Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Great Love Duets
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| |  | Cecilia Bartoli: Sospiri
Bellini: | Ah, non credea mirarti (from La Sonnambula) with Juan Diego Flórez Orchestra La Scintilla, Alessandro de Marchi Casta Diva (from Norma) | Caldara: | Quel buon pastor son io Il Giardino Armonico, Giovanni Antonini | Fauré: | Requiem: Pie Jesu Coro dell'Accademia Nazionale Di Santa Cecilia & Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | Franck, C: | Panis Angelicus with Cinzia Maurizio, Luigi Piovano & Daniele Rossi | Giacomelli: | Sposa non mi conosci (from Merope) | Handel: | Lascia la spina (from Il Trionfo del Tempo e del Disinganno) Les Musiciens du Louvre, Marc Minkowski | Mozart: | Voi che sapete (from Le nozze di Figaro - Vienna version) Wiener Philharmoniker, Claudio Abbado La ci darem la mano (from Don Giovanni) with Bryn Terfel Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung Vesperae Solennes de Confessore, K339: Laudate Dominum Coro dell'Accademia Nazionale Di Santa Cecilia & Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | Persiani: | Cari Giorni Orchestra La Scintilla, Adam Fischer | Rossini: | Una voce poco fa (from Il barbiere di Siviglia) International Chamber Soloists & Orchestra La Scintilla, Adam Fischer | Vivaldi: | Gelido in ogni vena (from Il Farnace, RV711) |
Cecilia Bartoli is loved the world over for vocal fireworks and spectacular coloratura, but she is also adored for her spine-tingling pianissimi and her ability to shape endless, velvety phrases. For the first time, this product will focus on the irresistibly sensual side of Cecilia Bartoli's art. It has been conceived as a popular “mood” or lifestyle compilation — presenting quieter arias showcasing Cecilia's vocal beauty, sensuality and emotion. “Sospiri” is designed to present this most accessible aspect of Cecilia Bartoli's art to the broadest popular-classical market. “Sospiri” will contain favourite arias by Mozart and Handel, bel canto jewels by Bellini and Rossini and treasures by Vivaldi as well as music which Cecilia Bartoli has “rediscovered” on her recent record-breaking solo albums. For Cecilia’s existing fans, the Prestige Edition includes a previously unreleased aria and world premiere recording of Vinci’s Cervo in bosco, one of Farinelli’s calling card arias. Both formats include a new interpretation of Rosina's aria Una voce poco fa, from Il Barbiere di Siviglia - the dazzling aria of young love, the role in which Cecilia Bartoli first shot to international stardom. She infuses this new interpretation with all her knowledge of the baroque and classical tradition on which Rossini’s music was founded, her experience of period practice and critical reading of the manuscripts, together with a playfulness and variety of colors which she has acquired over the years. On this track recorded during the Maria sessions Cecilia Bartoli is accompanied by a fantastic period practice orchestra, Orchestra La Scintilla. | | | In stock - usually despatched within 1 working day. |
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“As a whole, the interpretation encompasses everything from the dark, conspiratorial air of the start (Nesterenko quite excellent) through the ardent statements of love from three of the principals ("Ah, sì, ben mio" beautifully shaped) to the rollicking extroversion of gipsies and soldiers [...] I would unhesitatingly recommend this version to even the most jaded Verdian” Gramophone Magazine, 1984 | | | In stock - usually despatched within 1 working day. |
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| |  | Viva Verdi! The Ultimate Collection
Verdi: | Va, pensiero (from Nabucco) Orchester und Chor der Deutschen Oper Berlin, Giuseppe Sinopoli La donna è mobile (from Rigoletto) Joseph Calleja (tenor) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly È il sol dell'anima (from Rigoletto) Anna Netrebko (soprano), Rolando Villazón (tenor) Staatskapelle Dresden, Nicola Luisotti Bella figlia dell'amore (from Rigoletto) Renata Scotto (soprano), Fiorenza Cossotto (mezzo), Carlo Bergonzi (tenor), Dietrich Fischer-Dieskau (baritone) Orchestra del Teatro alla Scala di Milano, Rafael Kubelik Stride la vampa (from Il Trovatore) Brigitte Fassbaender (mezzo) Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini Anvil Chorus (from Il Trovatore) Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini Di quella pira (from Il trovatore) Luciano Pavarotti (tenor) National Philharmonic Orchestra, Richard Bonynge Miserere