Sir John Pritchard

Conductor

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Arnold Cooke: Symphonies Nos. 4 & 5

Arnold Cooke: Symphonies Nos. 4 & 5


Cooke, A:

Symphony No. 4 in E flat

BBC Broadcast 15 January 1975. First performance. Live from the Royal Festival Hall

BBC Symphony Orchestra, John Pritchard

Symphony No. 5 in G

BBC Broadcast 17 July 1981

BBC Northern Symphony Orchestra, Bernard Keeffe


‘My music is mainly based on traditional procedures and principles … I do not have any particular theories of composition, just a natural inclination for it’. These clear and precise observations by Arnold Cooke (1906-2005 ) are indicative of a practical approach to his craft. During a long creative life he abstained discreetly from a battery of stylistic trends, including serialism, aleatoricism, minimalism, musique concrète and electronic music, and established single-mindedly a substantial canon notable for its unfaltering cogency and integrity. In his review of the BBC broadcast of Cooke’s Symphony no.4, Meirion Bowen commented that, ‘The format is entirely that of the traditional four movement symphony – crystal clear to follow, perfectly proportioned in the best academic traditions’. The score has a certain Brucknerian grandeur and it is a tribute to the closely-argued intensity of Cooke’s writing that he achieves this feeling of thematic opulence in a work which is roughly half the time span of an average Bruckner symphony.

Lyrita Itter Broadcast Collection - REAM1123

(CD)

$12.00

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Donizetti: Lucia di Lammermoor

Donizetti: Lucia di Lammermoor


Joan Sutherland (Lucia), Renato Cioni (Edgardo), Cesare Siepi (Raimondo), Robert Merrill (Enrico), Kenneth MacDonald (Arturo), Ana Raquel Satra (Alisa), Rinaldo Pelizzoni (Normanno)

Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, John Pritchard

Alto - ALC2025

(CD - 2 discs)

$10.50

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Great Scenes from Aida

Great Scenes from Aida

Decca Most Wanted Recitals Vol. 31


Verdi:

Ritorna vincitor! (from Aida)

Birgit Nilsson (Aida)

Orchestra of the Royal Opera House, Covent Garden, John Pritchard

Fu la sorte dell'armi a' tuoi funesta (from Aida)

Birgit Nilsson (Aida), Grace Hoffman (Amneris)

Orchestra of the Royal Opera House, Covent Garden, John Pritchard

Qui Radamès verrà!... O patria mia (from Aida)

Birgit Nilsson (Aida), Louis Quilico (Amonasro)

Orchestra of the Royal Opera House, Covent Garden, John Pritchard

Rivedrai le foreste imbalsamate (from Aida)

Birgit Nilsson (Aida), Louis Quilico (Amonasro), Luigi Ottolini (Radames)

Orchestra of the Royal Opera House, Covent Garden, John Pritchard

La fatal pietra sovra me si chiuse (from Aida)

Birgit Nilsson (Aida), Luigi Ottolini (Radames)

Orchestra of the Royal Opera House, Covent Garden, John Pritchard

Wagner:

Wesendonck-Lieder (5)

Birgit Nilsson (soprano)

London Symphony Orchestra, Colin Davis


Decca Most Wanted Recitals - 4808168

(CD)

$9.75

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Mozart: Le nozze di Figaro, K492

Mozart: Le nozze di Figaro, K492

Live Recording From The Glyndebourne Festival Opera, 1973


Knut Skram (Figaro), Ileana Cotrubas (Susanna), Kiri Te Kanawa (Countess Almaviva), Benjamin Luxon (Count Almaviva), Frederica von Stade (Cherubino), Marius Rintzler (Bartolo), Nucci Condo (Marcellina)

London Philharmonic Orchestra, Glyndebourne Chorus, John Pritchard (conductor) & Peter Hall (director)

Le nozze di Figaro, Mozart’s timeless opera buffa, is one of the greatest of all operatic masterpieces. It is based on Beaumarchais’ comedy Le Mariage de Figaro and tells the tale of the servant Figaro, who is about to marry the maid Susanna. Count Almaviva, keeping an eye on Susanna himself, tries to prevent this marriage with the help of Bartolo, the doctor, but is continually thwarted.

