Ex. VAT prices will be applied automatically for non-EU delivery addresses. See Terms & Conditions for p&p rates. | |  | (complete opera)
Marjana Lipovsek, Paata Burchuladzeek, Vladimir Atlantov, Aage Haugland, Anatoli Kotscherga, Vladimir Popov Vienna Boys Choir, Slovak Philharmonic Choir, Vienna State Opera Chorus & Orchestra, Claudio Abbado Prizes: Grand Prix International du Disque, Prix Caecilia Brussels, Prix Maurice Fleuret, Record Academy Prize, Tokyo, 1991; Stella d'oro 1992 | DG - 4297582 (CD - 3 discs) £38.99 (£33.18 ex. VAT) |
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Maria Ewing, François Le Roux, José van Dam, Jean-Philippe Courtis, Christa Ludwig Vienna State Opera Concert Chorus, Vienna Philharmonic Orchestra, Claudio Abbado | DG - 4353442 (CD - 2 discs) £25.99 (£22.12 ex. VAT) |
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Jess Thomas, Elisabeth Grümmer, Dietrich Fischer-Dieskau, Christa Ludwig, Gottlob Frick, Otto Wiener Wiener Staatsopernchor & Wiener Philharmoniker, Rudolf Kempe Choc du Monde de la Musique Award | | | In stock - usually despatched within 1 working day. |
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Dietrich Fischer-Dieskau, Anthony Rolfe Johnson, Paul Esswood, Julia Varady, Elizabeth Gale, Helmut Wildhaber, Matthias Holle Konzertvereinigung Wiener Staatsopernchor, Concentus Musicus Wien, Nikolaus Harnoncourt | | | In stock - usually despatched within 1 working day. |
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Vienna State Opera Chorus & Vienna Philharmonic Orchestra, Wilhelm Furtwangler | | | In stock - usually despatched within 1 working day. |
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Gertrude Grob-Prandl (Isolde), Rudolf Lustig (Tristan), Georgine von Milinkovic (Brangäne), Kurt Böhme (King Mark), Julius Patzak (Seaman), Toni Blankenheim (Kurwenal) & Hans Braun (Melot) Vienna State Opera, André Cluytens | 
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| |  | Abbado in Concert
Brahms: | Piano Concerto No. 2 in B flat major, Op. 83 Maurizio Pollini (piano) Wiener Philharmoniker | Mozart: | Kyrie in D minor, K341 Karita Mattila, Marjana Lipovšek, Robert Holl, Jerry Hadley & Jorge Pita Konzertvereinigung Wiener Staatsopernchor & Wiener Philharmoniker Betracht dies Herz, K42 Karita Mattila, Marjana Lipovšek, Robert Holl, Jerry Hadley & Jorge Pita Konzertvereinigung Wiener Staatsopernchor & Wiener Philharmoniker Laudate Dominum from Vesperae Solennes de Confessore, K339 Karita Mattila, Marjana Lipovšek, Robert Holl, Jerry Hadley & Jorge Pita Konzertvereinigung Wiener Staatsopernchor & Wiener Philharmoniker | Rossini: | La Cenerentola Overture Orchestra del Teatro alla Scala Il barbiere di Siviglia Overture Orchestra del Teatro alla Scala | Schubert: | Mass No. 6 in E flat major, D950 Karita Mattila, Marjana Lipovšek, Robert Holl, Jerry Hadley & Jorge Pita Konzertvereinigung Wiener Staatsopernchor & Wiener Philharmoniker |
The ’All Saints Day Concert’ - besides the New Year´s concert the most important Viennese music event - from the Musikvereinssaal, Vienna from 1986 with sacred music by Wolfgang Amadeus Mozart and Franz Schubert. Superb soloists like Karita Mattila, Marjana Lipovsek, Robert Holl, Jerry Hadley and Jorge Pita, the Vienna Philharmonic Orchestra and the Vienna State Opera Chorus under the baton of maestro Abbado. “the most widely respected living conductor” New York Times “He combines a phenomenal technique with a poetic temperament. Wonderful.” BBC Music Magazine | 
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| |  | Live Recording 1964
Lisa Della Casa (Countess), Robert Kerns (Count), Waldemar Kmentt (Flamand), Walter Berry (Olivier), Otto Wiener (La Roche), Christa Ludwig (Clairon), Peter Klein (Monsieur Taupe), Lucia Popp (Italian singer), Fritz Wunderlich (Italian tenor) & Alois Pernerstorfer Orchestra of the Vienna State Opera, Georges Prêtre With its new production on 7th June 2008, the
Vienna State Opera revived a long-standing tradition
of having the finest representatives of the profession
singing Capriccio.
