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Ann Hallenberg, Karina Gauvin, Anna Bonitatibus, Romina Basso & Pietro Spagno Il Complesso Barocco, Alan Curtis “There is not a weak link in this superb cast, with all the singers perfect for the vocal and dramatic properties of their roles. The overture oozes with charisma and the orchestral playing is beautifully paced and articulated. All in all, this is a perfect Handel opera recording” Gramophone Magazine, July 2008 | 
| | DG Archiv - 4777106 (CD - 3 discs) Normally: £25.99 (£22.12 ex. VAT) Special: £16.89 (£14.37 ex. VAT) |
| | In stock - usually despatched within 1 working day. |
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| |  | Vision Mahler
Karina Gauvin (soprano) & Yvonne Naef (alto) WDR Sinfonieorchester Köln, NDR Choir & WDR Radio Choir, Semyon Bychkov 3D Visualisation by Johannes Deutsch and Ars Electronica Futurelab Linz “What a world this is that brings forth such sounds and shapes as its reflected likeness!” Gustav Mahler | | | Arthaus Musik - 101421 (DVD Video) Normally: £24.99 (£21.27 ex. VAT) Special: £18.74 (£15.95 ex. VAT) |
| | In stock - usually despatched within 1 working day. |
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| |  | Hear My Prayer - Hymns and Anthems
Bainton, E: | And I saw a new Heaven | Chatman: | Remember | Daley: | Requiem: In Remembrance | Duruflé: | Ubi caritas, Op. 10 No. 1 | Elgar: | Lux aeterna | Fauré: | Cantique de Jean Racine, Op. 11 | Finzi: | God is gone up, Op. 27 No. 2 | Franck, C: | Panis Angelicus | Howells: | Magnificat (Collegium Regale, 1945) | Lotti: | Crucifixus | Mendelssohn: | Hear my prayer | Mozart: | Vesperae solemnes de confessore in C, K339 - Laudate dominum | Purcell: | O God, Thou art my God Remember not, O Lord, our offences, Z50 | Stanford: | Justorum animae, Op. 38 No. 1 |
Karina Gauvin (soprano) & Matthew Larkin (organ) Choir of St John’s, Elora, Noel Edison | | | In stock - usually despatched within 1 working day. |
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| |  | HyverFrench Cantatas
Karina Gauvin (soprano) Les Boréades, Francis Colpron | | | In stock - usually despatched within 1 working day. |
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| |  | American Classics - Samuel Barber
Karina Gauvin (soprano), Thomas Trotter (organ) Royal Scottish National Orchestra, Marin Alsop “Ravishing. … One of the finest versions of Knoxville to date. … Alsop’s ear-opening Barber series reaches a new high-point with this instalment. Strongly recommended.” Gramophone | | | In stock - usually despatched within 1 working day. |
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Karina Gauvin (soprano) Orchestre Métropolitain du Grand Montréal (OM), Yannick Nézet-Séguin The immense scope and originality of Mahler's symphonies were unprecedented in the history of Western music. The composer himself affirmed that composing a symphony was for him to “express the entire content of my life,” and to “create a universe using all the means at my disposal.” In particular, Symphony No. 4 explores the convergence of the symphonic genre with that of the lied, borrowing from his cycle Des Knaben Wunderhorn (The Youth's Magic Horn) in the final movement. The lied he selected, Himmlishe Leben (Heavenly Life), is a deliciously naive depiction of “daily life” in Paradise as imagined by a child. It contributes to make this symphony one of Mahler's best loved works and perhaps the most serene, happy, and luminous within the composer's symphonic output.
This recording marks the second collaboration on disc of the OM with the ATMA label, following the very successful 2003 release, Nino Rota – La Strada, Concertos. | | | In stock - usually despatched within 1 working day. |
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Karina Gauvin (soprano), Daniel Taylor (countertenor) Les Violons du Roy, Bernard Labadie | | | In stock - usually despatched within 1 working day. |
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| |  | Tragédie en Musique (Libretto: Thomas Corneille)
Carolyn Sampson, Karina Gauvin, Aaron Sheehan, Colin Balzer, Amanda Forsythe, Mireille Lebel, Yulia Van Doren, Olivier Laquerre, Jason McStoots, Matthew Shaw, Aaron Engebreth, Ricard Bordas, Teresa Wakim & José Lemos Boston Early Music festival Orchestra & Chorus, Paul O’Dette & Stephen Stubbs The Boston Early Music Festival brings together top interpreters and musicologists in the interests of the highest performance standards – clearly the reason behind The Times terming it “the leading festival of early music.” One of its most important goals involves the rediscovery and presentation of unknown baroque operas. The BEMF and CPO have had a successful collaboration together thus far. The first production in this series was the festival’s featured work in 2003: Conradi’s Ariadne and was followed up by the hugely successful Thésée last year. Both recordings reaped enormous praise from the public and critics alike and were nominated for Grammy awards. CPO now presents Jean-Baptiste Lully’s Psyché. The Boston Early Music festival Orchestra, Paul O’Dette and Stephen Stubbs join forces once again to bring to life this captivating opera. CPO is delighted to present British soprano Carolyn Sampson as she takes the leading role. |
| CPO - 7773672 (CD - 3 discs) £30.99 (£26.37 ex. VAT) |
| | Scheduled for release on 28 July 2008. Order it now and we will deliver it as soon as it is available. |
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| |  | Dramma per musica on a libretto by Matteo Noris
Nicola Ulivieri, Karina Gauvin, Debora Beronesi, Ann Hallenberg, Marijana Mijanovic, Barbara Di Castri, Mark Milhofer, Christian Senn Accademia Bizantina, Ottavio Dantone “This period performance under Ottavio Dantone for Naïve’s complete Vivaldi edition … has such a sense of energy and dramatic presence that it is the one to go for now.” (The Guardian) | | | Usually despatched in 2 - 3 working days. |
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Karina Gauvin (soprano), Barbara Borden (soprano), Marek Rzepka (bass), Matthew White (countertenor), Ellen Hargis (soprano), James Taylor (tenor), Julian Podger (tenor), Jan Kobow (tenor) Orchestra & Chorus of the Boston Early Music Festival, Paul O’Dette, Stephen Stubbs | CPO - 7770732 (CD - 3 discs) £30.99 (£26.37 ex. VAT) |
| | Usually despatched in 2 - 3 working days. |
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Gramophone Magazine
