Samuel Ramey

Bass

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Rossini: La donna del lago

Rossini: La donna del lago


Katia Ricciarelli (Elena), Lucia Valentini-Terrani (Malcolm), Dalmacio Gonzalez (Uberto/Giacomo), Dano Raffanti (Rodrigo di Dhu), Samuel Ramey (Douglas d'Angus), Cecilia Valdenassi (Albina), Oslavio Di Credico (Serano), Antonio D' Uva (Bertram)

Prague Philharmonic Chorus & Chamber Orchestra of Europe, Maurizio Pollini

Rossini’s La donna del lago, loosely based on Sir Walter Scott’s The Lady of the Lake, “succeeds in conjuring up the atmosphere of the Scottish Highlands,” said BBC Music Magazine. “This tuneful, delicately orchestrated opera of innocent Romantic charm is given a splendid performance by the Chamber Orchestra of Europe under Maurizio Pollini and its cast could hardly be bettered today. Katia Ricciarelli brings to the title role rich creamy tone and a fine appreciation of the style, and Lucia Valentini Terrani is impressive in the travesti role of Malcolm. The two high-lying tenor parts are sung with assurance by Dalmacio Gonzales and Dano Raffanti, and Samuel Ramey is a tower of strength as Douglas, the heroine’s father. The recording is admirably clear and sensibly balanced.”

Sony - Sony Classical Opera - 88985397962

(CD - 2 discs)

$13.25

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Bach: Mass in B minor

Bach: Mass in B minor


Bach, J S:

Mass in B minor, BWV232

Margaret Marshall (soprano I), Janet Baker (soprano II / alto), Robert Tear (tenor) & Samuel Ramey (bass)

Academy & Chorus of St Martin in the Fields

Cantata BWV56 'Ich will den Kreuzstab gerne tragen'

John Shirley-Quirk (baritone)

The St. Anthony Singers & Academy of St. Martin in the Fields


For long out of the catalogue, Marriner’s (Philips) recording of Bach’s B Minor Mass, with an array of splendid soloists, returns to circulation. Its coupling is the first release on CD of this recording of the deeply moving Cantata BWV 56 ‘Ich will den Kreuzstab gerne tragen’. It was one of two (extant) Bach cantatas for bass voice alone (the other being BWV 82 ‘Ich habe genug’: Shirley-Quirk’s recording with Marriner appears on Decca Eloquence 476 2684). The two items were recorded thirteen years apart, the Cantata in April 1964 and the Mass in June-July 1977. The partnership of Neville Marriner and the Academy of St. Martin in the Fields is possibly the most recorded of all partnerships in recorded classical music. This pioneering 2CD set is issued in celebration of the Academy’s 50th anniversary this year and these recordings form part of a series of Marriner reissues on Eloquence.

Marriner’s glorious recording of Bach’s Mass in B minor returns to the catalogue – at budget price for the first time.

The Cantata BWV 56 receives its first release on CD.

Forms part of a series of recordings with Marriner and the Academy.

“I found the solo singing rewarding and in particular Dame Janet Baker’s account of the Agnus Dei very moving … the sound is rich with plenty of bloom ... Cum Sancto Spiritu is a real choral tour de force” Gramophone Magazine (Mass)

“This disc is, I would say, the one to have; and, more than any of his previous recordings, it makes apparent beyond doubt John Shirley-Quirk’s high standing as an artist” Gramophone Magazine (Cantata)

Australian Eloquence - ELQ4802338

(CD - 2 discs)

$12.25

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Puccini: La Rondine

Puccini: La Rondine


Angela Gheorghiu (Magda), Roberto Alagna (Ruggero), Lisette Oropesa (Lisette), Samuel Ramey (Ramblado), Marius Brenciu (Prunier)

Orchestra & Chorus of the Metropolitan Opera, New York, Marco Armiliato

Angela Gheorghiu and Roberto Alagna star in the 2009 Metropolitan Opera production of Puccini’s La Rondine (The Swallow). This new production, directed by Nicholas Joël, was the company’s first staging in 70 years.

This elegant romance is the least-known work of the mature Giacomo Puccini. The story concerns a kept woman who defies convention to chase a dream of romantic love with an earnest, if naïve, young man. This Met Opera production features the dynamic soprano Angela Gheorghiu and Frenchborn tenor Roberto Alagna performing the roles of Magda and Ruggero, it blooms into its rightful place in the glorious Puccini canon.