d'un' alma gia vicina (from Il Trovatore) Rosalind Plowright (soprano), Plácido Domingo (tenor) Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini Fontainebleau! Forêt immense et solitaire … (from Don Carlos) Roberto Alagna (tenor) Orchestre de Paris, Antonio Pappano O tu che in seno agli angeli (from La Forza del Destino) José Carreras (tenor) Philharmonia Orchestra, Giuseppe Sinopoli La traviata: Prelude to Act 1 Bavarian State Orchestra, Carlos Kleiber Libiamo, ne' lieti calici (from La Traviata) Anna Netrebko (soprano), Rolando Villazón (tenor) Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, Carlo Rizzi È strano! è strano!...Ah! fors è lui (from La traviata) Anna Netrebko (soprano) Mahler Chamber Orchestra, Claudio Abbado Sempre libera (from La Traviata) Anna Netrebko (soprano), Saimir Pirgu (tenor) Mahler Chamber Orchestra, Claudio Abbado Di provenza il mar (from La Traviata) Sherrill Milnes (baritone) Bavarian State Orchestra, Carlos Kleiber Parigi, o cara (from La Traviata) Joan Sutherland (soprano), Luciano Pavarotti (tenor) National Philharmonic Orchestra, Richard Bonynge Se quel guerrier io fossi!…Celeste Aida (from Aida) Orchestra e Coro del Teatro alla Scala di Milano, Claudio Abbado Gloria all'Egitto (from Aida) Orchestra e Coro del Teatro alla Scala di Milano, Claudio Abbado Grand March from Aida Orchestra e Coro del Teatro alla Scala di Milano, Claudio Abbado Aida: Ballet Music, Act II Orchestra e Coro del Teatro alla Scala di Milano, Claudio Abbado Vieni, o guerriero vindice (from Aida) Nicolai Ghiaurov (bass) Orchestra e Coro del Teatro alla Scala di Milano, Claudio Abbado O terra, addio (from Aida) Katia Ricciarelli (soprano), Elena Obraztsova (mezzo), Plácido Domingo (tenor) Orchestra e Coro del Teatro alla Scala di Milano, Claudio Abbado Dies Irae (from Requiem) Berliner Philharmoniker, Ernst Senff Chor, Carlo Maria Giulini Ingemisco (from Requiem) Rolando Villazón (tenor) Orchestra del Teatro Regio di Torino, Gianandrea Noseda Lacrymosa (from Requiem) Sharon Sweet (soprano), Florence Quivar (mezzo), Vinson Cole (tenor), Simon Estes (bass) Berliner Philharmoniker, Ernst Senff Chor, Carlo Maria Giulini Sanctus (from Requiem) Orchestra e Coro del Teatro alla Scala di Milano, Claudio Abbado O don fatale (from Don Carlo) Grace Bumbry (mezzo) Radio-Symphonie-Orchester Berlin, Janos Kulka Udisti?…Vil disegno! (from Simon Boccanegra) José Carreras (tenor), José van Dam (bass) Orchestra del Teatro alla Scala di Milano, Claudio Abbado Esultate! (from Otello) Plácido Domingo (tenor) Orchestre et Choeurs de l'Opéra Bastille, Myung-Whun Chung Ave Maria (from Otello) Renée Fleming (soprano) London Symphony Orchestra, Georg Solti Ehi! Paggio! ... L'onore! Ladri! (from Falstaff) Bryn Terfel (bass-baritone) Metropolitan Opera Orchestra, James Levine Dal labbro il canto estasiato vola (from Falstaff) Mojca Erdmann (soprano), Rolando Villazón (tenor) Orchestra del Teatro Regio di Torino, Gianandrea Noseda |
Leading tenor, Rolando Villazon, has personally selected 34 great Verdi tracks, sung by the great names of the present and past, both to celebrate Verdi at 200 and to inspire a new generation with the composer’s great arias, powerful choruses and popular tunes. The tracklist is framed by two stirring overtures, it includes famous numbers by all the leading singers on DG and Decca (as well as a couple from EMI), including Roberto Alagna, Carlo Bergonzi, Grace Bumbry, Joseph Calleja, José Carreras, Plácido Domingo, Renée Fleming, Anna Netrebko, Luciano Pavorotti, Katia Ricciarelli, Joan Sutherland and BrynTerfel. There are rousing choruses and several extracts from the Requiem too. It’s a splendid 150-minute collection. The striking cover includes one of Rolando’s inimitable Verdi sketches, and will include a sticker incorporating a photo of the artist. The all-colour booklet has an article by journalist Richard Lawrence which also takes in some quotes from the artist in a recent interview for this release. Villazón is confident that every excerpt on these discs will make the listener want to hear the complete work. “No other composer creates such an immediate link with the audience. Go to see La traviata: you hear those rhythms, those melodies, that dramatic force, and you are drawn into his world. It doesn’t matter whether you love opera or know nothing about it: it just captures you, it grabs you.” Listening to the numbers from La traviata here, you have to agree. | 
| DG - 4791171 (CD - 2 discs) Normally: $17.50 Special: $15.25 |
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| |  | Opera's Greatest - The Magnificent Choruses, Vol. 1
