Sir Neville Marriner

Conductor

Sir Neville Marriner

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Barcarole: Favourite Orchestral Pieces

Barcarole: Favourite Orchestral Pieces


Bizet:

Carmen Suite No. 1: excerpts

Carmen Suite No. 2: excerpts

Godard, B:

Berceuse from Jocelyn

Gounod:

Concert Waltz (based on Faust)

Massenet:

Meditation (from Thaïs)

Offenbach:

Barcarolle (from Les Contes d'Hoffmann )

Rimsky Korsakov:

Flight of the Bumble Bee

Tchaikovsky:

The Seasons, Op. 37b: June (Barcarolle)

Polonaise (from Eugene Onegin, Op. 24)

The Nutcracker: Waltz of the Flowers


Sir Neville Marriner is one of the most versatile conductors of our time. Alongside his recordings of Baroque and Classical repertoire, he has also made a name for himself as an interpreter of Romantic orchestral music, as this compilation shows: it contains popular works from the highly colourful French and Russian repertoire, including new discoveries like Tchaikovsky's Barcarole, which can certainly hold a candle to the famous work of the same name by Offenbach, and the Berceuse by opera composer Benjamin Godard.

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Martin Stadtfeld plays Mendelssohn, Schumann & Bach

Martin Stadtfeld plays Mendelssohn, Schumann & Bach


Bach, J S:

St Matthew Passion, BWV244: Wir setzen uns mit tranen nieder

Cantata BWV147 'Herz und Mund und Tat und Leben': Jesu, bleibet meine Freude

Busoni:

‘Nun komm der heiden Heiland' (Bach BWV659)

Mendelssohn:

Piano Concerto No. 1 in G minor, Op. 25

Academy of St. Martin in the Fields, Sir Neville Marriner

Variations sérieuses in D minor Op. 54

Song without Words, Op. 62 No. 6 in A major 'Spring Song'

Song without Words, Op. 30 No. 6 in F sharp minor 'Venezianisches Gondellied No. 2'

Song without Words, Op. 85 No. 4 in D major

Song without Words No. 49 for Piano in D minor 'Horseman's Song'

Song without Words, Op. 67 No. 1 in E flat major

Song without Words, Op. 38 No. 2 in C minor

Song without Words, Op. 38 No. 6 in A flat major 'Duetto'

Song without Words, Op. 19b No. 1 in E major 'Sweet Remembrance'

Song without Words, Op. 67 No. 4 in C major 'Spinning Song' or 'Bee's Wedding'

Song without Words, Op. 53 No. 4 in F major

Schumann:

Erinnerung


Martin Stadtfeld (piano)

Martin Stadtfeld performs Mendelssohn, Schumann & Bach, with the renowned Academy of St. Martin in the Fields, under its founder, Sir Neville Marriner. This is the first Mendelssohn (1809-1847) disc from acclaimed, award winning German pianist Stadtfeld, who caused a stir in 2002, becoming the first German to win the 'International Bach Competition' in Leipzig. There are two CD's, with disc one being a x13 piece body of Mendelssohns work & then a bonus disc two containing x4 pieces of work, covering Schumann & Bach.

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Christmas with the Academy

Christmas with the Academy


Bach, J S:

Christmas Oratorio, BWV248: Sinfonia 'Hirtenmusik'

Berlioz:

L'Enfance du Christ, Op. 25 - L'Adieu des bergers

L'Enfance du Christ, Op. 25: Le Repos de la Sainte Famille

Church Bells – Past Three a Clock

O Come, All Ye Faithful

Dino Dong! Merrily on High

In the Bleak Midwinter

Once in Royal David’s City

Sussex Carol

Quelle est cette odeur agréable?

Il est né le divin enfant

Es ist ein Ros’ entsprungen

Stille Nacht

Still, still, still

Singt und klingt

The Holly and the Ivy

The Three Kings

Tomorrow Shall Be My Dancing Day

Away in a Manger

Christmas Song (Personent hodie)

In dulci jubilo

Jesus Christ the Apple Tree

Hark! The Herald-angels Sing – Church bells


Academy & Chorus of St. Martin in the Fields, Sir Neville Marriner

The story of the birth of Jesus more than two thousand years ago has been the source of inspiration for countless poets and musicians, as well as practitioners of other forms of art. The infant, born of a virgin in a lowly cattle shed, because there was no room in the inn; the angel of the Lord appearing to shepherds in the field and bringing them tidings of great joy; three kings, led by a star, bearing their precious gifts of gold, frankincense and myrrh: these are elements of the Gospel narrative which have rekindled the imagination of successive creative artists, providing a wealth of vocal and instrumental music with which to celebrate the festival of Christmas.

