Sentirete una canzonetta: Musical ‘Affetti’ of the Renaissance & Baroque

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Release Date: 30th Sep 2016
Catalogue No: TC580002
Label: Tactus
Length: 60 minutes

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Enrico Antonio Radesca: Santì la bell'istoria

Work length1:54

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In Tabernae Musica

Giuseppino del Biabo: Fuggi, fuggi, fuggi

Work length3:58

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In Tabernae Musica

Falconieri: Libro primo di Villanelle

Work length2:02

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In Tabernae Musica

Begli occhi lucenti

Track length2:02

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anon.: Ciaccona

Work length1:30

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In Tabernae Musica

anon.: Cecona

Work length1:44

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In Tabernae Musica

Enrico Antonio Radesca: Sy vos pretendeys

Work length3:15

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In Tabernae Musica

Sances: Usurpator tiranno

Work length5:54

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In Tabernae Musica

Frescobaldi: Canzoni, Book 1

Work length2:43

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In Tabernae Musica

Canzon seconda à due canti, F. 8.11b

Track length2:43

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Perugia, T: Sta pur ben nostro bel fusto

Work length2:22

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In Tabernae Musica

Sances: Cantade

Work length3:47

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In Tabernae Musica

Accenti queruli

Track length3:47

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Calestani: Madrigali et arie

Work length2:10

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In Tabernae Musica

Damigella tutta bella

Track length2:10

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anon.: Monicha

Work length4:10

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In Tabernae Musica

Merula: Folle e ben che si crede

Work length5:22

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In Tabernae Musica

Possenti: De' miei preghi tutt'altra

Work length3:28

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In Tabernae Musica

Falconieri: O bellissimi capelli

Work length3:09

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In Tabernae Musica

Mainerio: 5 Dances

Work length3:18

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In Tabernae Musica

No. 3, Schiarazula marazula

Track length3:18

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Monteverdi: Si dolce è'l tormento (from Libro Nono di Magrigali e Canzonette)

Work length5:49

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In Tabernae Musica

Merula: Curtio precipitato et altri capricii, Book 2, Op. 13

Work length4:08

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In Tabernae Musica

Sentirete una canzonetta

Track length4:08

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About
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About

In practical terms, we might imagine we are taking a walk in a street of an Italian city, at the beginning of the seventeenth century. Our gaze and our attention are attracted by a series of musical objects that come from different backgrounds: each, in its own way, relates and represents a different possible interaction between man and music, between the needs of the former and the function of the latter. So the musical content of this CD presents a cross-section of the typical aesthetic features and diversified representative expressions that were most appreciated by the public during the late Renaissance and early Baroque. The idea of the opposition between thesis and antithesis became the driving force of an astonishing creativeness. Ciaccone, passacaglie, canzonette, villanelle and various dances were the synthesis of an ardent, sparkling musical and social energy. The style of the ensemble’s performance stems chiefly from the study of the iconographic sources, from which there emerges an artistic production that is targeted not exclusively at the educated class, but also, and above all, at the people: the practice of music was enjoyed in the streets, houses and taverns, and often depicted in joyful, sensual, lewd attitudes. Precisely in those places where there was no etiquette, music became an “art form” and a mirror of the period, perhaps in a more complete, genuine way than it did elsewhere.

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