Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Schubert: Symphonies Nos. 5 & 8
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| | | In stock - usually despatched within 1 working day. |
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| |  | A Guided Tour of Nationalism in the Romantic Era, Vol. 7
Tatjana Franova (piano), Takako Nishizaki (violin), Jana Valaskova (soprano), Christine Brewer (soprano), Ding Gao (baritone), Marietta Simpson (contralto), John Aler (tenor), Maria Kliegel (cello), Ilya Kaler (violin), Stefan Veselka (piano), Christian Kohn (piano), Silke-Thora Matthies (piano), Havard Gimse (piano), Helge Kjekshus (piano), Henning Kraggerud (violin), Oystein Birkeland (cello), Erling Ragnar Eriksen (piano), Bodil Arnesen (soprano), Einar Steen-Nokleberg (piano) Slovak Philharmonic Orchestra, Polish National Radio Symphony Orchestra, Moyzes Quartet, Slovak Radio Symphony Orchestra, Washington Chorus, Washington Orchestra, Baltimore Symphony Orchestra, BBC Philharmonic Orchestra, Royal Philharmonic Orchestra, Vlac, Barry Wordsworth, Antoni Wit, Johannes Wildner, Robert Shafer, Marin Alsop, Zdenek Kosler, Stephen Gunzenhauser, Michael Halasz, Camilla Kolchinsky, Bjarte Engeset | 
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| |  | A Guided Tour of the Romantic Era, Vol. 12
Ilya Kaler (violin), Maria Kliegel (cello), Konstantin Scherbakov (piano), Christine Jackson (cello), Richard Stamper (violin), Vovka Ashkenazy (piano), Ilya Rashkovsky (piano), Oxana Yablonskaya (piano), Georges Rabol (piano), Jana Valaskova (soprano), John Aler (tenor), Christine Brewer (soprano), Ding Gao (baritone), Marietta Simpson (contralto), Stefan Veselka (piano), Silke-Thora Matthies (piano), Christian Kohn (piano) Slovak Radio Symphony Orchestra, Ukraine National Symphony Orchestra, Slovak Philharmonic Orchestra, Russian State Symphony Orchestra, Slovak State Philharmonic Orchestra, Kosice, Colorado Symphony Orchestra, Polish National Radio Symphony Orchestra, Vien, Ondrej Lenard, Theodore Kuchar, Michael Halasz, Dmitry Yablonsky, Andrew Mogrelia, Marin Alsop, Antoni Wit, Philippe Entremont, Gerhard Markson, Herve Niquet, Johannes Wildner, Robert Shafer, Zdenek Kosler, Stephen Gunzenhauser, Camilla Kolchinsky | 
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| |  | Classical Music: 50 of the Best Film Classics
Jeno Jando (piano), Anton Karas (zither), Norbert Kraft (guitar), Monika Krause (soprano), Miriam Gauci (soprano), Marina Mescheriakova (soprano), Judith Halasz (soprano), Idil Biret (piano), Robert Dean (vocals), Mike Eldred (tenor), Michael San Giovanni (vocals), Betsi Morrison (soprano), Marianne Cooke (vocals), Thelma Handy (violin), Jana Valaskova (soprano), Colm Carey (organ), Yordy Ramiro (tenor) Royal Liverpool Philharmonic Orchestra, Rheinland-Pfalz State Philharmonic Orchestra, Budapest Symphony Orchestra, Slovak Philharmonic Orchestra, Philharmonic Symphony Orchestra, Slovak Radio Symphony Orchestra, Philharmonic Rock Orchestra, Slovak Philhar, Carl Davis, Leif Segerstam, Gyorgy Lehel, Zdenek Kosler, Richard Hayman, Richard Edlinger, Adrian Leaper, Alexander Rahbari, Kenneth Jean, Uwe Mund, Bela Drahos, James DePreist, Kenneth Schermerhorn, Marin Alsop, Michael Halasz, Jeremy Summerly, Helmut Mu | |
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| |  | Classical Music at the Movies - Epics and Drama
Magdalena Hajossyova (soprano), Peter Mikulas (bass), Jozef Kundlak (tenor), Vladimir Ruso (organ), Jaroslava Horska (contralto), Stefan Klimo (choirmaster), Ernst Ottensamer (clarinet), John Lenehan (piano), Maria Kliegel (cello), Idil Biret (piano), Jeno Jando (piano), Alan Cuckston (harpsichord), Simon Lindley (organ), Denisa Slepkovska (mezzo-soprano) Slovak Philharmonic Orchestra, Slovak Philharmonic Chorus, Vienna Mozart Academy, Ulster Orchestra, Royal Philharmonic Orchestra, Razumovsky Symphony Orchestra, Slovak Radio Symphony Orchestra, Capella Istropolitana, Oxford Camerata, BBC Philharmonic Orch, Zdenek Kosler, Johannes Wildner, Takuo Yuasa, Michael Halasz, Long Yu, Keith Clark, Bohdan Warchal, Stephen Gunzenhauser, Jeremy Summerly, George Hurst | |