The music, which is sung and played today in Christian churches and in concert halls, spans several centuries and embraces many styles, ranging from elaborate works such as the Weihnachts-Oratorium (Christmas Oratorio) by Johann Sebastian Bach and L’enfance du Christ (The Childhood of Christ) by Hector Berlioz to simple hymns and carols.

With their typical clean, vital, buoyant style, Neville Marriner and the Academy bring a liveliness and joy to this selection, which begins and ends with the sound of church bells, and interweaves favourite carols with Christmas classics by Bach and Berlioz.

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Neville Marriner conducts Vivaldi & Bach

Neville Marriner conducts Vivaldi & Bach


Bach, J S:

Magnificat in D major, BWV243

Barbara Hendricks, Ann Murray, Jean Rigby, Uwe Heilmann, Jorma Hynninen, John Constable, Gavin McNaughton, Stephen Orton, Christopher Laurence, Celia Nicklin, Christine Messiter & Lenore Smith

Vivaldi:

Gloria in D major, RV589

ed. Malipiero

Barbara Hendricks, Ann Murray, John Constable, Gavin McNaughton, Stephen Orton, Christopher Laurence & Celia Nicklin


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Verdi: Oberto

Verdi: Oberto


Samuel Ramey (Oberto), Maria Guleghina (Leonora), Sara Fulgoni (Imelda), Violeta Urmana (Cuniza), Stuart Neill (Riccardo)

Academy of st. Martin in the Fields & London Voices, Neville Marriner

Studio recording, 1996

“Verdi's first opera is an uneven work but with some fine inventive passages within a Donizettian framework. This is a fine recording, though lacks theatrical atmosphere.” BBC Music Magazine, March 2013 ****

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Massenet: Ballet Suites

Massenet: Ballet Suites


Massenet:

Le Cid - Ballet music

Cendrillon (Ballet Suite)

Thaïs - Ballet music


Academy of Saint Martin in the Fields, Sir Neville Marriner

Most French operas from the middle of the 19-th century included ballets, as a lightweight intermezzo amidst the highly dramatic action of the opera. Jules Massenet was especially successful in the genre, and his ballet suites from his operas have surpassed the operas themselves in popularity. This CD contains the delightful and colourful suites from Le Cid,Thais and Cendrillon, evoking the atmosphere of the respective stories and fairytales of the operas.

Sir Neville Marriner and his Academy of St. Martin in the Fields perfectly capture the beauty, sensuality and drama of this immensely attractive music.

During the mid-19th century, it was traditional for all operas performed in Paris to have a ballet sequence inserted into one of their acts. One of the most prolific and celebrated opera composers of the era was Jules Massenet; this fantastic CD surveys ballet suites taken from three of his most popular works in the genre, all of which were written at the height of his career.

The release begins with one of Massenet’s most highly regarded compositions, the Le Cid suite of 1885. Based on the story of the Castilian nobleman Rodrigo, who was responsible for saving Spain through his defeat of the Moors, the work comprises a series of picturesque movements brimming with dance rhythms drawn from different regions, and is followed by the composer’s Cendrillon suite – a masterpiece of orchestral writing that draws its material principally from the Act 2 ball scene.

In the concluding suite, we move from Cendrillon’s fairy-tale enchantment to the spiritual Thaïs, which takes as its basis the tragic legend of a courtesanturned- saint and includes some of the French composer’s most sombre music. Although history has not taken kindly to all of Massenet’s operas, the suites heard here have remained enormously popular as concert pieces, testament to their quality and appeal. With Le Cid’s inventive use of percussion and Thaïs’s religious treatment of the organ, this collection abounds in colourful orchestration that recalls the grandeur of 19th-century Parisian opera. It’s an ideal purchase for the Romantic ballet connoisseur.

