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Lynne Dawson, Hilary Summers, John Mark Ainsley & Alastair Miles Brandenburg Consort & King's College Choir, Stephen Cleobury | | | In stock - usually despatched within 1 working day. |
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Lynne Dawson, Hillary Summers, John Mark Ainsley, Alastair Miles The Brandenburg Consort, The Choir of King’s College Cambridge, Stephen Cleobury Performed on original instruments. | | | In stock - usually despatched within 1 working day. |
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Lynne Dawson, Hillary Summers, John Mark Ainsley, Alastair Miles The Brandenburg Consort, The Choir of King’s College Cambridge, Stephen Cleobury | | | In stock - usually despatched within 1 working day. |
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Rogers Covey-Crump, Michael George, Emma Kirkby, Michael Chance, Martyn Hill, David Thomas The Choir of King's, Cambridge, The Brandenburg Consort, Stephen Cleobury | | | In stock - usually despatched within 1 working day. |
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Rogers Covey-Crump, Michael George, Emma Kirkby, Michael Chance, Martyn Hill, David Thomas Brandenburg Consort, King's College & Jesus College Choirs, Stephen Cleobury | | | In stock - usually despatched within 1 working day. |
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| |  | Handel - Opera Arias
Handel: | Second Overture to Almira in G minor Vedrai s'a tuo dispetto (Almira Act III) Perché viva il caro sposo (Rodrigo, Act III) Vo' far guerra (Rinaldo, Act II) Overture to Silla Ah! spietato (Amadigi di Gaula, Act I) Desterò dall' empia Dite (Amadigi di Gaula, Act II) V' adoro, pupille (Giulio Cesare in Egitto, Act II) Overture to Tamerlano Tamerlano: Cor di padre Ombre, piante (Rodelinda, Act I) Overture to Scipione March (Scipione, Act I) Scoglio d' immota fronte (Scipione, Act II) Overture to Alessandro Sinfonia Act 1 (Alessandro) Che vidi? Che mirai! (Alessandro) No, più soffrir non voglio (Alessandro) Placa l’alma (Alessandro) Solitudine amate (Alessandro) Aure, fonti (Alessandro) Pur troppo veggio (Alessandro) Che tirannia d’amor! (Alessandro) Svanisci oh reo timore (Alessandro) Dica il falso (Alessandro) Il ritratto d’Admeto (Admeto, re di Tessaglia) La sorte mia vacilla (Admeto, re di Tessaglia) Quest’è dunque la fede (Admeto, re di Tessaglia) Vedrò fra poco (Admeto, re di Tessaglia) Morte vieni (Riccardo primo, re d’Inghilterra) A me nel mio rossore (Riccardo primo, re d’Inghilterra) Quando non vede (Riccardo primo, re d’Inghilterra) A costei, che dirò? (Siroe, re di Persia) L’aura non sempre (Siroe, re di Persia) Si diversi sembiante (Siroe, re di Persia) Non vi piacque, ingiusti dei (Siroe, re di Persia) E dove, e dove mai (Tolomeo, re di Egitto) Fonti amiche (Tolomeo, re di Egitto) Ti pentirai, crudel (Tolomeo, re di Egitto) Overture to Lotario Scherza in mar (Lothario) Io ti levo (Partenope Act I) Caro padre (Ezio Act I) Dite pace (Sosarme, re di Media Act I) Vorrei, né pur saprei (Sosarme, re di Media Act III) Atalanta: Overture Son qual stanco (Arianna in Creta Act II) Ah! Ruggiero (Alcina Act III) Chi t'intende? (Berenice, regina d'Egitto Act III) Overture to Deidamia M'ai resa infelice (Deidamia) |
Dame Emma Kirkby (soprano) & Catherine Bott (soprano) The Brandenburg Consort, Roy Goodman 3 compact discs from CDA66860, CDA66950, CDA67128 ‘It is difficult to pick out a particular highlight, there are so many of them’ (Classic CD) ‘A splendidly enjoyable disc. Kirkby is in top-notch form’ (Hi-Fi News) ‘This CD is appealing on every plane. It’s certainly one of my discs for 1997’ (Gramophone) ‘Right on cue for the bull market in Handel operatic stock, The Rival Queens conquer all before them. A right royal feast!’ (Classic CD) ‘The voices contrast well, and their owners, as well as The Brandenburg Consort, perform this wonderful music with style and an intense sense of affection’ (BBC Music Magazine) ‘Immensely enjoyable’ (Goldberg) ‘A delight … this is singing of brilliance’ (Fanfare, USA) ‘Kirkby’s talent for matching brilliant coloratura with dramatic urgency remains unparalleled … a compelling interpretation of rarely heard masterpieces, this recording is the ideal present for anyone open to Handel’s dramatic compositions’ (International Record Review) | | | Usually despatched in 2 - 3 working days. |
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| |  | Vivaldi - Opera Arias and Sinfonias
Emma Kirkby (soprano) The Brandenburg Consort, Roy Goodman ‘A disc which will delight both Vivaldi enthusiasts and lovers of Baroque music generally. Excellent recorded sound and strongly recommended on all counts’ (Gramophone) | | | Usually despatched in 2 - 3 working days. |
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| |  | The English Orpheus 28 - Charles Avison Concerti Grossi after Scarlatti
The Brandenburg Consort, directed from the violin by Roy Goodman ‘A delightful set … if you are a lover of baroque concerti grossi do not fail to listen to these heartwarming records’ (H C Robbins Landon, Classic CD) | | | Usually despatched in 2 - 3 working days. |
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| |  | Handel - Organ Concertos
Handel: | Organ Concerto No. 1 in G minor, HWV289, Op. 4 No. 1 Organ Concerto No. 2 in B flat major, HWV290, Op. 4 No. 2 Organ Concerto No. 3 in G minor, HWV291, Op. 4 No. 3 Organ Concerto No. 4 in F major, HWV292, Op. 4 No. 4 with the Choir of Clare College Cambridge Organ Concerto No. 5 in F major, HWV293, Op. 4 No. 5 Harp Concerto in B flat major, Op. 4 No. 6, HWV 294 with Frances Kelly (harp) Organ Concerto No. 7 in B flat major, HWV306, Op. 7 No. 1 Organ Concerto No. 8 in A major, HWV307, Op. 7 No. 2 Organ Concerto No. 9 in B flat major, HWV308, Op. 7 No. 3 Organ Concerto No. 10 in D minor, HWV309, Op. 7 No. 4 Organ Concerto No. 11 in G minor, HWV310, Op. 7 No. 5 Organ Concerto No. 12 in B flat major, HWV311, Op. 7 No. 6 |
Paul Nicholson (organ of St Lawrence, Whitchurch) The Brandenburg Consort, Roy Goodman | | | Usually despatched in 2 - 3 working days. |
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| |  | (formerly known as ‘Pergolesi’s Concertinos’)
The Brandenburg Consort, Roy Goodman | | | Usually despatched in 2 - 3 working days. |
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