This classic 1973 production by legendary director Peter Hall features a cast of renowned opera singers lead by Kiri Te Kanawa as the Countess, arguably her finest role and certainly the role that made her an international superstar. Knut

Skram’s charming and charismatic take on the character of Figaro complements Ileana Cotrubas’ gentle Susanna, and also noteworthy is the outstanding performance by Frederica von Stade as Cherubino.

It is doubtless thanks to the supreme conductorship of John Pritchard that excellent singers, who perform even in supporting roles, provide a well-rounded ensemble performance. Pritchard had been associated to the Glyndebourne theatre since 1947, and he gradually took over to continue Fritz Busch’s initial work as a Choirmaster and Assistant.

Sound Format: PCM Stereo

Picture Format: 4:3

DVD Format: DVD 9 / NTSC

Subtitle Languages: IT (Original Language), GB, DE, FR, ES

Running Time: 185 mins

FSK: 0

“A straightforward production by Peter Hall and a near-ideal cast proves as completely satisfactory as I can imagine this perfect opera being.” BBC Music Magazine, July 2013 *****

“Skram, lithe of figure and firm of tone is very good...Te Kanawa sings the Countess with beautiful tone, clarity and phrasing...No wonder she was the outstanding exponent of the role in the last decades of the nineteen hundreds...Cotrubas, as ever, presents an appealing stage presence and acts well whilst singing with clear diction and expressiveness.” MusicWeb International, 25th June 2013

DVD Video

Region: 0

Format: NTSC

Summer Opera Sale

Arthaus Musik - 102301

(DVD Video)

Normally: $17.00

Special: $13.60

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Joan Sutherland Collector’s Album: Rare Broadcasts

Joan Sutherland Collector’s Album: Rare Broadcasts


Bononcini, G B:

Per la gloria d'adorarvi (from Griselda)

Richard Bonynge (piano)

Donizetti:

Confusa è l'alma mia (from Emilia di Liverpool)

1957

Royal Liverpool Philharmonic Orchestra, Liverpool Music Singers Group, John Pritchard

Madre, deh placati..Ah! di contento (from Emilia di Liverpool)

1957

with April Cantelo (soprano)

Royal Liverpool Philharmonic Orchestra, Liverpool Music Singers Group, John Pritchard

Handel:

Di, cor mio, quanto t'amai (from Alcina)

with Norma Procter (mezzo), Thomas Hemsley (tenor)

Capella Coloniensis, Ferdinand Leitner

Tornami a vagheggiar (from Alcina)

Capella Coloniensis, Ferdinand Leitner

Ombre pallide (from Alcina)

1959

Capella Coloniensis, Ferdinand Leitner

Haydn:

Si ti perdo amata sposa, Hob.XXIVb: B1

1956

Dennis Brain (horn)

Goldsborough Orchestra, Charles Mackerras

Horn, C E:

Cherry Ripe

Richard Bonynge (piano)

Mozart:

Exsultate, jubilate, K165

1959

Cologne Radio Symphony Orchestra, Alberto Erede

Rossini:

La fioraia Fiorentina

Richard Bonynge (piano)

La promessa

Richard Bonynge (piano)

Soirées musicales: L'orgia

Ernest Lush (piano)

Soirées musicales: La pastorella dell'Alpi

Richard Bonynge (piano)

Soirées Musicales: La gita in gondola

Richard Bonynge (piano)


Joan Sutherland (soprano)

“This collection of broadcast material shows Sutherland's amazing precision and tonal clarity” BBC Music Magazine, February 2013 *****

“The lively, refreshing Exsultate, jubilate, a piece Sutherland didn't record commercially, shows us the capabilities of this kind of voice...you rarely hear it sung so easily and freely, or with such bright, clear, full-bodied tone. Nor is the singing merely mechanical, or inexpressive. The phrasing is deft and shapely in the outer movements...and the central Tu virginum corona is serene.” MusicWeb International, April 2013

Alto - ALC1185

(CD)

$6.25

In stock - usually despatched within 1 working day.

