Franz Welser-Möst

When it comes to shaping a musical event for the ears and the eyes, the monumental majesty of Anton Bruckner’s (1824–1896) symphonies and the exhilarating vibrancy of St. Florian’s monastery in Austria are a perfect match – especially when they are captured on film so thrillingly by such an eminent director as Brian Large.

The Fourth Symphony marks a major milestone in Bruckner’s attempt to establish a symphonic design suitable to sustain his innovative musical thought. Not surprisingly, the score was subjected to extensive revisions. The Fourth, in fact, represents the most convoluted revision history of all his symphonies – and this for a composer for whom variant editions of a work, often involving substantial changes, became the norm. The result is that the identification of the “authentic” final score that should be performed is a matter of ongoing debate for many of his symphonies – in particular the Fourth.

Franz Welser-Möst, the Music Director of The Cleveland Orchestra and General Music Director of the Vienna State Opera, is an acknowledged Bruckner specialist who has developed a passion for the composer’s Fourth Symphony – called the “Romantic” by its creator – in its infrequently played first edition (1888/89).

The Cleveland Orchestra, called the most European of America’s prestige formations, has been setting new standards in Bruckner interpretation for several years now through the “expertise” of Franz Welser-Möst, who “elicits a grandiose interpretation from his technically unsurpassable ensemble … It was an excellent concert … as anticipated.” (Austria’s leading daily, Die Presse).

Sound Format: PCM Stereo, DD 5.0, dts-HD Master Audio 5.0

Picture Format: 16:9, 1080i FULL HD

Running Time: 74 mins

Blu-ray Disc: 25 GB (Single Layer)

FSK: 0

"This was one of the most beautiful New Year's Concerts since Karajan and Kleiber. Franz Welser-Möst knows how the music of the Strauss-dynasty, the music of Lanner and Hellmesberger has to sound" Österreich on the 2011 NY Concert

Sony Classical is pleased to announce the release of the recording of one of the world’s most famous classical music events: the New Year’s Concert 2013 with the Vienna Philharmonic under the baton of celebrated conductor, Franz Welser-Möst. He returns to direct the 2013 celebrations after his acclaimed debut in 2011. Maestro Welser-Mőst is the former Music Director of the London Philharmonic Orchestra.

The annual New Year's Day Concert in the stunning Vienna Musikverein has been an exalted tradition for more than seven decades and the resulting recordings with works from the Strauss dynasty and their contemporaries are among the classical market's most important releases.

The concert will be broadcast on TV and radio to over 70 countries around the world with an estimate of more than 40 million viewers.

The programme traditionally revolves around waltzes and polkas by the Strauss family (Johann father and son as well as Josef and Eduard Strauss) whose music has enjoyed recent chart resurgence. The proven formula blends well-known classics with premieres of works that have never been performed before at the New Year´s Concert and the result is invariably both joyful and moving. The programme will remain a closely guarded secret until a few days before the event, but it can already be revealed that in 2013 the concert will include more premieres than ever before and probably some unexpected surprises. As is tradition, the concert will include the famous waltz The Blue Danube and the Radetzky March.

"This was one of the most beautiful New Year's Concerts since Karajan and Kleiber. Franz Welser-Möst knows how the music of the Strauss-dynasty, the music of Lanner and Hellmesberger has to sound" Österreich on the 2011 NY Concert

Sony Classical is pleased to announce the release of the recording of one of the world’s most famous classical music events: the New Year’s Concert 2013 with the Vienna Philharmonic under the baton of celebrated conductor, Franz Welser-Möst. He returns to direct the 2013 celebrations after his acclaimed debut in 2011. Maestro Welser-Mőst is the former Music Director of the London Philharmonic Orchestra.

The annual New Year's Day Concert in the stunning Vienna Musikverein has been an exalted tradition for more than seven decades and the resulting recordings with works from the Strauss dynasty and their contemporaries are among the classical market's most important releases.

The concert will be broadcast on TV and radio to over 70 countries around the world with an estimate of more than 40 million viewers.

The programme traditionally revolves around waltzes and polkas by the Strauss family (Johann father and son as well as Josef and Eduard Strauss) whose music has enjoyed recent chart resurgence. The proven formula blends well-known classics with premieres of works that have never been performed before at the New Year´s Concert and the result is invariably both joyful and moving. The programme will remain a closely guarded secret until a few days before the event, but it can already be revealed that in 2013 the concert will include more premieres than ever before and probably some unexpected surprises. As is tradition, the concert will include the famous waltz The Blue Danube and the Radetzky March.

Set Design by Rolf Glittenberg

A staging of Claude Debussy’s only completed opera, Pelléas et Mélisande, recorded live at the Zurich Opera House. The opera’s premiere in Paris in 1902 brought the new century to the stage. It came quietly, introducing a new female figure that provided the visual artists of l’art nouveau with a fascinating alternative to such femmes fatales as Oscar Wilde’s Lulu and Frank Wedekind’s Salome.

Debussy (1862-1918) adapted a dreamlike libretto by the Belgian playwright and poet, Maurice Maeterlinck (1862-1949) and in the music retained the symbolic quality of the mysterious, almost static fairytale. Conductor Franz Welser-Möst and director Sven-Eric Bechtolf have become one of the leading partnerships in contemporary music theatre. The characters are impressively enacted by Rodney Gilfrey and Isabel Rey in the title roles.

Occasionally placed in wheelchairs that hint at emotional as well as physical inadequacies and frequently doubled by puppets, Debussy’s protagonists are kept at a distance in their subconscious dream world. Franz Welser-Möst conducts a performance that is clear, well structured, unsentimental and attuned to the alertness and pioneering spirit of a score that even today has lost none of its radiance. The designer Rolf Glittenberg set the work in a remote operatic universe that is both greyish white and ice cold.

Sound Format: PCM Stereo, DD 5.0, DTS 5.0, dts-HD Master Audio 7.1

Picture Format: 16:9

Format: DVD 5 + DVD 9, NTSC

Subtitle Languages: FR (Original Language), GB, DE, IT, ES

Running Time: 161 mins

FSK: 0

Region Code: 0

Worldwide available, excluding Japan