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Ildar Abdrazakov (Attila), Vladislav Sulimsky (Ezio), Anna Markarova (Odabella), Sergei Skorokhodov (Foresto), Mikhail Makarov (Uldino) & Timur Abdikeyev (Leone) Mariinsky Orchestra, Valery Gergiev (conductor) & Arturo Gama (director) The Mariinsky label is delighted to release the first of four operas on DVD in 2013 with Verdi’s 'Attila'. Released in celebration of Verdi’s anniversary year, acclaimed Russian bass Ildar Abdrazakov stars in the title role, in this the premiere of Arturo Gama’s production. He is ably supported by soprano, Anna Markarova in the role Odabella; baritone, Vladislav Sulimsky in the role of Ezio and tenor, Sergei Skorokhodov. The bluray release, filmed in the Mariinsky Opera House will feature a stunning picture gallery of scenes from the performance in addition to the three-act opera. As is the case with many of Verdi’s operas, his ninth opera, 'Attila' is imbued with the spirit of Risorgimento, the national liberation movement of the Italian people against foreign rule and for the unification of trampled Italy. The plot, which tells of the struggle of Aquileia, one of the last remaining strongholds of once eternal Rome, against the barbarian hordes of Attila, King of the Huns, received an enthusiastic reception from the audience present at the premiere at the Teatro la Fenice in Venice, and yet is rarely performed in today’s opera houses. Since the premiere in 2010, the Mariinsky has revived Arturo Gama’s production each season, most recently in January 2013. A two-time Grammy Award winner for his Verdi readings, Ildar Abdrazakov has quickly established himself as one of opera’s most sought-after basses. Since making his La Scala debut in 2001 at only 25, the Russian singer has become a mainstay at leading houses worldwide. His powerful, yet refined voice coupled with his compelling stage presence have prompted critics to describe him as a “sensational bass … who has just about everything – imposing sound, beautiful legato, oodles of finesse”, The Independent. Arturo Gama has been the Stage Director of the opera company at the Mecklenburgisches Staatstheater Schwerin in Germany since 2005. He has staged a large number of productions, including 'Bluebeard’s Castle', 'Tosca', 'Die Zauberflöte' and 'Roméo et Juliette'; his most recent work was Richard Wagner’s 'Tannhaüser'. He originates from Mexico City and at the end of his dance career with the National Dance Company of Mexico, the Komische Oper Berlin offered him the position of Assistant Director, working with well-known directors including Harry Kupfer, Andreas Homoki, Peter Konwitschny, David Alden, Hans Neuenfels and Willy Decker. | 
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| |  | Solti Centenary ConcertLive recording from Symphony Center, Chicago, 2012
Hosted by Valerie Solti The Solti Centenary Concert in Chicago celebrated Sir Georg Solti’s 100th birthday on October 21, 2012, featuring the World Orchestra for Peace. This unique ensemble owes its existence to the vision of its founder, Sir Georg Solti, who believed passionately in peace and the power of music and musicians to be ambassadors for peace. Charmingly hosted by Solti’s widow, Lady Valerie Solti, and featuring soloists such as Angela Gheorghiu and René Pape as well as members of the Georg Solti Accademia, this memorable evening presents musical highlights, all of which played a significant role in Solti’s life and career. Besides excerpts from Mozart’s Le Nozze di Figaro, Die Zauberflöte and Don Giovanni or Verdi’s La Traviata and Rigoletto, this concert finds lovely musical moments in the 'Adagietto' from Mahler’s Fifth Symphony, Strauss’ Don Juan and Bartók’s masterful Concerto for Orchestra. Sousa’s Stars and Stripes Forever as the encore closes the performance with a smash. Conductor Valery Gergiev was a good friend of his advisor Georg Solti. Together with Lady Valerie Solti and the World Orchestra for Peace he carries on Solti’s vision and maintains his memory. Special Bonus Feature: “Solti’s Vision”, a film about the World Orchestra for Peace Sound Format: PCM Stereo, DD 5.1, dts-HD Master Audio 5.1 Format: DVD 9 / NTSC Subtitle Languages: DE, FR / DE (Bonus) Running Time: 112 mins + 21 mins (Bonus) FSK: 0 Worldwide available | 
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| |  | Nobuyuki Tsujii at White Nights
The blind up-and-coming Japanese pianist Nobuyuki Tsujii - an astonishing virtuoso on his instrument – performs with the Russian conductor Valery Gergiev at the Mariinsky Theatre in Saint Petersburg. In 2009 he hit the Top Ten of the Japanese Charts with his first album “début”. He also won the Van Cliburn International Piano Competition in 2009. At the White Nights Festival he played works by the Russian composers Tchaikovsky, Rachmaninov and Shostakovich. Here he plays Tchaikovsky’s famous Piano Concerto No. 1. As a bonus Nobuyuki Tsujii performs his own Elegy for the Victims of the Tsunami of March 2011, a stirring and moving piece dedicated to his home country Japan. This performance also includes Shostakovich Symphony No. 14. Live recording from the Concert Hall of the Mariinsky Theatre, St. Petersburg, 8 July 2012. Picture format DVD: NTSC 16:9 Sound format DVD: DD 5.1, DTS 5.1, PCM Stereo Region code: 0 Booklet notes: English, German, French Running time: 102 mins “The camera lingers revealingly on close-ups of his neat hands, showing how flat the fingers are, and how relaxed their action, and underscoring the fact that through his finely-judged rubato he exercises total authority over tempo. The cadenza has lovely delicacy...But the principal memory one comes away with is his engagingly child-like presence.” BBC Music Magazine, April 2013 **** | 
