Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Live Recording from The Zurich Opera House, 2004
Set Design by Rolf Glittenberg A staging of Claude Debussy’s only completed opera, Pelléas et Mélisande, recorded live at the Zurich Opera House. The opera’s premiere in Paris in 1902 brought the new century to the stage. It came quietly, introducing a new female figure that provided the visual artists of l’art nouveau with a fascinating alternative to such femmes fatales as Oscar Wilde’s Lulu and Frank Wedekind’s Salome. Debussy (1862-1918) adapted a dreamlike libretto by the Belgian playwright and poet, Maurice Maeterlinck (1862-1949) and in the music retained the symbolic quality of the mysterious, almost static fairytale. Conductor Franz Welser-Möst and director Sven-Eric Bechtolf have become one of the leading partnerships in contemporary music theatre. The characters are impressively enacted by Rodney Gilfrey and Isabel Rey in the title roles. Occasionally placed in wheelchairs that hint at emotional as well as physical inadequacies and frequently doubled by puppets, Debussy’s protagonists are kept at a distance in their subconscious dream world. Franz Welser-Möst conducts a performance that is clear, well structured, unsentimental and attuned to the alertness and pioneering spirit of a score that even today has lost none of its radiance. The designer Rolf Glittenberg set the work in a remote operatic universe that is both greyish white and ice cold. Sound Format: PCM Stereo, DD 5.0, DTS 5.0, dts-HD Master Audio 7.1 Picture Format: 16:9 Format: DVD 5 + DVD 9, NTSC Subtitle Languages: FR (Original Language), GB, DE, IT, ES Running Time: 161 mins FSK: 0 Region Code: 0 Worldwide available, excluding Japan | | | In stock - usually despatched within 1 working day. |
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| |  | Recorded at the Felsenreitschule during the Salzburg Festival 2011
Patricia Petibon (Lulu), Pavol Breslik (The Painter/A Negro), Michael Volle∙(Dr. Schön/Jack the Ripper), Cora Burggraaf (Dresser/High_School Boy/Groom), Franz Grundheber (Schigolch), Thomas Piffka (Alwa), Thomas Johannes Mayer (An Animal Tamer/Rodrigo), Heinz Zednik (The Prince/The Manservant), Andreas Conrad (The Marquis), Martin Tzonev (The Theatre Manger/The Banker), Emilie Pictet (A Fifteen-year-old girl), Cornelia Wulkopf (Her Mother) Wiener Philharmoniker & Upper Austrian Jazz Orchestra, Marc Albrecht Vera Nemirova, staging Vera Nemirova’s challenging production of Berg’s operatic masterpiece Lulu won critical acclaim when first seen at the Salzburg Festival in 2010, and was successfully repeated in 2011, when the production was filmed for DVD. Supporting Nemirova’s powerful vision of corruption, decadence and death were the highly praised set designs by the young German artist Daniel Richter. Musically the production was led with style and assurance by the brilliant young German conductor Marc Albrecht, currently director of the Netherlands Opera. Singing Lulu with allure and passion was the lauded French soprano Patricia Petibon, whose charms gripped an outstanding cast of top European singers. Lulu is a very rarely performed work, which was also left unfinished by the composer. This performance includes the missing 3rd act, which was completed by Friedrich Cerha, winner of the Salzburg Music Award 2010. Picture format DVD: 1080i - 16:9 Sound formats DVD: PCM Stereo, Dolby Digital 5.1, DTS 5.1 Region code: 2,3,4,5,6,8 Subtitles: English, French, German, Italian, Chinese, Japanese, Korean Booklet notes: English, German, French Runnning time: 173 mins “Musically there is plenty to admire...Ultimately, it is Volle as Dr Schon and Jack the Ripper who impresses most...Petibon's background in early music may be thought to give her an unusual degree of vulnerability...After a cautious start, her performance gains conviction as it proceeds...this is one of those recordings that takes time to reach the dark, disturbed heart of Berg's most ambivalently poised and perturbing work” Gramophone Magazine, Awards Issue 2012 “The singing and acting of Patricia Petibon as Lulu is magnificent. She is that rare creature, a singer with the face and figure of a model...One does not have to wonder why men fall under her spell and even die of it...Almost all of the staging and costuming is dedicated to the service of this music. It is not necessary to suspend one's disbelief as so often happens in current opera staging: here one is gripped from beginning to the disturbing and bloody end.” MusicWeb International, August 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | Zemlinsky: Piano Works & Orchestral Songs
Zemlinsky: | Waldgespräch with Soile Isokoski (soprano) Gürzenich Orchester Kölner Philharmoniker, James Conlon Mailblumen blühten überall (Dehmel) with Soile Isokoski (soprano), Torsten Janicke & Rose Kaufmann (violins), Mile Kosi & Urara Seo (violas), Daniel Cahen & Sylvia Borg (cellos) Gürzenich Orchester Kölner Philharmoniker, James Conlon Zwei Gesänge für Bariton und Orchester with Andreas Schmidt (baritone) Gürzenich Orchester Kölner Philharmoniker, James Conlon Songs (6) to poems by Maurice Maeterlinck, Op. 13 with Violeta Urmana (mezzo-soprano) Gürzenich Orchester Kölner Philharmoniker, James Conlon Symphonische Gesänge (7), Op. 20 with Michael Volle (baritone) Gürzenich Orchester Kölner Philharmoniker, James Conlon Landliche Tanze for piano Op. 1 Siegfried Mauser (piano) Vier Balladen Siegfried Mauser (piano) Fantasies from a poem by Richard Dehmel for piano Op. 9 Siegfried Mauser (piano) Albumblatt Siegfried Mauser (piano) Skizze Siegfried Mauser (piano) Fuge in G-moll Siegfried Mauser (piano) |