La Rondine (The Swallow) was commissioned by Vienna’s Carltheater in 1913. Due to the impending outbreak of World War I, premiered in 1917, at the Opéra de Monte-Carlo with Gilda Dalla Rizza and Tito Schipa. Set in a Parisian salon, it is the story of Magda, the glamorous mistress of wealthy banker Rambaldo. Her yearning for romantic love compels her into the arms of the ardent and adoring young Ruggero.

The New York Times hailed the Art-Deco set production as “as sophisticated, charming and poignant”. This DVD features the 10th January, 2009 performance of the opera, which was aired globally in HD as well as two bonus interview featurettes: the first with Gheorghiu and Alagna; the second with Lisette Oropesa and Marius Brenciu, who sing the roles Lisette and Prunier respectively.

“Ms. Gheorghiu, as Magda, sings with gleaming sound and wonderfully dusky colorings…The conductor, Marco Armiliato, in what may be his best work to date at the Met, draws a nuanced and supple performance from the orchestra. I thought I knew this score quite well, but have never been so struck by the intricacies of the music”. The New York Times

“Mr Alagna supplied plenty of vocal and physical glamour and equal amounts of intelligent phrasing and text-reading; his boyish Ruggero was entirely sympathetic and very moving”. Classics Today

“I have never heard Alagna sing better, and Gheorghiu is at her sumptuous best. There are comparably beautiful performances by the younger couple, Marius Brenciu and Lisette Oropesa” New York Daily News

Bonuses:

Interview with Angela Gheorghiu & Roberto Alagna (3’35)

Interview with Lisette Oropesa & Marius Brenciu (4’21)

“at the centre is Angela Gheorghiu in richest, creamiest voice. At her side for most of the time is Roberto Alagna, singing with tone that is resonant if not refulgent...Marco Armiliato conducts with enthusiasm, and the glimpses of scenery-changing reveal a hinter-realm of awesome complexity under unfazed control.” Gramophone Magazine, December 2010

“Armiliato's conducting...captures the right warmth, and the former Dream Team still look superb...The lyrical young Ruggero still suits Alagna...Ramey's now leathery tone embodies Ramblado's elderly urbanity, and the Met's lesser roles are typically strong. Overall, then, this is [a] fine performance that undoubtedly confirms Rondine's renewed status.” BBC Music Magazine, December 2010 *****

“ Joël's production...has updated the opera to the 1920s without harming the action or sensibility of the work...Armiliato leads a reading that precisely catches the bittersweet quality of the score without falling into sentimentality; indeed he almost sells it as something other than 'the day off of a genius'.” International Record Review, December 2010

“the Metropolitan Opera sets are wonderfully elegant...Consistently, Gheorghiu makes you share the courtesan's wild dream of finding her young ardent lover...Alagna winningly characterizes in his freshest voice” Penguin Guide, 2011 edition

Presto Disc of the Week

6th September 2010

DVD Video

Region: 0

Format: NTSC

Summer Opera Sale

EMI - 6316189

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Rossini: Messa di Gloria

Rossini: Messa di Gloria


Sumi Jo (soprano), Ann Murray (contralto), Francisco Araiza (tenor), Raúl Gimenez (tenor) & Samuel Ramey (bass)

Academy and Chorus of St Martin in the Fields, Sir Neville Marriner

Recorded: London, 1992

Philips - Originals - E4757781

(CD)

$9.50

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Essential Opera

Essential Opera


Bizet:

Carmen: Prelude to Act I

La fleur que tu m'avais jetée (from Carmen)

L'amour est un oiseau rebelle 'Habanera' (from Carmen)

Au fond du temple saint (from Les Pêcheurs de Perles)

Catalani:

Ebben? Ne andrò lontana (from La Wally)

Cilea:

È la solita storia 'Lamento di Federico' (from L'Arlesiana)

Delibes:

Sous le dôme épais (from Lakmé)

Gounod:

Gloire immortelle de nos aïeux (from Faust)

Leoncavallo:

Recitar!...Vesti la giubba (from I Pagliacci)

Mascagni:

Cavalleria Rusticana: Intermezzo

Mozart:

Voi che sapete (from Le nozze di Figaro)

Fin ch'han dal vino (from Don Giovanni)

Non piu andrai, farfallone amoroso (from Le Nozze di Figaro)

Soave sia il vento (from Così fan tutte)

La ci darem la mano (from Don Giovanni)

Dove sono i bei momenti (from Le nozze di Figaro)

Der Vogelfänger bin ich, ja (from Die Zauberflöte)

Offenbach:

Barcarolle (from Les Contes d'Hoffmann )

Puccini:

Vissi d'arte (from Tosca)

Che gelida manina (from La Bohème)

O mio babbino caro (from Gianni Schicchi)

Nessun dorma (from Turandot)

Un bel di vedremo (from Madama Butterfly)

Donna non vidi mai (from Manon Lescaut)

Non piangere, Liù! (from Turandot)

Humming Chorus (from Madama Butterfly)

Signore, ascolta! (from Turandot)

E lucevan le stelle (from Tosca)

Si, mi chiamano Mimi (from La Bohème)

O soave fanciulla (from La Bohème)

Rossini:

Largo al factotum (from Il barbiere di Siviglia)

Una voce poco fa (from Il barbiere di Siviglia)

Verdi:

Anvil Chorus (from Il Trovatore)

Bella figlia dell'amore (from Rigoletto)

Va, pensiero (from Nabucco)

Gloria all'Egitto (from Aida)

Un dì felice, eterea (from La traviata)

La donna è mobile (from Rigoletto)

Wagner:

Die Walküre: Ride of the Valkyries


Decca - 4756649

(CD - 2 discs)

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Verdi: Don Carlo

Verdi: Don Carlo

Four-act Italian version


Luciano Pavarotti (Don Carlo), Samuel Ramey (Filippo II), Paolo Coni (Rodrigo), Daniela Dessi (Elisabetta), Luciana D’intino (Eboli), Alexander Anisimov (Il Grande Inquisitore), Marilena Laurenza (Tebaldo), Nuccia Focile (Una voce dal cielo), Orfeo Zanetti (Il Conte di Lerma), Mario Bolognesi (Un Araldo Reale), Un Araldo Reale (Un Frate)

Chorus & Orchestra of La Scala, Milan, Riccardo Muti

Subtitles: English, French, German, Italian, Spanish

“If you want the edition of the work revised in Italian by Verdi, first performed in 1884, this is your only choice to date on DVD – and it proves, as it did on VHS, a satisfying experience.
The work in this form is tauter and more direct than the five-act French original caught on the DVD of the Chatêlet production conducted by Pappano. Those who know Zeffirelli's style won't be surprised by the conventionally lavish production, but it effectively evokes the atmosphere of religious oppression and personal antagonisms Verdi so unerringly depicts.
The dark-hued, threatening setting fits Muti's energetic, rhythmically vital conception. He quickens the emotions in a peculiarly Italianate way, and throughout evinces a feeling for the colouring of the score. His reading is in turn a good background for some thoughtful and idiomatic singing.
Pavarotti delivers Carlo's music in a typically fervent manner, words ideally placed on the voice and his tone consistently firm and pliable.
His girth makes him unconvincing as the small, lean, nervous Carlo of history, but his simple, sincere acting is its own advocate. Daniella Dessì looks the very image of the wronged, sympathetic Elisabetta and sings with feeling and good phrasing. Paolo Coni offers a concerned, upright Rodrigo, sung in warm tones though he sometimes loses focus under pressure.
Zeffirelli's video direction is well fashioned and the sound picture catches the aural ambience of La Scala. As a whole, this is a vivid experience.”
Gramophone Classical Music Guide, 2010

DVD Video

Region: 0

Format: NTSC

Summer Opera Sale

EMI - 5994429

(DVD Video - 2 discs)

Normally: $17.00

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Mozart 225: Legendary Opera Performances

Mozart 225: Legendary Opera Performances


Mozart:

Ruhe sanft, mein holdes Leben (from Zaïde)

Durch Zärtlichkeit und Schmeicheln (from Die Entführung aus dem Serail)

Martern aller Arten (from Die Entführung aus dem Serail)

Fuor del mar ho un mar in seno (Idomeneo)

