Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Richter plays LisztFrom 1958-61 live concerts in Moscow & Budapest
Liszt: | Liebestraum, S541 No. 2 (Nocturne in E flat major) live, 5 Feb. 1958, Moscow Liebestraum, S541 No. 3 (Nocturne in A flat major) live, 5 Feb. 1958, Moscow Valse oubliée No. 1, S.215/1 live, 5 Feb. 1958, Moscow Valse oubliée No. 2, S.215/2 live, 5 Feb. 1958, Moscow Valse oubliée No. 3, S.215/3 live, 5 Feb. 1958, Moscow Mephisto Waltz No. 1 live, 5 Feb. 1958, Moscow Fantasy on Hungarian Folk-tunes, S123 live, 27 Sept 1961, Budapest Hungarian State Orchestra, János Ferencsik Piano Concerto No. 2 in A major, S125 live, 27 Sept 1961, Budapest Hungarian State Orchestra, János Ferencsik Funérailles (Harmonies poétiques et religieuses, S. 173 No. 7) live, 11 Feb. 1958, Budapest |
Sviatoslov Richter (piano) Although the works of Liszt were not a central part of Richter’s repertoire, he was one of the twentieth century’s important Liszt interpreters and was deeply committed to the works which he did play. In this collection we can hear his delicacy, tenderness and great lyric power in the two Liebesträume and contrasting ferocity in the Mephisto Waltz No.1. These are new digital restorations. “Richter in his prime and at his best, excelling in music not central to his repertoire. Could even Liszt play better? It seems unlikely. Superb booklet notes.” BBC Music Magazine, September 2012 ***** “The Fantasy is a bravura specimen of Richter’s digital sophistication, a glittering colour-conscious exposé of Liszt’s brilliant vapidity...Bravura, élan, introspection and poetic refinement coalesce in a performance of real power...The whole programme is a feast, in fact, of Richter’s Liszt caught in live performance.” MusicWeb International, January 2013 | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Kodaly - Te Deum & Missa Brevis
Eva Andor (soprano), Alice Ekert (soprano), József Gregor (bass), Klára Makkay (soprano), Eva Mohacsi (soprano), József Réti (tenor) & Mártha Szirmay (alto) Budapest Symphony Orchestra & Hungarian Radio and Television Chorus, János Ferencsik | | | In stock - usually despatched within 1 working day. |
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| |  | Mozart: Concertos for 2 & 3 Pianos & Concert Rondos
Wolfgang Amadeus Mozart is considered one of the greatest composers of all time. In his relatively short life he contributed to every style of composition, and is as well known for his instrumental music as for his sacred works and operas. Credited with the invention of the piano concerto, his distinctive style and developments in orchestration brought new sophistication to the music of the Classical period. During the 1770s Mozart was an employee of the Archbishop Hieronymous Colloredo in Salzburg, and it is from this period that the Concerto for 3 Pianos and Orchestra in F K242 dates. The work was written with the Archbishop’s nieces in mind, although it was later revised for Mozart and his sister to play, and its cheeky interplay between the soloists and various passages of fast finger work are typical of Mozart’s style. The Concerto for 2 Pianos and Orchestra K365 that follows contains a plethora of ideas that the composer weaves into a whole; the ensuing Rondo for Piano and Orchestra in D K382, meanwhile, was hugely popular among the Viennese audience at the time of its composition, and has remained so today – thanks to its imaginative scoring and memorable melodies. Last, not by no means least, the Rondo for Piano and Orchestra in A: thought to have been the original finale to the Piano Concerto in A, this work was not published in Mozart’s lifetime. Gradually pieced together from manuscript sold on by his wife after his death, it was finally issued in 1963. The disc features four outstanding pianists: Hungarian pianist and conductor Zoltán Kocsis, fellow countryman Dezsö Ranki, British‐Hungarian András Schiff and Germanborn Annerose Schmidt. They are joined by the Hungarian State Orchestra (conducted by János Ferencsik) and the Dresdner Philharmonie (conducted by Kurt Masur). | 
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| |  | Brahms: Symphony No. 1The Royal Festival Hall, London-26th February 1966
