Advanced Search

Composer:Work/title:
Artists:Format:
Label:Cat. Number:

There are 205 items matching your search criteria...

Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates.

Verdi: Requiem

Verdi: Requiem

Recorded live at the 1960 Edinburgh Festival


Joan Sutherland (soprano), Fiorenza Cossotto (mezzo), Luigi Ottolini (tenor), Ivo Vinco (bass)

Philharmonia Orchestra & Chorus, Carlo Maria Giulini

Both as a man and as a musician Giulini was often thought to be the very embodiment of elegance, in the the sense of someone to whom mannerliness, cultivated taste, and moral integrity mattered. This was true, yet as a rounded view of Giulini the man it takes insufficient account of the force of the fires banked up within. In his 1983 autobiography My First Forty Years Plácido Domingo wrote: ‘It would be difficult to find another musician with Giulini’s combination of gentleness and intensity. His music-making is extremely refined. Yet in [Verdi’s] ‘Dies irae’ he seemed to personify God the Father on the Day of Judgment. Not that he overacted or made pompous gestures: he simply became the music to a frightening degree. It was shocking to see someone who was so good and gentle demonstrate such power.’

It is said that in the ‘Dies irae’ Victor de Sabata would take the baton in both hands and bring it down like an executioner’s axe. Giulini’s baton motion in the ‘Dies irae’ was more like a scythe. In other places the beat was unusually expressive, a skill honed in the opera house where Giulini had worked with distinction during the 1950s. We can hear this in the way in which the singing of the tenor Luigi Ottolini (1925–2002) is so beautifully nursed, the phrasing exquisitely moulded. An accomplished tenor but never a big ‘name’, Ottolini was precisely the kind of soloist with whom Giulini liked to work in the Requiem. The bass Ivo Vinco (b.1927) and the mezzo–soprano Fiorenza Cossotto (b.1935) were also young singers near the start of their careers. (They were in fact husband and wife. They had married in 1958.)

The pairing of Cossotto and Joan Sutherland was another successful musical marriage. Sutherland had not exactly appeared from nowhere when she gave her now famous performances of the title role in Lucia di Lammermoor at Covent Garden in February 1959. London audiences had known how good she was since the mid–1950s. This Edinburgh performance was also a triumph for the Philharmonia Chorus and its director Wilhelm Pitz. Walter Legge had founded the chorus in 1957 as the choral complement to his already prestigious Philharmonia Orchestra. It had made its international festival debut the previous September singing Handel’s Messiah under Sir Thomas Beecham in Lucerne. Now it found itself in Edinburgh making its own distinctive contribution to a performance which one writer described as being ‘as near to perfection as I ever hope to experience’.

Released or re-released in last 6 months

Testament - SBT21494

(CD - 2 discs)

$17.00

In stock - usually despatched within 1 working day.

Verdi: Requiem

Verdi: Requiem

recorded live at the Salzburg Festival, August 1962


Leontyne Price (soprano), Giulietta Simionato (mezzo), Giuseppe Zampieri (tenor), Nicolai Ghiaurov (bass)

Berliner Philharmoniker, Singverein der Gesellschaft der Musikfreunde Wien, Herbert von Karajan

Verdi’s Messa da Requiem holds an interesting place in the history of music-making in Austro-Germany. It also holds an important place in the life and career of Herbert von Karajan, one of the most distinguished Verdi conductors to have emerged from that culture.

By the time the young Heribert Ritter von Karajan became acquainted with the work in Catholic Salzburg in the early 1920s, the Requiem had become an

accepted part of the musical landscape. It did not, however, feature at the Salzburg Festival until Karajan himself conducted the piece in a much talked about concert in the Festspielhaus in August 1949. Neither the event nor the acclaim it brought Karajan was much approved by Joseph Messner, Salzburg’s influential Director of Cathedral Music. Though Messner had condescended to include Rossini’s Stabat mater and Verdi’s Four Sacred Pieces in the ‘Concerts of Sacred Music’ which took place in Salzburg Cathedral every year at festival time, he clearly viewed Karajan’s Festspielhaus performance as a disturbing act of secularisation.

Karajan had first conducted the Requiem as a young assistant Kapellmeister in Ulm in 1933. Working with limited resources, he was said to have made a ‘daringly spectacular assault’ on the music. In 1934, the year Karajan moved to Aachen, Arturo Toscanini conducted a performance at the Vienna State Opera in memory of Austria’s Chancellor Dolfuß who had been murdered by the Nazis: a further indication of the degree to which the Requiem had become embedded within Austro-Germany’s musical culture.

