music's vocal and expressive scope to dramatic effect. It's hard to resist her sparkling personality and infectious passion for this repertoire...the animated playing of I Barocchisti enhance the sheer theatre and scale of Steffani's talent...this is truly a revelatory disc.” BBC Music Magazine, Christmas 2012 *****

“she sweeps through 25 numbers flexing her well-rehearsed vocabulary of flighty fioritura, expressive mannerism and tender vocalità. The melting duets with countertenor Philippe Jaroussky are worth hearing” Financial Times, 20th October 2012 **

“Bartoli is to be both congratulated and thanked for this project...Her dazzlingly virtuoso and urgently expressive performances betoken nothing less than total commitment, with every single aria delivered with as much dramatic intensity and focus as if it had been lifted straight from a fully staged production...it is hard to know what more one could ask for.” Gramophone Magazine, December 2012

“I can't think of another singer who brings such variety of colour, nuance and pathos to slow numbers...Bartoli's performance of the more bravura numbers...is more questionable...Vocal fireworks have always been essential weapons in the Bartoli armoury, but they are now sounding rusty...I don't want to end on a negative note, as there is much to admire and even love here...'Mission' is in every sense a collector's item.” International Record Review, December 2012

“Among the opera arias Ms. Bartoli dug up in the archives are some treasures, hypnotic, slow numbers in which voice and accompanying strings circle each other like spinning planets and jubilant vehicles for her rapid-fire coloratura singing. Mr. Fasolis stokes the fire with an impetuous period-instrument ensemble.” New York Times, 23rd November 2012

“Bartoli’s programming instincts are immaculate in terms of musical and emotional variety; she is compelling in pearly arioso and slow numbers, less so in bravura ones.” Sunday Times, 14th October 2012

“Bartoli's vocal mannerisms vex and delight – sometimes simultaneously. But for those seduced by the 2010 Royal Opera House production of Niobe, Regina di Tebe, this selection will be irresistible.” The Independent on Sunday, 18th November 2012 ****

“Steffani’s art is elegantly expressive, Italianate with French dressing...Several brazen display arias are here...Bartoli leaps around the vocal ladder with customary gusto and a rather too vigorous vibrato. The pleasures are subtler when the music is simpler and the voice quieter...Notte amica, say, from La Libertà contenta, or the silky caress of Sfere amiche...These two tracks were definitely worth Bartoli shaving her head.” The Times, 21st September 2012 ***

Released or re-released in last 6 months

Decca - 4784721

(LP - 2 discs)

$28.00

In stock - usually despatched within 1 working day.

Mission

Mission

Blu-ray


Steffani:

Schiere invitte, non tardate (from Alarico il Baltha)

Ogni core può sperar (from Servio Tullio)

Ove son? Chi m'aita? In mezzo all'ombre...Dal mio petto (from Niobe)

Più non v'ascondo (from Tassilone)

Amami, e vederai (from Niobe)

T'abbraccio, mia Diva...Ti stringo, mio Nume (from Niobe)

Philippe Jaroussky (countertenor)

Mie fide schiere, all'armi!...Suoni, tuoni, il suolo scuota (from I trionfi del fato)

Sposa, mancar mi sento...Deh non far colle tue lagrime (from Tassilone)

Non prendo consiglio (from La superbia d'Alessandro)

Si, si, riposa, o caro...Palpitanti sfere belle (from Alarico il Baltha)

Notte amica al cieco Dio (from La libertà contenta)

Combatton quest'alma (from I trionfi del fato)

Philippe Jaroussky (countertenor)

A facile vittoria (from Tassilone)

Tra le guerre e le vittorie (from La superbia d'Alessandro)

Foschi crepuscoli (from La libertà contenta)

Dell'alma stanca a raddolcir le tempre...Sfere amiche, or date al labbro (from Niobe)

La cerasta più terribile (from La lotta d'Hercole con Acheloo)

Serena, o mio bel sole...Mia fiamma/Mio ardore (from Niobe)

Philippe Jaroussky (countertenor)

Dal tuo labbro amor m'invita (from Tassilone)

Deh stancati, o sorte (from La libertà contenta)

Svenati, struggiti, combatti, suda (from La libertà contenta)

Padre, s'è colpa in lui (from Tassilone)

Timori, ruine (from Le rivali concordi)

Morirò fra strazi e scempi (from Henrico Leone)

Non si parli che di fede (from Marco Aurelio)


Autumn 2012 marks the release of Mission, a sensational new album from the world’s best-selling classical artist, Cecilia Bartoli, and a project with international politics, religious conflict, diplomatic secrecy, spying and sensational music at its heart.

