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Giuseppe Taddei (Figaro), Anna Moffo (Susanna), Eberhard Wächter (Count Almaviva), Elisabeth Schwarzkopf (Countess Almaviva), Fiorenza Cossotto (Cherubino), Ivo Vinco (Bartolo), Dora Gatta (Marcellina), Renato Ercolani (Don Basilio/Don Curzio), Elisabetta Fusco (Barbarina), Piero Cappuccilli (Antonio), Gillian Spencer, Diana Gillingham (Two Girls) & Heinrich Schmidt (harpsichord continuo) Philharmonia Chorus & Orchestra, Carlo Maria Giulini | 
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Elisabeth Schwarzkopf (Countess), Eberhard Wächter (Count), Dietrich Fischer-Dieskau (Olivier), Nicolai Gedda (Flamand), Hans Hotter (La Roche), Christa Ludwig (Clairon), Rudolf Christ (Taupe), Anna Moffo (Italian Soprano), Dermot Troy (Ein italienischer Tenor), Karl Schmitt-Walter (Haushofmeister) Philharmonia Orchestra, Wolfgang Sawallisch | | | In stock - usually despatched within 1 working day. |
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1. Overture (Orchestra) ACT I 2. Se vuol ballare (Figaro) 3. Non so più cosa son (Cherubino) 4. Non più andrai (Figaro) ACT II 5. Porgi, amor (Countess) 6. Voi che sapete (Cherubino) 7. Conoscete, signor Figaro (Figaro / Antonio / Count / Countess / Susanna / Marcellina / Basilio / Bartolo) ACT III 8. Crudel! Perché finora farmi languir così? (Coun t/ Susanna) 9. Hai già vinta la causa? Vedrò mentr’io sospiro (Count) 10. E Susanna non vien?…Dove sono (Countess) 11. Canzonetta sull’aria (Countess / Susanna) ACT IV 12. Tutto è disposto...Aprite un po’ quegli occhi (Figaro) 13. Giunse alfin il momento…Deh vieni, non tardar (Susanna) 14. Gente, gente! All’armi (Count / Figaro / Don Curzio / Basilio / Antonio / Bartolo / Susanna / Marcellina / Cherubino / Barbarina / Countess)
“The best performance comes from Eberhard Wächter, who sings the Count's aria with steely passion, articulating the triplets - and this is rare - with precision.” Gramophone Magazine, Awards Issue 2011 | | | In stock - usually despatched within 1 working day. |
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| |  | Fox Theatre Atlanta 4/5/1960 live
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Tito Gobbi (Falstaff), Luigi Alva (Fenton), Rolando Panerai (Ford), Tomaso Spataro (Dr Caius), Renato Ercolani (Bardolfo), Nicola Zaccaria (Pistola), Elisabeth Schwarzkopf (Alice Ford), Anna Moffo (Nannetta), Nan Merriman (Meg Page), Fedora Barbieri (Mistress Quickly) Philharmonia Orchestra and Chorus, Herbert von Karajan Recording Country: United Kingdom Recording Location: 21-23, 25-29 June & 24 July 1956 / Kingsway Hall, London Mix Date: 24 Jul 1956 Producer: Walter Legge. Engineer: Christopher Parker Digitally remastered to 24-bit standard at Abbey Road Studios by Allan Ramsay Source matrix nos.: YAX 16-21 (Columbia SAX 2254-56) “the most vividly characterful cast ever gathered for a recording. If you relish the idea of Tito Gobbi as Falstaff (his many-coloured voice, not quite fat-sounding in humour, presents a sharper character than usual), then this is clearly the best choice.” Penguin Guide, 2010 edition **** | | | In stock - usually despatched within 1 working day. |
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Anna Moffo (Carmen), Franco Corelli (Don José), Piero Cappuccilli (Escamillo), Helen Donath (Micaëla), Arleen Augér (Frasquita), Jane Berbié (Mercédès ), Jean-Christophe Benoit (Le Dancaïre), Karl-Ernst Mercker (Le Remendado), Barry McDaniel (Moralès), José Van Dam (Zuniga) Schoneberger Sängerknaben & Orchester Der Deutschen Oper Berlin, Lorin Maazel Bizet’s tale of passion and jealousy which ends so tragically ranks as possibly the greatest of all French operas, so it’s all the more remarkable that Carmen was not a resounding success from the outset — largely due to the low-life theme and violent conclusion. The poor reaction to the opera was soon overturned and today it has worldwide appeal for audiences and performers alike — from the opening, rousing bars of the prelude to the inevitable tragic ending of the opera. Release includes a booklet with a three language synopsis [English / French / German], full cast list and detailed track list. Recorded in 1970 | | | In stock - usually despatched within 1 working day. |
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| |  | Verdi Opera Favourites
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| |  | with arr. by GrundDirected by Miklós Szinetár
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