Torna la pace (from Idomeneo)

Non so più cosa son, cosa faccio (from Le nozze di Figaro)

Non piu andrai, farfallone amoroso (from Le Nozze di Figaro)

Voi che sapete (from Le nozze di Figaro)

Dove sono i bei momenti (from Le nozze di Figaro)

Deh vieni, non tardar (from Le nozze di Figaro)

La ci darem la mano (from Don Giovanni)

Or sai chi l'onore (from Don Giovanni)

Fin ch'han dal vino (from Don Giovanni)

Batti, batti, o bel Masetto (from Don Giovanni)

Deh! vieni alla finestra (from Don Giovanni)

Soave sia il vento (from Così fan tutte)

Ah, scostati!...Smanie implacabili, che m'agitate (from Così fan tutte)

Come scoglio (from Così fan tutte)

Dies Bildnis ist bezaubernd schön (from Die Zauberflöte)

O zittre nicht (from Die Zauberflöte)

In diesen heil'gen Hallen (from Die Zauberflöte)

Ah perdona al primo affetto (from La Clemenza di Tito)

Non più, tutto ascoltai - Non temer, amato bene, K490

Hier soll ich dich denn sehen (from Die Entführung aus dem Serail)

Wenn der Freude Tränen fließen (from Die Entführung aus dem Serail)

Se vuol ballare (from Le nozze di Figaro)

Non so più cosa son, cosa faccio (from Le nozze di Figaro)

Porgi amor (from Le nozze di Figaro)

Venite, inginocchiatevi (from Le nozze di Figaro)

Sull' aria che soave zeffiretto (from Le Nozze di Figaro)

La ci darem la mano (from Don Giovanni)

Dalla sua pace (from Don Giovanni)

Riposate vezzose, regazza (Don Giovanni)

Il mio tesoro intanto (from Don Giovanni)

Mi tradì quell'alma ingrate (from Don Giovanni)

La mia Dorabella capace non e' (from Così fan tutte)

È la fede delle femmine (from Così fan tutte)

Una bella serenata (from Così fan tutte)

Un'aura amorosa del nostro tesoro (from Così fan tutte)

Dies Bildnis ist bezaubernd schön (from Die Zauberflöte)

Bei Männern, welche Liebe fühlen (from Die Zauberflöte)

Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte)

Ein Mädchen oder Weibchen (from Die Zauberflöte)


Renée Fleming (soprano), Anna Prohaska (soprano), Cheryl Studer (soprano), Stephen Orton (cello), Kenneth Sillito (violin), Christine Messiter (flute), Celia Nicklin (oboe), Plácido Domingo (tenor), Luciano Pavarotti (tenor), Cecilia Bartoli (mezzo-soprano), Samuel Ramey (bass), Frederica von Stade (mezzo-soprano), Kiri Te Kanawa (soprano), Anna Netrebko (soprano), Bryn Terfel (bass-baritone), Margaret Price (soprano), Stuart Burrows (tenor), Sir Thomas Allen (baritone), Franz Bartolomey (cello obbligato), James Ellis (mandolin), Miah Persson (soprano), Christine Rice (mezzo-soprano), Dame Janet Baker (mezzo-soprano), Montserrat Caballé (soprano), Jonas Kaufmann (tenor), Sumi Jo (soprano), Kurt Moll (bass), Elina Garanca (mezzo-soprano), Irmgard Seefried (soprano), Wolfgang Schneiderhan (violin), Fritz Wunderlich (tenor), Hermann Prey (baritone), Tatiana Troyanos (mezzo-soprano), Gundula Janowitz (soprano), Mirella Freni (soprano), Edith Mathis (soprano), Cesare Siepi (bass), Hilde Gueden (soprano), Léopold Simoneau (tenor), Lisa della Casa (soprano), Anton Dermota (tenor), Suzanne Danco (soprano), Fernando Corena (bass), Walter Berry (bass), Leontyne Price (soprano), Ernst Haefliger (tenor), Dietrich Fischer-Dieskau (baritone), Lucia Popp (soprano), Tom Krause (baritone), Rita Streich (soprano)