Verdi: La Traviata

Verdi: La Traviata


Joan Sutherland (Violetta Valéry), Miti Truccato Pace (Flora Bervoix), Dora Carral (Annina), Carlo Bergonzi (Alfredo Germont), Robert Merrill (Giorgio Germont), Giorgio Germont (Gastone), Paolo Pedani (Barone Douphol), Silvio Maionica (Marchese d’Obigny), Giovanni Foiani (Dottore Grenvil), Angelo Mercuriali (Giuseppe), Tenero Meridionale (Domestico di Flora)

Orchestra e coro del Maggio Musicale Fiorentino, Sir John Pritchard

La Traviata – the ultimate opera of love and loss – is a great favourite of opera-goers. To coincide with Opera Australia’s Traviata production in the spectacular setting of “Opera on the Harbour”, Eloquence releases Joan Sutherland’s first recording of La Traviata, complete on 2 CDs. It is for many her greatest recorded portrayal of the doomed heroine Violetta. Her Alfredo is the ‘simply supreme’ (Gramophone) Carlo Bergonzi and Sir John Pritchard conducts a ‘most persuasive, well-balanced and well-timed account’ (Gramophone) of this magnificent opera.

Australian Eloquence - ELQ4806039

(CD - 2 discs)

$12.25

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Joan Sutherland: The Voice of the Century

Joan Sutherland: The Voice of the Century


Bellini:

Casta Diva (from Norma)

Recorded 1960

Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli

O rendetemi la speme...Qui la voce sua soave...Vien, diletto (from I Puritani)

Recorded 1960

Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli

Ah! non giunge uman pensiero (from La Sonnambula)

Recorded 1962

Orchestra del maggio Musicale Fiorentino, Richard Bonynge

Eccomi pronta...Deh, se un'urna (from Beatrice di Tenda)

Recorded 1962

London Symphony Orchestra, Richard Bonynge

Bizet:

Vasco da Gama: La marguerite a fermé sa corolle … Ouvre ton coeur

Recorded 1969

Orchestre de la Suisse Romande, Richard Bonynge

Coward, N:

This is a changing world (from Pacific 1860)

Recorded 1966

Richard Bonynge

Delibes:

Où va la jeune Indoue? 'Bell Song' (from Lakmé)

Recorded 1960

Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli

Donizetti:

Il dolce suono mi colpì di sua voce! … Spargi d'amaro pianto (from Lucia di Lammermoor)

Recorded 1962

Rinaldo Pelizzoni (Normanno), Cesare Siepi (Raimondo), Robert Merrill (Enrico)

Orchestra dell’Accademia de Santa Cecilia, Rome, John Pritchard

Pour ce contrat fatal...Salut à la France (from La fille du régiment)

Recorded 1967

Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge

Una parola…Chiedi all'aura (from L'elisir d'amore)

Recorded 1970

Luciano Pavarotti (Nemorino)

English Chamber Orchestra, Richard Bonynge

Da tutti abbandonata (from Maria Stuarda)

Recorded 1975

Luciano Pavarotti (Leicester)

Orchestra del Teatro Comunale di Bologna, Richard Bonynge

Figlio, e spento...Era desso il figlio mio (from Lucrezia Borgia)

Recorded 1978

National Philharmonic Orchestra, Richard Bonynge

Ancor non giunse...Torna, torna, o caro oggetto (from Rosmonda d’Inghilterra)

Recorded 1961; bonus track

Orchestre de la Suisse Romande, John Pritchard

Gounod:

Ah! Je veux vivre dans ce rêve (from Roméo et Juliette)

Recorded 1960

Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli

Ah! Je ris de me voir (from Faust)

Recorded 1960

Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli

Heuberger:

Gehen wir ins Chambre séparée (from Der Opernball)

Recorded 1966

New Philharmonia, Richard Bonynge

Lehár:

Wär' es auch nichts als ein Augenblick (from Das Fabriksmädel)

Recorded 1966

New Philharmonia, Richard Bonynge

Massenet:

De cet affreux combat…Pleurez, mes yeux ! (from Le Cid)

Recorded 1962

London Symphony Orchestra, Richard Bonynge

Offenbach:

Les oiseaux dans la charmille (from Les Contes d'Hoffmann)

Recorded 1969

Orchestre de la Suisse Romande, Richard Bonynge

Puccini:

In questa reggia (from Turandot)