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| |  | Classical Music at the Movies - Sci-Fi, Thrillers & Suspense
Luba Orgonasova (soprano), Miriam Gauci (soprano), Giorgio Lamberti (tenor), Nicola Martinucci (tenor), Francois-Joel Thiollier (piano), Pi-hsien Chen (piano), Colm Carey (organ), Idil Biret (piano), Jeno Jando (piano), Manfred Fink (tenor), Claudio Otelli (bass-baritone), Ruxandra Donose (mezzo-soprano), Hasmik Papian (soprano) Slovak Philharmonic Orchestra, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Philharmonic Symphony Orchestra, Belgian Radio and Television Philharmonic Orchestra, Capella Istropolitana, Oxford Camerata, Oxford Schola Cantorum, Nicolaus Este, Zdenek Kosler, Stephen Gunzenhauser, Richard Edlinger, Richard Hayman, Will Humburg, Alexander Rahbari, Oliver Dohnanyi, Anthony Bramall, Jaroslav Dvorak, Jeremy Summerly, Pinchas Steinberg, Bela Drahos | |
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| |  | Great Classical Masterpieces - Bestselling Naxos Recordings 1987-2012
Takako Nishizaki (violin), Jeno Jando (piano), Norbert Kraft (guitar), Klara Kormendi (piano), Colm Carey (organ), Kathryn Selby (piano) Slovak Radio Symphony Orchestra, Oxford Camerata, Capella Istropolitana, Slovak Philharmonic Chorus, Slovak Philharmonic Orchestra, Budapest Symphony Orchestra, Polish National Radio Symphony Orchestra, Northern Chamber Orchestra, Oxford Schola Cantorum, , Stephen Gunzenhauser, Jeremy Summerly, Oliver Dohnanyi, Zdenek Kosler, Istvan Bogar, Gyorgy Lehel, Kenneth Jean, Antoni Wit, Nicholas Ward, Bohdan Warchal, Wolfgang Sobotka, Richard Hayman | |
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| |  | Prokofiev: Piano Concerto No. 3The Royal Festival Hall, London and Albert Hall, Nottingham-1967/1968
“The pianist is assured, athletic, and technically immaculate … Highly energized and flawlessly performed, this [Prokofiev] is an interesting reading that deserves the enthusiastic applause it receives” Fanfare, May/June 2010 “[Peter Katin’s playing] combines agility, poetry and character most impressively, as well as bristling with rhythmic life...the recorded sound is splendid – natural and full” International Record Review, April 2009 “[Peter Katin is] a splendid exponent, whose legerdemain is matched by an acute structural sense, and whose tonal qualities are laudable. The ensemble between pianist and orchestra is pretty solid. The piano’s treble sonorities against the high winds are a notably successful feature of a recording that in no small degree manages to bring some warmth to the hall’s acoustic.” MusicWeb International, May 2012 | | | Usually despatched in 4 - 5 working days. |
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| |  | Dvorak: Symphony No. 8The Albert Hall, Nottingham-13th February 1967
“[Košler’s] Tod und Verklärung gains in amplitude and expressive depth, Košler reserving the longest of lines for the work’s moving culminatory pages. Earlier he is plangent and the wind playing is notably communicative...This [Dvořák] is a considered but highly personal view of the symphony...“The recording has been well realised […] well balanced and well caught by the microphone” MusicWeb International, November 2011 “transparent textures, rhythms that are always animated as well as clear, an effortless handling of tempo changes and an acute sense of the bucolic character of the music [Dvořák]. Košler’s handling of the contrasting moods and speeds of the first movement is very effective, and the rest of the performance is on a similar level of excellence – the finale is particularly vibrant. The purposeful and direct account of the Strauss is an admirable coupling.” International Record Review, June 2012 | | | Usually despatched in 4 - 5 working days. |
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