The album showcases the music of a little-known Italian composer and will include solo arias of various moods and styles, several duets, solo numbers with chorus - all sung in Italian - and instrumental interludes that create an organic transition from one piece to the next and an arc that reaches from the beginning to the end of the album.

Such was the appeal of the project that longtime Bartoli admirer and global best-selling author Donna Leon decided to write a mystery novel - Jewels of Paradise - to accompany Cecilia’s album, which uses the mystery surrounding the composer’s story as the centre of its plot. Jewels of Paradise will be released simultaneously with Cecilia Bartoli’s album in English (UK and USA), German, French, Dutch, Spanish and Catalan.

Among the distinguished names appearing on Mission is star French counter-tenor Philippe Jaroussky who features in a first-time collaboration with Cecilia on a selection of duets, alongside the Coro della Radiotelevisione Svizzera, the period orchestra I Barocchisti from Lugano, Switzerland, and conductor Diego Fasolis.

A cinematographic vision of the album directed by Olivier Simonnet and filmed in the historic Galerie des Glaces (Hall of Mirrors) and in the gardens of the Chateau de Versailles

“Steffani’s art is elegantly expressive, Italianate with French dressing...Several brazen display arias are here...Bartoli leaps around the vocal ladder with customary gusto and a rather too vigorous vibrato. The pleasures are subtler when the music is simpler and the voice quieter...Notte amica, say, from La Libertà contenta, or the silky caress of Sfere amiche...These two tracks were definitely worth Bartoli shaving her head.” The Times, 21st September 2012 ***

“Bartoli’s programming instincts are immaculate in terms of musical and emotional variety; she is compelling in pearly arioso and slow numbers, less so in bravura ones.” Sunday Times, 14th October 2012

“she sweeps through 25 numbers flexing her well-rehearsed vocabulary of flighty fioritura, expressive mannerism and tender vocalità. The melting duets with countertenor Philippe Jaroussky are worth hearing” Financial Times, 20th October 2012

“Bartoli's vocal mannerisms vex and delight – sometimes simultaneously. But for those seduced by the 2010 Royal Opera House production of Niobe, Regina di Tebe, this selection will be irresistible.” The Independent on Sunday, 18th November 2012

“Bartoli's plummy mezzo soars, smoulders and seduces, milking the music's vocal and expressive scope to dramatic effect. It's hard to resist her sparkling personality and infectious passion for this repertoire...the animated playing of I Barocchisti enhance the sheer theatre and scale of Steffani's talent...this is truly a revelatory disc.” BBC Music Magazine, Christmas 2012 *****

“Among the opera arias Ms. Bartoli dug up in the archives are some treasures, hypnotic, slow numbers in which voice and accompanying strings circle each other like spinning planets and jubilant vehicles for her rapid-fire coloratura singing. Mr. Fasolis stokes the fire with an impetuous period-instrument ensemble.” New York Times, 23rd November 2012

“Bartoli is to be both congratulated and thanked for this project...Her dazzlingly virtuoso and urgently expressive performances betoken nothing less than total commitment, with every single aria delivered with as much dramatic intensity and focus as if it had been lifted straight from a fully staged production...it is hard to know what more one could ask for” Gramophone Magazine, December 2012

“I can't think of another singer who brings such variety of colour, nuance and pathos to slow numbers...Bartoli's performance of the more bravura numbers...is more questionable...Vocal fireworks have always been essential weapons in the Bartoli armoury, but they are now sounding rusty...I don't want to end on a negative note, as there is much to admire and even love here...'Mission' is in every sense a collector's item.” International Record Review, December 2012

Released or re-released in last 6 months

Blu-ray Disc

Region: all

Blu-rays - up to 40% off

Decca - 0743605

(Blu-ray)

Normally: $26.25

Special: $19.68

In stock - usually despatched within 1 working day.

Mission

Mission

DVD Video


Steffani:

Non si parli che di fede (from Marco Aurelio)

Morirò fra strazi e scempi (from Henrico Leone)

Timori, ruine (from Le rivali concordi)

Padre, s'è colpa in lui (from Tassilone)

Svenati, struggiti, combatti, suda (from La libertà contenta)

Deh stancati, o sorte (from La libertà contenta)

Dal tuo labbro amor m'invita (from Tassilone)

Serena, o mio bel sole...Mia fiamma/Mio ardore (from Niobe)

Philippe Jaroussky (countertenor)

La cerasta più terribile (from La lotta d'Hercole con Acheloo)

Dell'alma stanca a raddolcir le tempre...Sfere amiche, or date al labbro (from Niobe)

Foschi crepuscoli (from La libertà contenta)

