Los Ecos de Manzanares: Canzionero de la Sablonara, 17th Century Spain

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Release Date: 14th Feb 2020
Catalogue No: 95978
Label: Brilliant Classics
Length: 60 minutes

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Diaz, G: Barquilla pobre de remos (Little Boat, Short of Oars)

Work length4:32

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$1.30

Boz Galana, La

Diego Gómes: En el valle del ejido

Work length4:26

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Boz Galana, La

Rios: Sin color anda la niña (Palely Goes the Young Girl)

Work length3:56

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Boz Galana, La

Guillherme Barroso: Folías (After a. De los Rios)

Work length4:33

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Louis Capeille (double harp), Guillherme Barroso (baroque guitar)

Rios: Pajarillos suaves

Work length4:05

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Boz Galana, La

Romero, M: Bullicioso y claro arroyuelo (Babbling and Crystal Stream)

Work length3:09

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Lore Agustí (soprano), Sebastián León (baritone), Guillherme Barroso (baroque guitar)

Castro, Juan de: Desde las torres del alma (Since the Towers of the Soul)

Work length3:52

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$1.30

Boz Galana, La

Clavijo del Castillo: Tiento Ileno de segundo tono

Work length4:01

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Louis Capeille (double harp)

Romero, M: Ricos de galas y flores (Riches of Finery and Flowers)

Work length2:49

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$1.30

Boz Galana, La

Miguel de Arizo: Vistióse el prado galán

Work length3:39

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Boz Galana, La

Castro, Juan de: Ya no les penso pedir

Work length4:13

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Boz Galana, La

anon.: De tu vista celoso (Suspicious of you Look)

Work length2:12

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Boz Galana, La

De tu vista celoso [Cancionero de la Sablonara, 17th century]

Track length2:12

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$1.30

Coelho: Susana grosada

Work length5:41

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$1.30

Boz Galana, La

Joan Pau Pujol: Llamaban los pajarillos

Work length2:58

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Boz Galana, La

Romero, M: Romerico florido

Work length3:06

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Boz Galana, La

Romero, M: Fatigada navecilla

Work length3:12

$1.00

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Boz Galana, La

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• The Cancionero de la Sablonara is a collection made up of 75 polyphonic songs composed for the Royal Court of Madrid during the first two decades of the 17th century. The manuscript is named after Claudio de la Sablonara, copyist and archivist of Madrid’s Royal Chapel. Today the manuscript is kept in the State Library of Bavaria, which is why it is also called the Cancionero de Múnich.

• The repertoire contained in this book consists of secular polyphonic songs. These pieces represent the greatest Spanish profane vocal music of the period and were composed by some of the most brilliant musicians active in the Madrid court. Many of the texts on which they were composed were written by distinguished poets of Spain’s Golden Age, such as Lope de Vega, Luis de Góngora and Francisco de Quevedo. The style of the music is representative of the transition from Renaissance polyphony to the new Baroque style.

• Performed by the Early Music group La Boz Galana, specialized in the music from the Spanish Renaissance and Baroque.

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