Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Anna Vinnitskaya plays Ravel
Following a first solo recital (2008) and a successful Ravel-Prokofiev concerto recording (2010), this is the third recording of Russian pianist Anna Vinnitskaya for Naive. The recording presents two of the heights of Ravel's piano repertoire, 'Gaspard de la Nuit' and 'Miroirs', performed many times in recital before this recording. In both works, as well as in the mysterious 'Pavane pour une infant défunte', Anna Vinnitskaya displays the whole range of her skills: intense delicacy, amazing legato and control of dynamics, supple and a strong personal style. Anna Vinnitskaya, aged 29, is developing an intense concert career in Germany, Belgium and the UK. She won First Prize at the Queen Elizabeth Competition in 2007 and an Echo Klassik award (Germany) in 2011 for her latest recording. “It is with a delicate, beautifully voiced account of the Pavane...that Vinnitskaya gently eases herself into this Ravel recital, indicating an affinity with the style that is immediately underlined by the glistening qualities and chararcterisation of the set of Miroirs...Vinnitskaya's taste, strength and feel for the music are never in doubt.” Daily Telegraph, 9th June 2012 **** “Vinnitskaya achieves an unforgettable shimmering play of light and shade (though with a powerful undertow when required). Her 'Ondine' from Gaspard is as scintillating and seductive as you could wish and her poise and focus in 'Le gibet' excel any other on record, wondrously alive to every harmonic and rhythmic twist...Beautifull recorded, this is Ravel-playing of a very special distinction.” Gramophone Magazine, September 2012 | | | (also available to download from $10.75) | In stock - usually despatched within 1 working day. |
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| |  | Prokofiev & Ravel: Piano Concertos
Following a much-praised first recording dedicated to the Russian piano sonata, the second release by Anna Vinnitskaya is of two of the most significant concertos of the 20th century, Prokofiev’s Second, in G Minor, and Ravel’s Concerto in G Major. The Deutsches Symphonie-Orchester Berlin is conducted by Gilbert Varga. Anna Vinnitskaya was born in 1983 in the Russian city of Novorossiysk. She began piano lessons at the age of six with her mother, and played her first solo recital at the age of nine. She has won several international awards, most notably first prize at the Queen Elisabeth International Music Competition in Brussels in 2007, and the Leonard Bernstein Award at the Schleswig-Holstein Music Festival in 2008. Still only 27, she has been compared to legendary performers such as Martha Argerich and Sviatoslav Richter. For her first concerto recording, she has selected two masterpieces from the early 20th century, Prokofiev’s Piano Concerto No. 2 in G Minor, and Ravel’s Concerto in G. Anna Vinnitskaya’s debut CD, a programme of works by Rachmaninov, Gubaidulina, Medtner and Prokofiev (V5238), was released on Naïve in April 2009. It was awarded the ‘Diapason d’Or Découverte’, and was nominated for a Midem Classical Award in the Solo Instrumental category. Sergei Prokofiev’s Piano Concerto No. 2 in G Minor was written in 1913 and dedicated to a friend of the composer who had recently committed suicide. It was revised in 1923, and this version remains one of the most technically challenging works in the standard repertoire. Following a highly successful tour of America as piano soloist, Maurice Ravel finished his Piano Concerto in G Major in 1931. The concerto is heavily influenced by jazz, which at the time was highly popular in Paris as well as the USA. “Anna Vinnitskaya has a dry, clear sound which I think [Prokofiev] would rather have admired...Gilbert Varga's direction is precise and detailed...I certainly want to hear more from this phenomenally equipped pianist.” BBC Music Magazine, Febuary 2011 **** “The opening whiplash of Ravel's "Piano Concerto in G major" portends the virtuosic fireworks to follow...But the concerto's real achievement lies in the final two movements, whose fantastical twists grow more unsettling by the minute.” The Independent, 28th January 2011 *** “The Prokofiev concerto can sound flashy and empty, but Vinnitskaya's more fantastical and demented view reveals its hidden depths. She rips through the fiercely tough first-movement cadenza like a force of nature...Exemplary, high-wire Prokofiev.” Classic FM Magazine, April 2011 **** “She is a wholly exceptional artist, the possessor of a fabulous technique, and her musical understanding is a very rare quality...Her playing of the Ravel Concerto is breathtaking...I am sure that this is just what Ravel wanted - it really crackles with electricity, her passagework as light and as brilliant as quicksilver...These concertos are very different works, but this young pianist has the measure of them both - in spades.” International Record Review, April 2011 | | | (also available to download from $10.75) | Usually despatched in 3 - 4 working days. (Available now to download.) |