Karajan conducted many landmark performances of the Requiem in his later years. Returning from serious illness, he conducted it at the 1976 Salzburg Easter Festival. Among the soloists was Montserrat Caballé whose breath control amazed even Karajan. And the Requiem was the last work he conducted with the Berlin Philharmonic shortly before his death in 1989.

Karajan loved the power of contemplation afforded by the human voice, hence his preoccupation with the ability of singers to sing quietly. Text also mattered and he worked assiduously on text with artists whom he admired. Equally important for him was the capacity of singers and the solo instrumentalists of his own incomparable Berlin Philharmonic to listen to one another. Such attributes were part and parcel of his ability to realise the spirit of Verdi’s Requiem through what, back in 1935, Dr Kemp had called ‘a peculiar kind of inner absorption’.

Extracts from booklet-notes by Richard Osborne.

“The four soloists are exceptionally full-bodied in tone, and each singer boasts the appropriate vocal weight for the music...The supreme achievement here belongs to Leontyne Price. One cannot properly appreciate the solo singing in this piece until one has heard her.” International Record Review, March 2014

Released or re-released in last 6 months

Testament - SBT1491

(CD)

$17.00

In stock - usually despatched within 1 working day.

Verdi: Requiem

Verdi: Requiem

Filmed at the Royal Festival Hall, London, 26 April 1964


Ilva Ligabue (soprano), Grace Bumbry (mezzo-soprano), Sandor Konya (tenor) & Raffaele Arié (bass)

Philharmonia Orchestra and Chorus, Carlo Maria Giulini

Lovingly restored, using the finest state-of-the-art technology, EuroArts’ series „Classic Archive“ features greatperformances by legendary artists, offering a unique glimpse into our classical musical heritage at an affordablemid-range price.

Legendary conductor and multi awarded Carlo Maria Giulini leads the superb Philharmonia Orchestra & Chorus in awonderful and dramatic performance of Verdi’s «Messa da Requiem» featuring performances by soprano IlvaLigabue, mezzo-soprano Grace Bumbry, tenor Sandor Konya & bass Raffaele Arie.

Picture format BLU-RAY DISC: 16:9 (Pillarbox) (B/W)

Sound format BLU-RAY DISC: PCM Mono on 2 Channels

Region code: All (worldwide)

Subtitles: English, German, French

Booklet notes: English, German, French

Running time: 90 mins

Released or re-released in last 6 months

Blu-ray Disc

Region: all

Ideale Audience International Classic Archive - 3079964

(Blu-ray)

$43.75

In stock - usually despatched within 1 working day.

Verdi: Requiem

Verdi: Requiem


Kristin Lewis (soprano), Violeta Urmana (mezzo-soprano), Piotr Beczala (tenor) & Ildar Abdrazakov (bass)

Choeurs de l'Opéra National de Paris & Orchestre de l'Opéra National de Paris, Philippe Jordan

In his magnificent Requiem, first heard in Milan in1874, Verdi brought all his dramatic genius to a sacred text. The chorus and orchestra of the Paris Opéra, under their music director Philippe Jordan, marked the composer’s bicentenary in 2013 with two performances of the work. Joining them was an impressive quartet of soloists: soprano Kristin Lewis, mezzo-soprano Violeta Urmana, tenor Piotr Beczala and bass Ildar Abdrazakov.

“The result was a performance on an elevated level,” wrote ForumOpéra. “The audience rose to its feet to acknowledge an interpretation that sought less to wake the dead than to pay them tribute. That was precisely Verdi’s intention when he originally decided to compose a Requiem to honour [the poet] Alessandro Manzoni ... Kristin Lewis’ voice blossoms to the full in the scores of Verdi’s maturity ... Her Aida was stunning, and [here] her sleek luminosity evoked the Nile (and Leontyne Price) ... Violeta Urmana was even throughout her range, with a generous middle register and sure top notes ... Piotr Beczala’s sculpted tone accommodated both nuance and restraint and .... Ildar Abdrazakov’s singing was ... filled with humanity ... his tone noble, cut from royal cloth.”

“at its best there's a heady, generous appeal to Urmana's heavy tone. More memorable is the commitment to text and expression from bass Ildar Abdrazakov, and tenor Piotr Beczala's technically impressive and highly sensitive vocalism: his impeccably stylish Ingemisco and hushed Hostias are the plums of the set.” BBC Music Magazine, February 2014 ***

Released or re-released in last 6 months

Erato - 9341402

(CD)

$17.00

In stock - usually despatched within 1 working day.

