Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Mendelssohn & Bruch: Violin Concertos
“These are strong and purposeful readings of the Mendelssohn and Bruch First Concertos, which Itzhak Perlman plays with brilliance, ease and assurance. The recording of the Bruch Second Concerto is of the very highest quality, enjoyable and superbly played.” Gramophone Magazine | 
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| |  | Ravel: Piano Music
Highly acclaimed perfomances of Ravel’s solo piano music (Jeux d’eau, Sonatine, Tombeau de Couperin) by one of the world ‘s most popular pianists. The Piano Concerto in G performed by Helene Grimaud, with the RPO and Lopez-Cobos, provides accomplished bonus material. The Thibaudet performances have not been commercially available since the1990s. “Elegant, precise, borderline dry, then suddenly warmed with sunshine, Thibaudet's Ravel is preferred to Grimaud's indulgent Piano Concerto in G. At least her Concerto finale sparkles.” BBC Music Magazine, December 2011 *** | | | In stock - usually despatched within 1 working day. |
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| |  | Villa-Lobos: Bachianas Brasileiras
Villa-Lobos: | Fantasia for Saxophone & Chamber Orchestra John Harle (soprano saxophone) Academy of St Martin-in-the-Fields, Sir Neville Marriner Guitar Concerto Angel Romero (guitar) London Philharmonic Orchestra, Jésus López-Cobos Mômoprecóce, fantasy for piano & orchestra, A. 240 Cristina Ortiz (piano) New Philharmonia Orchestra, Vladimir Ashkenazy String Quartet No. 6 Zoltán Székely, Denes Koromzay, Alexandre Moskowsky & Vilmos Palota Bachianas Brasileiras No. 1 for at least 8 cellos Royal Philharmonic Orchestra, Enrique Bátiz Bachianas Brasileiras No. 2 for orchestra Royal Philharmonic Orchestra, Enrique Bátiz Bachianas Brasileiras No. 3 for piano and orchestra Cristina Ortiz (piano) New Philharmonia Orchestra, Vladimir Ashkenazy Bachianas Brasileiras No. 5: Aria and Dança (Martelo) Victoria de los Angeles (soprano) Orchestre National de la Radiodiffusion Française, Heitor Villa-Lobos |
Villa-Lobos's colourful and immediately ear-catching music is full of the rhythms and sounds of Brazil. The haunting soprano theme of the fifth Bachianas Brasileiras is one of the best-known melodies of all time, and the carnival atmosphere at the end of Momoprecóce is suffused with Brazilian sunshine. | | | In stock - usually despatched within 1 working day. |
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Beverly Sills (Lucia), Luciano Pavarotti (Edgardo), Raymond Wolansky (Enrico), Simon Estes (Raimondo), Vahan Khanzadian (Arturo), Gwendolyn Jones (Alisa), John Duykers (Normanno) Orchestra and Chorus of the San Francisco Opera, Jesus Lopez-Cobos Recorded in San Francisco in 1972 | | | In stock - usually despatched within 1 working day. |
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Juan Diego Flórez stars as the musician and poet Orpheus in Gluck's mythical opera of love and loss. Following acclaimed performances at the Teatro Real in Madrid, Juan Diego Flórez records his first major opera role outside the bel canto repertoire, as he stars as Orphée in Gluck's most enduringly popular opera, sung in the original French of his 1774 Paris version. Includes the much-loved aria 'J'ai perdu mon Eurydice' ('Che faro senza Euridice') sung by Juan Diego Flórez, and the popular 'Dance Of The Blessed Spirits'. Eurydice is sung by rising Spanish soprano Ainhoa Garmendia, with soprano Alessandra Marianelli as L'Amour. The opera tells of the poet and musician Orphée who travels to the underworld in search of his wife Eurydice, on the understanding that he doesn't look at her until they are back on earth. When she misinterprets his distance, he is compelled to turn and face her, only to see her die a second time. Moved by the intensity of Orphee's devotion, L'Amour returns Eurydice to life once more as all ends happily. Twelve years after the Vienna premiere of his original Italian version, Gluck adapted his opera for Parisian audiences. Apart from the change of language, the most significant difference is that the central role, sung in the Italian version by a castrato, was rewritten for the particular kind of high tenor voice that French audiences adored. “Jesús López-Cobos conducts with great spirit, and the Teatro Real orchestra, woodwinds especially, feast on Gluck’s graceful ballet music, an enlarged feature of this Paris version. When he turns down the dazzle, Flórez himself in selected phrases becomes a tender pleasure.” The Times, 9th April 2010 *** “Needless to say, the quality of Florez's singing never falters for a second...From the opening scene he sings the most aristocratic of legato lines, which are a constant source of pleasure...The rest of the cast do not let him down. Ainhoa Garmendia makes a warmly sympathetic Eurydice, Alessandra Marianelli is a gleaming L'Amour.” Gramophone Magazine, June 2010 “Flórez's rapid vibrato and sweetness give the impression of gliding brightly above the music. His is an elegant, aloof Orpheus...Alessandra Marianelli's Amour is sparkling” BBC Music Magazine, June 2010 *** “It's one of [Flórez's] finest performances, sung with noble beauty...Dramatically, it takes him into new territory, revealing a genuinely tragic sensibility on the part of an artist we associate primarily with virtuosity and charm.” The Guardian, 13th May 2010 **** “Florez demonstrates that the music sounds thrillingly effective in this stirring upward transposition. He sings with power, lyrical elan and a wide range of dynamic...Lopez-Cobos conducts throughout with sensitivity and spirit” Penguin Guide, 2011 edition | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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Set in Egypt, Massenet's drama 'Thais' (1894) traces the ill-fated attempt of the monk, Athanaël, to rescue the soul of the celebrated Alexandrian courtesan, Thaïs. Though she is presently living with his wealthy friend Nicias, Athanaël persuades her to renounce her way of life and riches, but as she dies in the desert in a state of grace, he realises he has succumbed to her worldly charms and begs God for mercy. Renée Fleming triumphs as the glamorous courtesan Thaïs in Massenet’s romantic tragedy set in fourth century Alexandria and the Egyptian desert. The timeless struggle between earthly desire and spiritual redemption finally destroys the resolve of the monk Athanaël (Thomas Hampson), just as the newly penitent Thaïs ascends heavenward. Jesús López-Cobos gives a masterly performance of Massenet’s sensuous score, with concert master David Chan contributing a ravishing ‘Méditation’. The first Met staging in over 30 years of Massenet’s Thaïs is released on a starry DVD sure to win this beguiling French opera many new fans. Renée Fleming is Thaïs to the life. She sings Massenet’s taxing role with the utmost ease and beauty of tone while looking as glamorous as her famous predecessors. Fleming’s co-star is the great American baritone Thomas Hampson in the role of Athanaël, a part he sings and acts with mastery. Renée Fleming’s best-selling audio set of Thaïs was greeted by the Associated Press: “Fleming was in glorious voice, floating high pianissimos with ease, pouring out melting, creamy tone.” If anything, Renée Fleming’s DVD assumption is deeper, subtler, more touching The New York Times lauded Renée Fleming as a “vocally sumptuous and unabashedly show-stealing Thaïs”. If this is crime, opera needs more of it! Short bonus feature: “Backstage at the Met” with Plácido Domingo (7’52”). Filmed in High Definition. Renée Fleming’s costumes for this production were made by French designer Christian Lacroix. There is virtually no DVD competition on Thaïs. DURATION: 146 mins (opera) SUBTITLES: English, French (sung language), German, Spanish, Chinese PICTURE FORMAT: 16:9 (anamorphic widescreen), Colour, NTSC, Region code 0 (worldwide) SOUND FORMAT: LPCM Stereo & DTS 5.1 Surround (DVD) LPCM Stereo & DTS Master Audio Surround (Blu-ray) BONUS FEATURE: 'Backstage at the MET', presented by Plácido Domingo, featuring interviews with Fleming and Hampson “Renée Fleming is vocally splendid, positively caressing Massenet's ornate vocal line with luscious ease...Thomas Hampson is an appropriately grim Athanaël, boiling with sublimated lust.” BBC Music Magazine, May 2010 **** “Do you like fragrant kitsch? Then roll up for this enjoyable DVD of Massenet’s cocktail of sex and piety...Fleming’s creamy trills as the Egyptian courtesan who finds God are almost as luscious as her costumes, designed by the French fashion god Christian Lacroix.” The Times, 20th February 2010 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Live Recording from The Opéra National De Paris – Opéra Bastille 2002
Set Design and Costumes by Michael Levine Three stories of passionate affairs, lost loves and the illusions of an artist! Hoffman, a musician and poet, recounts his love for the automaton Olympia, the singer Antonia and the courtesan Giulietta. In his only grand opera, Offenbach created a fantasy-filled, dreamlike atmosphere. The opera, which culminates with the immortal „Barcarolle“ Belle nuit, ô nuit d‘amour „, is considered to be one the most successful in the French repertoire. Arthaus Musik presents a DVD of Robert Carsen’s celebrated staging of Les contes d’Hoffmann at the Opéra Bastille. The award-winning Canadian is one of the foremost opera directors of today, well known for his exquisitely crafted productions and the classic beauty of his opera interpretations. He first produced Les contes d’Hoffmann for the Opéra de Paris in March 2000, and because of its great success, this production returned to the stage in October 2002, when this DVD was recorded. The fi lm captures this vibrant staging, oscillating between the famous chorus scenes at Luther’s inn and the intimate moments of Hoffmann’s tragic tales. The great American singer-actors Neil Shicoff and Susanne Mentzer as Hoffmann and his friend Nicklausse lead through the three stories with highly versatile acting, while famous Welsh bass-baritone Bryn Terfel plays and sings the four evil characters with awe-inspiring conviction. The DVD also includes three interviews as bonus tracks. Running Time: 173 min
Picture Format: 16:9
Sound Format: PCM Stereo, Dolby Digital 5.1, DTS 5.1
Menu Languages NTSC: GB
Subtitle Languages NTSC: D, F, GB, I, SP
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| |  | Grieg & Goldmark: Symphonies
“Lopez-Cobos directs a refreshing and attractive reading” Penguin Guide | | | In stock - usually despatched within 1 working day. |
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| |  | Itzhak Perlman(Recorded 1983 & 1976)
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Few more radiant expressions of choral singing exist than the opening of Poulenc's Stabat Mater, with Dutoit's fine recording here restored to circulation and coupled with Lopez-Cobos conducting the energetic Gloria, also famous for its soprano solo. The coupling appears for the first time on CD: Bizet's Te Deum, the original LP coupling for the Gloria is a student work of the composer and is a rumbustious, thoroughly enjoyable choral/orchestral romp; moreover it is the only recording of the Te Deum currently available. | | | In stock - usually despatched within 1 working day. |
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