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Fernando Corena, Juan Oncina, Graziella Sciutti, Tom Krause, Angelo Mercuriali, Wiener Staatsopernchor und Orchester, István Kertész Recorded - Sofiensaal, July 1964; Kingsway Hall, June 196 "Under Kertész", Corena is an attractive buffo... and Krause makes an incisive Malatesta. Graziella Sciutti is charming from beginning to end, bright-toned and vivacious, and remarkably agile in the most difficult passages. The 1964 Decca recording is excellent, with plenty of atmosphere as well as sparkle."The Penguin Guide to Compact Discs | | | Usually despatched in 2 - 3 working days. |
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Simona dall’Agrine (Tosca), Nino Scattolini (Cavaradossi) & Scipio Colombo (Scarpia) Vienna Kammerchor & Vienna State Opera Orchestra, Argeo Quadri Recorded in 1951 | | | Usually despatched in 3 - 4 working days. |
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Melchiore Luise (Don Pasquale), Juan Oncina (Ernesto) and Lina Aymaro (Norina) Wiener Kammerchor & Orchestra of the Vienna State Opera, Argeo Quadri Recorded in 1952 | | | Usually despatched in 3 - 4 working days. |
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| |  | Sung in German
Christel Goltz (Giorgetta), Günther Treptow (Luigi), Armin Weltner (Michele), Erich Majkut (Il Tinca) & Garald Pröglhoff (Il Talpa) Vienna State Opera, Wilhelm Loibner November 1950 | | | Usually despatched in 2 - 3 working days. |
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| |  | Sung in German. Live Recording from the Vienna State Opera 2006, Co-production with the Teatro Real, MadridDirected by Reto Nickler and Stage Design by Wolfgang Gussmann
Franz Grundheber & Thomas Moser Chorus and Orchestra of the Vienna State Opera, Daniele Gatti World Premiere “Despite the flood of brilliant music that evokes God, Moses, Aron, Israelites, an orgy, and everyone and everything else, the music is essentially only a messenger. And that is the radical, reflexive idea here: that even this opera itself is probably inadequate to convey the basic unknowability of a higher power. That Schoenberg even attempted to address all of this -- using a multiplicity of techniques in the same piece -- is a bit formidable. He tackles a project with dimensions and implications that are far beyond what most of us can even conceive.” MusicWeb | | | Usually despatched in 2 - 3 working days. |
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| |  | Truly Domingo
| | Nostalgias Cobian & Cadicamo Studio Orchestra, Roberto Pansera | Bizet: | La fleur que tu m'avais jetée (from Carmen) London Symphony Orchestra, Claudio Abbado | Curtis, E: | Non ti scordar di me (Arranged by Andreas N. Tarkmann) Budapest Philharmonic Orchestra, Eugene Kohn | Franck, C: | Panis Angelicus Marcello Viotti Orchestra Sinfonica di Milano Giuseppe Verdi | Gardel: | El dia que me quieras (Arr. Roberto Pansera) Studio Orchester, Roberto Pansera | Handel: | Serse: Frondi tenere e belle ... Ombra mai fů | Lara, A: | Granada (Arr. Peeters) London Symphony Orchestra, Marcel Peeters | Lehár: | Dein ist mein ganzes Herz (from Das Land des Lächelns) London Symphony Orchestra, Karl-Heinz Loges | Leoncavallo: | Mattinata (Arr. Peeters) | Penella: | Hasta cuando? Veronica Villarroel Orquesta Sinfónica de Madrid, Miguel Roa Senó, q'e no me farte er való Orquesta Sinfónica de Madrid, Miguel Roa | Puccini: | Manon Lescaut: 'Donna non vidi mai' Philharmonia Orchestra, Giuseppe Sinopoli Turandot: 'Nessun dorma' Wiener Philharmoniker, Herbert von Karajan | Schubert: | Wiegenlied, D498 (Arr. & Orch. Steven Mercurio as "Mille Cherubini in coro") Marcello Viotti & Romano Gandolfi Orchestra Sinfonica di Milano Giuseppe Verdi & Coro Sinfonico di Milano Giuseppe Verdi | Tosti: | Preghiera (Alla mente confusa) Orch. Steven Mercurio Orchestra Sinfonica di Milano Giuseppe