Giulietta Simionato (mezzo-soprano), Carlo Bergonzi (tenor) Fiorentino Maggio Musicale Chorus, Music School Fiesole Girls Choir, Fiorentino Maggio Musicale Orchestra, Berlin Deutsches Staatopera Chorus, Berlin Deutsches Staatopera Orchestra, Santa Cecilia Academy Orchestra, Rome, Santa Cecilia Academy Chorus, Rome, Maurizio Arena, Bruno Bartoletti, Francesco Molinari-Pradelli, Tullio Serafin, Erich Leinsdorf, Herbert von Karajan, Lamberto Gardelli, Kurt Adler, Francisco Hernandez Galliado | 
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| |  | Giacomo Puccini, Vol. 3 (1952)
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| |  | Giacomo Puccini, Vol. 4 (1955)
Nicola Zaccaria (bass), Ezio Giordano (baritone), Fernando Corena (baritone), Mario Del Monaco (tenor), Renato Ercolani (tenor), Renata Tebaldi (soprano), Gaetano Fanelli (tenor), Inge Borkh (soprano), Mario Carlin (tenor) Santa Cecilia Academy Orchestra, Rome, Santa Cecilia Academy Chorus, Rome, Alberto Erede | |
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| |  | Leonard Warren, Vol. 1 (1952, 1958)
Virgilio Carbonari (bass), Giuseppe Di Stefano (tenor), Leonard Warren (baritone), Giorgio Tozzi (bass), Angelo Mercuriali (tenor), Rosalind Elias (mezzo-soprano), Dino Mantovani (baritone), Sergio Liviabella (baritone), Richard Tucker (tenor) Santa Cecilia Academy Orchestra, Rome, Santa Cecilia Academy Chorus, Rome, New York Metropolitan Opera Orchestra, Fernando Previtali, Fritz Stiedry | |
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| |  | Leonard Warren, Vol. 10 (1946, 1957)
Louis Sgarro (bass-baritone), Leonard Warren (baritone), Lodovico Oliviero (tenor), Richard Tucker (tenor), Zinka Milanov (soprano), Mario Carlin (tenor), Fernando Corena (baritone) New York Metropolitan Opera Orchestra, Santa Cecilia Academy Orchestra, Rome, Santa Cecilia Academy Chorus, Rome, Rome Opera House Orchestra, Rome Opera House Chorus, Fausto Cleva, Emil Cooper, Fernando Previtali, Erich Leinsdorf | |
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| |  | Puccini: Opera Arias
Puccini: | O mio babbino caro (from Gianni Schicchi) Renée Fleming London Philharmonic Orchestra, Charles Mackerras Recondita armonia (from Tosca) José Carreras, Domenico Trimarchi Orchestra of the Royal Opera House, Covent Garden, Colin Davis Vissi d'arte (from Tosca) Montserrat Caballé Orchestra of the Royal Opera House, Covent Garden, Colin Davis E lucevan le stelle (from Tosca) Luciano Pavarotti The National Philharmonic Orchestra, Nicola Rescigno Che gelida manina (from La Bohème) Carlo Bergonzi Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin Si, mi chiamano Mimi (from La Bohème) Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Ettore Bastianini Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin O soave fanciulla (from La Bohème) Carlo Bergonzi, Renata Tebaldi, Ettore Bastianini Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin Quando me'n vo (from La Bohème) Renée Fleming London Philharmonic Orchestra, Charles Mackerras In quelle trine morbide (from Manon Lescaut) Kiri Te Kanawa Orchestra del Teatro Comunale di Bologna, Riccardo Chailly Un bel di vedremo (from Madama Butterfly) Renata Tebaldi Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin Una nave da guerra...Scuoti quelle fronda (from Madama Butterfly) Fiorenza Cossotto, Renata Tebaldi Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin Humming Chorus (from Madama Butterfly) Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin Chi il bel sogno di Doretta (from La Rondine) Renée Fleming English Chamber Orchestra, Jeffrey Tate Senza mamma, o bimbo (from Suor Angelica) Joan Sutherland The National Philharmonic Orchestra, Richard Bonynge Signore, ascolta! (from Turandot) Completed by Franco Alfano Montserrat Caballé London Philharmonic Orchestra, Zubin Mehta Non piangere, Liù! (from Turandot) Completed by Franco Alfano Luciano Pavarotti London Philharmonic Orchestra, Zubin Mehta Ah! Per l'ultima volta (from Turandot) Completed by Franco Alfano Montserrat Caballé, Luciano Pavarotti, Piero de Palma, Pier Francesco Poli, Tom Krause, Nicolai Ghiaurov The John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta In questa reggia (from Turandot) Completed by Franco Alfano Joan Sutherland, Luciano Pavarotti The John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta Nessun dorma (from Turandot) Completed by Franco Alfano José Carreras London Symphony Orchestra, Jesús López-Cobos |
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