Herbert von Karajan

Conductor

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The Very Best of Herbert von Karajan

The Very Best of Herbert von Karajan


The Austrian conductor Herbert von Karajan was born in Salzburg in 1908. He spent his early years working in Aachen before coming to Berlin where he was hailed as ‘Das Wunder Karajan’ (‘The Karajan Miracle’). After the Second World War he was signed in Vienna by EMI producer Walter Legge to record with the Wiener Philharmoniker and subsequently became effectively principal conductor of the Philharmonia Orchestra in London. He then succeeded Furtwängler as Music Director of the Berliner Philharmoniker and he remained in that post until shortly before his death in 1989.

His name became synonymous with the best in orchestral music and his legacy of outstanding recordings is enormous. This selection can give just a taste of some of his best and most characteristic performances, beginning with pieces by the masters of the Classical era: Mozart, Haydn and Beethoven, including extracts from Mozart’s much-loved ‘Eine kleine Nachtmusik’ and two of Beethoven’s most powerful symphonies: Nos 5 and 9.

The composers of the Romantic period heard here include Brahms, Tchaikovsky, Dvorák, Richard Strauss, Rachmaninov and Sibelius, and the lighter side of Karajan is shown in two lively polkas and a lilting waltz (the famous ‘Blue Danube’) by Johann Strauss II. French music is represented by the stirring ‘Marche hongroise’ from La Damnation de Faust by Berlioz and the colourful España by Chabrier, and Bohemia comes to life in part of The Moldau by the Czech composer Smetana.

Karajan was also unsurpassed as a conductor of opera and this is illustrated by his superb performances of the Intermezzo from Puccini’s Manon Lescaut, the Prelude to Act III of Wagner’s Lohengrin and part of the spectacular Triumphal Scene from Verdi’s Aida.

EMI - The Very Best of... - 6789922

(CD - 2 discs)

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The Best of Elisabeth Schwarzkopf

The Best of Elisabeth Schwarzkopf


anon.:

S'Schatzli

Gerald Moore (piano)

Dvorak:

Songs My Mother Taught Me, Op. 55 No. 4

Gerald Moore (piano)

Humperdinck:

Abendsegen 'Abends will ich schlafen gehn' (Hänsel und Gretel)

Elisabeth Grummer (Hansel)

Philharmonia Orchestra, Herbert von Karajan

Lehár:

Meine Lippen sie Kussen so heiss (from Giuditta)

Philharmonia Orchestra, Otto Ackermann

Viljalied (from Die lustige Witwe)

Philharmonia Orchestra, Otto Ackermann

Mozart:

Porgi amor (from Le nozze di Figaro)

Vienna Philharmonic Orchestra, Herbert von Karajan

Dove sono i bei momenti (from Le nozze di Figaro)

Vienna Philharmonic Orchestra, Herbert von Karajan

Come scoglio (from Così fan tutte)

Philharmonia Orchestra, Herbert von Karajan

In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni)

Philharmonia Orchestra, Carlo Maria Giulini

Quilter:

Drink to me only

Gerald Moore (piano)

Schubert:

Der Musensohn, D764 (Goethe)

Edwin Fischer (piano)

Gretchen am Spinnrade, D118

Edwin Fischer (piano)

Die Forelle, D550

Edwin Fischer (piano)

Schumann:

Der Nussbaum, Op. 25 No. 3

Gerald Moore (piano)

Strauss, J, II:

Klänge der Heimat (from Die Fledermaus)

Philharmonia Orchestra, Herbert von Karajan

Strauss, R:

Wiegenlied, Op. 41 No. 1

Gerald Moore (piano) 12. Viljalied (Die Lustige Witwe:Lehár) 5:13

Da geht er hin (from Der Rosenkavalier, Op. 59)

Philharmonia Orchestra, Herbert von Karajan

Zeller:

Der Obersteiger: Sei nicht bös’ from Der Vogelhändler

Philharmonia Orchestra, Otto Ackermann


Alto - ALC1163

(CD)

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Wagner: Die Meistersinger von Nürnberg: highlights

Wagner: Die Meistersinger von Nürnberg: highlights


EMI Highlights - 7290382

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Verdi: Don Carlo (highlights)

Verdi: Don Carlo (highlights)