Tra le guerre e le vittorie (from La superbia d'Alessandro)

A facile vittoria (from Tassilone)

Combatton quest'alma (from I trionfi del fato)

Philippe Jaroussky (countertenor)

Notte amica al cieco Dio (from La libertà contenta)

Si, si, riposa, o caro...Palpitanti sfere belle (from Alarico il Baltha)

Non prendo consiglio (from La superbia d'Alessandro)

Sposa, mancar mi sento...Deh non far colle tue lagrime (from Tassilone)

Mie fide schiere, all'armi!...Suoni, tuoni, il suolo scuota (from I trionfi del fato)

T'abbraccio, mia Diva...Ti stringo, mio Nume (from Niobe)

Philippe Jaroussky (countertenor)

Amami, e vederai (from Niobe)

Più non v'ascondo (from Tassilone)

Ove son? Chi m'aita? In mezzo all'ombre...Dal mio petto (from Niobe)

Ogni core può sperar (from Servio Tullio)

Schiere invitte, non tardate (from Alarico il Baltha)


Autumn 2012 marks the release of Mission, a sensational new album from the world’s best-selling classical artist, Cecilia Bartoli, and a project with international politics, religious conflict, diplomatic secrecy, spying and sensational music at its heart.

The album showcases the music of a little-known Italian composer and will include solo arias of various moods and styles, several duets, solo numbers with chorus - all sung in Italian - and instrumental interludes that create an organic transition from one piece to the next and an arc that reaches from the beginning to the end of the album.

Such was the appeal of the project that longtime Bartoli admirer and global best-selling author Donna Leon decided to write a mystery novel - Jewels of Paradise - to accompany Cecilia’s album, which uses the mystery surrounding the composer’s story as the centre of its plot. Jewels of Paradise will be released simultaneously with Cecilia Bartoli’s album in English (UK and USA), German, French, Dutch, Spanish and Catalan.

Among the distinguished names appearing on Mission is star French counter-tenor Philippe Jaroussky who features in a first-time collaboration with Cecilia on a selection of duets, alongside the Coro della Radiotelevisione Svizzera, the period orchestra I Barocchisti from Lugano, Switzerland, and conductor Diego Fasolis.

A cinematographic vision of the album directed by Olivier Simonnet and filmed in the historic Galerie des Glaces (Hall of Mirrors) and in the gardens of the Chateau de Versailles

“Bartoli's plummy mezzo soars, smoulders and seduces, milking the music's vocal and expressive scope to dramatic effect. It's hard to resist her sparkling personality and infectious passion for this repertoire...the animated playing of I Barocchisti enhance the sheer theatre and scale of Steffani's talent...this is truly a revelatory disc.” BBC Music Magazine, Christmas 2012 *****

“she sweeps through 25 numbers flexing her well-rehearsed vocabulary of flighty fioritura, expressive mannerism and tender vocalità. The melting duets with countertenor Philippe Jaroussky are worth hearing” Financial Times, 20th October 2012 **

“Bartoli is to be both congratulated and thanked for this project...Her dazzlingly virtuoso and urgently expressive performances betoken nothing less than total commitment, with every single aria delivered with as much dramatic intensity and focus as if it had been lifted straight from a fully staged production...it is hard to know what more one could ask for” Gramophone Magazine, December 2012

“I can't think of another singer who brings such variety of colour, nuance and pathos to slow numbers...Bartoli's performance of the more bravura numbers...is more questionable...Vocal fireworks have always been essential weapons in the Bartoli armoury, but they are now sounding rusty...I don't want to end on a negative note, as there is much to admire and even love here...'Mission' is in every sense a collector's item.” International Record Review, December 2012

“Among the opera arias Ms. Bartoli dug up in the archives are some treasures, hypnotic, slow numbers in which voice and accompanying strings circle each other like spinning planets and jubilant vehicles for her rapid-fire coloratura singing. Mr. Fasolis stokes the fire with an impetuous period-instrument ensemble.” New York Times, 23rd November 2012

“Bartoli’s programming instincts are immaculate in terms of musical and emotional variety; she is compelling in pearly arioso and slow numbers, less so in bravura ones.” Sunday Times, 14th October 2012

“Bartoli's vocal mannerisms vex and delight – sometimes simultaneously. But for those seduced by the 2010 Royal Opera House production of Niobe, Regina di Tebe, this selection will be irresistible.” The Independent on Sunday, 18th November 2012 ****

“Steffani’s art is elegantly expressive, Italianate with French dressing...Several brazen display arias are here...Bartoli leaps around the vocal ladder with customary gusto and a rather too vigorous vibrato. The pleasures are subtler when the music is simpler and the voice quieter...Notte amica, say, from La Libertà contenta, or the silky caress of Sfere amiche...These two tracks were definitely worth Bartoli shaving her head.” The Times, 21st September 2012 ***

Released or re-released in last 6 months

DVD Video

Region: 0

Format: NTSC

Decca - 0743604

(DVD Video)

$20.00

In stock - usually despatched within 1 working day.

