Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Very Best of Herbert von Karajan
The Austrian conductor Herbert von Karajan was born in Salzburg in 1908. He spent his early years working in Aachen before coming to Berlin where he was hailed as ‘Das Wunder Karajan’ (‘The Karajan Miracle’). After the Second World War he was signed in Vienna by EMI producer Walter Legge to record with the Wiener Philharmoniker and subsequently became effectively principal conductor of the Philharmonia Orchestra in London. He then succeeded Furtwängler as Music Director of the Berliner Philharmoniker and he remained in that post until shortly before his death in 1989. His name became synonymous with the best in orchestral music and his legacy of outstanding recordings is enormous. This selection can give just a taste of some of his best and most characteristic performances, beginning with pieces by the masters of the Classical era: Mozart, Haydn and Beethoven, including extracts from Mozart’s much-loved ‘Eine kleine Nachtmusik’ and two of Beethoven’s most powerful symphonies: Nos 5 and 9. The composers of the Romantic period heard here include Brahms, Tchaikovsky, Dvorák, Richard Strauss, Rachmaninov and Sibelius, and the lighter side of Karajan is shown in two lively polkas and a lilting waltz (the famous ‘Blue Danube’) by Johann Strauss II. French music is represented by the stirring ‘Marche hongroise’ from La Damnation de Faust by Berlioz and the colourful España by Chabrier, and Bohemia comes to life in part of The Moldau by the Czech composer Smetana. Karajan was also unsurpassed as a conductor of opera and this is illustrated by his superb performances of the Intermezzo from Puccini’s Manon Lescaut, the Prelude to Act III of Wagner’s Lohengrin and part of the spectacular Triumphal Scene from Verdi’s Aida. | | | In stock - usually despatched within 1 working day. |
|
|
| |  | The Best of Elisabeth Schwarzkopf
anon.: | S'Schatzli Gerald Moore (piano) | Dvorak: | Songs My Mother Taught Me, Op. 55 No. 4 Gerald Moore (piano) | Humperdinck: | Abendsegen 'Abends will ich schlafen gehn' (Hänsel und Gretel) Elisabeth Grummer (Hansel) Philharmonia Orchestra, Herbert von Karajan | Lehár: | Meine Lippen sie Kussen so heiss (from Giuditta) Philharmonia Orchestra, Otto Ackermann Viljalied (from Die lustige Witwe) Philharmonia Orchestra, Otto Ackermann | Mozart: | Porgi amor (from Le nozze di Figaro) Vienna Philharmonic Orchestra, Herbert von Karajan Dove sono i bei momenti (from Le nozze di Figaro) Vienna Philharmonic Orchestra, Herbert von Karajan Come scoglio (from Così fan tutte) Philharmonia Orchestra, Herbert von Karajan In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) Philharmonia Orchestra, Carlo Maria Giulini | Quilter: | Drink to me only Gerald Moore (piano) | Schubert: | Der Musensohn, D764 (Goethe) Edwin Fischer (piano) Gretchen am Spinnrade, D118 Edwin Fischer (piano) Die Forelle, D550 Edwin Fischer (piano) | Schumann: | Der Nussbaum, Op. 25 No. 3 Gerald Moore (piano) | Strauss, J, II: | Klänge der Heimat (from Die Fledermaus) Philharmonia Orchestra, Herbert von Karajan | Strauss, R: | Wiegenlied, Op. 41 No. 1 Gerald Moore (piano)
12. Viljalied (Die Lustige Witwe:Lehár) 5:13 Da geht er hin (from Der Rosenkavalier, Op. 59) Philharmonia Orchestra, Herbert von Karajan | Zeller: | Der Obersteiger: Sei nicht bös’ from Der Vogelhändler Philharmonia Orchestra, Otto Ackermann |
| | | In stock - usually despatched within 1 working day. |
|
|
| |  |
| | | In stock - usually despatched within 1 working day. |
|
|
| |  |
ACT I 1 Io l’ho perduta (Carlo) 3.20 2 Il duolo della terra (Monk/Carlo) 1.02 3 È lui! desso! L’Infante (Rodrigo/Carlo) 3.18 4 Ascolta! Le porte dell’asil s’apron già (Rodrigo/Carlo) 0.53 5 Dio, che nell’alma infondere amor (Carlo/Rodrigo/Chorus/Monk) 4.47 6 Nei giardin del bello saracin ostello (Eboli/Tebaldo/Female Chorus) 4.50 7 Non pianger, mia compagna (Elisabetta/Rodrigo/Chorus/Philip) 4.22 ACT II 8 Spuntato ecco il dì d’esultanza (Chorus) 4.03 ACT III 9 Ella giammai m’amo (Philip) 9.59 10 O don fatale, o don crudel (Eboli) 5.30 11 Son io, mio Carlo (Rodrigo/Carlo) 3.25 12 Per me giunto è il dì supremo (Rodrigo) 5.51 13 Io morrò, ma lieto in core (Rodrigo/Carlo) 2.46 ACT IV 14 Tu che le vanità (Elisabetta) 12.05 66.30