Recorded 1972

Luciano Pavarotti (Calaf)

London Philharmonic Orchestra, Zubin Mehta

Rossini:

Bel raggio lusinghier (from Semiramide)

Recorded 1966

London Symphony Orchestra, Richard Bonynge

Strauss, J, II:

Nun's Chorus from Casanova

Recorded 1966

New Philharmonia, Richard Bonynge

Verdi:

È strano! è strano!...Ah! fors è lui...Sempre libera (from La Traviata)

Recorded 1960

Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli

Che! e segnar questa mano potrebbe l’onta mia (from Luisa Miller)

Tu puniscimi, o Signore … A brani, a brani, o perfido (from Luisa Miller)

Recorded 1963

London Symphony Orchestra, Richard Bonynge

È il sol dell'anima (from Rigoletto)

Recorded 1971

Luciano Pavarotti (Duca)

London Symphony Orchestra, Richard Bonynge

Caro nome (from Rigoletto)

Recorded 1971

London Symphony Orchestra, Richard Bonynge


Joan Sutherland (soprano)

In tribute to one of Decca’s very greatest artists, a 2-for-1 double jewel-case version of Dame Joan Sutherland’s classic ‘The Voice of the Century’ 2-disc compendium is now available for release. The track contents are identical those of the original hardback version of ‘The Voice of the Century’ (4757981), and include arias from Lucia di Lammermoor, La sonnambula, Norma, Lakmé, Semiramide, La Fille du Régiment, Turandot, and many more.

Presto Disc of the Week

18th October 2010

Decca - 4782542

(CD - 2 discs)

$13.50

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Donizetti: L'elisir d'amore

Donizetti: L'elisir d'amore


Ileana Cotrubas (Adina), Plácido Domingo (Nemorino), Geraint Evans (Dulcamara), Ingvar Wixell (Belcore), Lillian Watson (Giannetta)

Orchestra And Chorus Of The Royle Opera House‚ Covent Garden, Sir John Pritchard

L’elisir d’amore was the most frequently performed of Donizetti’s 65 operas during his lifetime and that popularity endures today. Donizetti believed that pathos was an essential element of comedy and in his witty and charming story of the love of the peasant

Nemorino for Adina, a farm owner, perfectly demonstrates this in Nemorino’s famous aria “Una furtiva lagrima.

Release includes a booklet with a three language synopsis [English / French / German], full cast list and detailed track list.

Sony - The Sony Opera House - 88697446442

(CD - 2 discs)

$14.25

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Donizetti: Lucia di Lammermoor

Donizetti: Lucia di Lammermoor

comes complete with a listening guide taking the listener on a journey through the opera's plot


Joan Sutherland (Lucia), Renato Cioni (Edgardo), Cesare Siepi (Raimondo), Robert Merrill (Enrico), Kenneth MacDonald (Arturo), Ana Raquel Satra (Alisa), Rinaldo Pelizzoni (Normanno)

Orchestra e Coro dell’Accademia Nazionale di Santa Cecilia, John Pritchard

Recorded in 1961

Decca - Double Decca - E4607472

(CD - 2 discs)

$13.00

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Mozart 225: Legendary Opera Performances

Mozart 225: Legendary Opera Performances


Mozart:

Ruhe sanft, mein holdes Leben (from Zaïde)

Durch Zärtlichkeit und Schmeicheln (from Die Entführung aus dem Serail)

Martern aller Arten (from Die Entführung aus dem Serail)

Fuor del mar ho un mar in seno (Idomeneo)

Torna la pace (from Idomeneo)

Non so più cosa son, cosa faccio (from Le nozze di Figaro)

Non piu andrai, farfallone amoroso (from Le Nozze di Figaro)

Voi che sapete (from Le nozze di Figaro)

Dove sono i bei momenti (from Le nozze di Figaro)

Deh vieni, non tardar (from Le nozze di Figaro)

La ci darem la mano (from Don Giovanni)

Or sai chi l'onore (from Don Giovanni)

Fin ch'han dal vino (from Don Giovanni)

Batti, batti, o bel Masetto (from Don Giovanni)

Deh! vieni alla finestra (from Don Giovanni)

Soave sia il vento (from Così fan tutte)