Philippe Jaroussky: La voix des rêves

Philippe Jaroussky: La voix des rêves

Greatest Moments on Concerts


anon.:

Ciaccona di Paradiso, e dell'Inferno

Caldara:

Lo seguitai felice (L'Olimpiade)

Cavalli:

Uscitemi dal cor, lacrime amare

Hahn, R:

A Chloris

Handel:

Son nata a lagrimar (from Giulio Cesare)

Venti turbini (Rinaldo)

Lascia ch'io pianga (from Rinaldo)

Io t'abbraccio (from Rodelinda)

Aminta e Fillide (Arresta il passo) HWV 83: Se vago rio

Scherza, infida (from Ariodante)

Verdi prati (from Alcina)

Mi lusinga il dolce affetto (from Alcina)

Lekeu:

Sur une tombe

Massenet:

Elégie

Monteverdi:

Sento un certo non so che

Ohime ch'io cado

Adagiati, Poppea - Oblivion soave (L'incoronazione di Poppea)

Pur ti miro (I gaze upon you) from L'Incoronazione di Poppea

Piazzólla:

Los Pajaros Perdidos

Porpora:

Alto Giove (from Polifemo)

Purcell:

Sound the trumpet, beat the drum, Z335

Rossi, Luigi:

Lasciate averno (from Orfeo)

Sances:

Lagrimosa beltà

Shostakovich:

Duet for Two Violins and Piano

Strozzi:

Il Lamento "Su'l Rodano severo"

L'Eraclito amoroso 'Udite amanti'

Vivaldi:

Vedro con mio diletto (from Giustino)

Se in ogni guardo from Orlando finto pazzo

Sol da te, mio dolce amore (from Orlando furioso)

Sento con qual diletto (from Ercole sul Termodonte)

Nel profondo from Orlando Furioso

Nisi Dominus: Cum dederit


Philippe Jaroussky (countertenor)

Philippe Jaroussky, described by Germany’s Die Zeit as “the Apollo of countertenors’, stands out among his many talented contemporaries as much for the soprano-like beauty of his tone as for the elegance and insight of his interpretations and his adventurous and erudite approach to repertoire – whether unearthing neglected scores by little-known composers or venturing beyond the Baroque into the 19th and 20th centuries.

Established as one of Virgin Classics’ bestselling artists, Jaroussky, now aged 34, has been honoured three times in the Victoires de la Musique awards in his native France and has also received Germany’s most prominent music prize, the Echo Klassik. His diverse achievements are saluted in two new collections on Virgin Classics – the 2CD set “The Voice” and the DVD and Blu Ray “La Voix des rêves: Greatest moments in Concert”.

“LA VOIX DES RÊVES - Greatest Moments in Concert” (available on DVD & Blu Ray) features video footage from a number of occasions and venues – including items from a concert given among the crystal chandeliers of the splendid Galerie des Glaces in the palace of Versailles, and works by Handel and Vivaldi performed in another jewel of French Baroque architecture, the sumptuously decorated Chapelle de la Trinité in Lyon. Also included are exclusive interviews an array of fellow musicians: Jean-Christophe Spinosi, Emmanuelle Haïm, Christina Pluhar; Jérôme Ducros, Quatuor Ebène, Gautier Capuçon, Marie-Nicole Lemieux and Renaud Capuçon.

Jaroussky and his appeal were aptly summarised in a recent profile in the French magazine Balthazar: “Philippe Jaroussky alternates between opera and recitals, bringing his sensual, graceful voice and matinee idol looks, and this has made him a key star of classical music. But his recordings also reveal a skilled musicologist who has revived numerous forgotten artists like the castrato Carestini [and the composers] Johann Christian Bach and Caldara. Jaroussky simply glows. Anyone who has had the opportunity to meet him will find it hard to forget his enthusiastic conversation and his magnetic gaze.”

The singer made his passions clear in an interview with Crescendo magazine, revealing that “I don’t like being told I have the ‘voice of an angel’, because that would just mean that it sounds pretty and takes people out of themselves … I want to be able to evoke more human emotions too: sorrow, despair, jealousy.” Speaking to the leading French newspaper Le Monde, he went into more detail on his philosophy as a maturing singer: “Ten years into your career, you reach a certain level of purity in your approach. You are always set on improving – strengthening your high notes, your low notes, your projection or your expressivity – but you also accept what it means to be an artist.”

