Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Gerardo Gombau: Musica para solistas, coro y orquesta
Mariana Todorova (violin), Magdalena Llamas (mezzo-soprano), Carole Sidney Louis (soprano), Angel Iznaola (tenor), Carolina Martinez (mezzo-soprano), Joseba Carril (bass), Carmen Avila (soprano) Spanish Radio and Television Symphony Orchestra, Coro de Radio Television Espanola, Arturo Tamayo | 
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| |  | Clemens Gadenstätter: Portrait - dann glutrote sonne
The works of Clemens Gadenstätter are a wonderful example of how an analytical approach to the phenomenon of hearing may result in music that sincerely moves its listener. This production, entitled Portrait, represents a kind of screen capture of Gadenstätter’s work. “This portrait collection, including pieces composed before and after Comic Sense, only deepens the mystery of why no orchestra or ensemble has been tempted to explore his work...[Fluchten/Agorasonie I] recognisably belongs to the same vividly imagined, bravura soundworld as Comic Sense, creating a music that is exhilaratingly discursive.” The Guardian, 24th January 2013 **** | 
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| |  | Christoph Delz: Complete Works Vol.2
Delz: | Solde - Lecture d'apres Lautreamont, Op. 10a Basler Madrigalisten, Daniel Buess (percussion) Nocturnes (2) for piano and orchestra, Op. 11 Stefan Wirth (piano) Collegium novum Zurich, Peter Hirsch Joyce-Fantasie, Op. 13a Maria Wynston (soprano), Christoph Delz (harmonium), Gertrud Schneider & Thomas Bachli (pianos), Kammersprechchor Zurich Jahreszeiten, for piano and small orchestra, Op.12 Hermann Kretzschmar (piano) Ensemble Modern, Arturo Tamayo Kölner Messe Rottweiler Münstersängerknaben, Herbert Schernus Istanbul: Apotheose Tamriko Kordzaia (piano) Istanbul: Ein Nachmittag in Istanbul Tamriko Kordzaia (piano) Istanbul: Misterioso und Signatur Tamriko Kordzaia (piano) |
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| |  | Dillon, J.: Ignis Noster / Helle Nacht
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| |  | Petrassi: Piano Concerto
This CD is concerned with the origins of the musical identity of Goffredo Petrassi (1904-2003). The works date from the 'Partita' of 1932, which won a musician's union prize and was chosen to represent Italy in the ISCM in Amsterdam in 1933; to his orchestral suite 'La Follia di Orlando' from 1945. It represents an example from Petrassi’s relatively brief career of music for the stage. “[The Piano Concerto] is certainly sprawling, but it sprawls so gorgeously! One is drawn into its clangorous, exciting sound-world from the very first moment … lovingly played by Alberti and superbly accompanied by the RAI musicians under Tamayo’s assured direction, this is the star of the show here” International Record Review, September 2012 | | | Usually despatched in 3 - 4 working days. |
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| |  | Bruno Maderna: Complete Works for Orchestra Vol. 4
hr-Sinfonieorchester & Frankfurt Symphony Radio Orchestra, Arturo Tamayo Quadrivium was composed in 1969 and marks the beginning of Maderna’s final creative period, during which he wrote impressive and headstrong works for large symphonic forces. Aura was commissioned for the 80th anniversary of the Chicago Symphony Orchestra and was premiered in 1972. Amanda was written in 1966 and is uninhibited, cheerful and lyrical. “The performances under Arturo Tamayo are just what one wants, nicely detailed with a real confident sweep about them: the Frankfurt Radio Orchestra sound as if they've been playing this music all their professional lives.” The Guardian, 29th March 2012 **** “Tamayo makes most of Maderna's neat premise. The conductor walks through the orchestra, as if he's navigating pathways through the secret garden Maderna invokes in his title. If nothing different happened in sound there would be little point in going to such extremes; but Tamayo creates an illusion of three-dimensional sound” Gramophone Magazine, July 2012 | | | Usually despatched in 2 - 3 working days. |
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| |  | Bruno Maderna: Complete Works for Orchestra Vol. 3
HR-Sinfonieorchester & Frankfurt Radio Symphony Orchestra, Arturo Tamayo Bruno Maderna was one of the leading figures of Europe’s postwar avant-garde and was the embodiment of the free spirit. Ausstrahling was written for female voice, flute, oboe, orchestra and prerecorded tape (1971) and is a sort of journey through the literary and spiritual history of Persia. Boigramma is a work of contrast and retroflection, each section emphasizing different instruments. “Tamayo's ear for how the fragments inform the whole is on the button, and those glowing strings, and the soulful extended cor anglais solo, mean this is the Biogramma of choice” Gramophone Magazine, August 2011 | | | Usually despatched in 2 - 3 working days. |
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| |  | Bruno Maderna: Complete Works for Orchestra Vol. 1
Frankfurt Radio Symphony Orchestra, hr-Sinfonieorchester, Arturo Tamayo Bruno Maderna finished his first large-scale orchestral works in the 1950s. They were preceded by a series of chamber pieces he had written in the aftermath of World War II. The very plain titles – “Composition”, “Exercise”, “Improvisation” – bear witness to the creative place within which the music is situated | | | Usually despatched in 2 - 3 working days. |
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| |  | Bruno Maderna: Complete Works for Orchestra Vol. 2
hr-Sinfonieorchester & Frankfurt Radio Symphony Orchestra, Arturo Tamayo The five orchestral works in this comprehensive anthology have a common nucleus pointing to the core interests which Bruno Maderna pursued from 1954 to 1966: experiments with a post-serial harmonic vocabulary, and a search for dramatic structures. This CD includes Composition in Three Tempi, Concerto for Flute and Orchestra, Aria, Dimension III and Stele per Diotima. “The authority of Tamayo's direction, allied to the assurance of the Frankfurt Radio Symphony Orchestra and abetted by SACD sound that clarifies the densest passages, is a constant pleasure in itself.” International Record Review, July/August 2010 | | | Usually despatched in 2 - 3 working days. |
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| |  | Mestres Quadreny - Música orquestral I
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