János Ferencsik

Conductor

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Richter plays Liszt

Richter plays Liszt

From 1958-61 live concerts in Moscow & Budapest


Liszt:

Liebestraum, S541 No. 2 (Nocturne in E flat major)

live, 5 Feb. 1958, Moscow

Liebestraum, S541 No. 3 (Nocturne in A flat major)

live, 5 Feb. 1958, Moscow

Valse oubliée No. 1, S.215/1

live, 5 Feb. 1958, Moscow

Valse oubliée No. 2, S.215/2

live, 5 Feb. 1958, Moscow

Valse oubliée No. 3, S.215/3

live, 5 Feb. 1958, Moscow

Mephisto Waltz No. 1

live, 5 Feb. 1958, Moscow

Fantasy on Hungarian Folk-tunes, S123

live, 27 Sept 1961, Budapest

Hungarian State Orchestra, János Ferencsik

Piano Concerto No. 2 in A major, S125

live, 27 Sept 1961, Budapest

Hungarian State Orchestra, János Ferencsik

Funérailles (Harmonies poétiques et religieuses, S. 173 No. 7)

live, 11 Feb. 1958, Budapest


Sviatoslov Richter (piano)

Although the works of Liszt were not a central part of Richter’s repertoire, he was one of the twentieth century’s important Liszt interpreters and was deeply committed to the works which he did play. In this collection we can hear his delicacy, tenderness and great lyric power in the two Liebesträume and contrasting ferocity in the Mephisto Waltz No.1. These are new digital restorations.

“Richter in his prime and at his best, excelling in music not central to his repertoire. Could even Liszt play better? It seems unlikely. Superb booklet notes.” BBC Music Magazine, September 2012 *****

“The Fantasy is a bravura specimen of Richter’s digital sophistication, a glittering colour-conscious exposé of Liszt’s brilliant vapidity...Bravura, élan, introspection and poetic refinement coalesce in a performance of real power...The whole programme is a feast, in fact, of Richter’s Liszt caught in live performance.” MusicWeb International, January 2013

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West Hill Radio Archive - WHRA6043

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Kodaly - Te Deum & Missa Brevis

Kodaly - Te Deum & Missa Brevis


Kodály:

Te Deum of Buda Castle

Missa brevis


Eva Andor (soprano), Alice Ekert (soprano), József Gregor (bass), Klára Makkay (soprano), Eva Mohacsi (soprano), József Réti (tenor) & Mártha Szirmay (alto)

Budapest Symphony Orchestra & Hungarian Radio and Television Chorus, János Ferencsik

Hungaroton - HCD11397

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$15.75

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Mozart: Concertos for 2 & 3 Pianos & Concert Rondos

Mozart: Concertos for 2 & 3 Pianos & Concert Rondos


Mozart:

Concerto for 2 Pianos and Orchestra No. 10 in E flat, K365

Zoltán Kocsis & Dezsö Ránki (piano)

Hungarian State Orchestra, János Ferencsik

Concerto for Three Pianos & Orchestra, K242

Zoltán Kocsis, Dezsö Ránki & András Schiff (pianos)

Hungarian State Orchestra, János Ferencsik

Rondo for Piano & Orchestra in D major, K382

Annerose Schmidt (piano)

Dresdner Philharmonie, Kurt Masur

Rondo for Piano & Orchestra in A major, K386

Annerose Schmidt (piano)