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Alina Somova (Masha the Princess), Vladimir Shklyarov (The Nutcracker Prince), Alexandra Korshunova (Masha) & Fyodor Lopukhov (Drosselmeyer) Mariinsky Ballet & Orchestra, Valery Gergiev Libretto by MARIUS PETIPA after the story by ETA Hoffmann Choreography by VASILY VAINONEN Production design by SIMON VIRSALADZE Mariinsky Theatre Musical Director, Valery Gergiev, conducts Tchaikovsky’s glorious score in this enchanting, traditional, Russian production of The Nutcracker. Vainonen’s stunning choreography is complemented by Simon Virsaladze’s wonderfully colourful designs, and the roles of Masha and her Nutcracker Prince are danced by two of the Mariinsky’s award-winning, international soloists, all of which make this as magical and memorable a Christmas treat as ever. NEWLY RECORDED IN HIGH DEFINITION NTSC 16:9 L-PCM STEREO + DTS + 5.1 SURROUND SOUND 103 MINS ALL REGIONS “Alina Somova and Vladimir Shklyarov make a good-looking, well-matched couple and are technically utterly self-assured.” MusicWeb International, 23rd April 2013 | 
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| |  | World Orchestra for Peace at the Abu Dhabi Festival
This DVD includes two major works of Russian repertoire for which Gergiev is famous. While he emphasises the lightness and vitality of Prokofiev’s “Classical” Symphony, Gergiev pours his entire soul into Tchaikovsky’s grand, exultant Fifth Symphony. Includes a fascinating 23 minutes Documentary about the orchestra, founded by Sir Georg Solti. The orchestra draws its roster from the great orchestras of the world - even the back bench violins are first and second desk players at home. The Abu Dhabi Festival is regarded as the United Arab Emirates’ largest and most prestigious classical arts event. “The conductor Valery Gergiev has become one of Russia’s most potent cultural symbols. [...] From the works of Mikhail Glinka to those of Shostakovich, the core of the Russian repertory is infused with a direct emotional appeal. When he conducts those scores (indeed, when he conducts anything), Gergiev is seeking a gut connection between the music and the audience.” The New York Times Running Time Total: 104 minutes Symphonies: 83 minutes Documentary: 21 minutes Picture 16:9, color Sound PCM Stereo, DTS 5.1 (Bonus: PCM Stereo) Subtitles Documentary: German, English (original language) “The programme is both straightforwardly popular and plays to conductor Valery Gergiev's strengths. He and the orchestra whip up a fine storm in the opening of Rossini's William Tell Overture, are scintillating in the exhilarating finale of Prokofiev's Classical Symphony, and give a stately account of Tchaikovsky's Fifth Symphony...With the Johann Strauss encore...the orchestra lifts spirits with playing which infectiously combines high spirits with professional polish” BBC Music Magazine, October 2011 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Summer Night's Concert at Schönbrunn
Vienna’s musical year shines with two dates that always dazzle: The New Year’s Day concert with the Vienna Philharmonic, and the Vienna Philharmonic’s open-air June concert in the gardens of the palace of Schönbrunn, the Summer Night Concert. As Oonachrichten last year summed up: for the more than 100,000 people attending the concert, it was “a heavenly summer night with the Vienna Philharmonic”. | | | In stock - usually despatched within 1 working day. |
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Video Director - Brian Large Set & Costume Design - Michael Levine Lighting - Jean Kalman Choreographer - Serge Bennatham This is a star-led performance of one of the most popular romantic operas with the unrivalled pairing of Fleming and Hvorostovsky as the doomed lovers. Their onstage chemistry, emotional singing and outstanding acting make this a truly special and unique production. Thousands of movie-goers watched this production live in cinemas across Europe and the US in February 2007, when the production and the singing of the central characters met with great critical acclaim. Valery Gergiev, Russia's greatest living conductor, leads Russia's classic opera, with a thrilling account of Tchaikovsky's most intense and passionate score. Robert Carsen, described in the International Herald Tribune as 'one of the most sought-after stage directors on the operatic scene' creates an evocative and striking staging. Anne Midgette, reviewing this