Schumann, Brahms, Mahler - Lieder - Decca: 4832335 - download

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Fleming’s delightful selection of Brahms songs and Schumann’s Frauenliebe und-leben aren’t presented with the folk-like simplicity one might expect. This approach is suffused with late Romanticism,... — BBC Music Magazine, September 2019, 4 out of 5 stars (Performance) / 3 out of 5 stars (Recording) More…

Release Date: 14th Jun 2019
Catalogue No: 4832335
Label: Decca
Length: 61 minutes

Opus Klassik Awards

2020

Nominee - Female Singer of the Year

This release includes a digital booklet

Decca - Hi-Res Downloads at MP3 Prices

Special offer ends: 12/06/2024

Brahms: Wiegenlied, Op. 49 No. 4 (Lullaby)

Work length2:04

$1.10

$1.50

$2.05

Renée Fleming (soprano), Hartmut Höll (piano)
Recorded: 2017-01-20
Recording Venue: Italian Institute of Culture, Budapest

Excerpt, Brahms: Lieder (5), Op. 106

Work length1:37

$1.10

$1.50

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Renée Fleming (soprano), Hartmut Höll (piano)
Recorded: 2017-01-20
Recording Venue: Italian Institute of Culture, Budapest

1. Ständchen "Der Mond steht über dem Berg"

Track length1:37

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Excerpt, Brahms: Gesänge, Op. 70 Nos. 1-4

Work length2:48

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Renée Fleming (soprano), Hartmut Höll (piano)
Recorded: 2017-01-20
Recording Venue: Italian Institute of Culture, Budapest

2. Lerchengesang

Track length2:48

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Brahms: Mondnacht, WoO 21

Work length2:37

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Renée Fleming (soprano), Hartmut Höll (piano)
Recorded: 2017-01-20
Recording Venue: Italian Institute of Culture, Budapest

Excerpt, Brahms: Neun Gesänge, Op. 69

Work length2:42

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Renée Fleming (soprano), Hartmut Höll (piano)
Recorded: 2017-01-20
Recording Venue: Italian Institute of Culture, Budapest

4. Des Liebsten Schwur

Track length2:42

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Excerpt, Brahms: Gesänge, Op. 43 Nos. 1-4

Work length4:17

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Renée Fleming (soprano), Hartmut Höll (piano)
Recorded: 2017-01-20
Recording Venue: Italian Institute of Culture, Budapest

2. Die Mainacht

Track length4:17

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Brahms: 49 Deutsche Volkslieder, WoO 33 - Book I

Work length2:20

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Renée Fleming (soprano), Hartmut Höll (piano)
Recorded: 2017-01-20
Recording Venue: Italian Institute of Culture, Budapest

6. Da unten im Tale

Track length2:20

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Excerpt, Brahms: Romanzen und Lieder Op. 84

Work length1:49

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Renée Fleming (soprano), Hartmut Höll (piano)
Recorded: 2017-01-20
Recording Venue: Italian Institute of Culture, Budapest

4. Vergebliches Ständchen

Track length1:49

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Schumann: Frauenliebe und -leben, Op. 42

Work length23:06

$8.80

$12.00

$16.40

Renée Fleming (soprano), Hartmut Höll (piano)
Recorded: 2017-01-20
Recording Venue: Italian Institute of Culture, Budapest

1. Seit ich ihn gesehen

Track length2:22

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2. Er, der Herrlichste von allen

Track length3:09

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3. Ich kann's nicht fassen, nicht glauben

Track length1:43

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4. Du Ring an meinem Finger

Track length3:25

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5. Helft mir, ihr Schwestern

Track length1:48

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6. Süsser Freund, du blickest mich verwundert an

Track length5:05

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7. An meinem Herzen, an meiner Brust

Track length0:58

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8. Nun hast du mir den ersten Schmerz getan

Track length4:36

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Mahler: Rückert-Lieder

Work length17:52

$5.50

$7.50

$10.25

Renée Fleming (soprano)
Münchner Philharmoniker
Christian Thielemann
Recorded: 2010-10-24
Recording Venue: Gasteig, München

1. Ich atmet' einen linden Duft

Track length2:25

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2. Liebst du um Schönheit (Arr. Puttmann)

Track length2:29

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3. Um Mitternacht

Track length5:03

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4. Blicke mir nicht in die Lieder

Track length1:18

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5. Ich bin der Welt abhanden gekommen

Track length6:37

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About
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About

4-time Grammy winner Renée Fleming presents her first full-length Lieder album for almost two decades.

Release to coincide with her London stage debut in The Light in the Piazza at the Southbank Centre.

A selection of favourite songs from Brahms, Schumann and Mahler, featuring Brahm’s Lullaby .

Features a breathtaking performance of Mahler’s Rückert Lieder with Christian Thielemann and the Munich Philharmonic.

Reviews

September 2019

Fleming’s delightful selection of Brahms songs and Schumann’s Frauenliebe und-leben aren’t presented with the folk-like simplicity one might expect. This approach is suffused with late Romanticism, with full singing and rich characterisation. It’s generous and heartfelt singing, playful, flirtatious and dramatic by turn, but for me, a touch over-egged…Fleming’s Rolls-Royce voice is perfectly matched by Mahler’s opulence in his sublime Rückert-Lieder.

August 2019

Her performances can never be doubted for their diligence and honesty, while the voice…still has plenty of that trademark beauty, especially at the top…But the soprano’s glamorous, cookies-and-cream approach often sits uncomfortably with the more homely aesthetic of these songs with piano…All in all, this is probably one primarily for Fleming fans.

28th July 2019

[The album] finds her in fresh voice at the age of 60. Mahler’s Rückert-Lieder are usually mezzo territory, but her rich soprano sounded near its peak at a Thielemann-conducted concert in 2010.

Offer,Schumann, Brahms, Mahler - Lieder

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