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2013 sees a series of Wagner reissues on Eloquence from complete operas and highlights to Wagner singer portraits and even an audiobook! Reissued for the Wagner Year are highlights from Herbert von Karajan’s mighty ‘Ring’ cycle. The disc includes extended highlights from the four ‘Ring’ operas and allows us to sample Karajan’s choice of different singers for the same character in different operas – Fischer-Dieskau’s Wotan in Das Rheingold and Thomas Stewart’s in Siegfried. There are notes on the music as well as an essay by Karajan expert Richard Osborne on the background to Karajan’s Ring, as well as a photo gallery of many of the key singers. There were and will always be many competitive Ring cycles on the market, but, as Martin Baker sums up ‘[Karajan] creates […] a transparent aural stage where the light and shade in the music has an almost forensic quality. Musically the Karajan Ring cycle has a visceral intensity that, especially in the subterranean scenes, hints at the sinister mythologies that informed Germany’s recent history and is probably closer to the heart of the narrative’s darkness than any other recording.’ | 
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| |  | Herbert von Karajan conducts Bruckner & MozartRoyal Festival Hall, London, 6 April 1962
Herbert von Karajan (1908–1989) was one of the greatest conductors of the twentieth century. Born in Salzburg, he made his debut with the Vienna Philharmonic in 1934. In 1946 Karajan gave his first post-war concert in Vienna with that orchestra, and in 1949 he became artistic director of the city’s Gesellschaft der Musikfreunde. He also conducted at La Scala in Milan, but his most prominent activity at this time was recording with the newly formed Philharmonia Orchestra in London, helping to build them into one of the world’s finest. In 1955 he was appointed music director for life of the Berlin Philharmonic as successor to Wilhelm Furtwängler. From 1957 to 1964 he was artistic director of the Vienna State Opera. Karajan was closely involved with the Vienna Philharmonic and the Salzburg Festival. He continued to perform, conduct and record prolifically until his death in 1989, mainly with the Berlin Philharmonic and the Vienna Philharmonic. This 2CD set preserves the exact concert that took place at the Royal Festival Hall on 6 April 1962, including the British and Austrian national anthems. It is sourced from the Music Preserved archive. The combination of Karajan and the Vienna Philharmonic playing Mozart and Bruckner drew a ‘packed and raving audience’ according to Neville Cardus in The Guardian. The Bruckner Symphony No.7 received great acclaim from the Daily Telegraph, with a review headlined ‘Noble Height in Bruckner: Vibrant Vienna Philharmonic’, and the critic Donald Mitchell writing ‘London has not heard a Bruckner performance of this quality for years’. Mitchell went on to add that the music-making was ‘undoubtedly touched by interpretative genius’. In his booklet essay, Richard Osborne notes that ‘the performances of both Mozart and Bruckner are quicker here than any of Karajan’s studio performances … they are also freer in places and given to a number of astonishing build-ups of power’. “These mono tapes from the Music Preserved collection held at the University of York still fizz with the excitement of that evening 50 years on, the last movement of Mozart's "Jupiter" breathtaking in its inner discipline and Karajan's mastery of the long line so evident in the outer movements of the Bruckner.” The Observer, 19th May 2013 | 
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| |  | Magic Verdi
Artists include Agnes Baltsa, Montserrat Caballé, Mirella Freni & Plácido Domingo
The name Verdi is synonymous with Italian opera. No other composer embodies all the fascination and passion of Italian music drama like Verdi. The special magic of his music comes out especially vividly when it's performed by the very greatest of vocal stars: Plácido Domingo, José Carreras, Montserrat Caballé and Mirella Freni. | 
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| |  | Karajan: The Second LifeA film by Eric Schulz
A brand new 80-minute documentary/film, on DVD for the first time. A must-have product for anyone with more than a passing interest in one of the greatest conductors of all time. Never-before-seen film footage and archival material depicting the musical legacy of Herbert von Karajan. A behind the scenes look at Karajan’s work in the recording studio and a multifaceted portrait of the conductor and his musical vision. Excerpts from privately recorded phone conversations between Karajan and his sound engineer Günter Hermanns selected exclusively for this documentary. Interviews with important colleagues and collaborators of Karajan: Anne-Sophie Mutter, Peter Alward, David Bell, Brigitte Fassbaender, Eberhard Finke, Wolfgang Gülich, Hans Hirsch, Klaus König, Krzysztof Polonek, Ernst Poppel, Godehard Pruin, Klaus Stoll, Peter Uehling, Hans Weber and Andrew Wedman. A production of the team behind the internationally successful film Traces to Nowhere – The Conductor Carlos Kleiber, from the multi-award-winning director Eric Schulz (including the ECHO Klassik 2011, Gramophone Award, and International Classical Music Award) Available subtitles: German (if not original language) / English (if not original language) / French / Spanish / Chinese / Japanese / Korean | 
