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See Terms & Conditions for p&p rates. | |  | (sung in German)
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| |  | A Guided Tour of the Romantic Era, Vol. 5
Rivka Golani (viola), Sidney Green (cor anglais), Elsa Maurus (mezzo-soprano), Alain Vernhes (baritone), Michael Myers (tenor), Fernand Bernardi (bass), Antoine Garcin (baritone), Jean-Luc Viala (narrator), Michael Schade (tenor), Janez Lotric (tenor), Peter Holder (organ), Laura Hicks (soprano), Ruth Ziesak (soprano), Ralf Lukas (bass), Claudia Mahnke (mezzo-soprano), Mary Nelson (soprano), Majella Cullagh (soprano), Takako Nishizaki (violin), Benjamin Frith (piano) San Diego Symphony Orchestra, San Diego Master Chorale, Lille National Orchestra, Slovak Philharmonic Chorus, Ile de France Vittoria Regional Choir, Elora Festival Orchestra, Toronto Mendelssohn Youth Choir, Toronto Mendelssohn Choir, Slovak Radio Symphon, Yoav Talmi, Jean-Claude Casadesus, Noel Edison, Ondrej Lenard, Christian Pollack, Ernst Marzendorfer, Anthony Bramall, Johannes Wildner, Keith Clark, Tom Winpenny, Jun Markl, Oliver Dohnanyi, Reinhard Seifried, Kenneth Jean, Robert Stankovsky |
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| |  | A Guided Tour of Nationalism in the Romantic Era, Vol. 4
Francesco Ellero d' Artegna (bass), Luba Orgonasova (soprano), Alexandra Papadjiakou (mezzo-soprano), Dilber (soprano), Raul Gimenez (tenor), Nanco de Vries (bass), Marian Vach (choirmaster), Domenico Trimarchi (baritone), Franco de Grandis (bass), Enrico Facini (tenor), Alessandro Cosentino (tenor), Cesar Hernandez (tenor), Carlo Colombara (bass), Elena Filipova (soprano), Gloria Scalchi (mezzo-soprano), Rivka Golani (viola), Sidney Green (cor anglais), Elsa Maurus (mezzo-soprano), Michael Myers (tenor), Alain Vernhes (baritone), Fernand Bernardi (bass), Antoine Garcin (baritone), Jean-Luc Viala (narrator), Michael Schade (tenor), Idil Biret (piano) Netherlands Radio Choir, Netherlands Radio Chamber Orchestra, Slovak Radio Symphony Orchestra, Marchigiana Philharmonic Orchestra, Ireland National Symphony Orchestra, Slovak Philharmonic Chorus, Bournemouth Symphony Orchestra, Hungarian State Opera Orche, Alberto Zedda, Will Humburg, Alexander Rahbari, Daniele Callegari, Ricco Saccani, Oliver Dohnanyi, Jose Serebrier, Pier Giorgio Morandi, Yoav Talmi, Jean-Claude Casadesus, Noel Edison |
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This recording has iconic artists such as: Juliane Banse (Soprano), Ingeborg Danz (Alto), Michael Schade (Tenor), Andreas Schmidt (Bass), who are accompanied by the Gächinger Kantorei Stuttgart, Prager Kammerchor, and the Tschechische Philharmonie all under the expert baton of maestro Helmuth Rilling. |
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| |  | Live-Recording: Aula Paolo VI, Vatikan (Rome), 27th October 2007
Hollow pathos is not his thing. From an artist like Mariss Jansons Friedrich Schiller’s Ode: “An die Freude” must receive a far deeper significance, which also fully encompasses the doubt and profound hope embodied in this text. And thus, in Jansons’s recording of the Ninth Symphony, the choral finale does not degenerate to mere superficial orgy of jubilation, but rather becomes a delicately balanced, wisely developed drama. On October 27, 2007, the Symphonieorchester des Bayerischen Rundfunks played Beethoven’s Ninth in the presence of the Pope in the Vatican. The recording of this memorable concert is now being released in the highest audiophile recording quality as a multi-channel SACD (hybrid) Beethoven’s Ninth with a solo ensemble of international star singers. Up-to-date, audiophile recording from 2007 in high-resolution SACD format. Mariss Jansons with one of the