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See Terms & Conditions for p&p rates. | |  | Monteverdi - Lamento della Ninfa & Madrigals from the 8th Book
Concerto Italiano, Rinaldo Alessandrini In the Lamento della Ninfa, Monteverdi developed a completely new style, with amazing intensity and impressive dramatic power. This recording by Rinaldo Alessandrini and Concerto Italiano was a “Gramophone Award Winner” in the year of its release. | 
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| |  | Vivaldi
Vivaldi: | Il cimento dell'armonia e dell'inventione - 12 concerti, Op. 8 Cello Sonata in A minor, RV44 Concerto for mandolin, strings & organ in C major, RV554 Cello Sonata in G minor, RV42 Concerto for 2 mandolins, strings & organ in G minor, RV460 Recorder Concerto in C minor, RV441 Recorder Concerto in C major, RV444 Recorder Concerto in F major RV433 'La tempesta di mare' Flautino Concerto in C major, RV443 Flute Concerto No.5 in F RV434 Flute Concerto No. 2 in G minor, RV439 (Op. 10 No. 2) 'La Notte' Concerto for strings No. 6, RV 154 Concerto In B Flat Major RV 367 Concerto No. 2 'Con due Violini e Violoncello obligato', RV 578 Concerto for strings, RV 124 Concerto In G Minor RV 302 Concerto No. 8 'Con due Violini obligati', RV 522 Jubilate, o amoeni chori RV639 Gloria, RV588 Stabat Mater, RV621 |
Enrico Cassaza (violin), Marten Scheffer, Rens van der Zalm (mandolins), Krijn Koetsveld (organ), Viola de Hoogh (cello), Dan Laurin (recorder), Fabio Biondi (violin), Marjon Strijk (soprano), Sytse Buwalda (alto), Martinus Leusink (tenor), Jeroen Assink (bass) La Magnifica Comunità, Malipiero Ensemble, Drottningholm Baroque Ensemble, Concerto Italiano, Holland Boys Choir, Netherlands Bach Collegium, Krijn Koetsveld, Rinaldo Alessandrini, Pieter Jan Leusink |
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Sara Mingardo, Sonia Prina, Marianna Kulikova, Laura Giordano, Riccardo Novaro & Sergio Foresti Concerto Italiano, Rinaldo Alessandrini “The vocal performances here are outstanding” - Opera News on the complete version | | | In stock - usually despatched within 1 working day. |
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Monica Piccinini, Anna Simboli (soprano), Sara Mingardo (contralto), Furio Zanasi, Luca Dordoli (tenor) & Sergio Foresti, Antonio Abete (bass) Concerto Italiano, Rinaldo Alessandrini This new recording of Monteverdi’s “Orfeo”, a work which is generally considered to be the first true opera in musical history, marks its 400th anniversary. It is performed in a new version developed by one of the world’s leading experts on the composer’s music, Rinaldo Alessandrini and his internationally acclaimed ensemble Concerto Italiano, and presented in a luxurious limited edition of 2 CDs within an illuminating book. “The first opera to survive in the modern repertoire had its premiere in Mantua 400 years ago. It’s hard to imagine a finer anniversary present than Alessandrini’s superbly theatrical and brilliantly sung version.” Sunday Times – No.1 Classical Album of the Year | | | In stock - usually despatched within 1 working day. |
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| |  | Baroque Treasures - Volume 9
Concerto Italiano, Rinaldo Alessandrini With his Fifth Book of Madrigals Monteverdi cast off the conventions of his time and created a style in which the music served the words and the expression of emotions: the birth of Baroque. Gramophone Editor’s Choice | | | In stock - usually despatched within 1 working day. |
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| |  | Baroque Treasures - Volume 8
Deborah York, Gemma Bertagnolli & Sara Mingardo Concerto Italiano, Rinaldo Alessandrini This first oratorio written by Handel in Rome shows already the marvellous virtuosity of his writing at that time, as well as his fine assimilation of the Italian style. Pure enjoyment. | | | In stock - usually despatched within 1 working day. |
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| |  | Baroque Treasures - Volume 13
Concerto Italiano, Rinaldo Alessandrini A masterly composition on a par with the famous version by Pergolesi. Like his father Alessandro (whose Magnificat, performed by the same artists, was released this spring), Domenico Scarlatti brings, to an already somewhat archaic style, great modernity and a most moving expression of the emotions. | | | In stock - usually despatched within 1 working day. |
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| |  | Baroque Treasures - Volume 14Vivaldi - Cantatas and Concertos
Sara Mingardo (alto), Francesca Vicari (violin), Luigi Piovano (cello) Concerto Italiano, Rinaldo Alessandrini Vivaldi composed for the violin, Vivaldi composed for the contralto voice... always with a wealth of inspiration, as well as impressive virtuosity, and constant joy and vitality. | | | In stock - usually despatched within 1 working day. |
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Concerto Italiano, Rinaldo Alessandrini 3 CDs for the price of 2 “Rinaldo Alessandrini is one of today’s most compelling Monteverdians.” International Record Review | | | In stock - usually despatched within 1 working day. |
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Concerto Italiano, Rinaldo Alessandrini “Alessandrini and his crew employ a tense, edgy rhetoric to reveal an inner psychology while sacrificing neither precision of ensemble nor beauty of sound. Concerto Italiano are now such a sensitive instrument that they respond to the emotional exigencies of the texts like silk to the breeze. Listen to the passionate terza parte of the Lamento d’Arianna; or the final line of Zefiro torna, where the drawn-out dissonances are almost physically painful… I could find a hundred such examples without ever conveying the many excellencies of this recording.” Gramophone | | | In stock - usually despatched within 1 working day. |
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Gramophone Awards 2007
Penguin Guide
Gramophone Magazine