Verdi: Requiem

Verdi: Requiem

Recording Date: Hollywood Bowl, USA, 2013


Julianna Di Giacomo (soprano), Michelle DeYoung (mezzo), Vittorio Grigolo (tenor), Ildebrando D'Arcangelo (bass)

LA Philharmonic & LA Master Chorale, Gustavo Dudamel

Great cast with Gustavo Dudamel, Los Angeles Philharmonic Orchestra and Chorus, Ildebrando D´Arcangelo (Covent Garden, LA Opera, Salzburg Festival), Vittorio Grigolo (Covent Garden, Scala, MET), Michelle DeYoung (MET, Bayreuth, Scala), Julianna Di Giacomo (MET (LA Opera).

Bonus: Great bonus incl. interview with Gustavo Dudamel on the Messa da Requiem and Hollywood Bowl.

Subtitles: Lat, E, G, F, Sp, Chin, Kor, Jap.

Bonus: English (Original Language)

Sound Format DVD:PCM 2.0. dts 5.1

Picture DVD: 16:9, HD

“[D’Arcangelo] is an imposing vocal presence...He gives us some excellent Verdi singing, founded on rock-solid technique, and I warmed very much to his performance...[Di Giacomo] impressed me a lot...chorally and orchestrally this is a good Verdi Requiem. The solo team offers a mixed experience and the conducting has fire and flair.” MusicWeb International, 13th January 2014

“Dudamel favours broad tempi, an approach reinforced by his baton-less direction...he draws beautifully nuanced playing from his highly responsive orchestra and offstage trumpeters...The diction of the well-drilled Los Angeles Master Chorale is exemplary, with crisp enunciation, perfect tuning and unanimity of attack.” Gramophone Magazine, March 2014

“The performance is at its best in the contributions of the four soloists. US soprano Julianna Di Giacomo brings vibrant tone and plenty of personal commitment to the top line...DeYoung supplies consistently grand and consistently Italianate vocalism...Best of all is Ildebrando D'Arcangelo, whose firmness and authority make him a formidable exponent of the bass part.” BBC Music Magazine, April 2014 ***

Released or re-released in last 6 months

DVD Video

Region: 0

Format: NTSC

C Major - 714708

(DVD Video - 2 discs)

$33.50

In stock - usually despatched within 1 working day.

Verdi: Requiem

Verdi: Requiem

Recording Date: Hollywood Bowl, USA, 2013


Julianna Di Giacomo (soprano), Michelle DeYoung (mezzo), Vittorio Grigolo (tenor), Ildebrando D'Arcangelo (bass)

LA Philharmonic & LA Master Chorale, Gustavo Dudamel

Great cast with Gustavo Dudamel, Los Angeles Philharmonic Orchestra and Chorus, Ildebrando D´Arcangelo (Covent Garden, LA Opera, Salzburg Festival), Vittorio Grigolo (Covent Garden, Scala, MET), Michelle DeYoung (MET, Bayreuth, Scala), Julianna Di Giacomo (MET (LA Opera).

Bonus: Great bonus incl. interview with Gustavo Dudamel on the Messa da Requiem and Hollywood Bowl.

Subtitles: Lat, E, G, F, Sp, Chin, Kor, Jap.

Bonus: English (Original Language)

Sound Format Blu Ray: PCM Stereo, dts-HD MA 5.1

Picture Blu-ray: 1080i 16:9

“[D’Arcangelo] is an imposing vocal presence...He gives us some excellent Verdi singing, founded on rock-solid technique, and I warmed very much to his performance...[Di Giacomo] impressed me a lot...chorally and orchestrally this is a good Verdi Requiem. The solo team offers a mixed experience and the conducting has fire and flair.” MusicWeb International, 13th January 2014

“Dudamel favours broad tempi, an approach reinforced by his baton-less direction...he draws beautifully nuanced playing from his highly responsive orchestra and offstage trumpeters...The diction of the well-drilled Los Angeles Master Chorale is exemplary, with crisp enunciation, perfect tuning and unanimity of attack.” Gramophone Magazine, March 2014

“The performance is at its best in the contributions of the four soloists. US soprano Julianna Di Giacomo brings vibrant tone and plenty of personal commitment to the top line...DeYoung supplies consistently grand and consistently Italianate vocalism...Best of all is Ildebrando D'Arcangelo, whose firmness and authority make him a formidable exponent of the bass part.” BBC Music Magazine, April 2014 ***

Released or re-released in last 6 months

Blu-ray Disc

Region: all

C Major - 714804

(Blu-ray)

$43.75

In stock - usually despatched within 1 working day.