Dresdner Philharmonie, Kurt Masur


Wolfgang Amadeus Mozart is considered one of the greatest composers of all time. In his relatively short life he contributed to every style of composition, and is as well known for his instrumental music as for his sacred works and operas. Credited with the invention of the piano concerto, his distinctive style and developments in orchestration brought new sophistication to the music of the Classical period. During the 1770s Mozart was an employee of the Archbishop Hieronymous Colloredo in Salzburg, and it is from this period that the Concerto for 3 Pianos and Orchestra in F K242 dates. The work was written with the Archbishop’s nieces in mind, although it was later revised for Mozart and his sister to play, and its cheeky interplay between the soloists and various passages of fast finger work are typical of Mozart’s style. The Concerto for 2 Pianos and Orchestra K365 that follows contains a plethora of ideas that the composer weaves into a whole; the ensuing Rondo for Piano and Orchestra in D K382, meanwhile, was hugely popular among the Viennese audience at the time of its composition, and has remained so today – thanks to its imaginative scoring and memorable melodies. Last, not by no means least, the Rondo for Piano and Orchestra in A: thought to have been the original finale to the Piano Concerto in A, this work was not published in Mozart’s lifetime. Gradually pieced together from manuscript sold on by his wife after his death, it was finally issued in 1963. The disc features four outstanding pianists: Hungarian pianist and conductor Zoltán Kocsis, fellow countryman Dezsö Ranki, British‐Hungarian András Schiff and Germanborn Annerose Schmidt. They are joined by the Hungarian State Orchestra (conducted by János Ferencsik) and the Dresdner Philharmonie (conducted by Kurt Masur).

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Brilliant Classics - 94499

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Brahms: Symphony No. 1

Brahms: Symphony No. 1

The Royal Festival Hall, London-26th February 1966


Beethoven:

Egmont Overture, Op. 84

Berlioz:

La Damnation de Faust, Op. 24: Rákóczi March

Brahms:

Symphony No. 1 in C minor, Op. 68

Kodály:

Dances of Galanta


“a thoroughly sympathetic reading from Ferencsik … The huge orchestral tuttis impress us with their singing intensity” Audiophile Audition, 4th November 2009

“the recorded clarity allows us to hear the wind playing with unchilly brilliance, as well as the Hungarian warmth of the strings … A considerable amount of panache is on display … there is a palpable sense of engagement […] captured with immediacy by the splendidly consistent and clarity-conscious recording set up.” MusicWeb International, February 2010

“This is also one of the very few performances I’ve heard that catches the [Kodály’s] humorous edge, rather than just its color … [A] complete live concert more than worth the price of admission was caught in fine sound; and we are the beneficiaries. Definitely recommended.” Fanfare, May/June 2010

“While the superbly idiomatic Dances of Galánta are an undoubted highlight here, the Egmont and Brahms C minor Symphony are both readings of genuine stature – strongly projected, fine-grained and captured in some of the best sound of any of the discs here – it’s quite astonishingly lifelike.” International Record Review, June 2012

Orchestral Concert - CD52009

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Liszt: Hungarian Rhapsodies Nos. 1-6 / Symphonic Poems

Liszt: Hungarian Rhapsodies Nos. 1-6 / Symphonic Poems


Liszt:

Hungarian Rhapsody, S359 No. 1 in F minor

Budapest Symphony Orchestra, Andras Korodi

Hungarian Rhapsody, S244 No. 2 in C sharp minor

(arr. G. Darvas)

Budapest Symphony Orchestra, Andras Korodi

Hungarian Rhapsody, S359 No. 3 in D major

Hungarian Rhapsody, S359 No. 4 in D minor

Hungarian Rhapsody, S359 No. 5 in E minor

Hungarian Rhapsody, S359 No. 6 in D major

Les Préludes, symphonic poem No. 3, S97

Hungarian State Orchestra, Janos Ferencsik

Orpheus, symphonic poem No. 4, S98

Hungarian State Orchestra, Janos Ferencsik

Tasso, Lamento e trionfo, symphonic poem No. 2, S96

Hungarian State Orchestra, Janos Ferencsik


Capriccio - C51039

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Verdi: Famous Tenor Arias

Verdi: Famous Tenor Arias


Verdi:

Dell’esilio nel dolore (from Ernani)

Qui, qui sostiamo…Ella in poter del barbaro (from Attila)

O figli … Ah, la paterna mano (from Macbeth)