Ah, scostati!...Smanie implacabili, che m'agitate (from Così fan tutte)

Come scoglio (from Così fan tutte)

Dies Bildnis ist bezaubernd schön (from Die Zauberflöte)

O zittre nicht (from Die Zauberflöte)

In diesen heil'gen Hallen (from Die Zauberflöte)

Ah perdona al primo affetto (from La Clemenza di Tito)

Non più, tutto ascoltai - Non temer, amato bene, K490

Hier soll ich dich denn sehen (from Die Entführung aus dem Serail)

Wenn der Freude Tränen fließen (from Die Entführung aus dem Serail)

Se vuol ballare (from Le nozze di Figaro)

Non so più cosa son, cosa faccio (from Le nozze di Figaro)

Porgi amor (from Le nozze di Figaro)

Venite, inginocchiatevi (from Le nozze di Figaro)

Sull' aria che soave zeffiretto (from Le Nozze di Figaro)

La ci darem la mano (from Don Giovanni)

Dalla sua pace (from Don Giovanni)

Riposate vezzose, regazza (Don Giovanni)

Il mio tesoro intanto (from Don Giovanni)

Mi tradì quell'alma ingrate (from Don Giovanni)

La mia Dorabella capace non e' (from Così fan tutte)

È la fede delle femmine (from Così fan tutte)

Una bella serenata (from Così fan tutte)

Un'aura amorosa del nostro tesoro (from Così fan tutte)

Dies Bildnis ist bezaubernd schön (from Die Zauberflöte)

Bei Männern, welche Liebe fühlen (from Die Zauberflöte)

Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte)

Ein Mädchen oder Weibchen (from Die Zauberflöte)


Renée Fleming (soprano), Anna Prohaska (soprano), Cheryl Studer (soprano), Stephen Orton (cello), Kenneth Sillito (violin), Christine Messiter (flute), Celia Nicklin (oboe), Plácido Domingo (tenor), Luciano Pavarotti (tenor), Cecilia Bartoli (mezzo-soprano), Samuel Ramey (bass), Frederica von Stade (mezzo-soprano), Kiri Te Kanawa (soprano), Anna Netrebko (soprano), Bryn Terfel (bass-baritone), Margaret Price (soprano), Stuart Burrows (tenor), Sir Thomas Allen (baritone), Franz Bartolomey (cello obbligato), James Ellis (mandolin), Miah Persson (soprano), Christine Rice (mezzo-soprano), Dame Janet Baker (mezzo-soprano), Montserrat Caballé (soprano), Jonas Kaufmann (tenor), Sumi Jo (soprano), Kurt Moll (bass), Elina Garanca (mezzo-soprano), Irmgard Seefried (soprano), Wolfgang Schneiderhan (violin), Fritz Wunderlich (tenor), Hermann Prey (baritone), Tatiana Troyanos (mezzo-soprano), Gundula Janowitz (soprano), Mirella Freni (soprano), Edith Mathis (soprano), Cesare Siepi (bass), Hilde Gueden (soprano), Léopold Simoneau (tenor), Lisa della Casa (soprano), Anton Dermota (tenor), Suzanne Danco (soprano), Fernando Corena (bass), Walter Berry (bass), Leontyne Price (soprano), Ernst Haefliger (tenor), Dietrich Fischer-Dieskau (baritone), Lucia Popp (soprano), Tom Krause (baritone), Rita Streich (soprano)

Orchestra Of St Luke's, Chamber Orchestra Of Europe, Academy of St. Martin in the Fields, Metropolitan Opera Orchestra, Wiener Philharmoniker, Wiener Kammerorchester, London Philharmonic Orchestra, Orchestra dell'Accademia Nazionale di Santa Cecilia, Scot, Sir Charles Mackerras, Yannick Nézet-Séguin, Sir Neville Marriner, James Levine, Sir John Pritchard, György Fischer, Sir Georg Solti, Herbert von Karajan, Nikolaus Harnoncourt, Myung Whun Chung, Sir Colin Davis, Claudio Abbado, Ferdinand Leitner, Eugen Jo

Released or re-released in last 6 months

Decca Mozart 225 - 4831857

Download only from $16.75

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