Verdi | Verdi: | La donna č mobile (from Rigoletto) Nicolai Ghiaurov & Piero Cappuccilli Wiener Philharmoniker, Carlo Maria Giulini De' miei bollenti spiriti (from La traviata) Bavarian State Orchestra, Carlos Kleiber Di quella pira (from Il trovatore) Rosalind Plowright & Walter Gullino Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini Giá nella notte densa (from Otello) Cheryl Studer Orchestre de l'Opéra Bastille, Myung-Whun Chung Niun mi tema (from Otello) Ramón Vargas, Ildebrando d' Arcangelo & Giacomo Prestia Orchestre de l'Opéra Bastille, Myung-Whun Chung "Son fra voi!" - "Giŕ parmi udire il fremito" Orchestra of the Mariinsky Theatre, Valery Gergiev Mercč, diletti amici (from Ernani) Los Angeles Philharmonic Orchestra & Roger Wagner Chorale, Carlo Maria Giulini Quando le sere al placido (from Luisa Miller) Orchestra of the Royal Opera House, Lorin Maazel Scena: "Notte! perpetua notte" Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung "Eccomi prigionero!" Oh, dolore "Dal labbro il canto estasiato vola" Orchestra of the Mariinsky Theatre, Valery Gergiev | Wagner: | Hör' an, Wolfram! … Inbrunst im Herzen Philharmonia Orchestra, Giuseppe Sinopoli In fernem Land (Lohengrin) Hans Sotin Konzertvereinigung Wiener Staatsopernchor, Georg Solti Die Meistersinger von Nurnberg: Morgenlich leuchtend Peter Maus, Roberto Banuelas, Gerd Feldhoff, Peter Lagger & Catarina Ligendz Orchester der Deutschen Oper Berlin, Eugen Jochum Nur eine Waffe taugt from Parsifal Metropolitan Opera Orchestra, James Levine Wesendonk Lieder: Der Engel Orchestration by Felix Mottl Orchestra Sinfonica di Milano Giuseppe Verdi | Weber: | Aria: "Von Jugend auf in dem Kampfgefild'" from Oberon Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelik |
| DG - 4776292 (CD - 2 discs) £12.49 (£10.63 ex. VAT) |
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Gundula Janowitz (Fiordiligi), Christa Ludwig (Dorabella), Walter Berry (Guglielmo), Adolf Dallapozza (Ferrando), Olivera Miljakovic (Despina) & Eberhard Waechter (Don Alfonso) Chorus & Orchestra of the Vienna State Opera, Josef Krips Live Recording 22/9/1968 | | | Usually despatched in 2 - 3 working days. |
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Franco Corelli (Chénier), Renata Tebaldi (Maddalena di Coigny), Ettore Bastianini (Carlo Gérard), Elisabeth Höngen (Contessa di Coigny), Hilde Konetzni (Madelon) & Margareta Sjöstedt (Bersi) Chorus and Orchestra of the Vienna State Opera, Lovro von Matacic | | | Usually despatched in 2 - 3 working days. |
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| |  | Sung in Italian
Rudolf Schock (Idomeneo), Waldemar Kmentt (Idamante), Hildegard Hillebrecht (Ilia), Christel Goltz (Elettra), Eberhard Waechter (Arbace) & Kurt Böhme (Nettuno) Vienna State Opera, Karl Böhm live recording Salzburg 30/07/1956 | | | Usually despatched in 2 - 3 working days. |
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| |  | Live Recording 1979
Mara Zampieri (Elaisa); Agnes Baltsa (Bianca); Placido Domingo (Viscardo); Robert Kerns (Manfredo); Michele Fiotta (Brunoro); Silvia Herman (Isaura) Choir & Orchestra of the Vienna State Opera, Gerd Albrecht It is a truism that each evening in the theatre is a unique event that
cannot be repeated, even as part of a run of performances. One
such exceptional performance was the first of three concert performances of Saverio
Mercadante's rarely performed Il Giuramento, threatened with cancellation when the tenor
scheduled to sing the main role fell ill and it seemed impossible to find a replacement.
In the event, Plácido Domingo sang the part flawlessly after only a day in which to learn the
role, thereby underscoring what, even then, was the exceptional position that he has
maintained in the operatic world ever since. | | | Usually despatched in 2 - 3 working days. |
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