DVD Video

Region: 0

Format: NTSC

Virgin - 6026659

(DVD Video)

$19.75

In stock - usually despatched within 1 working day.

Philippe Jaroussky: La voix des rêves

Philippe Jaroussky: La voix des rêves

Greatest Moments on Concerts


anon.:

Ciaccona di Paradiso, e dell'Inferno

Caldara:

Lo seguitai felice (L'Olimpiade)

Cavalli:

Uscitemi dal cor, lacrime amare

Hahn, R:

A Chloris

Handel:

Son nata a lagrimar (from Giulio Cesare)

Venti turbini (Rinaldo)

Lascia ch'io pianga (from Rinaldo)

Io t'abbraccio (from Rodelinda)

Aminta e Fillide (Arresta il passo) HWV 83: Se vago rio

Scherza, infida (from Ariodante)

Verdi prati (from Alcina)

Mi lusinga il dolce affetto (from Alcina)

Lekeu:

Sur une tombe

Massenet:

Elégie

Monteverdi:

Sento un certo non so che

Ohime ch'io cado

Adagiati, Poppea - Oblivion soave (L'incoronazione di Poppea)

Pur ti miro (I gaze upon you) from L'Incoronazione di Poppea

Piazzólla:

Los Pajaros Perdidos

Porpora:

Alto Giove (from Polifemo)

Purcell:

Sound the trumpet, beat the drum, Z335

Rossi, Luigi:

Lasciate averno (from Orfeo)

Sances:

Lagrimosa beltà

Shostakovich:

Duet for Two Violins and Piano

Strozzi:

Il Lamento "Su'l Rodano severo"

L'Eraclito amoroso 'Udite amanti'

Vivaldi:

Vedro con mio diletto (from Giustino)

Se in ogni guardo from Orlando finto pazzo

Sol da te, mio dolce amore (from Orlando furioso)

Sento con qual diletto (from Ercole sul Termodonte)

Nel profondo from Orlando Furioso

Nisi Dominus: Cum dederit


Philippe Jaroussky (countertenor)

Philippe Jaroussky, described by Germany’s Die Zeit as “the Apollo of countertenors’, stands out among his many talented contemporaries as much for the soprano-like beauty of his tone as for the elegance and insight of his interpretations and his adventurous and erudite approach to repertoire – whether unearthing neglected scores by little-known composers or venturing beyond the Baroque into the 19th and 20th centuries.

Established as one of Virgin Classics’ bestselling artists, Jaroussky, now aged 34, has been honoured three times in the Victoires de la Musique awards in his native France and has also received Germany’s most prominent music prize, the Echo Klassik. His diverse achievements are saluted in two new collections on Virgin Classics – the 2CD set “The Voice” and the DVD and Blu Ray “La Voix des rêves: Greatest moments in Concert”.

“LA VOIX DES RÊVES - Greatest Moments in Concert” (available on DVD & Blu Ray) features video footage from a number of occasions and venues – including items from a concert given among the crystal chandeliers of the splendid Galerie des Glaces in the palace of Versailles, and works by Handel and Vivaldi performed in another jewel of French Baroque architecture, the sumptuously decorated Chapelle de la Trinité in Lyon. Also included are exclusive interviews an array of fellow musicians: Jean-Christophe Spinosi, Emmanuelle Haïm, Christina Pluhar; Jérôme Ducros, Quatuor Ebène, Gautier Capuçon, Marie-Nicole Lemieux and Renaud Capuçon.

Jaroussky and his appeal were aptly summarised in a recent profile in the French magazine Balthazar: “Philippe Jaroussky alternates between opera and recitals, bringing his sensual, graceful voice and matinee idol looks, and this has made him a key star of classical music. But his recordings also reveal a skilled musicologist who has revived numerous forgotten artists like the castrato Carestini [and the composers] Johann Christian Bach and Caldara. Jaroussky simply glows. Anyone who has had the opportunity to meet him will find it hard to forget his enthusiastic conversation and his magnetic gaze.”

The singer made his passions clear in an interview with Crescendo magazine, revealing that “I don’t like being told I have the ‘voice of an angel’, because that would just mean that it sounds pretty and takes people out of themselves … I want to be able to evoke more human emotions too: sorrow, despair, jealousy.” Speaking to the leading French newspaper Le Monde, he went into more detail on his philosophy as a maturing singer: “Ten years into your career, you reach a certain level of purity in your approach. You are always set on improving – strengthening your high notes, your low notes, your projection or your expressivity – but you also accept what it means to be an artist.”