Alexander Zemlinsky (1871-1942) was born in Vienna in 1871, just three years before his lifelong friend and brother-in-law, Arnold Schoenberg. In fact, for a short while he taught Schoenberg and was his mentor. Unlike Schoenberg, Zemlinsky never abandoned tonality, remaining true to more traditional methods of composition. His music was, however, very much of its time and he was a well-respected member of Viennese musical life. Zemlinsky never ventured much further than the late Romanticism of the early works of Schoenberg (Gurrelieder), Webern (Passacaglia, Op.1) and Berg (Seven Early Songs), and to all lovers of these works this set of music for voice and orchestra will have an undeniable appeal. | | | In stock - usually despatched within 1 working day. |
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Zemlinsky was born in Vienna in 1871, just three years before his lifelong friend and brother-in-law, Arnold Schoenberg. In fact, for a short while he taught Schoenberg and was his mentor. Unlike Schoenberg, Zemlinsky never abandoned tonality, remaining true to more traditional methods of composition. His music was, however, very much of it's time and he was a well-respected member of the Vienna circle. Zemlinsky never ventured much further than the late Romanticism of the early works of Schoenberg (Gurrelieder), Webern (Passacaglia, Op.1) and Berg (Seven Early Songs), and to all lovers of these works this set, and the music of Zemlinsky in general, will have an undeniable appeal. “This accomplished live rendition attests to its late-Romantic sophistication” BBC Music Magazine, April 2010 **** | | | In stock - usually despatched within 1 working day. |
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Erwin Schrott (Figaro), Martina Janková (Susanna), Michael Volle (Count), Malin Hartelius (Countess), Judith Schmid (Cherubino), Irène Friedli (Marcellina), Carlos Chausson (Bartolo), Martin Zysset (Basilio), Andreas Winkler (Curzio), Giuseppe Scorsin (Antonio), Eva Liebau (Barbarina) Chor und Orchester der Oper Zürich & Chor des Opernhauses Zürich, Franz Welser-Möst Stage Director - Sven-Eric Bechtolf Stage Design - Rolf Glittenberg Costume Design - Marianne Glittenberg Lighting - Jürgen Hoffmann The Zurich Opera House has recorded more productions for DVD than any other opera house in the world. During the last twelve years, conductor Franz Welser-Möst has conducted more than fifty premieres with the Zurich Opera. They perform regularly together in London, Paris, Tokyo and other major international cities. Welser-Möst has enjoyed a long and very fruitful relationship with the Zurich Opera. From 1995 - 2002, he was Chief Conductor of the House, was Principal Conductor from 2002 - 2005 and was then appointed General Musikdirektor. In June 2007, Welser-Möst was appointed General Musikdirektor designate of the Staatsoper, Vienna, a position he will assume in the 2010/11 season. Prior to that, he undertakes a new production of “The Ring” in Vienna, which started in the 2007/8 season. He is also Music Director of the Cleveland Orchestra. Welser-Möst has assembled over the years a close-knit ensemble which is frequently praised for both its vocal and acting abilities. Please see below for press quotes on this production. Subtitles: English, German, French, Spanish, Italian | | | In stock - usually despatched within 1 working day. |
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This production of Parsifal was recorded live at the Zurich Opera House in March 2007. It was hailed by the press as one of the finest Wagner performances in recent years, thanks in part to Bernard Haitink’s gripping presence in the pit. The production by Hans Hollmann is austere in conception; Hans Hoffer’s understated designs using geometric shapes and blocks of colour to emphasise the juxtapositions at the heart of Wagner’s mystical opera – light versus darkness, good versus evil. The effect is beautiful and simple, focussing attention on the music. The excellent international cast of leading Wagnerian singers is headed by Christopher Ventris in the title role and also features Yvonne Naef as a sensuous Kundry and Matti Salminen who was highly acclaimed by the press for his powerful, touching portrayal of the ageing Gurnemanz. Additional features: Produced in HD, to be released in NTSC 16:9; audio will be in 5.1 DTS Surround Sound and PCM stereo. “Musically this is quite the finest Parsifal on DVD, to be heard even if you find the production tiresome. Hans Hollmann may have bizarre ideas about the staging, but he can get singers to act, and the production never impedes the overwhelming intensity of the relationships between the central characters.” BBC Music Magazine, October 2008 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Songs by Great ConductorsSongs by Hans von Bülow, Bruno Walter & Clemens Krauss
Gustav Mahler is probably the most famous of conductor/composers. Three ‘maestros’ are
represented on this CD. The songs by Hans von Bülow are set to texts by Goethe & Grimm.