most significant symphonic works in the classic repertoire. “The key to Jansons's reading is its clarity and understated intensity, the stripping away of all extraneous gesture and, in the finale, of any hint of easy triumphalism...The finale is indeed impressive. Words are clear and pitches secure in which a sense of joy that is at best provisional strongly etched.” Gramophone Magazine, February 2011 “Jansons possesses and harnesses an intense interpretative energy, lending the whole performance an inevitability of direction and giving the symphonic climaxes an utterly natural, visceral force...a fine testament to Jansons’s art and a classic Beethoven “Choral”.” The Telegraph, 21st January 2011 **** “Jansons takes a broader view of the Choral Symphony than we're used to these days. His solemn approach is most effective in the first movement, bringing out not only the music's rugged grandeur but also the strain of melancholy that runs through it...Jansons's finale benefits from a strong team of soloists, with Michael Volle particularly fine in the all-important baritone part.” BBC Music Magazine, March 2011 **** | | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Bach, J S: St John Passion, BWV245 (excerpts)
Helmuth Rilling’s interpretation of Bach’s dramatic St. John Passion remains one of the definitive versions ever recorded. The following disc features a program of arias and selected choruses, drawn from the international award winning “Edition Bachakademie”. These are stunning performances, featuring the vocal artistry of Michael Schade, Matthias Goerne, Juliane Banse, Ingeborg Danz, James Taylor, Andreas Schmidt, and some of the finest musicians in Europe. This disc will be thoroughly enjoyed by the serious collector and the casual listener. | | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| | ![Requiem[s]](http://i.prs.to/t_200/naivev5058.jpg) | Requiem[s]
Berlioz: | Grande Messe des Morts, Op. 5 (Requiem) - Sanctus Michael Schade Toronto Mendelssohn Choir & Elora Festival Orchestra, Noel Edison | Biber: | Requiem ex F con terza minore: Sanctus Arsys Bourgogne, Pierre Cao | Brahms: | Denn alles Fleisch (from Ein Deutsches Requiem, Op. 45) Brigitte Engerer & Boris Berezovsky Accentus, Laurence Equilbey | Caurroy: | Requiem des Rois de France: Agnus Dei Doulce Mémoire Denis Raisin Dadre | Cherubini: | Requiem: Pie Jesu Chorus Musicus Köln & Das neue Orchester, Christoph Spering | Duruflé: | Requiem, Op. 9: Sanctus Ensemble Vocal Michel Piquemal & Orchestre de la Cité, Michel Piquemal | Dusapin: | Dona eis Introit Accentus & Ars Nova, Laurence Equilbey | Dvorak: | Requiem, Op. 89: Dies Irae Chœur et Orchestre Philharmonique Tchèque, Wolfgang Sawallisch | Fauré: | Requiem: Pie Jesu Lisa Beckley Schola Cantorum of Oxford & Oxford Camerata, Jeremy Summerly Requiem: Sanctus Lisa Beckley Schola Cantorum of Oxford & Oxford Camerata, Jeremy Summerly | Hasse, J A: | Requiem: Agnus Dei Greta De Reyghere & Susanna Moncayo von Hase Il Fondamento, Paul Dombrecht | Mozart: | Introitus from Requiem Iride Martinez Chorus Musicus Köln & Das neue Orcheste, Christoph Spering Requiem in D minor, K626 - Lacrimosa Iride Martinez Chorus Musicus Köln & Das neue Orcheste, Christoph Spering | Ravel: | Deux mélodies hébraïques: Kaddisch Sumi Jo Gürzenisch-Orchester Kölner Philharmoniker, James Conlon | Saint-Saëns: | Requiem, Op. 54: Agnus Dei Orchestre national d’Ile de France, Jacques Mercier | Verdi: | Dies Irae (from Requiem) Chœur et Orchestre de l’Opéra d’Etat de Hongrie, Pier Giorgio Morandi |
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| |  | Mozart: Arie e Duetti
Isabel Bayrakdarian (soprano), Michael Schade (tenor), Russell Braun (baritone) | |
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