Questa o quella (from Rigoletto)

La donna è mobile (from Rigoletto)

Ah sì ben mio (from Il trovatore)

Di quella pira (from Il trovatore)

Lunge da lei…De’ miei bollenti spiriti (from La Traviata)

Udisti?…Vil disegno! (from Simon Boccanegra)

Forse la soglia attinse (from Un ballo in maschera)

Se quel guerrier io fossi!…Celeste Aida (from Aida)

La vita è inferno all'infelice, Io muojo! (from La Forza del Destino)

sung in Hungarian

Niun mi tema (from Otello)

Dal labbro il canto estasiato vola (from Falstaff)

sung in Hungarian

Ingemisco (from Requiem)

Or tu, Sibilla , che tutto sai...Di' tu se fedele (from Un ballo in maschera)

sung in Hungarian


János B.Nagy (tenor), Tibor Kelen (tenor), Dénes Gulyás (tenor), József Simándy (tenor), Róbert Ilosfalvy (tenor), Sándor Kónya (tenor), Alfonz Bartha (tenor) with Attila Fülöp (tenor), Valéria Koltay (soprano), Margit László (soprano), András Faragó (bass), Tamás Mészáros (bass)

Hungarian State Opera Male Chorus, Hungarian Radio & Television Chorus, Hungarian State Opera Orchestra, Hungarian State Orchestra, Hungarian Radio & Television Symphony Orchestra, Ádám Medveczky, Lamberto Gardelli, János Ferencsik, András Kórody, Miklós Erdélyi, János Kerekes

Hungaroton - HCD32379

(CD)

$15.75

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Monique de la Bruchollerie (Vol. 1)

Monique de la Bruchollerie (Vol. 1)


Beethoven:

Piano Concerto No. 3 in C minor, Op. 37

Budapest National Philharmonic Orchestra, János Ferencsik

Franck, C:

Symphonic Variations for piano & orchestra, M46

Concerts Colonne Orchestra, Jonel Perlea

Haydn:

Piano Sonata No. 53 in E minor, Hob.XVI:34

(arr. Tausig)

Mozart:

Piano Concerto No. 20 in D minor, K466

Camerata Academica Salzburg, Bernhard Paumgartner

Piano Concerto No. 23 in A major, K488

Camerata Academica Salzburg, Bernhard Paumgartner

Rachmaninov:

Rhapsody on a Theme of Paganini, Op. 43

Concerts Colonne Orchestra, Jonel Perlea

Scarlatti, D:

Pastorale and Capriccio


Monique de la Bruchollerie (piano)

Doremi - DHR7842-43

(CD - 2 discs)

$26.50

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Liszt - Orpheus / Preludes

Liszt - Orpheus / Preludes

Pianos, organ & orchestral versions


Liszt:

Orpheus for two pianos, S638

Orpheus for organ

Orpheus, symphonic poem No. 4, S98

Les Préludes for two pianos, S.637

Les Préludes, symphonic poem No. 3, S97


Budapest Piano Duet, Sándor Margittay (organ)

Hungarian State Orchestra, János Ferencsik

Hungaroton - HCD32203

(CD)

$15.75

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Kodály: Háry János, Op. 15

Kodály: Háry János, Op. 15

(musical items only)


Sándor Sólyom-Nagy, Klára Takács, Mária Sudlik, Balázs Póka, Katalin Mészöly, József Gregor, Sándor Palcsó

Hungarian State Opera Chorus & Orchestra, Children's Chorus of Hungarian Radio & Television, János Ferencsik

Sung in Hungarian

Hungaroton - HCD12837-38

(CD - 2 discs)

$26.50

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Beethoven: Symphonies Nos. 4 and 5

Beethoven: Symphonies Nos. 4 and 5


Beethoven:

Symphony No. 4 in B flat major, Op. 60

Symphony No. 5 in C minor, Op. 67


Capriole - CA18362

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