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Mozart: Airs Sacrés

Mozart: Airs Sacrés


Mozart:

Grabmusik, K42: Betracht dies Herz

Vesperae solennes de Domenica, K321: Laudate Dominum

Et incarnatus est (from Great Mass in C minor)

Agnus Dei (from Litaniae Lauretanae, K195)

Exsultate, jubilate, K165

Davide Penitente, K469 - Fra l'oscure, ombre funeste, Et incarnatus est

Vesperae Solennes de Confessore, K339: Laudate Dominum

Litaniae de venerabili altaris sacramento, K243

Agnus Dei (from Coronation Mass)


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Handel: Water Music

Handel: Water Music


Scarcely any other orchestra has made more of a name for itself with records of Baroque music than Academy of Saint Martin in the Fields under Neville Marriner. With Handel's "Water Music" it plays one of the great Baroque composer's best-known works as a festive score, at once resplendent and sublime.

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Haydn & Vivaldi: Cello Concertos

Haydn & Vivaldi: Cello Concertos


Haydn:

Cello Concerto No. 1 in C major, Hob. VIIb:1

Academy of St Martin in the Fields, Sir Neville Marriner

Cello Concerto No. 2 in D major, Hob. VIIb:2 (Op. 101)

Academy of St Martin in the Fields, Sir Neville Marriner

Vivaldi:

Cello Concerto in G major, RV413

English Chamber Orchestra, Pinchas Zukerman

Cello Concerto in G minor, RV417

English Chamber Orchestra, Pinchas Zukerman


Lynn Harrell (cello)

American cellist Lynn Harrell furnishes clear proof that Vivaldi's cello concertos are unfairly overshadowed by the famous "Four Seasons": these scores full of melodic elegance and virtuosity laid the foundation stone for the entire genre, which was then developed further by Joseph Haydn.

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Sir Neville Marriner & Academy of St Martin in the Fields

Sir Neville Marriner & Academy of St Martin in the Fields


Beethoven:

Grosse Fuge in B flat major, Op. 133

arr. Marriner. Royal Albert Hall, London, 25 August 1975

Britten:

Les illuminations, Op. 18

Royal Albert Hall, London, 12 August 1983

Anthony Rolfe-Johnson (tenor)

Handel:

Arrival of the Queen of Sheba (from Solomon)

St John’s Smith Square, London, 23 & 24 May 1974

Concerto grosso, Op. 6 No. 11 in A major, HWV329

St John’s Smith Square, London, 23 & 24 May 1974

Mendelssohn:

Symphony No. 4 in A major, Op. 90 'Italian'

Royal Albert Hall, London, 12 August 1983


The brainchild of Neville Marriner, the Academy of St Martin in the Fields was founded in 1959, quickly becoming an example of the highest level of chamber musicianship in Britain, paving the way for the revival of Baroque performances.

Described by Denis Stevens as owning ‘more sense of style than all the chamber orchestras in Europe’, the Academy made a prolific number of recordings over the years, becoming the most recorded chamber orchestra in the world.

Having taken conducting lessons from Pierre Monteux, Marriner became known for his rhythmic and precise style, and was responsible for the refined string sound for which the Academy became famous.

Marriner’s rendition of Mendelssohn’s ‘Italian’ Symphony is energetic and committed, yet sensitively communicated. Rolfe-Johnson’s Proms performance of Britten’s Les Illuminations took place at the height of his career. He performed at the world’s major opera chouses (the Royal Opera House, La Scala, The Met) and with major orchestras (New York Philharmonic, Boston Symphony Orchestra), recording mainly for Hyperion. This performance is utterly convincing.

Beethoven’s Große Fuge is a performance of Marriner’s own arrangement for chamber orchestra. Their recording of Beethoven 3 is described in the Penguin Guide as having the impression ‘of weight and strength, coupled with a rare transparency of texture and extraordinary resilience of rhythm’.

The ‘interpretive skill and musicianship’ of Marriner and the ASMF, his ‘superb ensemble’ are described in the Penguin Guide featuring Marriner’s recording of the Handel Concerti grossi on Decca.

This is the first DVD release of this material.

Picture format: 4:3

Running time: 86’

Subtitles: n/a

Menu languages: English

Booklet languages: E/F/G

Region code: 0

Territory Restrictions: None

“As the Academy of St Martin in the Fields continues on into its sixth decade...this collection provides a worthwhile reminder of its length of service and the range of its founder...Despite their use of modern instruments and vibrato, Academy of St Martin in the Fields's music-making here is clean and decisive, their unhurried account of the Arrivel of the Queen of Sheba spry and animated.” BBC Music Magazine, July 2012 ***

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