ACT I

1 Io l’ho perduta (Carlo) 3.20

2 Il duolo della terra (Monk/Carlo) 1.02

3 È lui! desso! L’Infante (Rodrigo/Carlo) 3.18

4 Ascolta! Le porte dell’asil s’apron già (Rodrigo/Carlo) 0.53

5 Dio, che nell’alma infondere amor (Carlo/Rodrigo/Chorus/Monk) 4.47

6 Nei giardin del bello saracin ostello (Eboli/Tebaldo/Female Chorus) 4.50

7 Non pianger, mia compagna (Elisabetta/Rodrigo/Chorus/Philip) 4.22

ACT II

8 Spuntato ecco il dì d’esultanza (Chorus) 4.03

ACT III

9 Ella giammai m’amo (Philip) 9.59

10 O don fatale, o don crudel (Eboli) 5.30

11 Son io, mio Carlo (Rodrigo/Carlo) 3.25

12 Per me giunto è il dì supremo (Rodrigo) 5.51

13 Io morrò, ma lieto in core (Rodrigo/Carlo) 2.46

ACT IV

14 Tu che le vanità (Elisabetta) 12.05

66.30


José Carreras (Don Carlo), Nicolai Ghiaurov (Philip II), Mirella Freni (Elisabetta de Valois), Agnes Baltsa (Princess Eboli), Piero Cappuccilli (Rodrigo), José Van Dam (An Old Monk) & Edita Gruberová (Tebaldo)

Berliner Philharmoniker & Chor der Deutschen Oper Berlin, Herbert von Karajan

“Freni is an involved and sympathetic Elisabetta with a voice that sounds warm and even throughout. Carreras is ideally ardent as Carlos and Baltsa is a properly sensuous and exciting Eboli.” Gramophone Magazine

EMI Highlights - 7290372

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Strauss: Die Fledermaus

Strauss: Die Fledermaus

Complete Opera plus Gala Scene & Ballet Music


Arditi:

Il Bacio

Joan Sutherland (soprano)

Berlin, I:

Anything you can do I can do better (from Annie Get Your Gun)

Giulietta Simionato (mezzo), Ettore Bastianini (baritone)

Ferrari, Louis:

Domino

Fernando Corena (bass)

Gershwin:

Summertime (from Porgy and Bess)

Leontyne Price (soprano)

Lavilla Muñarriz:

Lullaby

Teresa Berganza (mezzo)

Lehár:

Viljalied (from Die lustige Witwe)

Renata Tebaldi (soprano)

Dein ist mein ganzes Herz (from Das Land des Lächelns)

Jussi Björling (tenor)

Loewe, F:

I Could Have Danced All Night (My Fair Lady)

Birgit Nilsson (soprano)

Siecynski:

Wien, Wien nur du Allein (Vienna, City of My Dreams)

Ljuba Welitsch (soprano)

Strauss, J, II:

Die Fledermaus

Hilde Gueden (Rosalinde), Waldemar Kmentt (Eisenstein), Giuseppe Zampieri (Alfred), Erika Köth (Adele), Regina Resnik (Orlofsky), Eberhard Wachter (Frank), Walter Berry (Falke), Erich Kunz (Frosch)

Valente, N:

Passione

Mario del Monaco (tenor)


Alto - ALC2018

(CD - 2 discs)

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Bizet: Carmen (highlights)

Bizet: Carmen (highlights)


Leontyne Price (Carmen), Franco Corelli (Don José), Mirella Freni (Micaëla), Robert Merrill (Escamillo)

Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, Herbert von Karajan

Recorded in 1963

RCA Classical Masters - 88697757512

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Verdi: Falstaff

Verdi: Falstaff


Tito Gobbi (Falstaff), Luigi Alva (Fenton), Rolando Panerai (Ford), Tomaso Spataro (Dr Caius), Renato Ercolani (Bardolfo), Nicola Zaccaria (Pistola), Elisabeth Schwarzkopf (Alice Ford), Anna Moffo (Nannetta), Nan Merriman (Meg Page), Fedora Barbieri (Mistress Quickly)