Orchestra Of St Luke's, Chamber Orchestra Of Europe, Academy of St. Martin in the Fields, Metropolitan Opera Orchestra, Wiener Philharmoniker, Wiener Kammerorchester, London Philharmonic Orchestra, Orchestra dell'Accademia Nazionale di Santa Cecilia, Scot, Sir Charles Mackerras, Yannick Nézet-Séguin, Sir Neville Marriner, James Levine, Sir John Pritchard, György Fischer, Sir Georg Solti, Herbert von Karajan, Nikolaus Harnoncourt, Myung Whun Chung, Sir Colin Davis, Claudio Abbado, Ferdinand Leitner, Eugen Jo

Decca Mozart 225 - 4831857

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Mozart: The Singles - 66 Classic Tracks

Mozart: The Singles - 66 Classic Tracks


András Schiff (piano), Barry Tuckwell (horn & director), Members of the Netherlands Wind Ensemble (chamber ensemble), Hagen Quartett (string quartet), Joshua Bell (violin), Erik Smith (harpsichord), Lang Lang (piano), Alfred Brendel (piano), Mitsuko Uchida (piano), Samuel Ramey (bass), Frederica von Stade (mezzo-soprano), Thomas Quasthoff (bass-baritone), Bryn Terfel (bass-baritone), Peter Hurford (organ), Wim Straesser (cello), Brian Pollard (bassoon), Henk Rubingh (violin), Margaret Urquhart (double bass), Johan Kracht (violin), Sylvia McNair (soprano), David Jolley (horn), Johann Strauss Orchestra, André Rieu, Sumi Jo (soprano), Francesco Piemontesi (piano), Timothy Brown (french horn), Felix Warnock (bassoon), Nicholas Hill (french horn), Julian Baker (french horn), Raymund Koster (double bass), Colin Horton (french horn), Graham Sheen (bassoon), Angela Malsbury (basset horn), Celia Nicklin (oboe), Barry Davis (oboe), Richard West (clarinet), Antony Pay (clarinet), Hale Hambleton (basset horn), Chamber Orchestra Of Europe (chamber orchestra), Barry Tuckwell (horn), Kenneth Essex (viola), Willi Boskovsky (director), Lukas Hagen (violin), Rainer Schmidt (violin), Veronika Hagen (viola), Clemens Hagen (cello), Hélène Grimaud (piano), Mark Steinberg (violin), Arleen Augér (soprano), Alicia de Larrocha (piano), Stewart Rose (horn), William Purvis (horn), Randall Wolfgang (oboe), Todd Phillips (violin), Naoko Tanaka (violin), Maureen Gallagher (viola), Donald Palma (double bass), Géza Anda (piano), Jack Brymer (clarinet), Itzhak Perlman (violin), Daniel Barenboim (piano), Sir James Galway (flute), Catrin Finch (harp), Martha Argerich (piano), Vladimir Ashkenazy (piano), Kiri Te Kanawa (soprano), Miah Persson (soprano), Sonya Yoncheva (soprano), Jory Vinikour (fortepiano), Edith Mathis (soprano), Gundula Janowitz (soprano), Christine Rice (mezzo-soprano), Jan Lisiecki (piano), Harold Wright (clarinet), Jules Eskin (cello), Laura Park (violin), Malcolm Lowe (violin), Burton Fine (viola), Maria João Pires (piano), Patrick Ireland (viola), Bernard Gregor-Smith (cello), Ronald Birks (violin), The Lindsays (string quartet), Peter Cropper (violin), Robin Ireland (viola), Rundfunkchor Leipzig (chorus)

Wiener Mozart Ensemble, Wiener Mozart Ensemble, English Chamber Orchestra, Wiener Philharmoniker, Camerata Academica des Mozarteums Salzburg, Camerata Academica des Mozarteums Salzburg, Members of the Netherlands Wind Ensemble, Hagen Quartett, Scottish Ch, Willi Boskovsky, James Levine, Sándor Végh, Peter Maag, Sir Charles Mackerras, Sir Neville Marriner, Sir Georg Solti, Herbert von Karajan, Sebastian Weigle, John Eliot Gardiner, Josef Krips, Sir Colin Davis, Yannick Nézet-Séguin, George Szell, Barry Rose,

Decca - 4831051

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Boito: Mefistofele

Boito: Mefistofele


Samuel Ramey (Mefistofele), Michele Crider (Elena/Margherita), Vincenzo La Scola (Faust), Eleonora Jankovic (Martha), Ernesto Gavazzi (Wagner/Nereo), Eleonora Jankovic (Pantalis)