Verdi: Requiem

Verdi: Requiem

DSD recording, live at the Barbican January 2009


Sir Colin Davis's series of choral masterworks continues with Verdi's Requiem, a work that Sir Colin has been conducting for much of his long career. It is also his second recording of Verdi's late works for LSO Live, having previously conducted the Grammy Award-winning recording of Falstaff in 2004. He is joined by four superb soloists, three of whom have appeared on Sir Colin's previous LSO Live recordings. Christine Brewer was the superb Leonore on Sir Colin's acclaimed recording of Fidelio; Karen Cargill and John Relyea appeared on Berlioz' L'enfance du Christ and Benvenuto Cellini respectively.Appearing on his first LSO Live recording is the outstanding Verdi tenor Stuart Neill. The Requiem was recorded in January 2009 at concerts dedicated to Richard Hickox who had been President of the London Symphony Chorus and studied with Sir Colin before his own successful career. The 'Agnus Dei' was particularly moving [not to mention in tune, ed] with the female soloists having an obvious rapport. LSO Live has recently released recordings of Haydn's Creation and the St John Passion by James MacMillan conducted by Sir Colin. His award-winning recordings of Sibelius's symphonies will be released in the Autumn as a 5CD box set. Other future releases include Valery Gergiev's recordings of Bluebeard's Castle and Mahler Symphony No 5.

CONCERT REVIEWS:

"listen to the fire he generates, the wisdom, the precision and his grasp of the music's narrative … Davis located Verdi's heart right from the first bars. Whether sighing or seething, Joseph Cullen's massed troops were on exemplary form; I've not yet recovered from their full-throated onslaughts in the Dies Irae, delivered with cutting consonants and the heat of hellfire. What of the soloists? Here too we were blessed. Throughout, Davis shaped Verdi's tumult and song with the master's touch" The Times

"The greatest interpretations are often those where you are most conscious of the music and least aware of the conductor's will imposed on it. Such was the case with this remarkable performance … allowing us to experience to the full the nightmarish quality of Verdi's evocation of the Dies Irae, his deep compassion for the suffering, the flippant glory of the Sanctus, and the dreadful uncertainty with which the work closes" The Guardian

"When you are an octogenarian the prospect of another Requiem Mass might be regarded with some degree of circumspection. Unless, of course, you are Sir Colin Davis … Davis is still such a vigorous force for good in music: his clarity of purpose, his keen sense of weighting and rhythm (no one anchors music like he does), and his fervent love of great public utterances, make him the perfect candidate for big choral masterpieces … Quite marvellous" The Independent

“…Sir Colin conducts the Requiem with a judicious mix of fire and meditative calm; tempi never drag nor are they, in the reflective passages, metronome-quick. The work of the LSO Chorus is first-rate, as is that of the LSO itself.” Gramophone Magazine, October 2009

“Davis, first and foremost, sees the Requiem as being driven by unresolvable inner tensions and ­paradoxes...Davis creates a sense of almost unendurable emotional uncertainty by reminding us that consolation is ­repeatedly proffered, only to be whisked away.” The Guardian, 11th September 2009 ****

Super Audio CD

Format:

Hybrid Multi-channel

20% off LSO Live

LSO Live - LSO0683

(SACD - 2 discs)

Normally: $20.00

Special: $16.00

In stock - usually despatched within 1 working day.

Verdi: Requiem

Verdi: Requiem


Leontyne Price (soprano), Janet Baker (mezzo), Veriano Luchetti (tenor), José Van Dam (bass)

Chicago Symphony Chorus & Orchestra, Georg Solti

Sony Classical Masters - 88697705692

(CD)

$8.25

In stock - usually despatched within 1 working day.

Verdi: Requiem & Four Sacred Pieces

Verdi: Requiem & Four Sacred Pieces


Verdi:

Requiem

Elisabeth Schwarzkopf (soprano), Christa Ludwig (mezzo-soprano), Nicolai Gedda (tenor) & Nicolai Ghiaurov (bass)

Quattro Pezzi Sacri


Philharmonia Chorus & Orchestra, Carlo Maria Giulini

EMI Masters - 0852192

(CD - 2 discs)

$17.00

In stock - usually despatched within 1 working day.

Verdi: Requiem

Verdi: Requiem


Elena Filipova, Reinhild Runkel, Peter Dvorsky & Kurt Rydl

Philharmonischer Chor München & Munich Philharmonic Orchestra, Sergiu Celibidache

EMI Sergiu Celibidache Edition - 5578482

(CD - 2 discs)

$24.00

In stock - usually despatched within 1 working day.

Page: 

 1   2   3   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21 

 Next >>

Copyright © 2002-14 Presto Classical Limited, all rights reserved.