“Freni is an involved and sympathetic Elisabetta with a voice that sounds warm and even throughout. Carreras is ideally ardent as Carlos and Baltsa is a properly sensuous and exciting Eboli.” Gramophone Magazine | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Strauss: Die FledermausComplete Opera plus Gala Scene & Ballet Music
Arditi: | Il Bacio Joan Sutherland (soprano) | Berlin, I: | Anything you can do I can do better (from Annie Get Your Gun) Giulietta Simionato (mezzo), Ettore Bastianini (baritone) | Ferrari, Louis: | Domino Fernando Corena (bass) | Gershwin: | Summertime (from Porgy and Bess) Leontyne Price (soprano) | Lavilla Muñarriz: | Lullaby Teresa Berganza (mezzo) | Lehár: | Viljalied (from Die lustige Witwe) Renata Tebaldi (soprano) Dein ist mein ganzes Herz (from Das Land des Lächelns) Jussi Björling (tenor) | Loewe, F: | I Could Have Danced All Night (My Fair Lady) Birgit Nilsson (soprano) | Siecynski: | Wien, Wien nur du Allein (Vienna, City of My Dreams) Ljuba Welitsch (soprano) | Strauss, J, II: | Die Fledermaus Hilde Gueden (Rosalinde), Waldemar Kmentt (Eisenstein), Giuseppe Zampieri (Alfred), Erika Köth (Adele), Regina Resnik (Orlofsky), Eberhard Wachter (Frank), Walter Berry (Falke), Erich Kunz (Frosch) | Valente, N: | Passione Mario del Monaco (tenor) |
| | | In stock - usually despatched within 1 working day. |
|
|
| |  |
Recorded in 1963 | | | In stock - usually despatched within 1 working day. |
|
|
| |  |
Tito Gobbi (Falstaff), Luigi Alva (Fenton), Rolando Panerai (Ford), Tomaso Spataro (Dr Caius), Renato Ercolani (Bardolfo), Nicola Zaccaria (Pistola), Elisabeth Schwarzkopf (Alice Ford), Anna Moffo (Nannetta), Nan Merriman (Meg Page), Fedora Barbieri (Mistress Quickly) Philharmonia Orchestra and Chorus, Herbert von Karajan Recording Country: United Kingdom Recording Location: 21-23, 25-29 June & 24 July 1956 / Kingsway Hall, London Mix Date: 24 Jul 1956 Producer: Walter Legge. Engineer: Christopher Parker Digitally remastered to 24-bit standard at Abbey Road Studios by Allan Ramsay Source matrix nos.: YAX 16-21 (Columbia SAX 2254-56) “the most vividly characterful cast ever gathered for a recording. If you relish the idea of Tito Gobbi as Falstaff (his many-coloured voice, not quite fat-sounding in humour, presents a sharper character than usual), then this is clearly the best choice.” Penguin Guide, 2010 edition **** | | | In stock - usually despatched within 1 working day. |
|
|
| |  |
Recording Country: Germany Recording Location: 12-16 Oct & 15 Dec 1970. Jesus Christus Kirch, Berlin-Dahlem Mix Date: 31 Dec 1988 Producer: Michel Glotz . Engineer: Wolfgang Gülich Source matrix nos.: 2YRA 9514-17 (SLS 5231) | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Renata Tebaldi sings Puccini and Verdi Favourites
“If you were to have just one Tebaldi CD in your collection this must be it. Each aria is an object lesson in how to sing this repertoire.” BBC Music Magazine, August 2011 ***** “To hear Tebaldi in (say) Butterfly's Un bel di...is to be reminded that hers are the classic virtues: those of beautiful tone, musical feeling, sincere utterance. And if for these qualities she was supreme among her contemporary Italian sopranos, she surely stands head and shoulders above any of the present generation” Gramophone Magazine “the recital rightly concentrates on her stereo remakes of the key Puccini operas...voice still creamily fresh. Vissi d'arte (1959) is particularly beautiful...thrilling in Verdi, too, as the splendid Ritorna vincitor! vibrantly demonstrates...this recital should disappoint no-one.” Penguin Guide | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Herbert von Karajan conducts Brahms & Dvorak
“Karajan's superb reading of the Dvorak is the winner here with every detail of this volatile score superbly realised.” BBC Music Magazine, March 2011 *** “two of Karajan's most natural and elemental recordings...Karajan was more inclined to let the Vienna Philharmonic play - allowing it more freedom while still keeping a firm hand on the performance - than he was his own Berlin orchestra. The results have the kind of spontaneity and freshness that is sometimes missing from his Berin performances” International Record Review, May 2011 | | | In stock - usually despatched within 1 working day. |
|
|
| |
|