Philharmonia Orchestra and Chorus, Herbert von Karajan

Recording Country: United Kingdom

Recording Location: 21-23, 25-29 June & 24 July 1956 / Kingsway Hall, London

Mix Date: 24 Jul 1956

Producer: Walter Legge. Engineer: Christopher Parker

Digitally remastered to 24-bit standard at Abbey Road Studios by Allan Ramsay

Source matrix nos.: YAX 16-21 (Columbia SAX 2254-56)

“the most vividly characterful cast ever gathered for a recording. If you relish the idea of Tito Gobbi as Falstaff (his many-coloured voice, not quite fat-sounding in humour, presents a sharper character than usual), then this is clearly the best choice.” Penguin Guide, 2010 edition ****

EMI - The Opera Series - 9481992

(CD - 2 discs)

$20.50

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Beethoven: Fidelio, Op. 72

Beethoven: Fidelio, Op. 72


Helga Dernesch (Leonore), Jon Vickers (Florestan), Zoltán Kéléman (Pizarro), Karl Ridderbusch (Rocco), Helen Donath (Marzelline), Horst R Laubenthal (Jaquino), José van Dam (Fernando), Werner Hollweg (Erster Gefangene), Siegfried Rudolf Frese (Zweiter Gefangene)

Chorus of the Deutsche Oper Berlin & Berliner Philharmoniker, Herbert von Karajan

Recording Country: Germany

Recording Location: 12-16 Oct & 15 Dec 1970. Jesus Christus Kirch, Berlin-Dahlem

Mix Date: 31 Dec 1988

Producer: Michel Glotz . Engineer: Wolfgang Gülich

Source matrix nos.: 2YRA 9514-17 (SLS 5231)

EMI - The Opera Series - 9481722

(CD - 2 discs)

$20.50

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Renata Tebaldi sings Puccini and Verdi Favourites

Renata Tebaldi sings Puccini and Verdi Favourites


Puccini:

In quelle trine morbide (from Manon Lescaut)

Sola, perduta, abbandonata (from Manon Lescaut)

Si, mi chiamano Mimi (from La Bohème)

Carlo Bergonzi (tenor)

Donde lieta usci (from La Bohème)

Signore, ascolta! (from Turandot)

Tu che di gel sei cinta (from Turandot)

Un bel di vedremo (from Madama Butterfly)

Tu? Tu? Piccolo iddio (from Madama Butterfly)

Vissi d'arte (from Tosca)

Che tua madre dovrà prenderti in braccio (from Madama Butterfly)

Enzo Sardelli (baritone)

Verdi:

Son giunta … Madre, pietosa Vergine (from La Forza del Destino)

Pace, pace mio Dio! (from La forza del destino)

Ritorna vincitor! (from Aida)

D'amor sull'ali rosee (from Il Trovatore)


“If you were to have just one Tebaldi CD in your collection this must be it. Each aria is an object lesson in how to sing this repertoire.” BBC Music Magazine, August 2011 *****

“To hear Tebaldi in (say) Butterfly's Un bel di...is to be reminded that hers are the classic virtues: those of beautiful tone, musical feeling, sincere utterance. And if for these qualities she was supreme among her contemporary Italian sopranos, she surely stands head and shoulders above any of the present generation” Gramophone Magazine

“the recital rightly concentrates on her stereo remakes of the key Puccini operas...voice still creamily fresh. Vissi d'arte (1959) is particularly beautiful...thrilling in Verdi, too, as the splendid Ritorna vincitor! vibrantly demonstrates...this recital should disappoint no-one.” Penguin Guide

Alto - ALC1133

(CD)

$7.50

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Herbert von Karajan conducts Brahms & Dvorak

Herbert von Karajan conducts Brahms & Dvorak


Brahms:

Symphony No. 3 in F major, Op. 90

Dvorak:

Symphony No. 8 in G major, Op. 88


“Karajan's superb reading of the Dvorak is the winner here with every detail of this volatile score superbly realised.” BBC Music Magazine, March 2011 ***

“two of Karajan's most natural and elemental recordings...Karajan was more inclined to let the Vienna Philharmonic play - allowing it more freedom while still keeping a firm hand on the performance - than he was his own Berlin orchestra. The results have the kind of spontaneity and freshness that is sometimes missing from his Berin performances” International Record Review, May 2011

Decca - Originals - 4782661

(CD)

$11.50

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