production in the New York Times, wrote, 'this remains one of the most extraordinarily beautiful stagings I've seen.' “Luxuriously cast but staged with restraint, Robert Carsen's production as revived by Peter McLintock has already reached wide audiences through the Met's live screenings. For one, Onegin really is central to the drama… Hvorostovsky's hero, always elegant in his long phrases, shows a human face to the rejection of the young and impressionable Tatyana and sensitively underlines the notion, heightened by Tchaikovsky's short duet of asides, that the senseless duel with his best friend Lensky might be stopped at any moment. ...Fleming comes into her own in the final blaze of passion, a truly cinematic scene between two charismatic stars. ...Gergiev conjures limpid but always well projected woodwind solos in the first act and powerful bass lines to emphasise lurking tragedy. He's also an inspiring presence in the short behind-the-scenes documentary.” BBC Music Magazine, April 2008 **** BBC Music Magazine
DVD Choice - April 2008 |
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“The production is in the best spirit of the Maryinsky, sumptuous to look at and full of period atmosphere...a faithful attempt to match what the composer might have expected to see on stage...This is a very distinguished production and a hugely enjoyable evening.” Penguin Guide, 2010 edition **** | | | In stock - usually despatched within 1 working day. |
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Galina Gorchakova (Renata), Sergei Leiferkus (Ruprecht), Evgenia Perlasova (Landlady), Mikail Kit (Servant), Larissa Diadkova (Fortune Teller), Evgeni Boitsov (Jakob Glock), Vladimir Galouzine (Agrippa von Nettesheim), Konstantin Pluzhnikov (Mephistopheles), Sergei Alexashkin (Faust), Olga Markova-Mikhailenko (Mother Superior), Vladimir Ognovienko (Inquisitor) St Petersburg Maryinsky Acrobatic Troup, Kirov Opera, Valery Gergiev Recording Date: 1993
Place of recording: Maryinsky Theatre, St Petersburg
Running Time: 124 min
Picture Format: 4:3
Sound Format: PCM Stereo
Menu Languages PAL: D, F, GB, SP
Subtitle Languages PAL: D, F, GB, SP
“The presence of vision in the finely directed DVD serves to underline an implicit ambiguity in the opera - whether Madiel and the spirits conjured up in Act II are real or are just Renata's paranoid delusions...The frenetic, highly charged atmosphere of the final Convent scene benefits by vision particularly in this splendid production.” Penguin Guide, 2011 edition | | | In stock - usually despatched within 1 working day. |
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Robert Lloyd (Boris), Olga Borodina (Marina), Alexei Steblianko (Girgory/False Dmitry), Sergei Leiferkus (Rangoni), Larissa Diadkova (Fyodor), Evgeni Boitsov (Shuisky), Alexander Morozov (Pimen), Vladimir Ognovienko (Varlaam), Olga Kondina (Xenia), Ludmila Filatova (Hostess), Vladimir Solodovnikov (Simpleton), Mikail Kit (Tchelkalov), Evgenia Perlasova (Nurse), Evgeny Fedotov (Nikitich), Grigory Karasev (Mityukha) Kirov Opera, Valery Gergiev “Film director Andrei Tarkovsky, famous for science- fiction classics Solaris and Stalker and the historical epic Andrei Rublev, was a master of symbolic effect – the gigantic pendulum, the grotesquely faceless Idiot, living statuary, the angelic murdered child amid falling snow. But against such stylisation the action, vividly captured by video director Humphrey Burton, comes correspondingly alive, no stiff Bolshoi pageant; chorus and soloists act their hearts out. Borodina is an ideal Marina, beautiful and burnished of tone but chillingly self-absorbed; perhaps rightly, she strikes more sparks with Leiferkus's vampiric, honey-toned Rangoni than with Steblianko's stolid but lyrical Pretender. Ognovenko's Varlaam is somewhat young and baritonal, but foreshadows stardom, as does Dyadkova's superbly touching, plangent Feodor. Boitsov's Shuisky, Morosov's noble Pimen and Solodovnikov's Idiot are less outstanding but still excellent. The only outsider is at the centre. Robert Lloyd's Boris first appears (reflecting contemporary portraits) moustached but beardless; the customary hedge appears in later acts, neatly marking the passing years. His finely shaded bassocantante has been criticised for being too light, but such doubts fade before his idiomatic-sounding Russian and magnificent characterisation, culminating in a truly harrowing death scene. Gergiev's reading is less brilliant than his dual recording, often rather soft-centred; but he still brings out the sheer anguished beauty of the score. The excellent stereo soundtrack has also been remastered into DTS surround-sound, and very airy and ambient this sounds, from the opening wave of applause sweeping across the auditorium.” Gramophone Classical Music Guide, 2010 “an outstanding film...admirably conducted by Valery Gergiev, joined by Robert Lloyd as Boris, one of his greatest performances, and a superb supporting cast.” Penguin Guide, 2011 edition | | | In stock - usually despatched within 1 working day. |
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