Bruno Walter wrote his cycle based on works by Heine and Eichendorff. Finally Clemens
Krauss composed his Eight Songs on texts by Rilke. | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | 2005 Zürich Opera production by Philippe Sireuil
Cristina Gallardo-Domâs (Mimi), Elena Mosuc (Benoit), Marcello Giordani (Rodolfo), Cheyne Davidson (Schaunard), Michael Volle (Marcello), László Polgár (Colline), Rolf Haunstein (Benoit), Giuseppe Scorsin (Alcindoro), Carl Hieger (Parpignol), Michael Mrosek (Un doganiere), Ernst Buscagne (Sergente dei doganieri) Franz Welser-Möst Subtitles: English, German, French, Spanish, Italian | | | In stock - usually despatched within 1 working day. |
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| |  | Stage Director: Sven-Eric Bechtolf
A mysterious childlike woman, a murder by jealousy, an orphan: Debussy’s Pelléas et Méllisande, his only completed opera, is full of magical, cryptical and deeply symbolic moments. With this work Debussy added quite literally a new dimension to the 1893 stage play of the same name by Belgian playwriter and poet, Maurice Maeterlinck, who was to receive the Nobel Prize for Literature in 1911. Rodney Gilfry, a leading American opera baritone whos vocal excellence has been repeatedly extolled by many leading music critics, is Pelléas. Praised by the San Francisco Chronicle for his “rich, rolling baritone with a superb upper range,” as well as his “vivid stage presence,” Rodney Gilfry has established himself as a most compelling musician on the world’s operatic stages. By his side Isabel Rey, internationally recognised for her exquisite vocal technique and her sensitive acting skills, is Mélisande. Due to her crystal-clear soprano and the winterly stage setting the cold dream-world of the subconscious emerges to the audience. Because of the fabulous soloist and a distinguished cast this opera promises outstanding listening pleasure. Under Franz Welser-Möst’s fabulous conducting this production of the Zurich Opera House is setting musical standards. Welser-Möst is ecxeptionally talented and internationally known as one of the outstanding personalities in the field of classical music. In conjunction with the director Sven-Eric Bechtolf, he has developed into one of the leading teams in contemporary music theater. “When he sings he opens a formidable treasure chest of intelligent artistry. The voice is resonant, flexible and smooth, wide in range, and he applies it with deep, searching thoughtfulness to whatever he happens to be tackling. The baritone Rodney Gilfry is an artist of the first order.” Stephen Pettitt, Financial Times | | | In stock - usually despatched within 1 working day. |
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| |  | an opera in two acts
Marlis Petersen, Martina Rueping, Kevin Connors, Christian Bauer, Michael Volle, Andreas Hoerl, Friedemann Roehlig, Richard Salter, Andrea Sokol Tollzer Knabenchor, Muenchner Rundfunkorchester, Claus Peter Flor “Marlis Petersen… takes off as the Christmas Elf and Friedemann Röhlig is a deliciously grumpy Old Fir Tree. The Tölz Boy's Choir sing like the angels they're supposed to be… Das Christ-Elflein is welcome for as a reminder of the late Romantic tradition of writing Christmas operas for children...” BBC Music Magazine, February 2006 **** “The Christmas fairy-tale involving the elf of the title, the Christ child, a fir tree and a sick girl (a mute part) cured by the intervention of the Christ child, is fairly mawkish but Pfitzner clothed is in music of Humperdinck-like melodiousness and light instrumentation... The musical setting lasts not much more than 75 minutes, consisting of an overture and several beautiful, often moving numbers. Ingenuous as they may be, they are unassumingly right for the simple sincerity of the story. They are played lovingly by the Munich Radio Orchestra under Claus Peter Flor's sympathetic baton. The most significant part is that of the title-role... The accomplished Marlis Petersen easily encompasses its appreciable difficulties singing with a crystalline tone and expressive feeling that recall the artistry of Lucia Popp.” Gramophone Magazine, May 2006 | | | (also available to download from $21.00) | In stock - usually despatched within 1 working day. |
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