Born from a meeting that happened between Philip Glass and flutist James Strauss in 2011, Venezuelan Elegy is a celebration of music, of collaboration, and the triumph of the artistic sprit while the tragedy of world events as they unfold around artists creating it. When meeting Strauss in 2011, Glass encouraged him to arrange his music for flute and chamber orchestra. Despite being a flutist by training, and playing flute himself until the age of 30, Glass has not written extensively for his instrument. For Strauss, this has always been a frustrating situation since he wanted to perform Glasss music with orchestras. So Strauss set about arranging Glasss music for flute an ensemble including two major works: a large suite from Glasss opera Orphée, Glasss Violin Concerto No. 1, as well as selections from Metamorphosis, The Hours, and Glassworks. Despite the title, Venezuelan Elegy is not a somber album at all. Its a boisterous celebration of music and life. Glass spent many summers in South America and not a year has gone by that he doesnt visit. Starting in 2016, Strauss moved to Venezuela right at the time that political troubles were coming to a head. He had great collaborations with the young musicians who are still emerging from the El Sistema music program there. The result is a beautiful album full of love, hope, and pathos. Performed by James Strauss and the Camerata Simon Bolivar under the direction of Alfonso Lopez Ch.
