Richter: Te Deum 1781: Recorded at St. Martin´s Church, Luleč, 17-20 June, 2017

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Release Date: 16th Feb 2018
Catalogue No: SU42402
Label: Supraphon
Length: 49 minutes

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Richter, F X: Sinfonia No. 52 in D

Work length11:54

$3.15

$4.05

Czech Ensemble Baroque
Roman Válek

I. Presto assai

Track length5:19

$1.05

$1.35

II. Andantino e sempre piano

Track length3:46

$1.05

$1.35

III. Presto

Track length2:49

$1.05

$1.35

Richter, F X: Te Deum (1781)

Work length22:42

$9.45

$12.15

Czech Ensemble Baroque, Czech Ensemble Baroque Choir
Roman Válek

I. Te Deum laudamus

Track length2:43

$1.05

$1.35

II. Te gloriosus

Track length3:21

$1.05

$1.35

III. Patrem immensae majestatis

Track length1:09

$1.05

$1.35

IV. Tu Rex gloriae

Track length4:02

$1.05

$1.35

V. Te ergo quaesumus

Track length1:13

$1.05

$1.35

VI. Aeterna fac

Track length3:00

$1.05

$1.35

VII. Et rege eos

Track length1:22

$1.05

$1.35

VIII. Dignare Domine

Track length3:27

$1.05

$1.35

IX. In te Domine speravi

Track length2:25

$1.05

$1.35

Richter, F X: Oboe Concerto in F Major

Work length11:56

$3.15

$4.05

Luise Haugk
Czech Ensemble Baroque
Roman Válek

I. Allegro moderato

Track length4:56

$1.05

$1.35

II. Andante

Track length3:43

$1.05

$1.35

III. Vivace

Track length3:17

$1.05

$1.35

Richter, F X: Exsultate Deo

Work length3:10

$1.05

$1.35

Czech Ensemble Baroque, Czech Ensemble Baroque Choir
Roman Válek

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Nearly 1,000 kilometres separate Holešov, Moravia, from Strasbourg. Franz Xaver Richter’s professional journey started in Count Rottal’s court orchestra in Holešov and ended in the prestigious post of Kapellmeister at the Cathédrale Notre-Dame in Strasbourg. He is primarily known as one of the major representatives of the renowned Mannheim School, with his “trumpet” Sinfonia No. 52 in D being a typical example of the late Mannheim form. The grandiose Te Deum, featured on the present album, is Richter’s second setting of the hymn and was first performed in 1781 in Strasbourg, during the celebrations marking the centenary of the city’s coming under French administration. Along with the motet Exsultate Deo, the piece falls within the composer’s vocal-instrumental oeuvre, which has yet to be explored (and, just as in the case of Jan Dismas Zelenka’s music, contains many unexpected twists and turns). The virtuoso, engrossing and masterfully balanced Oboe Concerto with the original cadenzas represents Richter’s concertante style. Following their premiere recordings of Richter’s Requiem and the Passion oratorio La Deposizione dalla croce di Gesù Cristo, the present Czech Ensemble Baroque album maps another part of the remarkable 18th–century composer’s work. Newly discovered gems from Franz Xaver Richter’s undeservedly overlooked oeuvre.

Offer,Richter: Te Deum 1781

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