“a thoroughly sympathetic reading from Ferencsik … The huge orchestral tuttis impress us with their singing intensity” Audiophile Audition, 4th November 2009 “the recorded clarity allows us to hear the wind playing with unchilly brilliance, as well as the Hungarian warmth of the strings … A considerable amount of panache is on display … there is a palpable sense of engagement […] captured with immediacy by the splendidly consistent and clarity-conscious recording set up.” MusicWeb International, February 2010 “This is also one of the very few performances I’ve heard that catches the [Kodály’s] humorous edge, rather than just its color … [A] complete live concert more than worth the price of admission was caught in fine sound; and we are the beneficiaries. Definitely recommended.” Fanfare, May/June 2010 “While the superbly idiomatic Dances of Galánta are an undoubted highlight here, the Egmont and Brahms C minor Symphony are both readings of genuine stature – strongly projected, fine-grained and captured in some of the best sound of any of the discs here – it’s quite astonishingly lifelike.” International Record Review, June 2012 | | | Usually despatched in 4 - 5 working days. |
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| |  | Liszt: Hungarian Rhapsodies Nos. 1-6 / Symphonic Poems
Liszt: | Hungarian Rhapsody, S359 No. 1 in F minor Budapest Symphony Orchestra, Andras Korodi Hungarian Rhapsody, S244 No. 2 in C sharp minor (arr. G. Darvas) Budapest Symphony Orchestra, Andras Korodi Hungarian Rhapsody, S359 No. 3 in D major Hungarian Rhapsody, S359 No. 4 in D minor Hungarian Rhapsody, S359 No. 5 in E minor Hungarian Rhapsody, S359 No. 6 in D major Les Préludes, symphonic poem No. 3, S97 Hungarian State Orchestra, Janos Ferencsik Orpheus, symphonic poem No. 4, S98 Hungarian State Orchestra, Janos Ferencsik Tasso, Lamento e trionfo, symphonic poem No. 2, S96 Hungarian State Orchestra, Janos Ferencsik |
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| |  | Verdi: Famous Tenor Arias
János B.Nagy (tenor), Tibor Kelen (tenor), Dénes Gulyás (tenor), József Simándy (tenor), Róbert Ilosfalvy (tenor), Sándor Kónya (tenor), Alfonz Bartha (tenor) with Attila Fülöp (tenor), Valéria Koltay (soprano), Margit László (soprano), András Faragó (bass), Tamás Mészáros (bass) Hungarian State Opera Male Chorus, Hungarian Radio & Television Chorus,
Hungarian State Opera Orchestra, Hungarian State Orchestra, Hungarian Radio & Television Symphony Orchestra, Ádám Medveczky, Lamberto Gardelli, János Ferencsik, András Kórody, Miklós Erdélyi, János Kerekes | | | Usually despatched in 4 - 5 working days. |
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| |  | Monique de la Bruchollerie (Vol. 1)
Beethoven: | Piano Concerto No. 3 in C minor, Op. 37 Budapest National Philharmonic Orchestra, János Ferencsik | Franck, C: | Symphonic Variations for piano & orchestra, M46 Concerts Colonne Orchestra, Jonel Perlea | Haydn: | Piano Sonata No. 53 in E minor, Hob.XVI:34 (arr. Tausig) | Mozart: | Piano Concerto No. 20 in D minor, K466 Camerata Academica Salzburg, Bernhard Paumgartner Piano Concerto No. 23 in A major, K488 Camerata Academica Salzburg, Bernhard Paumgartner | Rachmaninov: | Rhapsody on a Theme of Paganini, Op. 43 Concerts Colonne Orchestra, Jonel Perlea | Scarlatti, D: | Pastorale and Capriccio |
Monique de la Bruchollerie (piano) | | | Usually despatched in 4 - 5 working days. |
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| |  | Liszt - Orpheus / PreludesPianos, organ & orchestral versions
Budapest Piano Duet, Sándor Margittay (organ) Hungarian State Orchestra, János Ferencsik | | | Usually despatched in 4 - 5 working days. |
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Sándor Sólyom-Nagy, Klára Takács, Mária Sudlik, Balázs Póka, Katalin Mészöly, József Gregor, Sándor Palcsó Hungarian State Opera Chorus & Orchestra, Children's Chorus of Hungarian Radio & Television, János Ferencsik Sung in Hungarian | | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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| |  | Beethoven: Symphonies Nos. 4 and 5
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