The work was first staged in Salzburg in 1950 in a
production subsequently seen in Vienna. Both there
and in Salzburg, the Countess was for many years
sung by Lisa Della Casa in one of the Strauss roles
with which she was most closely associated.
The present live recording is the first official record
of this ideal interpretation, with Georges Prêtre in
the pit, vividly demonstrating his Strauss credentials.
It virtually goes without saying that the singers who
were engaged to appear with Lisa Della Casa were in
every way her equals.The difficulty in choosing
between poetry and music becomes all the more
understandable when the representatives of these
two art forms are artists of the stature of Waldemar
Kmentt and Walter Berry. Both men were among the
company's leading singing actors, bringing to their
parts both striking vocalism and an impassioned
wooing of the woman on whom they have set their
hearts. No less impressive is the American baritone
Robert Kerns, whom Herbert von Karajan had
invited to join the Vienna State Opera ensemble two
years previously and who remained with the
company until his premature death at the age of 55
in 1989.As the Count he displays natural charm in
his attempts to win the hand of Christa Ludwig's
imposing Clairon. Otto Wiener was more of a heroic
baritone than either Berry or Kerns, allowing him to
bring all the necessary authority to the role of the
theatre manager La Roche and to his great address.
Last, but not least, are the two 'Italian' singers, whom
it would be difficult to imagine better cast today: the
young Lucia Popp and Fritz Wunderlich turn Strauss’
witty parody of Italian bel canto singing into a serious
highlight. | 
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| |  | Anna Netrebko - Opera Arias (Deluxe Edition)
Anna Netrebko Wiener Staatsopernchor & Wiener Philharmoniker, Gianandrea Noseda CD+DVD | 
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| |  | Christa Ludwig - Vienna State OperaWorks by Mozart, R. Strauss, Rossini, Beethoven,Wagner, Berg, Pfitzner, Bizet, Berlioz, Debussy,Verdi,Tschaikowsky & Einem
Christa Ludwig (mezzo) Choir and Orchestra of the Vienna State Opera, Böhm, Krips, Erede, Karajan, Prêtre, Heger, Maazel, Bernstein, Stein, Albrecht, Mehta, Kitaenko, Abbado & Hollreiser Live Recordings 1955 - 1994. The wide-ranging repertory in which Christa Ludwig appeared at
the Vienna State Opera, often surprising her audiences over a
period of many years, is central to the present set of three CDs issued to mark her 80th birthday. It begins
with her Cherubino from Le nozze di Figaro and her Composer from Strauss' Ariadne auf Naxos, both of which
she sang at the Salzburg Festival soon after her Vienna State Opera début in 1955.Another of her early roles
in Vienna was Dorabella, while Angelina in Rossini's La Cenerentola was a lyric mezzo-soprano part that she
sang only infrequently but to which she brought a stupendous coloratura technique. Her increasingly dramatic
roles are represented by excerpts from Fidelio,Wozzeck,Tannhäuser, Lohengrin and Verdi's Macbeth, which also
demonstrate the astute use of her resources in those roles that extend well into the soprano register, without
ever sacrificing any quality or intensity. Under Leonard Bernstein, the subdued melancholy of her Marschallin is
even more overwhelming than it was in the studio. No less impressive is the way in which Christa Ludwig was
able to forge a successful working relationship with each of the very different conductors with whom she
appeared, be it Karl Böhm, Herbert von Karajan, Lorin Maazel, Claudio Abbado or the conductor of the most
recent New Year's Day Concert from Vienna, Georges Prêtre.Throughout her career, she retained a company
spirit, happy to appear in smaller roles and, towards the end of her career, in character parts, including
Klytämnestra in Elektra, the role in which she bade farewell to the stage in 1994.This final appearance - almost
40 years after her Viennese début - also brings to an end our musical tribute to Christa Ludwig, recalling an
altogether exceptional career by this honorary member of the Vienna State Opera. | 
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