Blu-ray Disc

Region: all

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Classical 2013

Classical 2013


includes

Beethoven:

Fidelio Overture Op. 72c

Otto Klemperer

Bizet:

Carmen: Prelude to Act I

Berliner Philharmoniker, Sir Simon Rattle

Les tringles des sistres tintaient (from Carmen)

Magdalena Kozena (mezzo)

Berliner Philharmoniker, Sir Simon Rattle

La fleur que tu m'avais jetée (from Carmen)

Jonas Kaufmann (tenor)

Berliner Philharmoniker, Sir Simon Rattle

Delibes:

Les filles de Cadix

Tine Thing Helseth (trumpet)

Fauré:

Sicilienne, Op. 78

Gautier Capucon (cello)

Gluck:

Che faro' senza Euridice? (from Orfeo ed Euridice)

Kathleen Ferrier (contralto)

Divinités du Styx (from Alceste)

Maria Callas (soprano)

Handel:

Atalanta: Overture

Alison Balsom (trumpet)

English Concert, Trevor Pinnock

Heggie:

This journey...This journey to Christ (from Dead Man Walking)

Joyce DiDonato (mezzo)

Leoncavallo:

Qual fiamma avea nel guardo!.... Hui! Stridono lassù (from I Pagliacci)

Angela Gheorghiu (soprano)

Leontovich:

Carol of the Bells

Libera

Liszt:

Bist du!, S277

Diana Damrau (soprano)

Puccini:

Donde lieta usci (from La Bohème)

Angela Gheorghiu (soprano)

Purcell:

Sound the trumpet, beat the drum, Z335

Alison Balsom (trumpet)

English Concert, Trevor Pinnock

Rachmaninov:

Vocalise, Op. 34 No. 14 - arrangement for orchestra

Vasily Petrenko

Rodgers, R:

The King And I: Overture

The John Wilson Orchestra, John Wilson

Verdi:

Ingemisco (from Requiem)

Rolando Villazon (tenor)

Vivaldi:

Vedro con mio diletto (from Giustino)

Philippe Jaroussky (countertenor)


Virgin - 9799142

(CD - 2 discs)

$16.50

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Mission

Mission

Deluxe edition


Steffani:

Schiere invitte, non tardate (from Alarico il Baltha)

Ogni core può sperar (from Servio Tullio)

Ove son? Chi m'aita? In mezzo all'ombre...Dal mio petto (from Niobe)

Più non v'ascondo (from Tassilone)

Amami, e vederai (from Niobe)

T'abbraccio, mia Diva...Ti stringo, mio Nume (from Niobe)

Philippe Jaroussky (countertenor)

Mie fide schiere, all'armi!...Suoni, tuoni, il suolo scuota (from I trionfi del fato)

Sposa, mancar mi sento...Deh non far colle tue lagrime (from Tassilone)

Non prendo consiglio (from La superbia d'Alessandro)

Si, si, riposa, o caro...Palpitanti sfere belle (from Alarico il Baltha)

Notte amica al cieco Dio (from La libertà contenta)

Combatton quest'alma (from I trionfi del fato)

Philippe Jaroussky (countertenor)

A facile vittoria (from Tassilone)

Tra le guerre e le vittorie (from La superbia d'Alessandro)

Foschi crepuscoli (from La libertà contenta)

Dell'alma stanca a raddolcir le tempre...Sfere amiche, or date al labbro (from Niobe)

La cerasta più terribile (from La lotta d'Hercole con Acheloo)

Serena, o mio bel sole...Mia fiamma/Mio ardore (from Niobe)

Philippe Jaroussky (countertenor)

Dal tuo labbro amor m'invita (from Tassilone)

Deh stancati, o sorte (from La libertà contenta)

Svenati, struggiti, combatti, suda (from La libertà contenta)

Padre, s'è colpa in lui (from Tassilone)

Timori, ruine (from Le rivali concordi)

Morirò fra strazi e scempi (from Henrico Leone)

Non si parli che di fede (from Marco Aurelio)


Autumn 2012 marks the release of Mission, a sensational new album from the world’s best-selling classical artist, Cecilia Bartoli, and a project with international politics, religious conflict, diplomatic secrecy, spying and sensational music at its heart.

The album showcases the music of a little-known Italian composer and will include solo arias of various moods and styles, several duets, solo numbers with chorus - all sung in Italian - and instrumental interludes that create an organic transition from one piece to the next and an arc that reaches from the beginning to the end of the album.