Orchestra e Coro del Teatro alla Scala, Riccardo Muti

Arrigo Boito, Verdi’s greatest librettist, was also a noted composer, best known for his Italian operatic treatment of Goethe’s tragedy Faust. His MEFISTOFELE is much closer in spirit and letter to the original source than Gounod’s French version of a decade or so earlier. Boito seems to have been more fascinated by Mephistopheles than by the title character (he also augmented the role of another famous villain, Iago, in adapting Shakespeare’s Othello for Verdi). There are numerous complete versions of recordings of Mefistofele on disc, but BBC Music Magazine gave its highest rating to this 1995 live recording from La Scala, conducted by Riccardo Muti: “It is Samuel Ramey who dominates this new recording. Ramey was already a splendid Mefistofele on a 1991 recording, but here he is even more in command of the role, and has the advantage of Muti’s masterly conducting. Michele Crider is an affecting Margherita and Vincenzo La Scola a mellifluous Faust.”

RCA Sony Classical Opera - 88985334942

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Divas in Song at Carnegie Hall, New York City, December 8, 1991

Divas in Song at Carnegie Hall, New York City, December 8, 1991


Bolcom:

Amor

Frederica von Stade (mezzo-soprano), Martin Katz (piano)

Brahms:

Von ewiger Liebe, Op. 43 No. 1

Marilyn Horne (mezzo-soprano), Martin Katz (piano)

Britten:

Let the florid music praise! (from On this Island)

Renée Fleming (soprano), Warren Jones (piano)

Copland:

At the River

Marilyn Horne (mezzo-soprano), Martin Katz (piano)

Foster, S:

If You’ve Only Got a Moustache

Marilyn Horne (mezzo-soprano), Martin Katz (piano)

Granados:

Goyescas: Quejas ó La Maja y el Ruiseñor

Montserrat Caballé (soprano), Manuel Burgueras (piano)

Kander, J:

A Letter from Sullivan Ballou

Renée Fleming (soprano), Warren Jones (piano)

Kern:

Ol' Man River (from Showboat)

Samuel Ramey (bass), James Levine (piano)

Lehár:

Viljalied (from Die lustige Witwe)

Helen Donath (soprano), Klaus Donath (piano)

Dein ist mein ganzes Herz (from Das Land des Lächelns)

Olafur Bjarnason (tenor), Warren Jones (piano)

Mahler:

Lob des hohen Verstandes (Des Knaben Wunderhorn)

Marilyn Horne (mezzo-soprano), Martin Katz (piano)

Martini, J P:

Plaisir d'amour

Marilyn Horne (mezzo-soprano), Martin Katz (piano)

Rachmaninov:

Vocalise, Op. 34 No. 14

Ruth Ann Swenson (soprano), Warren Jones (piano)

Rodgers, R:

Oklahoma: O what a beautiful morning

Helen Donath (soprano), Klaus Donath (piano)

Schoenberg:

Arie aus dem Spiegel von Arcadien

Frederica von Stade (mezzo-soprano), Martin Katz (piano)

Schubert:

Der Musensohn, D764 (Goethe)

Frederica von Stade (mezzo-soprano), Martin Katz (piano)

Strauss, J, II:

Frühlingsstimmen Walzer Op. 410

Ruth Ann Swenson (soprano), Warren Jones (piano)

Strauss, R:

Ständchen, Op. 17 No. 2

Renée Fleming (soprano), Warren Jones (piano)

Zueignung, Op. 10 No. 1

Helen Donath (soprano), Klaus Donath (piano)

trad.:

Happy Birthday To You

Renée Fleming (soprano), Frederica von Stade (mezzo-soprano), Montserrat Caballé (soprano), Marilyn Horne (mezzo-soprano), Ruth Ann Swenson (soprano), Samuel Ramey (bass), Helen Donath (soprano), Olafur Bjarnason (tenor), Warren Jones (piano), Martin Katz (piano)

Turina:

Poema en forma de canciones, Op. 19: No. 3, 'Cantares'

Montserrat Caballé (soprano), Manuel Burgueras (piano)


Sony - G010003426167M

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