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| |  | Strauss: Vier letzte Lieder
Taken from live performances from the period 1952-1960, this disc showcases the legendary singer Elisabeth Schwarzkopf singing iconic repertoire. | 
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| |  | Verdi: Opera Highlights
Verdi: | Libiamo, ne' lieti calici (from La Traviata) È strano! è strano!...Ah! fors è lui (from La traviata) Parigi, o cara (from La Traviata) Caro nome (from Rigoletto) Cortigiani, vil razza dannata (from Rigoletto) La donna è mobile (from Rigoletto) Bella figlia dell'amore (from Rigoletto) Anvil Chorus (from Il Trovatore) Il balen del suo sorriso (from Il Trovatore) Ah sì ben mio (from Il trovatore) Di quella pira (from Il trovatore) D'amor sull'ali rosee (from Il Trovatore) Ai nostri monti (from Il trovatore) Va, pensiero (from Nabucco) Nel dì della vittoria … Ambizioso spirto … Vieni t'affretta! … Or tutti sorgete (Lady Macbeth) Ah, la paterna mano (from Macbeth) Di' tu se fedele (from Un ballo in maschera) Ecco l'orrido campo … Ma dall'arido stelo divulsa (from Un ballo in maschera) O tu che in seno agli angeli (from La Forza del Destino) Rataplan, rataplan, della gloria (from La forza del destino) Pace, pace mio Dio! (from La forza del destino) Dio, che nell'alma infondere (from Don Carlo) O don fatale (from Don Carlo) O Carlo, ascolta (from Don Carlo) Celeste Aida (from Aida) Ritorna vincitor! (from Aida) O terra, addio (from Aida) Era la notte (from Otello) Ave Maria (from Otello) L'onore! Ladri! (from Falstaff) Del tuo barbero diagnostico (from Falstaff) |
Renata Scotto, Montserrat Caballe, Mirella Freni, Leontyne Price, Beverly Sills, Elisabeth Schwarzkopf (sopranos), Fiorenza Cossotto (mezzo), Placido Domingo, Alfredo Kraus, Jon Vickers, Carlo Bergonzi (tenors), Sherrill Milnes, Tito Gobbi (baritones) Riccardo Muti, Carlo Maria Giulini, Herbert von Karajan | 
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| |  | Karajan Adagio: Music To Free Your Mind
Albinoni: | Adagio for Strings and Organ in G minor | Bach, J S: | Orchestral Suite No. 3 in D major, BWV1068: Air ('Air on a G String') | Bizet: | L'Arlesienne Suite No. 1: III. Adagietto Carmen: Entr'acte to Act III (Intermezzo) | Chopin: | Les Sylphides - Nocturne Arr. Roy Douglas | Debussy: | Prélude à l'après-midi d'un faune | Gluck: | Orfeo ed Euridice (Orphée et Euridice): Dance of the Blessed Spirits | Grieg: | Peer Gynt: Solveig's Song Peer Gynt: Ase's Death | Handel: | Concerto grosso, Op. 6 No. 12 in B minor, HWV330: III - Aria | Mahler: | Symphony No. 5 in C sharp minor - Adagietto | Mascagni: | Cavalleria Rusticana: Intermezzo | Massenet: | Meditation (from Thaïs) | Mozart: | Serenade No. 13 in G major, K525 'Eine kleine Nachtmusik': Romance (Andante) | Offenbach: | Barcarolle (from Les Contes d'Hoffmann ) Arranged by M. Rosenthal | Pachelbel: | Canon | Puccini: | Humming Chorus (from Madama Butterfly) | Ravel: | Pavane pour une infante défunte | Respighi: | Ancient Airs and Dances, Suite No. 3, P. 172: III. Siciliana | Sibelius: | Valse Triste, Op. 44 No. 1 Lemminkäinen Suite, Op. 22: The Swan of Tuonela (No. 2) | Tchaikovsky: | Romeo & Juliet - Love Theme Serenade for strings in C major, Op. 48: III. Élégie | Verdi: | La traviata: Prelude to Act 3 | Vivaldi: | Winter from The Four Seasons (extract) Rain Concerto in A minor for Two Violins, RV 523: Largo | Wagner: | Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde): orchestral version |
Karajan Adagio is the most successful classical collection of all time with nearly 4 million units sold since 1993. It has now been re-engineered, re-titled, and newly compiled for the 21st century. “Adagio Karajan” was the ORIGINAL CLASSICAL CHILL-OUT ALBUM. Over two-and-a-half hours of the world’s most relaxing music – from the most accomplished conductor of all time. Emphasizing classical music’s unique power in transporting the listener away from the stresses and strains of modern-day living - All over the world, consumers are searching for an escape, and the soothing sounds of “Karajan Adagio” can provide that. “Adagio” – the literal translation is “at ease”, with a slowness, with a tranquillity, and with a longing – the perfect antidote to the relentless pace of modern global living. | 
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| |  | Brahms: Symphony No. 1
Vintage Karajan recordings of Brahms with the Vienna Philharmonic and Philharmonia orchestras, re-mastered and available at super budge price. | 
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| |  | Herbert von Karajan conducts Strauss and MozartRecorded at the Salzburg Festival, August 1970
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| |  | The Essential Wagner
Hildegard Behrens, Jessye Norman, Helga Dernesch, Cheryl Studer, Birgit Nilsson (sopranos), Marjana Lipovsek, Christa Ludwig (mezzos), Siegfried Jerusalem, Jon Vickers, Nicolai Gedda, Ben Heppner (tenors), Dietrich Fischer-Dieskau (baritone), Kurt Moll (bass) Bernard Haitink, Klaus Tennstedt, Herbert von Karajan, Andre Cluytens, Sir Adrian Boult The best-loved and most popular works by Richard Wagner, performed by the world’s leading artists, in an accessible format at budget price. | | | In stock - usually despatched within 1 working day. |
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