Such was the appeal of the project that longtime Bartoli admirer and global best-selling author Donna Leon decided to write a mystery novel - Jewels of Paradise - to accompany Cecilia’s album, which uses the mystery surrounding the composer’s story as the centre of its plot. Jewels of Paradise will be released simultaneously with Cecilia Bartoli’s album in English (UK and USA), German, French, Dutch, Spanish and Catalan.

Among the distinguished names appearing on Mission is star French counter-tenor Philippe Jaroussky who features in a first-time collaboration with Cecilia on a selection of duets, alongside the Coro della Radiotelevisione Svizzera, the period orchestra I Barocchisti from Lugano, Switzerland, and conductor Diego Fasolis.

A cinematographic vision of the album directed by Olivier Simonnet and filmed in the historic Galerie des Glaces (Hall of Mirrors) and in the gardens of the Chateau de Versailles will be available on DVD later in the year.

“Steffani’s art is elegantly expressive, Italianate with French dressing...Several brazen display arias are here...Bartoli leaps around the vocal ladder with customary gusto and a rather too vigorous vibrato. The pleasures are subtler when the music is simpler and the voice quieter...Notte amica, say, from La Libertà contenta, or the silky caress of Sfere amiche...These two tracks were definitely worth Bartoli shaving her head.” The Times, 21st September 2012 ***

“Bartoli’s programming instincts are immaculate in terms of musical and emotional variety; she is compelling in pearly arioso and slow numbers, less so in bravura ones.” Sunday Times, 14th October 2012

“she sweeps through 25 numbers flexing her well-rehearsed vocabulary of flighty fioritura, expressive mannerism and tender vocalità. The melting duets with countertenor Philippe Jaroussky are worth hearing” Financial Times, 20th October 2012 **

“Bartoli's vocal mannerisms vex and delight – sometimes simultaneously. But for those seduced by the 2010 Royal Opera House production of Niobe, Regina di Tebe, this selection will be irresistible.” The Independent on Sunday, 18th November 2012 ****

“Bartoli's plummy mezzo soars, smoulders and seduces, milking the music's vocal and expressive scope to dramatic effect. It's hard to resist her sparkling personality and infectious passion for this repertoire...the animated playing of I Barocchisti enhance the sheer theatre and scale of Steffani's talent...this is truly a revelatory disc.” BBC Music Magazine, Christmas 2012 *****

“Among the opera arias Ms. Bartoli dug up in the archives are some treasures, hypnotic, slow numbers in which voice and accompanying strings circle each other like spinning planets and jubilant vehicles for her rapid-fire coloratura singing. Mr. Fasolis stokes the fire with an impetuous period-instrument ensemble.” New York Times, 23rd November 2012

“Bartoli is to be both congratulated and thanked for this project...Her dazzlingly virtuoso and urgently expressive performances betoken nothing less than total commitment, with every single aria delivered with as much dramatic intensity and focus as if it had been lifted straight from a fully staged production...it is hard to know what more one could ask for.” Gramophone Magazine, December 2012

“I can't think of another singer who brings such variety of colour, nuance and pathos to slow numbers...Bartoli's performance of the more bravura numbers...is more questionable...Vocal fireworks have always been essential weapons in the Bartoli armoury, but they are now sounding rusty...I don't want to end on a negative note, as there is much to admire and even love here...'Mission' is in every sense a collector's item.” International Record Review, December 2012

GGramophone Magazine

Editor's Choice - December 2012

Decca - 4784732

(CD)

$16.75

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Monteverdi: L'incoronazione di Poppea

Monteverdi: L'incoronazione di Poppea


The culmination of a three-year Monteverdi project led by conductor William Christie and director Pier Luigi Pizzi at Madrid’s Teatro Réal, L’incoronazione di Poppea brings a potent blend of sex and politics, high drama and comedy. Leading the cast are Danielle de Niese as Poppea, Philippe Jaroussky as Nerone, Max Emanuel Cencic as Ottone and Anna Bonitatibus as Ottavia.

William Christie – the French-based American conductor, best known for his work with his ensemble Les Arts Florissants – started 2012 at New York’s Metropolitan Opera, conducting The Enchanted Island, a spectacular new pastiche featuring music by Handel, Vivaldi and other composers,.

Here, he conducts an operatic performance recorded in 2010 at Madrid’s Teatro Réal: Monteverdi’s L’incoronazione di Poppea, with its potent Ancient Roman blend of sex and politics, high drama and comedy. “William Christie’s achievement with Les Arts Florissants is enormous,” wrote Spain’s leading newspaper, El País. “With 17 musicians playing period instruments, he evoked a veritable orgy of nuances, subtly created atmosphere and showed a perfect sense for the accents of the piece.” Poppea proved an apt culmination to Christie’s three-year project mounting Monteverdi’s three operas in Madrid with the Italian director Pier Luigi Pizzi, whose productions are always notable for their elegance and beauty.

