Portrait of the Artist as a Starved Dog: Madrigals by Cipriano de Rore

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Release Date: 8th Dec 2017
Catalogue No: GCDP32114
Label: Glossa
Length: 75 minutes

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Rore: L'ineffabil bontà del Redentore

Work length2:16

$1.00

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$1.75

Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

Verdelot: Queste non son più lagrime

Work length7:16

$2.00

$2.60

$3.50

Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

Morlaye: Non son io che pai' in viso

Work length2:09

$1.00

$1.30

$1.75

Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

Non son io che pai' in visio

Track length2:09

$1.00

$1.30

$1.75

Rore: Era il bel viso suo qual'esser suole

Work length4:35

$1.00

$1.30

$1.75

Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

Rore: Convien ch'ovunque sua sempre cortese

Work length4:41

$1.00

$1.30

$1.75

Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

Convien che ovunque sua sempre cortese

Track length4:41

$1.00

$1.30

$1.75

Rore: Come la notte ogni fiammella è viva

Work length2:35

$1.00

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$1.75

Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

Rore: Alcun non può saper

Work length2:41

$1.00

$1.30

$1.75

Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

Rore: L'inconstantia che seco han

Work length3:09

$1.00

$1.30

$1.75

Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

Rore: La giustitia immortale

Work length2:13

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Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

Rore: O morte eterno fin

Work length3:23

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$1.30

$1.75

Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

Rore: Se ben il duol (madrigal à 5 voix)

Work length5:28

$1.00

$1.30

$1.75

Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

Rore: Mia benigna fortuna (madrigal à 4 voix)

Work length7:28

$2.00

$2.60

$3.50

Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

Rore: Beato mi direi

Work length5:35

$1.00

$1.30

$1.75

Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

Rore: Poi che m'invita Amore

Work length5:33

$1.00

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$1.75

Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

Rore: Dissimulare etiam sperasti (motet sur un texte de Virgile)

Work length9:29

$2.00

$2.60

$3.50

Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

Rore: Se come il biondo crin de la mia Filli

Work length2:08

$1.00

$1.30

$1.75

Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

Rore: Mentre, lumi maggior

Work length4:32

$1.00

$1.30

$1.75

Lluís Coll i Trulls (cornet), Floris de Rycker (cetera)
Graindelavoix
Recorded: 22-25 June 2016
Recording Venue: Beaufays, Belgium

About
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About

The sixteenth-century madrigalist Cipriano de Rore perhaps remains something of a mystery figure in modern times, awaiting penetrating simplification and clarification. Rather than simplification, a new recording of selections from his expressive output from Björn Schmelzer and Graindelavoix, entitled Portrait of the artits as a starved dog, is more likely to yield illumination and fascination. That is Schmelzer’s way.

As with many Graindelavoix recordings on Glossa, the accompanying artwork in the CD booklet forms an integral part of the convincing performance (as does Schmelzer’s essay). Here, the imagery includes images by Albrecht Dürer and Hans Mielich, statues of Melpomene and Medusa, sculptures by Michelangelo, even a sardonyx cameo cup. A portrait of De Rore shows the inner likeness of the composer as being possessed of a manic madness or “furor divinus” and having the guise of an emaciated dog.

De Rore was born in Ronse – not that far from Schmelzer’s Antwerp – and, as well as probably being under the protection of Margaret of Parma, he travelled through Europe in the first half of the sixteenth century, notably to Ferrara. Regarded as a pivotal figure in the evolution of the madrigal, De Rore’s style developed significantly across his career and Graindelavoix’s programme gravitates from some of his settings of stanze from Ariosto’s epic poem Orlando furioso through to some of his later, much more radical madrigals. Also found on this recording is De Rore’s multi-voiced setting of Dido’s lament from Virgil’s Aeneid.

Portrait of the Artist as a Starved Dog

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