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| |  | Rachmaninov, Prokofiev & Medtner - Piano Sonatas
New signing and exclusive Naïve Classique artist, Anna Vinnitskaya makes her much anticipated debut album on the Ambroisie label featuring an all-Russian programme of piano sonatas by Rachmaninov, Medtner and Prokofiev and a piece by Gubaidulina. This is Anna Vinnitskaya’s first ever recording and, unsurprisingly, it has already been met with high critical acclaim. Since its release in France, it was awarded the “Diapason d´Or” (within the “Discoveries” category) and most recently, the “Choc du mois” by Classica Magazine. After going through a period of pronounced disfavour in the second half of the 19th century, the piano sonata enjoyed a veritable renaissance from the start of the twentieth which was due in large measure to Russian composers. Vinnitskaya here explores the way in which the great Russian virtuoso pianist-composers (Medtner, Prokofiev, Rachmaninov) paid homage in their different ways to a genre that was already more than two centuries old. Also included is Chaconne, written by well-known Russian composer Sofia Gubaidulina. At only 26, Anna Vinnitskaya has already established a flourishing international career, both in recital and orchestral performances. In 2007, she won first prize in the Queen Elisabeth Music Competition in Brussels becoming only the second woman in the history of the competition for piano to do so, after Ekaterina Novitskaya in 1968. “There's little doubt that she has the measure of each work, demonstrating not only formidable technical control but also a truly remarkable range of tonal colouring...there's no denying the sheer beauty and richness of her sound, the central movement presented in a particularly haunting manner.” BBC Music Magazine, May 2010 ***** | | | (also available to download from $10.75) | Usually despatched in 3 - 4 working days. (Available now to download.) |
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| |  | 75 Years Ysaÿe & Queen Elisabeth Piano Competition
Leon Fleisher, Denis Kozhukhin, Pierre-Alain Volondat, Vladimir Ashkenazy, Valery Afanassiev, Andrei Nikolsky, Malcolm Frager, Jeffrey Swann, Cécile Ousset, Frank Braley, Wolfgang Manz & Anna Vinnitskaya Live recordings, newly restored and remastered, good sound quality & great live performances dating from 1951 to 2010. In 2012, the Queen Elisabeth International Music Competition celebrated the 75th anniversary of the Eugène Ysaÿe Competition, inaugurated in 1937 on the initiative of Queen Elisabeth of Belgium. That very first competition, devoted to the violin and won by David Oistrakh, was followed in 1938 by the first competition for the piano, which was one by another, equally prestigious, Russian: Emil Gilels! After an interruption caused by the Second World War, the Competition returned, taking the name of its patron: from now on, it would be known as the Queen Elisabeth Competition. The first piano competition, in 1952, was won by an American whose name would go down in history: Leon Fleisher. Now a veritable institution, the Competition has for three quarters of a century been one of the most prestigious of its kind and one of the most demanding for its participants. The quality of its international jury, brought together year after year to judge talented young musicians from every corner of the world, is one of its most important assets. Following the success of the box set devoted to the violin, which was released in 2012, muso has delved in the treasure trove of the Queen Elisabeth Competition’s archives once again and put together a deluxe box set of 5 CDs, containing 12 of the most celebrated piano concertos in the repertoire as performed by outstanding laureates, including 9 First Laureates. Almost 60 years separate the performances of Leon Fleisher (1952) in Brahms’s First Concerto and Denis Kozhukhin (2010) in his Second; for the first time on CD, we can now enjoy that incredible evening in 1983 when a young Frenchman, Pierre-Alain Volondat, just 20 years of age, triumphed in Liszt’s Second Concerto, making his mark on the history of the Competition. Prominent in this selection, too, are those laureates who won a succession of the Competition’s First Prizes against the background of the Cold War: the Russians Vladimir Ashkenazy, Valery Afanassiev, and Andrei Nikolsky and the Americans Malcolm Frager and Jeffrey Swann. This set also allows us to rediscover personalities who made a sensational impact on both audiences and juries: Cécile Ousset in 1956 and the emerging talents of Frank Braley in 1991, the German pianist Wolfgang Manz in 1983, and, more recently, Anna Vinnitskaya. Presented in a luxury book-disc that has been produced in the best possible technical conditions on the basis of archives spanning more than half a century, this box set plunges you into the electric atmosphere of the Brussels Palais des Beaux-Arts (Centre for Fine Arts) on those unforgettable final evenings. | 
| | | Scheduled for release on 1 July 2013. Order it now and we will deliver it as soon as it is available. |
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