Performed in a new edition of the Venetian version of the opera by the musicologist Jonathan Cable, Poppea features a starry cast. Playing the upwardly mobile temptress of the opera’s title is the glamorous American soprano Danielle de Niese, who, in the words of the New York Times, is “seductive enough to woo gods as well as mortals”. She made her international breakthrough at Glyndebourne as another legendary siren of the First Century AD – Cleopatra (in Handel’s Giulio Cesare). In an interpretation described as “overwhelming” by El País, the capricious Emperor Nero (Nerone) is embodied by French countertenor Philippe Jaroussky – in a role very different from the last operatic Roman he took on for Christie, the titular saint in Landi’s Sant’Alessio (Virgin Classics DVD 5099951899998). The brilliant Croatian countertenor Max Emanuel Cencic is a frequent sparring partner for his French colleague – not least in a recent Virgin CD of duetti da camera conducted by William Christie – and in Sant’Alessio he played Jaroussky’s mother (!); here he plays Nerone’s rival for Poppea’s love, Ottone, while Nerone’s discarded wife, Ottavia, is sung by the Italian mezzo soprano Anna Bonitatibus, described by Forumopera as “an incandescent Ottavia who vouchsafed a superb example of singing and of theatre”.

DVD Video

Region: 0

Format: NTSC

Virgin - 0709519

(DVD Video - 2 discs)

$24.75

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Une Fête Baroque

Une Fête Baroque

Concert d’Astrée 10th Anniversary concert


Natalie Dessay, Sandrine Piau, Sonya Yoncheva, Jaël Azzaretti, Laura Claycomb, Aurélia Legay, Magali Léger, Françoise Masset, Patricia Petibon (sopranos), Anne Sofie Von Otter, Ann Hallenberg, Renata Pokupić, Karine Deshayes, Delphine Haidan (mezzos), Marijana Mijanović, Sara Mingardo (contraltos), Pascal Bertin, Philippe Jaroussky (countertenors), Rolando Villazón, Topi Lehtipuu (tenors), Stéphane Degout, Christopher Purves (baritones), Lorenzo Regazzo (bass)

Concert d’Astrée, Emmanuelle Haïm

Le Concert d’Astrée, under its founder and conductor Emmanuelle Haïm, celebrates its 10th anniversary in style with a charity concert in Paris featuring 23 of the world’s most distinguished singers of baroque repertoire.

To celebrate its 10th anniversary, Le Concert d’Astrée, under its founder and conductor Emmanuelle Haïm, will give a concert entitled ‘Fête Baroque’ at Paris’s Théâtre des Champs-Elysées on 19th December 2011. Joining Haïm and the orchestra are no less than 23 of the world’s most distinguished singers of baroque repertoire. Among the sources of the evening’s arias and ensembles are Giulio Cesare, Alcina, Rinaldo, Tamerlano, Come Ye Sons of Art, Thésée, Dardanus, Hippolyte et Aricie, and Les Indes galantes. The recording of this spectacular concert will join 15 discs that Haïm and Le Concert d’Astrée already have in the Virgin Classics catalogue.

The concert also benefits a good cause as will this CD. Under the patronage of Madame Simone Veil, the former President of the European Parliament, the proceeds of the concert will go to the Révolution Cancer 2010-2013 programme of the Institut Gustave Roussy in Villejuif, south of Paris. The institute, with a staff of 2,600, is the leading oncology centre in Europe.

“Galas are usually more fun to attend than to listen to after the event, but this celebration of the 10th anniversary of Emmanuelle Haïm's lively French ensemble is a baroque blast...all very stylish fun.” The Observer, 22nd April 2012

“All through the concert, the orchestra has produced good work and some plangent or jubilant sounds as the music requires...Commendations too for the conductor Emmanuelle Haim, who brings much to the pleasure of listening. The planning has resulted in a programme of diversity, of several moods and tempos.” International Record Review, May 2012

“The music is well chosen, all of the highest quality appeal, and splendidly sung by these charismatic artists.” Gramophone Magazine, June 2012

“While some will struggle to swallow some of Emmanuel Haïm's more extravagant mannerisms...it's hard not to be swept along by the sheer élan of this live recording...The most interesting singing, for my money, comes from the lively lyric soprano Jaël Azzaretti and Patricia Petibon in La Folie's boisterous aria from Platée. Above all, Haïm and her feisty team summon up the spirit of baroque spectacle for thier celebratory feast.” Classical Music

Virgin - 7307992

(CD - 2 discs)

$16.75

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